Wood Art

Francisca Sutil is a Chilean painter known for her research of the chromatic surface, the nature of the support and the study of textures and materials that she prepares herself. Born in Santiago de Chile in 1952, she moved to New York where she received an M.F.A. from Pratt Institute in 1981. Since 1992, Sutil has lived and worked in Santiago. Sutil’s work is characterized by its superb construction and unique contemplative qualities. When approaching her paintings, the viewer is immediately captivated by the textures and hues. She proposes a rigorous exercise of painting on support, regardless of its material composition, in search of pictorial depth. It is a mental process from which a neat and pure chromatic production emerges. Intending no specific content in her paintings, she instead asks viewers to respond openly and honestly to her abstractions. She uses her work to provoke emotions and sensations, and in turn, encourages reflection, meditation and lasting thoughts and memories...

ELIZABETH WAGGETT A Universal Acknowledgement, 2023 Signed by artist Oil on linen 80 x 56 inches, framed This piece is unique. This piece is currently on display at Art Angels in Lo...

Greek mythology records the Three Graces, considered the fairest daughters of Zeus and Eurynome, as representatives of the blessings of nature. Followers believed that each spring, their fertility dance caused seeds to sprout and flowers to bloom. On another creative level, the young goddesses were believed to influence artistic achievement. While Boticelli’s expression of the soft, linear forms inherent in the Three Graces influenced the rebirth of classical mythology, Richard MacDonald is inspired to foster the renaissance of figurative art with his own interpretation of “grace.” Employing the classical tradition of undulating lines, precise contour and soft, fair forms, MacDonald created first his masterpiece “The Three Graces” followed by an exploration into the personae of each of the three sisters, Agalia, Euphrosyne and Thalia. In "The Gathering of the Graces...

"All You Need is Love" is a bronze sculpture from an edition of 25. The work is signed and numbered by the artist. Leon Bronstein's work is inti...

Genevieve Hamel Our Heroes Digital Print after White Colored Pencil on Wood Panel Year: 2021 Image Size: 7x5in Size: 14x11in Edition: 25 Signed, inscribed and numbered by hand COA pr...

Signed and numbered in pencil on mount recto Gelatin silver print Image 10" x 13 1/4", mount 16" x 20", matted 16" x 20" Edition 26 of 100

Titled on recto. Vintage albumen print Image 9 x11", Paper 9x11"

Signed, titled, dated, stamped by artist Platinum/Palladium Print Image 22"x26", Mat 29"x34" Edition 1 of 9

Horsetails and Log, 1957 (Printed before 1965) Signed in pencil on recto, titled and dated on verso Silver gelatin print Image - 7.5"x9.5", Mount - 13"x15", Matted - 16"x20"

Other sizes and price on request. Available in 80 x 120 cm as well. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous co...

Erica Larkin Gaudet has been fabricating sculptural work for over 30 years. By forging, welding, applying patinas and leafing, she creates ethereal...

Erica Larkin Gaudet has been fabricating sculptural work for over 30 years. By forging, welding, applying patinas and leafing, she creates ethereal...

Catedral del Tango Buenos Aires, Argentina, 2013 126 x 250 cm Edition size: 12 Light jet, exposure on high glossy paper and aluminum dibond Framed with tulipwood, distance fra...

Richard Orlinski Mickey Mouse - Mick Blue 55.1 x 38 x 24 inches Resin Sculpture Edition of 8 Signed and numbered by artist Currently on display at Art Angels Los Angeles

Signed by the photographer

“The glass baby, filled with light, sits before us like a god. It is the Existence as a prayer for the future.” -Koichi Matsufuji Matsufuji has long been interested in the materiali...

“The glass baby, filled with light, sits before us like a god. It is the Existence as a prayer for the future.” -Koichi Matsufuji Matsufuji has long been interested in the materiali...

Rubem Robierb Dream Machine, Bronze Chrome 29.25 x 43 x 8.75 inches, Edition of 8 Resin sculpture dipped in Gold Chrome Pigment with concrete base Signed...

A Nude Model cuddles into a hollow Tree Trunk in the shape of a heart, photographed by Ellen von Unwerth in 2015 for her Heimat Series. All prints are limited edition. Available in...

Acrobat Family is an original artwork realized by Arturo Martini in 1936. Bronze sculpture with wooden base. Provenance: Pecci Blunt Collection. Published in the general catalogue...

Landscape Prints, Colorful Art Photography, Rock Photography-Vertical Pitch ABOUT THIS PIECE: "Vertical Pitch" was part of a landscape series shot in Patagonia. This photography pr...

With her HEIMAT series, Ellen von Unwerth gives small insights into her childhood homeland of Bavaria. Amid stunning scenery and charming traditions - her signature style of photogra...

With her HEIMAT series, Ellen von Unwerth gives small insights into her childhood homeland of Bavaria. Amid stunning scenery and charming traditions - her signature style of photogra...

Signed and dated (at lower right): MOORE 12

'Relaxing Dancer' by Benson Landes is a stunning 21st Century Solid Bronze Nude Figurative Ballet Dancer. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory now owned by his father. After his marriage to Ruth at 21, in an effort to provide for his new wife, Benson decided to set up his own business. Starting with a single sewing machine and tailoress, Benson and Ruth soon expanded the business. By the 1970s they employed over 50 staff and supplied to prestigious stores such as Dickens & Jones and Harrods. As the decade progressed, however, fashion turned towards less structured, more casual garments; a trend that prompted Benson to retire and spend time with his first love, sculpture. Buoyed by the liberty he enjoyed in his studio, Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies...

Tolla Inbar, My first book, bronze sculpture, International artist, Israeli artist, Figurative sculpture, art

Tolla Inbar, My first book, bronze sculpture, International artist, Israeli artist, Figurative sculpture, , art

Tolla Inbar, Circle of Life, bronze sculpture, International artist, Israeli artist, Figurative sculpture, art

Some works of art are exploratory; they ask questions, but offer no answers. Some are the distillation of a lifetime of experience, and the answers they give cannot easily be translated into words. Richard MacDonald’s latest mythological sculpture, “Orpheus Ascending...

Surfboard Photography, Beach Prints, Coastal Photography-Surf School ABOUT THIS PIECE: "Surf School" was part of a shoot in Turks+Caicos. This ...

Some say the word Flamenco comes from the Spanish, flama, or “flame.” Richard MacDonald’s Flamenco Series employ that definition on many levels. While the studies depict a male figur...

Signed by the photographer

Tolla Inbar, Pegasus, bronze sculpture, horse, mutual help, spiritual sculpture, International artist, Israeli artist, Figurative sculpture, art

Monroe Wheeler and Margaret French Near Stoneblossom Titled in pencil, verso; Also stamped “Collection of Jon Anderson” in green ink, verso Vintage ge...

Erosion After Logging of Mangroves 6, Rangsang Island Olaf Otto Becker Signed on reverse Archival pigment print Available in three sizes: 24 3/4 x 29 1/2 inches – edition of 5 43 1/...

"Mountain High'' is a edition bronzes sculpture by Paul Braslow. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium of figur...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 3.5 in. x 34.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be see...

Untitled (Girl Serving Ice Cream), 1983-1985 Signed and inscribed with title on reverse Archival pigment print 20 x 24 inches Martin Parr (born 1952) is widely acknowledged for his ...

Digital chromogenic print 16 x 20 inches (edition of 15) 32 x 40 inches (edition of 10) 40 x 50 inches (edition of 5) Alec Soth (born 1969) is a leading contemporary American photog...

Digital chromogenic print 16 x 20 inches (edition of 15) 32 x 40 inches (edition of 10) 40 x 50 inches (edition of 5) Alec Soth (born 1969) is a leading contemporary American photog...

Digital chromogenic print 20 x 16 inches (edition of 15) 40 x 32 inches (edition of 10) Alec Soth (born 1969) is a leading contemporary American photographer, working in the docume...

Digital chromogenic print 16 x 20 inches (edition of 15) 32 x 40 inches (edition of 10) 40 x 50 inches (edition of 5) Alec Soth (born 1969) is a leading contemporary American photog...

Stephanie Lanter Title : "Missed" Materials : Porcelain, glaze, stoneware Date : 2019 Dimensions : 15" x 13.5" x 11" Description : Manually slip-trailed sculpture on coil built pedestal Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.” Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh...

Stephanie Lanter Title : "Find the Line" Materials : Porcelain, glaze, stoneware Date : 2018 Dimensions : 12" x 8.5" x 9" Description : Manually slip-...

Stephanie Lanter Title : "If Nothing Else" Materials : Porcelain, glaze, stoneware Date : 2019 Dimensions : 15" x 15.5" x 8" Description : Manually sl...

Stephanie Lanter Title : "Lopsided" Materials : Porcelain, glaze, stoneware Date : 2018 Dimensions : 15" x 10" x 7" Description : Manually slip-traile...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Painted in a highly realistic manner, Linda's sharp-edged compositions of domestic arenas are nevertheless surreal images that confound careful scrutiny. Depictions of visionary home...

Contemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church limited edition of 25 bronze and straw/twigs Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Post graduate work followed at San Jose, San Diego State at Long Beach and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help...

Stainless steel sculpture Edition of 20 "I am an artist because it is the conduit to release the ideas and visuals I carry daily. Since I was a little boy I have pursued my own expl...

Truly majestic in scale, tender and embracing, mysterious and enigmatic, “Joy” rises elegantly on a column of bronze. Each figure of the Three Graces represents a different persona...

This photograph is in an edition of 20 and is signed by the photographer.

Signed on reverse Archival pigment print Available in three sizes: 40 x 50 inches, from an edition of 5 50 x 60 inches, from an edition of 5 70 x 90 inches, from an edition of 5 Ac...

Riding the Apple Tree, 2016 - Jocelyn Lee (Colour Photography) Signed, dated and inscribed with title on reverse Archival pigment print Available in tw...

Warner Freidman Blue on Blue, 2019 Acrylic on canvas

Lazzaro Donati (Italian 1926-1977) "La Regina" Bronze Signed on Base Size: approx 19 x 9 x 9 inches Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. Mr. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d'art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. "After all", he said, "you've got to know how to sell a painting to everyone." He had no sympathy for the "drip and splash" studios of his contemporaries, preferring to keep his studio tidy and spotless. "Painting is a matter of precision", he said, "If a painter can't put his paint where he wants it to go, I don't see how he can call himself a painter. For me it is absolutely necessary to control the paint." When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, "That is a secret between me and my butler. Actually, most of my paintings are done by him!" But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...

Roman Polanski on Cielo Drive, LIFE Magazine, 1969 Silver Gelatin Print Edition size: 15 16 x 20 inches 20 x 24 inches 30 x 40 inches 40 x 60 inches Art...

The Spirit Phantom. Defined as “an individual's true inner self” referring to “the unconscious mind” or “the undiscovered self” in the analytic psychology of Carl Jung. It can also “...