Wood Art

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Tony Hochstetler's "Boa" (2014) is an original handmade bronze sculpture that perfectly captures the detail of a boa constrictor snake.

Antique French Impressionist oil painting on panel by Paul Louis Poseler (XIX-XX), circa 1900. The painting depicts a scene o...

Mid-Century Ibibio wood carving of a Great Hornbill or (Kalao) from Nigeria. (The carving is shown in the first photo on a bamboo stand which is available if required.) The Great Ho...

Pair of Berlin & Vienna Landmarks Oil Paintings, 1988 Painted one year before the end of the Berlin Wall. Oil on canvas Signed, "Greenberg" Unframed: 24" W x 54" H, framed: 26" W ...

Frank Vincent DuMond The Train Trestle Signed lower left Oil on canvas 24 x 30 inches rank Vincent DuMond was one of the most influential teacher-painters in 20th-century America. He was an illustrator and American Impressionist painter of portraits and landscapes, and a prominent teacher who instructed thousands of art students throughout a career spanning over fifty years. Frank Vincent DuMond was born on August 20, 1865 in Rochester, New York, to Elisabeth and Alonzo DuMond, partner/owner of an ornamental iron works manufacturer. They also had a younger son, Frederick Melville DuMond (1867 - 1927). Frank DuMond was interested in drawing from a young age, and was involved in the local art scene in the early 1880s. He got a job creating illustrations for a sign painting business. After graduating from a Rochester public school, DuMond moved to New York City in 1884. From 1884 to 1888, he attended the Art Students League of New York, studying under Carroll Beckwith and William Sartain. DuMond financed his art education by taking a job creating illustrations for New York's Daily Graphic newspaper. As a result of his fine work there, he was offered a job at Harper's Weekly. He also later did work for such magazines as Century, McClure's, and Scribner's. He moved to Paris to continue his studies, as did his brother Frederick. From 1888 or 1889 to 1891, Frank DuMond attended the Académie Julian, where his instructors included Benjamin Constant, Jules Joseph Lefebvre, and Gustav Boulanger. He attained recognition in 1890 when a painting of his, Holy Family, exhibited at the Salon, was awarded a prestigious medal. His early work was in the Art Nouveau style, then in Paris he was influenced by the Barbizon school, later becoming an Impressionist. In 1895 he married Helen Savier of Portland, Oregon, another artist. They spent five years painting in France, where he also held summer classes for the Art Students League, painting landscapes outdoors from dawn until sunset. In 1900 he was elected into the National Academy of Design, and became a full Academician in 1906. DuMond exhibited at the Cotton States Exposition in Atlanta, the World's Columbian Exposition in Chicago, the Pan-American Exposition in Buffalo, and the Saint Louis Exposition. He served as director of fine arts at the Lewis and Clark Centennial Exposition in Portland in 1905, and he helped organize the first exhibition at the Portland Art Museum that year. For the 1915 Panama-Pacific Exposition, he prepared two huge murals, 12 feet high by 47 feet long, which now hang in the San Francisco Public Library. The editor of Harper's, who was also president of the Art Students League, convinced him to take a job teaching at the League. He still performed illustration work for a while in addition to teaching, including the artwork for Mark Twain's Personal Recollections of Joan of Arc. In a teaching career spanning more than fifty years, DuMond taught thousands of artists at the Art Students League. His students included Norman Rockwell, Georgia O'Keeffe, John Marin, Frank J. Reilly, Charles Webster Hawthorne, Frank Herbert Mason, Ogden Pleissner, Kenneth Hayes Miller, Louis Bouché, Eugene Speicher, Helen Winslow...

Siri Hollander, born in New York, lived most of her childhood in Andalusia, Spain, where the local community revolved around fairs and fiestas. Influenced by a family of artists and ...

This large scale landscape monotype in black and brown features a scene from London’s Greenwich Park, a former hunting park established in the 15...

Sculpture made of clay depicting a seated man in a cubist way

Title: Pine Tree Medium: Oil on canvas Size: 27.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

Artist: Alice Neel (1900-1984) Title: Jar from Samarkland Year: 1982 Medium: Lithograph on Arches paper Edition: A.P. 24/25; 175, plus proofs Size: 38 x 28 inches Condition: Good Ins...

An oil painting of a a hallway interior. "Hallway in Green" presents to us a sunlit interior from one large window on the left. Forms McGuire incorporates creates playful geometric c...

Original oil painting on board by artist Chula Beauregard. Framed.

"Artemisia don't leave" me is an original painting realized by Ukrainian artist Okno in 2023. Oil, sanguine and acrylic on canvas personally constructed by the artist. Hand signed....

A very fine Chinese School portrait of a female courtier, beautifully executed in watercolour with further details carefully picked out in gouache. The portrait was acquired as a pai...

Saturday Evening Post, September 24, 1960, cover illustration. The present work was published as the cover illustration of the September 24, 1960 issue of The Saturday Evening Post....

White Cherry blossoms , Flowers,Russian Impressionism MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquir...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety procedures on a small craft that happens to be indoors. Another pair have a psychological game of tug of war...

Calvin Liang's (US based) "Waterfall in Glacier" is an oil painting that depicts a waterfall flowing between boulders and gathering in small pools before crashing over the tumultuous...

A gorgeous American Impressionist watercolor painting of a serene lagoon in a brown/orange monochrome palette by Ritchie Allen Benson (American, 1914-1991). Titled "Misty Lagoon." Presented in a wood frame. Signed "R. A. Benson" lower left. Framed size: 25"H x 31"W. Image: 23.5"W x 17.5"H. Ritchie A. Benson grew up in the Los Angeles area during the World War 11 era. By the late 1950s, he was studying watercolor painting and by the 1960s was exhibiting on a national level. He spent a great deal of time painting along the California coast and was most interested in producing works which pictured boats and harbor scenes. His watercolors were sold through the Challis Gallery in Laguna Beach and through art association exhibition sales. Although he continued to paint occasionally in Southern California, most of Bensen's later works were done in Mendocino, California, or farther north in Washington state where he spent a lot of time painting on the beaches...

Félix Agostini, rare original sculpture in gilt resin made circa 1960 Representing a Dancer or Icarus, this original sculpture is one of Félix Agostini's rarest creations. Félix Ag...

*Recovered Ghost Gear Data: Retrieval Coordinates: 42° 10ʹ N 69° 52ʹ W Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx....

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Intimate Sculpture, in Excellent Condition, created in Hand-painted Wood by Sculptor Lorenzo Servalli in the year 1998, to quietly share The Experienc...

Rudi Reichardt (German/Canadian Born, 1929) Signed: R. Reichardt (Lower, Left) " Trees with a Woodpile ", 1967 Oil on Board 8 7/8" x 11 7/8" Housed in a 2...

Oriental sculpture from the mid-20th century. Finely carved and crafted exotic wooden object depicting a fisherman with fish, of good quality. Sculpture made from a single wooden blo...

Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...

Philippe Guillerm began his professional life in Paris, France, where he was born in the late 1950s. He has traveled around the world on his forty-ei...

A fine small Italian 17th/18th century sepia ink study of 6 putti in different positions. Paper mounted on paper. A tergo written "Scuola Lombarda". A putto/putti are figure in a wo...

This vintage silver gelatin print is signed in pencil on the front of the mount, with image number "11" in the lower left corner. Portfolio Two stamp with print #11 and set #A in red...

Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a point of departure for poetic homages to...

Edition 7 A beautiful naked woman is lying on a traditional wooden floor and enjoys the sun. These stunning photographs of Sieff’s subjects in Paris, in their homes, on the shores ...

Little Lies - 2022 20x20cm, Edition of 7 plus 2 artist Proofs. Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2041. No...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into t...

Chief Joseph of the Nez Perce Indians by Arnold Goldstein, American Date: 1975 Bronze, signed, inscribed and numbered Edition of 4/30 Size: 18 in. x 13 in. x 9 in. (45.72 cm x 33.02 ...

This poster from the 1920s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. The poster depicts two young girls gathered by an ornate stool...

Conradijn Cunaeus ( Dendermonde 1828-1895 Nieuwer-Amstel ), Two friends. Oil on canvas cm 100 x 118 signed lower right.

Classical female torso, polished walnut.

A unique painting and woodburning by self-taught American artist Paula Towne (1948-2019). Towne embraced the beauty of Northern New York where she lived an...

The present work is from the artist’s “Becoming” series, which consists of 147 photographs documenting the transformation of a green field into Beijing’s new national airport, the la...

Joseph Stella (1877 - 1946) Tree, Trunk, and Roots, Bronx, New York, circa 1924 Oil on canvas 12 x 16 inches inscribed in another hand Joseph Stella/Estate and bears Joseph Stella Estate stamp (on the reverse) Provenance: The Estate of the Artist Rabin & Kreuger, New Jersey Parke Bernet Galleries, New York, March 14, 1968, Lot 147 ACA Galleries, New York Thence by descent Stella was born June 13, 1877 at Muro Lucano, Italy, a mountain village not far from Naples. He became painter laureate of Muro Lucano when he was in his teens with a representation of the local saint in the village church. Stella immigrated to America in 1896 and studied medicine and pharmacology, but upon the advice of artist friend Carlo de Fornaro, who recognized his undeveloped talent, he enrolled at the Art Students League in 1897. Stella objected to the rule forbidding the painting of flowers, an indication of his lifelong devotion to flower painting. He also studied under William Merritt Chase in the New York School of Art and at Shinnecock Hills, Long Island in 1901-1902, displaying the bravura brushwork and dark Impressionist influence of Chase. Stella liked to paint the raw street life of immigrant society, rendering this element more emotionally than the city realists, the Aschcan School headed by Robert Henri. Stella went through a progression of styles--from realism to abstraction--mixing media and painting simultaneously in different manners, reviving styles and subjects years later. The "Survey" sent Stella to illustrate the mining disaster of 1907 in Monongah, West Virginia, and in 1908 commissioned him to execute drawings of the Pittsburgh industrial scene. Steel and electricity became a major experience in shaping his responses to the modern world, and Stella succeeded in portraying the pathos of the steelworkers and the Pittsburgh landscape. Stella went abroad in 1909 at the age of thirty-two, lonely for his native land. He returned to Italy, traveling to Venice, Florence and Rome. He took up the glazing technique of the old Venetian masters to get warmth, transparency, and depth of color. One of Stella's paintings was shown in the International Exhibition in Rome in 1910 and was acquired by the city of Rome. The influence of the French Modernists awakened his dormant individuality. His friendship with Antonio Mancini, a Futurist, also played a role in his new style. At the urging of Walter Pach...

A wonder study of a Giraffe striding created and cast in the UK by leading sculptor William Montgomery. This work is ideal for the desk or side table. Will is a skilled animalier...

Artist: Slonem, Hunt Title: Savannah Date: 2023 Medium: Oil on Panel Unframed Dimensions: 23.5" x 18" Framed Dimensions: 28" x 22.5" Signature: Signed Verso Edition: Unique Pr...

Rare child's Windsor chair, ca. 1880s. American antique, crafted in Maine. Original red wash. Seat is 22" from the floor. Originally made for a child. (Does not conform to today's sa...

This vintage silver gelatin print is signed in pencil on the front of the mount, with image number "6" in the lower left corner. Portfolio Two stamp with print #6 and set #A in red c...

Stand out pair of mid century giraffes one standing and one grazing with a unique construction of shaved reed bundles and having carved wood heads,...

Archival pigment print on hahnemühle Fine Art Paper. Contemporary Photography, Photomontages, Interior Spaces, New life Work Title : "Entrance VI" Artist : Suzanne Moxhay The work is...

Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and painting. His work often uses meticulous representation as foil for examining skill and craft. He received his BFA from the University of Montevallo followed by an MFA from Alfred University and has maintained an ongoing studio practice and extensive exhibition record for twenty-three years. During this time, he has taught at many notable universities, including Emily Carr University, Alfred University and New York University. His work has been shown internationally and resides in the permanent collections of several museums including the Smithsonian Museum in Washington (DC), Icheon Museum, World Ceramic Center (Gwango-dong) South Korea, Crocker Museum (CA) and the Portland Art Museum (OR). He has received various artist’s grants including grants from The Virginia Groot Foundation and the Canada Council on the Arts. Education 1998 Alfred University, Alfred, NY, Master of Fine Arts Degree 1995 University of Montevallo, Montevallo, AL, Bachelor of Fine Arts Degree Solo Exhibitions 2024 Impressions, Ferrara Showman Gallery, New Orleans, LA 2021 Wallflowers, Mark Moore Fine Art, Orange Park, CA 2019 Matter of Perspective, Jonathan Ferrara Gallery, New Orleans, LA 2018 In-Between, Mark Moore Fine Art, Orange Park, CA 2017 Perfection of Happenstance, Winston Wachter Fine Art, Seattle,WA 2016 Nature Morte, (AMOCA) American Museum of Ceramic Art, Pomona, CA 2015 Executing Merit, Winston Wachter Fine Art, Seattle, WA 2014 Bounty, Clark Collage, Vancouver, WA 2013 Sated, Winston Wachter Fine Art, Seattle, WA 2012 Falling Feels A Lot Like Flying, Bellevue Arts Museum, Bellevue, WA 2009 Making Arrangements, Wexler Gallery, Philadelphia, PA 2006 Ornament, Wexler Gallery, Philadelphia, PA 2004 Politics of Clay, Clay Art Center, Port Chester, NY New Works, Wexler Gallery, Philadelphia, PA 2003 John Elder Gallery, New York, NY Selected Exhibitions 2023 Art Miami, Ferrara Showman Gallery, Miami, FL 2022 Momento Mori, Northern Clay Center, Minneapolis, MN Earth Oracles, Mayten’s Gallery, Toronto, ON Collect Art Fair (Online), London, England 2021 Salon Art Fair, Culture Object, NY, NY Dead Reconning, Pensacola Museum of Art, FL Counterparts, The Museum of Glass, Tacoma, WA Contemporary Clay, Western Carolina University Museum, Cullowhee, NC Looking West: A Survey of Art on the Left Coast, Mark Moore Fine Art, CA 2020 Art Miami, Jonathan Ferrara Gallery, Miami, FL Rare Earth, Mark Moore Fine Art, Orange Park, CA Culture Object, New York, NY 2019 Art Miami, Cynthia, Corbett Gallery, Miami, FL Our Shared Heritage, Huntsville Museum of Art, Huntsville, AL State of the Art, Giertz Gallery, Champaign, IL 2018 Collect, London Art Fair, w/ Cynthia, Corbett Gallery, London, England Vasa Vasorum, Curated by Garth Clark at Peters Projects, Santa Fe, NM Revive, Remix, Respond, The Frick Museum, Pittsburgh, PA New York Ceramics and Glass Fair, w/ Ferrin Contemporary, New York, NY Sugar, Eutectic Gallery, Portland, OR 2017 C'est le bouquet, Fondation d’entreprise Bernardaud, Limoges, France The Evocative Garden, NCECA invitational exhibition, Portland, OR Selections from the PAM permanent Collection, Portland Art Museum, OR Sweet Tooth: The Art of Dessert, Shelburne Museum, Shelburne, VT BC to BC, San Diego Art Institute, San Diego, CA LH Project, Trifecta: Future Forward on the Ceramic Highway, Portland, OR Form Over Function, Winston Wachter Fine Art, Seattle, WA 2015 Crafting a Collection, Fuller Craft Museum, Brockton, MA 2014 Ceramic Top 40, Red Star Studios, Kansas City, MO Dark Matter, Boehm Gallery, Palomar College, San Marcos, CA 2013 Bunting Biennial Ceramics Symposium, Birmingham Museum of Art, Birmingham, AL 2012 Shifting Paradigms, Museum of Fine Arts, Houston, Houston, TX Enough is as Good as a Feast, Gallery Jones, Vancouver, BC 2010 BAM Biennial, Bellevue Arts Museum, Bellevue, WA, Hermaphrodite, Ferrin Gallery/Wexler Gallery, Philadelphia, PA Portraiture Beyond Likeness, Ethel Sergeant Clark Gallery, Wayne, PA 2009 5th World Ceramic Exposition Biennial, Gwango-dong, South Korea, New works, Two-person show, Gallery Jones, Vancouver, BC, Canada SOFA Chicago, Chicago, Il with Wexler Gallery 2008 A Human Impulse, Arizona State University Museum, Tempe, AZ, (In) Between, Wexler Gallery, Philadelphia, PA Confrontational Ceramics, Westchester Arts Council, White Plains, NY 2006 Body and Mind, Garth Clark Gallery, New York, NY Edges of Grace, The Fuller Craft Museum, Brockton, MA 2005 Politics as Usual, The Yager Museum of Art and Culture, Hartwick College, Oneonta, NY. Vanitas, Lacost Gallery, Concord...

New England Skiing 1955 (printed later) C-print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Two women recline on improvised su...

ROBERTO LISANO "HOMBRE" WOOD, SIGNED COSTA RICA, DATED 1995 13 X 11.5 INCHES Roberto Lisano Born 1951 Lizano in the work of the significance of the matter is ess...

Signed lower right, 'Sharon Hinckley' (American, 20th century), a listed artist and painted circa 1975. A period watercolor vignette of a sun-dappled clapboard house adorned with co...

Black and white fine art landscape photography. Curved tree in fairy forest in mystical fog, Fanal, Portugal. Archival pigment ink print, edition of 8. Signed, titled, dated and numb...

James Bullough is an American born artist living and working in Berlin, Germany. His studio paintings, and huge monumentally scaled site-specific murals combine delicately handled re...

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prin...

This small, pedestal sized or table top sculpture by Israeli artist, Boaz Vaaida is a rare find. Very few small works, such as this are available. Cast in bronze from an original s...

This is an equestrian sculpture of a Race Horse or Polo Pony of exquisite beauty. It is signed Delabrierre and does not appear to have any foundry marks. from my research I think this might be cast iron, A material he was known for. it might be bronze I am not positive. it is not dated but it definitely has age to it. Paul-Edouard Delabrierre (1829-1912) Edouard Delabriere was born in Paris in 1829. Delabrierre was an important member of the Animalier school in the late 19th Century. Having been educated by the painter Jean Baptiste-Delestre, he found his true talent in sculpture and later made his debut at the Salon of 1848, where he showed a wax model titled ‘Terrier holding a Hare’. Between 1848 and 1898 he regularly exhibited his lifelike sculptures...

A unique wall piece that is a great gift for any avid gardener or lover of horticulture. Sit Hamo Thornycroft would become one of the youngest members of the Royal Academy, achieve the Medal of Honour at the Paris Exhibition in 1900, and be knighted in 1917. Working in a transitional style between that of the neo-classicists of his parent’s generation and the Modernist style of the 20th century, Thornycroft carved out a niche as a figurative sculptor and noted modeler of public monuments in and around London. Toogoods and Sons, Ltd, established in the early nineteenth century, had, by the turn of the century, grown to become the largest seed company...