Wood Art

Inscribed signature by the Artist on the bronze base of the piece with an edition number. 27/30

2 Sculptures: "The Power" & "The Glory" WPA Depression WWII era mid 20th century by Agnes Yarnall circa 1940s. Sculptor, painter, poet and artistic historian, Agnes Yarnall has, since the age of six been breathing life into her art. Renowned as a sculptor, whose commissioned portrayals of contemporary celebrities are prized. She has sculpted Judith Anderson, Edna St. Vincent Millay, Carl Sandburg...

"Nostalgia" features soft hues of brown, orange, yellow, purple and blue. Richard Thomas Scott is inspired by the work of Rembrandt, Andrew Wyeth,...

This joyous in the round bronze can turn on its base, making for dramatic presentation and enjoyment that is interactive. It is based on the idea of the Three Graces which is often an allegorical subject in sculpture. Wein has done a contemporary feeling interpretation of this classic theme. Piece itself measure 12 1/2 inches and sits on a 3 1/4 inch base and is attached to its base at two points and it is a revolving or rather turning base. The two points on which the toes touch and are secured are striking for how little of the bronze touches the base. It is Fourth in an edition of 13. Albert Wein...

Frederic Milton Grant (1886 - 1959) Low Tide, 1916 Oil on canvas 16 1/4 x 18 1/8 inches Signed and dated lower right Housed in a Stanford White Newcomb-Macklin frame. Exhibitied: Ar...

In this contemporary interior painting in acrylic on canvas, a wicker shelf holds an assortment of bottles and a bowl of lemons. The light blue wallpaper in the background is pattern...

Interior is oil on copper which allows larger size oil paintings. This painting takes place in the artist home which is outside Florence, Italy. 24" x 19" x 1.5" Artists have painte...

Signed and dated '1890' lower right

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on...

Antonio Giorgetti (documented in Rome from 1657 to 1669) Nativity, c. 1662 Wax, 56 x 12 cm The wax, oval in shape and brown in color, features an iconography invented by Roman Ba...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Rebecca Skinner’s “Spill” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 20 x 30 inch photo with satin finish...

RICHARD LOUIS GARBE, RA (1876-1957) Helios Signed and dated 1929 Plaster with patinated surface 86 cm., 33 ¾ in. high Garbe was born in Dalston, London, the son of Gustave Garbe,...

This piece, "Woodsy Snow", is an 11x17 oil painting on canvas by artist James Jahrsdoerfer featuring a winter view into a snow covered forest. A wood cradl...

John Atherton 1900-1952 American The Bass Season Saturday Evening Post cover, June 29, 1946 Signed "Atherton" (lower right) Inscribed "The Bass Season opens in the east July 1st /...

Provenance Acquired by the gallery directly from the artist Description Christopher Slatoff’s Judgment of Wotan; Die Walkure II depicts the music drama, Walkure, Die (The Valkyrie)....

The Journey to India Jan Peter Tripp German (1945) Date: 1986 Etching, signed, numbered, dated, and titled in pencil Edition of 46/300 Image Size: 15 x 18 inches Size: 21.5 x 24.5 in...

A rare Art Deco patinated metal sculpture modelled as an athletic male walking alongside a stylized lion utlizing cubist elements. The work is set on a black polished stone base whic...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images a...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

GILBERT LEDWARD, RA, PRBS (1888-1960) Tennis, Golf, Shooting, Ice-Skating, Dreaming – Proposed Design for Decorative Frieze in the Italian Drawing Room at Eltham Palace, commissioned by Stephen Courtauld Signed and dated July 9th 1933 Watercolour and pencil 12.5 by 49.5 cm., 5 by 19 ½ in. (frame size 36 by 67 cm., 14 ¼ by 26 ¼ in.) Exhibited: The artist’s daughter; London, The Fine Art Society, A Centenary Tribute, Feb 1988, no. 43. Gilbert Ledward was born in London. He was educated at St Mark’s College, Chelsea. In 1905 he entered the Royal College of Art to study sculpture under Edouard Lanteri and in 1910 he entered the Royal Academy Schools. In 1913 he won the Prix de Rome for sculpture, the Royal Academy’s travelling award and gold medal, which allowed him to travel in Italy until the outbreak of the Wold War I. During the war he served as a lieutenant in the Royal Garrison Artillery and was appointed as an official war artist in 1918. Following the war he was largely occupied as a sculptor of war memorials including the Guards Division memorial in St James’s Park and the Household Division’s memorial in Horse Guards Parade. In 1934, supported by Eric Gill and Edwin Lutyens, he established a company called Sculptured Memorials and Headstones, which promoted better design of memorials in English churchyards. His war memorials after World War II include one in Westminster Abbey to the Submarine Service, Commandos and Airborne Forces. Ledward was Professor of Sculpture at the Royal College of Art (1927-1929) and in 1937 was elected at Royal Academician. He became President of the Royal Society of British Sculptors and a trustee of the Royal Academy. The present work is a design for an intended decorative frieze for the Italian Drawing Room of Eltham Palace. In 1935 the remains of the medieval royal palace of Eltham was rescued from decay by Stephen and Virginia Courtald who built an ultra modern Art Deco house to adjoin the existing Great Hall. They employed the architects John Seeley and Paul Edward Paget and the fashionable Mayfair interior designer the Marchese Peter Malacrida to design the strikingly glamorous 1930s interiors of the new house. The dramatic entrance hall was created by the Swedish designer Rolf Engstromer...

Edition of 7. Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ...

Oriental Chinese bronze statuette measuring 16, 5 x 16 cm depicting a sage riding a horse. Note the accuracy of the details, from the tassels on the harnesses to the under saddle wit...

Industrial Man Working Mid 20th Century American Scene Social Realism Modern WPA Jo Cain (1904 - 2003) Hammering Nails 39 x 50 ½ inches Gouache on paper c. 19...

Subrata Biswas - Untitled - 31 x 43 Inches ( framed size ) Terracotta Subrata Biswas’s three sculptures ‘Think Green’, ‘Amigo’ and ‘City Bred’ a conscious selection of elements of f...

The male figure lies atop a cresting wavelike column, seemingly elevated by the experience. One hand is nearly touching his heart while the other hand is held open in a gesture of re...

A tall dynamic chipped wood standing nude torso mounted on a stone base. Great form and patina. Stone, wood and ceramics sculptor Lorrie Goulet, who also makes drawings and lithograp...

Stockbroker A Albert Sack Jr playing backgammon with Betsy Pickering on a polar bear rug at his chalet at the Sugarbush Mountain ski resort in in Warren...

Old days Photo - The Tree is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including h...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Max Blondat (1872 - 1925) Mael Figure 1915 Terracotta 30 x 21 x 14 cm Signed and dated on the neck on the left: Max Blondat 1915

Artist: Jean Richardson, American (1940 - ) Title: Gemini Year: 1989 Medium: Bronze Sculpture Edition: 10 Size: 18 x 19 x 12 in. (45.72 x 48.26 x 30.48 cm) Base: 3 x 12 x 12 inches

Original painting signed by the Artist on lower right corner.

Inspired by my Wabi Sabi residential project with a luxury interior designer & my studies of Wabi Sabi (a way of living that focuses on finding beauty within the imperfections of life and accepting peacefully the natural cycle of growth and decay).This is a Japanese neutral abstract modern...

Artist: Jean Richardson, American (1940 - ) Title: Genesis Year: 1989 Medium: Bronze Sculpture, signature and numbering inscribed Edition: 50 Size: 16 x 15.5 x 12 inches Base: 1.5 x...

Artist: Michael Stevens, American (1942 - 1989) Title: Chased Year: 1980 Medium: Hand-Carved and Painted Wood Sculpture, signed, titled and dated under base Size: 17.75 x 37 x...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images and emergent symbols, Knoerzer has developed a unique visual language that, while often highly formal and even symmetrical, nevertheless reflects an intense commitment to beauty and the sheer pleasure of seeing. Knoerzer’s 2019 solo show Half-Life was reviewed by Cate McQuaid in The Boston Globe. His work has also appeared in documentaries as diverse as Evocateur: The Morton Downey Jr. Movie, which was selected for the Tribeca Film...

Karl Hartman was born in Billings, Montana (1956) and grew up mostly in the plains states of Texas, Kansas and Oklahoma. He received his BS from the University of Oklahoma, majoring ...

LESLEY DILL ONLY, 2004 bronze, paint, ink, wire, thread 58 x 19 x 14 in. 147.3 x 48.3 x 35.6 cm.

Title: Le Grau-du-Roi Watercolor of Fishing Boats and Coastal Harbor by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11.25 x 15 ...

This original 1945 poster, Patrie – Journal des Combattants Français, was published by the French Ministry of War as a stark reminder of the atrocities committed under the Nazi regim...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

A bridge to nowhere has been taking no one there for almost 70 years. The Liesenbrücken bridge has been rusting with iron will and doing little else since it was abandoned in favor o...

Crossing the River is a bronze table sculpture, it is connected to a steel base. The edition size is 25. Joan’s latest sculpture series of female figures brings an out-of-the-box a...

Frost on the Pumpkin by Dan Ostermiller cast bronze rabbit sculpture, 6.5x7x5" AP/30 available from a closed edition. Shipping price includes the custom packing necessary for safe t...

Romano Mussolini (Forlì 1927 - Rome 2006) - Landscape with waterfall. 20 x 30 cm. Oil on hardboard, without frame. - Work signed lower left: "Romano Mussolini". - Authentic Studi...

White Deer of Autumn by Denny Haskew Figurative Bronze with unique sandstone-like patina. Based on sandstone. 30" x 14" x 9" ed/21 "May the nourishment of ...

A painting by Santiago Carbonell. "Untitled" is an interior, realism painting, oil on canvas executed in a warm palette of browns, beiges, and black...

This carved wood sculpture, a "Garuda Head," was made by an unknown Indonesian sculpture. The face sculpture is 12 1/2" x 9". The Garuda is a legendary bird or bird-like creature in Hindu, Buddhist and Jain mythology. He is variously the vehicle mount (vahana) of the Hindu god Vishnu, a dharma-protector and Astasena in Buddhism, and the Yaksha of the Jain Tirthankara...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

A lovely early 20th century printed porcelain miniature of The last supper painting after Leonardo Da Vinci in Italian Cenacolo. This Swiss Fr...

Aaron Bohrod Golden Girls, 1987 Signed lower right Oil on gesso panel 9 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

This painting features hues of green, brown and red. This work is framed 38 by 38 inches framed. David Boyd is inspired by the work of Edward Hopper, Andrew Wyeth and Winslow Homer....

James Tissot was among the most successful and critically acclaimed artists of the Victorian era. Although the artist is celebrated for his elegant scenes of fashionable life in Paris and London, this work is a fascinating rarity within his oeuvre. In this monumental pastel, Tissot depicts a prehistoric woman draped in a tiger skin, presented with a striking pose and heroic air. His delicate portraiture, combined with his fascination with conveying texture, demonstrates why he was one of the most revered artists of his generation, and La femme préhistorique illustrates the remarkable technique for which he was renowned. This work was completed in preparation for a series of works exploring the Old Testament undertaken by Tissot from 1899-1902 that remained unfinished at the time of his death. A portion of this series focused on illustrations of Adam and Eve, and among these sketches were images of a nude Eve partially draped in animal furs. Towards the end of his life, following his conversion to Catholicism, biblical subjects became important to the artist. A few years before this work was completed, Tissot embarked upon a highly ambitious group of nearly 300 watercolors illustrating the New Testament, presenting the illustrated epic in its entirety at the Paris Salon of 1894. Both of these series were a critical artistic departure for the artist, stemming from a desire to create works separated from his typical images of modern society. This pastel imagines Eve as the prototype of womanhood in the guise of a prehistoric woman. Tissot rarely painted the nude, and his skill as a draftsman highlights the figure's natural beauty, contrasting it with the stark landscape surrounding her. Although a study, this monumental work is incredibly well-finished and highly engaging, with the statuesque model commanding the majority of the canvas. Her pose is strong and theatrical, and she addresses the viewer with a direct, confident gaze. The imagined historical subject of this drawing is grounded by Tissot’s exceptional attention to detail. A master of conjuring an array of textures, Tissot showcased this ability in this work by juxtaposing many types of fabrics and natural elements within one composition. The tiger skin with which the woman partially covers herself was a favorite studio prop of Tissot’s, appearing in many of his most influential works from the period, including several paintings of his partner and favorite model Kathleen Newton. It, in particular, showcases the artist’s understanding of texture, yet it also serves as an exotic element that elevates the sensuality of the scene when placed against the woman’s bare skin. Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin and Louis Lamothe. During this period, he became close with James Abbott McNeill Whistler, Edgar Degas and Edouard Manet, and the impact of these friendships is reflected in his portraits of modern life. Having enjoyed considerable success in Paris during the 1860s, Tissot fought in the Siege of Paris, and after the fall of the Commune in 1871, he went to London, where he stayed for the next ten years. He was met with incredible success there, and he also met the love of his life, Kathleen Newton, a divorcée, with whom he lived from about 1876 until her death in 1882. Today he is regarded among the great masters of Belle Époque painting, and his works can be found in important collections worldwide, including the Metropolitan Museum of Art, the Brooklyn Museum, the National Gallery of Art, the Musée d’Orsay, the Tate Gallery and many others. This pastel remained in Tissot's private collection until his death in 1902 and is referenced in the posthumous 1902-3 valuation of Tissot's home at 64 avenue du Bois...

Riding Moderna by Jane DeDecker Cast Bronze 22x15x20" Ed/17 number 6 in stock A woman stands on the backs of two running horse, holding the reins. A symbol of courage and determinati...

DEGLOVING is a sculpture by Ray Padrón created in 2018 from red milled cedar wood. The piece belongs to a series of work centering around clothing items and...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Balthasar BURKHARD (1944–2010, Switzerland) TV Chicago, 1977 Silver gelatin print on Baryta paper, artist's wooden frame Sheet 108 x 132 cm (42 1/2 x 52 in.) From an edition of 5 A G...