Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category
1850s Edo Ifpda International Fine Print Dealers Association
Materials
Woodcut
I'll Be Dining Alone Tonight
By Matthew Brannon
Located in New York, NY
Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph, Screen
Mourning
By Howard Hodgkin
Located in London, GB
111.8 x 140.3 cms (44 x 55.25 ins)
Edition of 50
Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys...
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Color, Lithograph
Lantern & Cardinal in Snow Holiday Watercolor
Located in New York, NY
Gouache painted on cardstock, intended for a greeting card design, painted circa 1970. Unsigned. Displayed in a red archival mat. Cellophane tape on board.
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Cardboard, Gouache
Sweet Pea II
By Robert Kushner
Located in Lyons, CO
Color lithograph with metallic leaf, Edition 30
Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner ha...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Birthday Party
By Howard Hodgkin
Located in London, GB
Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm)
Signed and dated 77 in pencil, lower...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph, Color
Untitled
By Thomas Nozkowski
Located in New York, NY
Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association
Materials
Woodcut
Bedroom
By Howard Hodgkin
Located in London, GB
Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm)
Signed, numbered and dated '68 in ...
Category
Mid-20th Century Abstract Ifpda International Fine Print Dealers Association
Materials
Color, Lithograph
Silky Terrier Painting
Located in New York, NY
Original gouache, probably Belgian for matchbox covers. Mid-20th Century.
Category
Mid-20th Century Ifpda International Fine Print Dealers Association
Materials
Board, Gouache
Tropic Fruit
By Howard Hodgkin
Located in London, GB
80 x 94 cms (31.5 x 37 ins)
Edition of 100
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Color, Screen
Untitled (Hands)
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Ya...
Category
1980s Expressionist Ifpda International Fine Print Dealers Association
Materials
Etching
Ocean View Wind Patterns, Camden Maine
By Yvonne Jacquette
Located in Lyons, CO
Color lithograph, Edition 30.
Jacquette also creates compelling images of the landscape and the sea from the air or atop hills or mountains. In this colorful print she depicts a view of the Maine...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
The Golden Calf - Nuremberg Chronicle, (528 Years Old)
Located in Santa Monica, CA
NUREMBERG CHRONICLE, 1493
THE GOLDEN CALF (THE CALF OF GOD) 1493
Woodcut. from "Liber Chronicarum." Printed by Anton Koberger text by Hartmann Sc...
Category
15th Century and Earlier Old Masters Ifpda International Fine Print Dealers Association
Materials
Woodcut
THE EVANGELIST
Located in Santa Monica, CA
JOHN STOCKTON DE MARTELLY (American 1903 - 1980)
THE EVANGELIST, 1941 (Zink 19)
Lithograph, signed, dated and numbered 80/100 in pencil below image. Signature and date in lighter pencil. Image. Very Good Condition. image, 13 1/2 x 9 3/4". Full sheet with deckle edges, 16 x 11 3/4". The Evangelist apparently represents de Martelly's New Hampshire neighbor Lizzy Osgood. De Martelly worked in an American Regionalist Style, often depicting his New Hampshire neighbors. He was associated with Thomas Hart Benton at the Kansas City Art Institute. Most of de Martelly's regionalist prints were published by Associated American Artists in editions of 250. This lithograph is scarcer in an edition of only 100. He became an art professor at Michigan State University. After the 1940's de Martelly abandoned his Regionalist style for abstraction.
Roger Genser...
Category
1940s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Free Range & Howboy
By Don Ed Hardy
Located in Lyons, CO
Color lithograph with gold leaf, Edition 30
Don Ed Hardy is a painter, printmaker and tattoo artist. Fascinated by tattoos since childhood, Hardy has ...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Bellhop
By Roberto Juarez
Located in New York, NY
Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Stencil
Une Escale au Brasil (A Stopover in Brazil)
By Charles Dufresne
Located in New York, NY
Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...
Category
1920s Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
Storm Dragon
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 20.
Don Ed Hardy’s lithographs “Storm Dragon” and “Sea Dragon” continue his lifelong exploration of dragon mythology and imagery. For 2000, the Year of the...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Aloe Plant Engraving
By Johann Wilhelm Weinmann
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: N. 304 Caranna.[Palm Tree].
Mezzotint engraving printed in color and f...
Category
Early 18th Century Ifpda International Fine Print Dealers Association
Materials
Laid Paper
Blue Coat
By Alex Katz
Located in New York, NY
Image size: 24 x 12 inches
Edition of 30
Category
1990s Ifpda International Fine Print Dealers Association
Materials
Aquatint
Untitled Double Page Illustration for DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled Double Page Illustration for DLM
Color lithograph, 1968
Unsigned as issued in DLM
Published in Derriere le Miroir (Behind the Mirror), calle...
Category
1960s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Man's Ruin
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 25.
In Man’s Ruin, a wolf is portrayed as a nurse, two iconic images often seen in tattoo flash. Below the wolf are two brigh...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
The Bean Eater
By Italo Scanga
Located in New York, NY
Italo Scanga was born in the Calabria region of Italy, and at 14 immigrated to the United States with his family after World War II. Living in Detroit, he worked on the General Motor...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Spirit of Buffalo' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, ric...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
'Philadelphia, Broad Street' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Philadelphia – Broad Street', etching, edition not stated, circa 1927. Signed in pencil. Annotated 'Philadelphia Broad St. Showing City Hall', in another hand, in the ...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
'The White House' — 1920s Realism, Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
'Chicago Harbor' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
'U.S. Chamber of Commerce' — 1920s Realism, Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'U.S. Chamber of Commerce', etching, edition not stated, 1928. Signed in pencil. Annotated 'U.S. Chamber of Commerce S/516', in another hand, in the bottom right margin...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
Entanglement
By Clark Richert
Located in Lyons, CO
Color lithograph, Edition 30
Richert, who was intuitively observing shadows cast by three-dimensional forms, found that one such structure – the rhombic tricontahedron – placed un...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Official Portraits: Immigrant
Located in Lyons, CO
Color lithograph with collage, Edition 30
Hung Liu grew up in China and came of age during the Chinese Cultural Revolution. She spent four years in the countryside as a laborer, s...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Split Ring Image C
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut
Pineapple Engraving
By Johann Wilhelm Weinmann
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: No. 113 Ananas Folio Latiore.
Mezzotint engraving printed in color and...
Category
Early 18th Century Ifpda International Fine Print Dealers Association
Materials
Laid Paper
L'Abreuvoir (The Watering Trough)
By Auguste Louis Lepère
Located in Fairlawn, OH
Signed by the artist in pencil lower right; artist's monogram in the stone upper right: AL
Dedicated in ink lower left: á Sagot
Annotated in ink lower right: 1/5 HT (1 of 5 Hors Tr...
Category
Early 1900s Ifpda International Fine Print Dealers Association
Wine Map of Bordeaux
Located in New York, NY
Original color lithograph for Établissements D. Cordier S.A. Draeger, Imp., circa 1938.
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Paper
Conked
By Alison Saar
Located in New York, NY
Alison Saar was born in 1956 to Betye Saar, a well-known African American artist, and Richard Saar, an art conservationist. Her parents inspired her to be...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Leaf
By Christine Ravaux
Located in New Orleans, LA
This image is #17 of an edition of 35
Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . .
th...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Three Sisters
By Will Mentor
Located in New York, NY
Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Days Gone
By Jukka Vanttinen
Located in New Orleans, LA
Finns always seek the solace of nature. Is this mysterious stairway an escape from the challenges of civilization? Vanttinen created this mezzotint in an edition of 100 and it is tit...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Young Lad ( haunting portrait of young boy on a crowded London street)
By Richard Sadler
Located in New Orleans, LA
Richard Sadler's "Young Boy" is a haunting portrait of a very serious young British lad amidst a crowd of other people. He is dressed very formally in hat, coat and tie. He clutche...
Category
1950s Contemporary Ifpda International Fine Print Dealers Association
Materials
Photographic Paper, Photographic Film
Suite of 12 Views of Italy
By Franz Weirotter
Located in New York, NY
Franz Weirotter (1730-1771), Suite of 12 Views of Italy, etchings, 1759 [most signed in the plate by Weirotter]. Reference: Nagel 5. 10 printed in pairs on one sheet; one on a small...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
March Law
By Roberto Juarez
Located in New York, NY
Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...
Category
1990s Assemblage Ifpda International Fine Print Dealers Association
Materials
Etching
'Descente de Croix' (Descent from the Cross) — 1920s French Cubism
By Albert Gleizes
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed.
Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm).
ABOUT THE IMAGE
After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production.
ABOUT THE MEDIUM
Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique.
ABOUT THE ARTIST
Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions.
Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style.
After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris.
In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
Category
1920s Cubist Ifpda International Fine Print Dealers Association
Materials
Stencil
The White & Black Set
By Betty Woodman
Located in Lyons, CO
Color woodcut/lithograph with chine collé and collage
Woodman returned to Shark's in 2015 to make her most recent print "The White & Black Set". The artist poses a set of white a...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph, Woodcut
Dancing in the Dark
By Joan Snyder
Located in New York, NY
Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...
Category
1980s Expressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
SELF-PORTRAIT
By Cecil Crosley Bell
Located in Portland, ME
Bell, Cecil C. SELF PORTRAIT. Drypoint with pencil highlights, 1931. 16 X 12 inches. Titled and signed in pencil, and with Bell's drystamp in the margin, lower left. In excellent con...
Category
20th Century American Realist Ifpda International Fine Print Dealers Association
Materials
Drypoint
LA PARADE
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871 – 1958)
La PARADE 1932 (CR.203, W.211) color etching and aquatint 1932.
Edition 270. Frontispiece from “Cirque”. ...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Caribbean Island [untitled].
By Reynolds Beal
Located in New York, NY
The location of this early oil pastel drawing was identified by other pieces from the same drawing book. The oil pastel was a new invention - just on the market in 1921 and it appea...
Category
Early 20th Century American Impressionist Ifpda International Fine Print Dealers Association
Materials
Oil Pastel
![Caribbean Island [untitled].](https://a.1stdibscdn.com/archivesE/upload/a_3312/1494618712916/85973_master.jpg?width=240 "beal island")
Untitled (Red)
By Matthew Brannon
Located in New York, NY
Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, evoking mass production and marketing design. For a 2006 series of blue and black silkscreen prints, Brannon paired representations of potted plants with grim subtitles such as Sick Whore and How It All Ends, in keeping with his thematic interest in pathology and personal struggle. Brannon’s sculptures exhibit a similar pictorial simplicity, often executed in few colors and with meticulous attention to symmetry and balance. Like a stage set for the performance of a play set...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph, Screen
Baby Doll
By Tony Fitzpatrick
Located in New York, NY
Tony Fitzpatrick is an American artist born in 1958 and based in Chicago.
He graduated from Montini Catholic High School in Lombard, Illinois in 1977. In the early 1980s, Fitzpatr...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Untitled (Diptych)
By Fred Sandback
Located in New York, NY
Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...
Category
1990s Minimalist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Outgoing Fog (South Bristol, Maine)
Located in Fairlawn, OH
Watercolor on paper, 1976
Painted in South Bristol, Maine
Signed by the artist lower left
Condition: Excellent
Category
1970s Realist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Variations
By Mikio Watanabe
Located in New Orleans, LA
"Variations" is a very large nude mezzotint listed in the catalogue raisonne as HAN #105. It was issued in an edition of 90.
Born in Yokohama in 1954, Watanabe graduated from Ecole...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Mezzotint
As the Moon Rises
By Susan Hall
Located in Lyons, CO
Color lithograph with pochoir, Edition25
Susan Hall lived and worked for many years in New York City before returning to her childhood home in Point Reyes Station, California. She depicts moments suspended in the mysterious light of this place of marshland, wave-broken coast line and tawny, rolling hills.
In Susan's latest prints Solitary Oak and As the Moon Rises...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens
By Wenceslaus Hollar
Located in New York, NY
Wenzel Hollar (1607-1677), Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens, 1649, with text and signatures as described below. Ref...
Category
1640s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
Old Hoadley House
By John Taylor Arms
Located in New Orleans, LA
This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...
Category
1910s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Morning on the East Side
By Jerome Myers
Located in New York, NY
Jerome Myers (1867-1940), Morning on the East Side, c. 1910, colored etching, signed in pencil lower right and annotated “imp.”; numbered and titled (twice) lower left. In very good ...
Category
1910s Ifpda International Fine Print Dealers Association
Materials
Color, Etching
Pyzinerol
By Rex Ray
Located in Lyons, CO
Color lithograph, Edition 30
In 2010, Ray made his first lithographs at Shark’s Ink., Pyzinerol and Pyzinerol II. Ambitious prints with 18 colors from 15...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
BOUQUET
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. BOUQUET. Tahir 41. Woodcut, 1964. Edition of 150. Signed, titled, dated and numbered 92/150 in pencil. 15 x 18 inches on a sheet 20 x 23 1/2 inches (matted to c....
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Woodcut
Untitled
By Joanne Greenbaum
Located in New York, NY
Joanne Greenbaum’s prints are an energetic profusion of overlapping techniques and colors, featuring clusters of architectural forms, irregular shapes, and doodle-like lines. Greenba...
Category
20th Century Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
