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Ifpda International Fine Print Dealers Association

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Printemps Breton
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category

1920s Realist Ifpda International Fine Print Dealers Association

Materials

Engraving, Drypoint, Etching, Aquatint

James McBey
By Gerald Leslie Brockhurst
Located in Storrs, CT
Fletcher 6 state .ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Excellent condition. Illustrated: Fine ...
Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Woman Pulling on a Slip
By Everett Shinn
Located in Fairlawn, OH
Woman Pulling on a Slip Conte on paper, c. 1910 Signed lower right: "E. Shinn" (see photo of legs, signature on right) Provenance: Estate of the Artist (see label) Graham Gallery, N...
Category

1910s Ashcan School Ifpda International Fine Print Dealers Association

Materials

Conté

Death March — Spanish Civil War, Anti-fascism
By Leon Bibel
Located in Myrtle Beach, SC
Leon Bibel, 'Untitled (Death March)', brush and ink, c. 1936. Estate stamped, verso. A fine expressionist rendering, on cream wove drawing board, with margins (3/8 to 5/16 inch). Minor toning at the board edges, otherwise in very good condition. Image size 12 5/16 x 9 3/8 inches; sheet size 13 x 10 inches. Matted to museum standards, unframed. One of a series of powerful Anti-fascist brush and ink drawings created by the artist at the commencement of the Spanish Civil War...
Category

1930s American Modern Ifpda International Fine Print Dealers Association

Materials

Ink

#5 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#5', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'June 11, 70' in pencil in...
Category

1970s Contemporary Ifpda International Fine Print Dealers Association

Materials

Lithograph

Lithographie originale our XXe siecle
By Hans Hartung
Located in Fairlawn, OH
Lithographie originale our XXe siecle Color lithograph, 1964 Unsigned (as issued) From: XXe siecle, Permanence du Sacre, No. 24 Publisher: G. di San Lazzaro, Paris Printed by Mourlot...
Category

1960s Abstract Ifpda International Fine Print Dealers Association

Materials

Lithograph

French Landscape
Located in Storrs, CT
Brilliantly-colored oil on canvas depicting the French countryside, with "les flâneurs," (people strolling) along the bank of the river. The eye of the viewer follows the river past ...
Category

20th Century Impressionist Ifpda International Fine Print Dealers Association

Materials

Oil

French Landscape
French Landscape
$1,750 Sale Price
27% Off
Color is Life — Mid-Century Abstract Expressionism
Located in Myrtle Beach, SC
Ernest A. Dieringer, Untitled (Color is Life), watercolor, 1959. Initialed 'ED' and dated ' '59' in red pencil at the top and bottom sheet edges—the artist's indication that the work can be viewed from either side. Signed 'Dieringer' in pencil in the bottom support board margin. A fine abstract expressionist work, watercolor on white wove paper, with fresh, bright colors; the image extends to the sheet edges, spot glued to the original cream wove backing board, in very good condition. Archivally matted to museum standards, unframed. Image size 9 x 10 15/16 inches; backing board size 13 1/2 x 16 3/4 inches. Provenance: ex. Collection Alexander Raydon. The collector/dealer's well-known 'Raydon Gallery' was established in 1962 on 82nd Street and Madison Avenue, New York City. ABOUT THE ARTIST Ernest Dieringer studied at the Art Institute of Chicago on a National Scholastic Scholarship, beginning his career with the Chicago-based Wells Street Gallery in 1957. He showed his work with other abstract artists, including Robert Natkin and John Chamberlain. The gallery was considered a vanguard space in Chicago for exhibiting emerging abstract artists from the surrounding area. Artists associated with the gallery eventually became known as the Wells Street Group. Due to the success of the gallery, Dieringer and other group members were invited by the Manhattan-based contemporary art dealer...
Category

1950s Abstract Expressionist Ifpda International Fine Print Dealers Association

Materials

Watercolor

Baby, Baby
By Louisa Chase
Located in Fairlawn, OH
Baby, Baby Etching & aquatint printed in colors, 1991 Signed, dated, titled & numbered in pencil (see photos) Edition: 35 (4/35) plus 10 AP Condition: Excellent, colors fresh Image/...
Category

1990s Abstract Expressionist Ifpda International Fine Print Dealers Association

Materials

Aquatint

Untitled (Two Standing Nudes, one seated nude)
By Boris Lovet-Lorski
Located in Fairlawn, OH
Untitled (Two Standing Nudes, one seated nude) Graphite on wove paper, heightened with color, c. 1930 Unsigned From a sketchbook created while the artist was working in Paris Conditi...
Category

1930s Art Deco Ifpda International Fine Print Dealers Association

Materials

Graphite

Noémie (Marguérite).
By Gerald Leslie Brockhurst
Located in Storrs, CT
Noémie (Marguérite). 1926. Etching. Fletcher catalog 57 state vi 7 1/8 x 4 3/16 (sheet 10 15/16 x 8 7/16). Edition 111 in this state (total 132 impressions). A fine impression print...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Etching

ISRAEL (1951 Mexican Homage Poster)
By Fanny Rabel
Located in Santa Monica, CA
FANNY RABEL (1922 – 2008) and ALBERTO BELTRAN (B. 1923 ISRAEL - 2 Conferencias por Vocente Lombardo 1951 (P.134) Linocut in 3...
Category

1950s Modern Ifpda International Fine Print Dealers Association

Materials

Linocut

Wheelbarrow Race
By Edmund Blampied
Located in Storrs, CT
1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

{Sea and Flowers}
By Freeman Baldridge
Located in Storrs, CT
Freeman Baldridge's impressionistic depiction of the impact of a wave on land, with a swirl of colorful flowers and bird overhead. Oil on canvasboard...
Category

1960s Impressionist Ifpda International Fine Print Dealers Association

Materials

Oil

6p.m. from Air: 24 Hours
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett 6 p.m. from Air: 24 Hours, 1994 Drypoint 19 x 19 inches Edition of 65 Unframed
Category

20th Century Contemporary Ifpda International Fine Print Dealers Association

Materials

Drypoint

Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...
Category

1770s Old Masters Ifpda International Fine Print Dealers Association

Materials

Etching

The Dancer (Anaïs).
By Gerald Leslie Brockhurst
Located in Storrs, CT
The Dancer (Anaïs). 1925. Etching. Fletcher catalog 52 state viii. 9 3/4 x 6 1/16 (Sheet 14 1/4 x 10 1/2). Edition 107. An extremely rich proof printed on cream 'MADE IN ENGLAND' ...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Etching

Colonial Dames
By Clark Hobart
Located in Santa Monica, CA
CLARK HOBART (1868 – 1948) COLONIAL DAMES Monotype signed and titled in pencil Hobart was an early 20 c. California painter. He was on the forefront ...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Monotype

Untitled II
By Thomas Nozkowski
Located in New York, NY
linocut printed in 25 colors on Hahnemuhle paper For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject mat...
Category

2010s Abstract Ifpda International Fine Print Dealers Association

Materials

Linocut

View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido
By Giovanni Battista Piranesi
Located in Fairlawn, OH
View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido, and like others built by Marcus Agrippa in the time of Augustus when he cleaned all the sewers leading...
Category

1750s Old Masters Ifpda International Fine Print Dealers Association

Materials

Etching

En Pension.
By Edmund Blampied
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Berthe
By James Jacques Joseph Tissot
Located in Fairlawn, OH
Berthe Etching with drypoint, 1883 Signed in the plate (see photo) This etching was inspired by an 1882/3 pastel which the artist included in his ambitious "Femme a Paris" exhibition at Galerie Sedelmeyer, Paris, in 1885. Reference: Beraldi 65 Wentworth 74, published state Tissot 76 Condition: Excellent Plate/Image size: 14 1/4 x 11 inches Sheet size: 19 1/2 x 15 inches Frame size: 23-1/2 x 20-1/4 inches Donald Morris Gallery, Birmingham, Michigan (Morris had a distinguished collection of Tissot prints...
Category

1880s Impressionist Ifpda International Fine Print Dealers Association

Materials

Etching

'Kaf With' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Kaf With', color lithograph, 1945, edition 15. Signed, dated, titled and numbered '84' and '6/15' in pen, recto. Titled, numbered '#84' and '6/15' and dated '7/22/...
Category

1940s American Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

ACAPULCO
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857 - 1926) ACAPULCO 1901-08. Colored pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image 10 x 14 inches to just ab...
Category

Early 1900s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Pastel, Gouache

ACAPULCO
ACAPULCO
$1,320 Sale Price
20% Off
Foggy Night (the way home or a Stephen King setting)
By Carol Wax
Located in New Orleans, LA
This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category

2010s American Modern Ifpda International Fine Print Dealers Association

Materials

Engraving, Mezzotint

Growing #5
By Keith Haring
Located in London, GB
Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their...
Category

1980s American Modern Ifpda International Fine Print Dealers Association

Materials

Screen

Rio del Santi Apostoli, Venice.
By John Taylor Arms
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Etching

Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
By Stanley Anderson
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

New York Stock Exchange (Symbolic icon of Wall St.'s vast power and wealth)
By Frederick Mershimer
Located in New Orleans, LA
This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint, Aquatint

Water lLily
By Henrietta Shore
Located in Santa Monica, CA
HENRIETTA SHORE (1880 -1963) WATER LILY c. 1928 Lithograph, signed and titled in pencil and with the pencil cypher of printer Lynton Kistler (K). Image 7 x 6 1/8, full margins, shee...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

(HUNTERS WITH REFLECTIONS) - RICH IMPRESSION
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 - 1968) (Untitled) - HUNTERS with REFLECTIONS. ca 1925 Etching, signed and numbered 22, lower left. Plate, 13 1/2 x 10 1/2 inches. Sheet 15 3/4 x 11 3/4 inches. ...
Category

1920s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Etching

Water Lilies
By Michelle Stuart
Located in New York, NY
Michelle Stuart is an American artist whose work references a range of influences, from history to astronomy and botany, as well as her extensive travels to ancient archaeological sites. Stuart studied in Mexico, France, and at The New School for Social Research in New York. Since the 1960s, Stuart has created a multifaceted body of work including large-scale earth works...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Etching

Water Lilies
$2,000 Sale Price
20% Off
Hungerford Bridge, London
By Kerr Eby
Located in Myrtle Beach, SC
Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925. Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art. ABOUT THE ARTIST Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper. After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques. In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions. With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...
Category

1920s Impressionist Ifpda International Fine Print Dealers Association

Materials

Etching

Standing Male Nude (recto) Study of the Head of the Standing Male Nude (verso)
By William Merritt Chase
Located in Fairlawn, OH
Standing Male Nude (recto) Study of the Head of the Standing Male Nude (verso) Unsigned Provenance: Estate of the artist Helen Chase Storm (the artist's daughter) Jackson Chase Storm (the artist's grandson) Baker-Pisano Collection (the author of the William Merritt Chase Catalog Raisonne Project) References And Exhibitions: Pisano D8, reproduced p. 183 Rare. Chase did relatively few drawings, probably no more than 150 in total, according to the catalogue raisonne. William Merritt Chase (1840-2016) Born in Nineveh, Indiana Died New York, New York In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty...
Category

1870s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Graphite

THE SUCCESSFUL FORTUNE HUNTER - Leading Miss Morrowfat to the Temple of Hyman
By Thomas Rowlandson
Located in Santa Monica, CA
THOMAS ROWLANDSON (1757 - 1827) THE SUCCESSFUL FORTUNE HUNTER - Our Captain Shelalee Leading Miss Morrowfat to the Temple of Hyman, 1802 issued in 18...
Category

1810s English School Ifpda International Fine Print Dealers Association

Materials

Etching

'Forms in White' – Mid-Century Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Forms in White', color serigraph, 1950, edition 30, Ryan 85. Signed in pencil. Dated, titled, annotated 'ED. 30' and '5 COLORS' in the screen, bottom center sheet edg...
Category

Mid-20th Century Abstract Ifpda International Fine Print Dealers Association

Materials

Screen

Floral Still Life
By Marion Huse
Located in Storrs, CT
Elegant, brightly-colored floral still life by Massachusetts artist Marion Huse. Oil on board measures 21 3/8 x 17 3/8; framed dimensions are 29 5/8 x 25 5/8 x 1 5/8. Painting is sig...
Category

1940s Post-Impressionist Ifpda International Fine Print Dealers Association

Materials

Oil

Untitled
By Robert Motherwell
Located in London, GB
Robert Motherwell Untitled 1986 Colour lithograph and collage, on Guarro paper, Edtion of 100 55.9 x 37.8 cms (22 x 14 7/8 ins)
Category

1980s Abstract Expressionist Ifpda International Fine Print Dealers Association

Materials

Lithograph

A L'Ombre (In Shadow)
By Louis Legrand
Located in Fairlawn, OH
A L'Ombre (In Shadow) Etching & drypoint, 1905 Signed with the red stamp of the publisher Pellet (see photo) Edition: 50 on velin paper, signed and numbered Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193) Condition: Excellent Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.) Sheet size: 11 5/8 x 17 1/8" Reference: IFF 119 Exteens 229 Arwas 256 v/V Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category

Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association

Materials

Etching

Caribbean Island [untitled].
By Reynolds Beal
Located in New York, NY
The location of this early oil pastel drawing was identified by other pieces from the same drawing book. The oil pastel was a new invention - just on the market in 1921 and it appea...
Category

Early 20th Century American Impressionist Ifpda International Fine Print Dealers Association

Materials

Oil Pastel

Untitled (Iron Forest)
By Sam Francis
Located in London, GB
Sam Francis (1923-1994) Untitled (Iron Forest) 1989 Acrylic on prepared paper 91.4 x 182.9 cms (36 x 72 ins) SF012
Category

Late 20th Century Abstract Expressionist Ifpda International Fine Print Dealers Association

Materials

Acrylic

Reclining Nude Holding a Necklace
By Albert de Belleroche
Located in Fairlawn, OH
Reclining Nude Holding a Necklace Lithograph, c. 1908 Signed in pencil lower right (see photo) Edition: c. 15 Reference: Belleroche No. 525 Condition: Excellent Image: 16 3/4 x 20" ...
Category

Early 1900s Impressionist Ifpda International Fine Print Dealers Association

Materials

Lithograph

Limoges (French Church Series #32)
By John Taylor Arms
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates. Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954. Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University. ABOUT THE ARTIST “John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York. In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category

1930s American Realist Ifpda International Fine Print Dealers Association

Materials

Etching

Untitled Female Nude
By Steven Assael
Located in Fairlawn, OH
Untitled (Female Nude) Graphite and sgrafitto on yellow paper, 1987 Signed lower right Note: Steven Assael is represented by Forum Gallery in New York. In 1977 he won the Charles Ro...
Category

1980s American Realist Ifpda International Fine Print Dealers Association

Materials

Graphite

Darius at 10
By Darius Steward
Located in Fairlawn, OH
Darius at 10 Drypoint, 2022 Signed, titled and numbered in pencil Printed by Rebekah Wilhelm Her drystamp lower right Published by the artist Edition 14, plus proofs Condition: Excel...
Category

2010s American Realist Ifpda International Fine Print Dealers Association

Materials

Drypoint

'Skyline from Jersey Heights' — 1930s Modernism
By Adriaan Lubbers
Located in Myrtle Beach, SC
Adriaan Lubbers, 'Skyline from Jersey Heights', lithograph, 1930, edition 25. Signed, titled, and numbered '4/XXV' in pencil. Dated 'Paris 1930' in pencil. A fine impression, on crea...
Category

1930s Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

REFLECTIONS OF GLOUCESTER
By Joseph Margulies
Located in Santa Monica, CA
JOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
Category

1940s American Realist Ifpda International Fine Print Dealers Association

Materials

Aquatint

ACADEMIC MALE NUDE FIGURE STUDIES
Located in Portland, ME
Michallet (attributed). ACADEMIC MALE NUDE FIGURE STUDIES. Four Charcoal drawings, each on heavy wove paper, 19th Century. 24 1/2 x 19 1/8 inches (s...
Category

Mid-19th Century Academic Ifpda International Fine Print Dealers Association

Materials

Charcoal

UNTITLED
By Yaacov Agam
Located in Portland, ME
Agam, Yaacov, (Jacob Gipstein) (Israeli, b. 1928). UNTITLED. Screenprint in colors, not dated. Edition of 165, signed with marker, and numbered 164/165. 18 1/2 x 47 3/4 inches, 470 x...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association

Materials

Screen

Actor Portrait
By Utagawa Kunisada III
Located in New York, NY
Kunisada, Utagawa. [Actor portrait.] Japan, ca. 1855. Original woodblock print.
Category

Mid-19th Century Ifpda International Fine Print Dealers Association

Materials

Paper

Hotel du Pacha Noir (before lettering).
By Jules-Alexandre Grün
Located in New York, NY
Hotel Pachenoir, 1900. Color lithograph. On Linen 51 x36. ( Image Size: 48 x33 3/4.) Jules-Alexandre Grünwas a French post-impressionist painter, poster artist, and illustrator. ......
Category

Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association

Materials

Lithograph

'Le Tir Forain' (Fairground Shooting) — 1920s French Cubism
By Jean-Emile Laboureur
Located in Myrtle Beach, SC
Le Tir Forain, engraving, edition 108, 1920-21, Sylvain Laboureur 191. Signed and numbered '19/85 ép' in pencil. Initialed 'L' and dated 1920 in the matrix,...
Category

1920s Cubist Ifpda International Fine Print Dealers Association

Materials

Engraving

Un plaideur auquel manquent malheureusement
By Honoré Daumier
Located in Fairlawn, OH
Un plaideur auquel manquent malheureusement les pieces les plus importantes, les pieces de cent sous. (A litigant who unfortunately doesn't have the most important details to success..dollars and cents) Series: Croquis par Daumier, No. 1 As published in Le Charivari, Paris, October 20, 1865. Croquis (Sketches by Daumier) is a series of 4 prints...
Category

1860s Romantic Ifpda International Fine Print Dealers Association

Materials

Lithograph

Obelisco Egizio (Egyptian Obelisk) from Vedute di Roma Etching by Piranesi
By Giovanni Battista Piranesi
Located in New York, NY
Obelisco Egizio from "Vedute di Roma" by Giovanni Battista Piranesi. 2nd Roman state, 1759-1778. Etching on laid paper with a watermark of a Fleur-de-L...
Category

Late 18th Century Ifpda International Fine Print Dealers Association

Materials

Paper

Racamadour (French Church Series #10) — Lyrical Realism
By John Taylor Arms
Located in Myrtle Beach, SC
'Rocamadour' (French Church Series # 10), etching, 1927, edition 50, Fletcher 186. Signed, dated, and annotated 'First State' in pencil. Titled and dated 'Rocamadour 1926' in the plate, bottom right. A superb, finely detailed impression, in dark brown ink, on buff laid Japan paper, with full margins (1 to 1 7/8 inches), in excellent condition. Image size 13 3/4 x 10 inches (349 x 254 mm); sheet size 15 3/4 x 13 5/8 inches (400 x 346 mm). Matted to museum standards, unframed. Literature: illustrated in Dorothy Noyes Arms, 'Churches of France', The Macmillan Company, 1929. Impressions of this work are in the permanent collections of the Blanton Museum of Art, Chrysler Museum of Art, Cleveland Museum of Art, Davis Museum (Wellesley), McNay Art Museum, Metropolitan Museum of Art, Rhode Island School of Design Museum, and the Whitney Museum of Art. ABOUT THE SUBJECT Rocamadour is a small clifftop village in south-central France. It is known for the Cité Réligieuse complex of religious buildings, accessed via the Grand Escalier staircase. It includes the Chapelle Notre-Dame, with its Black Madonna statue, and the Romanesque-Gothic Basilica of St-Sauveur. ABOUT THE ARTIST “John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York. In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category

1920s American Realist Ifpda International Fine Print Dealers Association

Materials

Etching

Spring Landscape with house and figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Spring Landscape with house and figure A preliminary watercolor for a color aquatint, illustrated on line, title unknown Signed lower left in block letters (see photo) Watercolor and...
Category

1920s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Watercolor

Le Beguin (Anaïs)
By Gerald Leslie Brockhurst
Located in Storrs, CT
Le Beguin (Anaïs). 1922. Etching. Fletcher catalog 33 state iii./iv (before cancellation). 5 1/2 x 4 5/16 (sheet 11 1/2 x 8 13/16). Edition 76. Illustrated: Print Collector's Quarter...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Etching

Bellhop
By Roberto Juarez
Located in New York, NY
Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...
Category

Late 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Stencil

Bellhop
$960 Sale Price
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Design 102 Fabric Sample Colorways
By Frank Lloyd Wright
Located in New York, NY
Original page from the folio sized salesman samplebook, "Schumacher's Taliesin Line of Decorative Fabrics and Wallpapers Designed by Frank Lloyd Wright." New York, F. Schumacher & Co...
Category

1950s Modern Ifpda International Fine Print Dealers Association

Materials

Linen, Paper

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