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Ifpda International Fine Print Dealers Association

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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TANNER, ALMOST SPRING - In Celebration of Pride Month
By Sebastian Perinotti
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. THIS VINTAGE SILVER GELATIN PRINT IS FROM AN EDITION OF 3. The photograph of Tanner were originally shot on a Polaroid Land 360 from my series ‘Diary Non Diary’. Sebastian Perinotti...
Category

2010s Photorealist Ifpda International Fine Print Dealers Association

Materials

Silver Gelatin

Symbiosis
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category

1990s Modern Ifpda International Fine Print Dealers Association

Materials

Etching

'Richard Wagner' — 1920s Portrait of the Composer
Located in Myrtle Beach, SC
Francis Coradal-Cugat, 'Richard Wagner', etching, c. 1928. Signed, titled, and numbered ‘2/50’ in pencil with the artist’s inked fingerprint beneath his signature. A fine, richly ink...
Category

1920s Romantic Ifpda International Fine Print Dealers Association

Materials

Etching

'Navajo Horse Race' — Southwest Regionalism, American Indian
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Horse Race', lithograph, 1946, edition 30, Czestochowski 204. Signed and titled in pencil. Signed and dated in the stone, lower le...
Category

1940s American Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

ONE ANCIENT FIGURES
By Louise Nevelson
Located in Portland, ME
Nevelson, Louise. ONE ANCIENT FIGURES. Baro 20. Etching and drypoint, 1953-55, editioned in 1965/1966. Titled "Personages", numbered 1/20 and signed in pencil. It is unclear whether ...
Category

1950s Ifpda International Fine Print Dealers Association

Materials

Etching

Endless Day
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Endless Day', chiaroscuro wood engraving, 1979, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, lower right. A superb impression, on off-w...
Category

1970s American Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

Jane Hading
By Henri de Toulouse-Lautrec
Located in Fairlawn, OH
Jane Hading Lithograph, 1898 Monogramed in the stone upper left corner (see photo) From the First Edition, printed posthumously before 1906 c. 400 impressions (per Wittrock) The sitt...
Category

1890s French School Ifpda International Fine Print Dealers Association

Materials

Lithograph

red ballboy or Studies for "Tennis Tournament"
By George Wesley Bellows
Located in Fairlawn, OH
Red Ballboy or Studies for "Tennis Tournament" Crayon on paper, c. 1920 Unsigned Condition: three vertical folds created by the artist to transport the drawing from the tennis match ...
Category

1910s Ashcan School Ifpda International Fine Print Dealers Association

Materials

Graphite

Duet — Cellist and Pianist, 1930s Lithograph
Located in Myrtle Beach, SC
Herschel Levit 'Duet', lithograph, c. 1937. Signed in pencil. A fine, richly inked impression, on cream wove paper, with full margins (1 1/2 x 2 inches)...
Category

1930s American Realist Ifpda International Fine Print Dealers Association

Materials

Lithograph

Nude woman lying - In Celebration of Pride Month
By Tom Leveritt
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A pencil drawing with ink wash Tom Leveritt (1976) was ...
Category

2010s Modern Ifpda International Fine Print Dealers Association

Materials

Ink, Pencil

!6th c. VIEW OF FLORENCE
By Sebastian Münster
Located in Santa Monica, CA
SEBASTIAN MUNSTER (1488-1552) FLORENCZ - -- FIGUR UND GELEGENHEIT DER EDLEN UND HOCH BERHÜMPTEN STATT FLORENTZ. . c 1550 (Fauser, #3925.) Woodcut f...
Category

16th Century Old Masters Ifpda International Fine Print Dealers Association

Materials

Woodcut

UNTITLED DRAWING
By William Gropper
Located in Portland, ME
Gropper, William (American, 1897-1977). UNTITLED DRAWING. Blue chalk on fibrous handmade paper. Signed lower right, and inscribed at left to Irwin and Sarah Lefcourt. 26 1/2 x 20 1/...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association

Materials

Chalk

Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Interiors IV : Hotel Paradise Cafe
By Peter Milton
Located in New York, NY
“INTERIORS IV : HOTEL PARADISE” Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association

Materials

Engraving, Etching

'Der Gartner' (The Gardener) — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Der Gartner' (The Gardener), woodcut, c. 1925. Signed, titled, and numbered '15/50' in pencil. Signed in the block, lower left and right. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 5 1/4 x 3 7/8 inches (133 x 98 mm); sheet size 10 x 7 3/4 inches (254 x 198 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919 - 1933). In 1920, his work was featured in the influential German graphic design magazine Das Plakat...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association

Materials

Woodcut

Proscenium IV (grid with lines and white patches)
By Richard Smith
Located in London, GB
Edition of 40 77.5 x 58.5 cms (30.5 x 23 ins)
Category

1970s Abstract Ifpda International Fine Print Dealers Association

Materials

Etching

'Mending Nets' — Cape Ann Regionalism, Rockport
Located in Myrtle Beach, SC
Christian Dull, 'Mending Nets', aquatint, c. 1930, edition 50. Signed and numbered '50/-' in pencil. A fine impression, on cream laid paper, the full sheet with margins (1/2 to 1 1/2...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Aquatint

The Lumber Wharf
By Gordon Grant
Located in New York, NY
Gordon Hope Grant (1875-1962) created the watercolor entitled “The Lumber Wharf” in circa 1947. It is signed in the lower left 1 inch above the paper edge. The watercolor paper size ...
Category

1940s Naturalistic Ifpda International Fine Print Dealers Association

Materials

Watercolor

Proscenium I (square border around loose lines)
By Richard Smith
Located in London, GB
Edition of 40 77.5 x 58.5 cms (30 1/2 x 23 ins)
Category

1970s Abstract Ifpda International Fine Print Dealers Association

Materials

Etching

Paperclip Suite IId (yellow/blue)
By Richard Smith
Located in London, GB
Edition of 25 45 x 45 cms (17.5 x 17.5 ins)
Category

1970s Abstract Ifpda International Fine Print Dealers Association

Materials

Etching

Magic (these two figures seated on a beach beneath an active sky evoke emotion)
By Anne Dykmans
Located in New Orleans, LA
An older couple sits on a beach facing the sea as a shooting object streaks through the sky. There is a feeling of connection and contentment conveyed through the imagery. Does the...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Elisabeth (Anaïs) also called The London Caster Girl.
By Gerald Leslie Brockhurst
Located in Storrs, CT
Elisabeth (Anaïs) also called The London Caster Girl. 1922. Etching. Fletcher catalog 32 state x. 5 5/8 x 4 1/4 (sheet 11 1/2 x 9). Edition 76 (total 94 impressions). A rich impress...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Etching

Untitled (Woman working in the fields)
By Daniel Ridgway Knight
Located in Fairlawn, OH
Untitled (Woman working in the fields) Graphite on wove paper Unsigned Exhibited: Spanierman Galleries, In Praise of Women, Oct. 21-Nov. 20, 2010 Illustrated: Lisa N. Peters, In Praise of Women, Spanierman Galleries (see catalog entry in photos) Condition: Excellent Sheet size (sight): 14 1//2 x 10 5/16 inches Provenance: Spanierman Galleries, New York The young woman is a known model for Knight. She is depicted in numerous paintings. The striped skirt and wooden shoes she wears also is repeated in Knight's oeuvre. "Daniel Ridgway Knight was born in Philadelphia to a Quaker family and studied at the Pennsylvania Academy of the Fine Arts from 1858 to 1861, the year he became a founding member of the Philadelphia Sketch Club. He went to Paris and studied at the Ecole des Beaux-Arts from 1861 to 1863 with Charles Gleyre (1808-1874) and Alexandre Cabanel (1823-1889), and attended the Accademia di San Lucca, then in Venice, in 1863. Knight returned to Philadelphia that year, married, and served in the Union Army during the Civil War. He went back to France in 1871 and lived there for the remainder of his long and successful career. He settled in Seine-et-Oise near Poissy to study with the noted academic painter Jean-Louis-Ernest Meissonier (1815-1891) in 1873, and the two artists became close friends. Influenced by his French contemporaries Jules Bastien-Lepage (1848-1884) and Jules- Adolphe-Aimé-Louis Breton...
Category

1890s Abstract Impressionist Ifpda International Fine Print Dealers Association

Materials

Graphite

METROPOLIS
By John T. Ross
Located in Portland, ME
Ross, John T. (American, born 1921) METROPOLIS. Collagraph in colors, 1975. Edition of 100, Numbered 97/100 and signed, dated and titled in pencil. 23 3/4 x 16 inches (image), 28 1/4...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association

America's Cup - 1967. Wing Mark, Intrepid and Dame Pattie.
By Joseph Webster Golinkin
Located in New York, NY
AMERICA'S CUP - 1967. WING MARK. INTREPID - DAME PATTIE [AUS]. This Joseph Webster Golinkin watercolor of the 1967 America's Cup depicts the...
Category

1960s Naturalistic Ifpda International Fine Print Dealers Association

Materials

Watercolor

Untitled (Tuscan Landscape)
By Ray H. French
Located in Fairlawn, OH
Untitled (Tuscan Landscape) Tissue paper collage on Fabriano support Signed and dated lower right in ink Provenance: Estate of the artist Martha A. French Trust Created while the art...
Category

1960s American Modern Ifpda International Fine Print Dealers Association

Materials

Mixed Media

Architextures
By Carol Wax
Located in New Orleans, LA
Architextures is a suite of 8 mezzotints in an edition of 50 created in 1984: Mosque and Mosque Interior (5.1 cm x 5.1 cm) Dome and Dome Interior (5.7cm x 3.8 cm) Castle and Castle ...
Category

1980s American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

La Cardeuse (Woman Carding Wool)
By Jean François Millet
Located in Storrs, CT
La Cardeuse (Woman Carding Wool). c. 1858. Etching. Delteil, Melot 15. only state. 10 x 7 (sheet 12 3/8 x 9 1/2). Illustrated: Print Collector's Quarterly 25 (1938): 146; Keppel, The...
Category

1850s Barbizon School Ifpda International Fine Print Dealers Association

Materials

Etching

Fire
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett Fire, 1998 (from The Elements) Etching 33 1/4 x 33 inches Ed. 80
Category

20th Century Abstract Geometric Ifpda International Fine Print Dealers Association

Materials

Etching

THE EVANGELIST
Located in Santa Monica, CA
JOHN STOCKTON DE MARTELLY (American 1903 - 1980) THE EVANGELIST, 1941 (Zink 19) Lithograph, signed, dated and numbered 80/100 in pencil below image. Signature and date in lighter pencil. Image. Very Good Condition. image, 13 1/2 x 9 3/4". Full sheet with deckle edges, 16 x 11 3/4". The Evangelist apparently represents de Martelly's New Hampshire neighbor Lizzy Osgood. De Martelly worked in an American Regionalist Style, often depicting his New Hampshire neighbors. He was associated with Thomas Hart Benton at the Kansas City Art Institute. Most of de Martelly's regionalist prints were published by Associated American Artists in editions of 250. This lithograph is scarcer in an edition of only 100. He became an art professor at Michigan State University. After the 1940's de Martelly abandoned his Regionalist style for abstraction. Roger Genser...
Category

1940s American Realist Ifpda International Fine Print Dealers Association

Materials

Lithograph

Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled Acrylic on canvas collage embedded with glitter and gold and sliver leaf, 2005 Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 6 x 6 15/16 inches ...
Category

Early 2000s Abstract Ifpda International Fine Print Dealers Association

Materials

Acrylic

Generations 9
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...
Category

1970s Abstract Geometric Ifpda International Fine Print Dealers Association

Materials

Color, Etching, Aquatint

Grey Folded Clouds - IV Grey
By Joe Goode
Located in London, GB
Joe Goode Grey Folded Clouds - IV Grey 1971 Lithograph, Edition of 50 50.8 x 75 cms (20 x 29 1/2 ins)
Category

1970s Abstract Ifpda International Fine Print Dealers Association

Materials

Lithograph

Peter Blake, C is for Clown, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

EL MOZO
By Mauricio Lasansky
Located in Portland, ME
Lasansky, Mauricio (American, 1914-2012. EL MOZO. Lasansky 188. Engraving, etching, soft ground, open-bite, drypoint and resist ground, 1966. Printed from three plates: a copper mast...
Category

1960s Ifpda International Fine Print Dealers Association

Materials

Engraving, Etching

Fleur (Flower)
By Paul Guiramand
Located in Chicago, IL
Signed lower right. Paul Guiramand, painter, sculptor and lithographer, was born in 1926 in Saint-Quentin in northern France. In 1943, Guiramand entered the École des Beaux-Arts. ...
Category

1970s Modern Ifpda International Fine Print Dealers Association

Materials

Charcoal, Spray Paint, Watercolor

Nu. Étude d’un mouvement de jambes
By Henri Matisse
Located in London, GB
Henri Matisse Nu. Étude d’un mouvement de jambes 1929 (printed in 1935) Lithograph on Arches paper, Edition of 50 Paper size: 50 x 66 cms (19 3/4 x 26 ins) Image size: 43.3 x 55.5 cm...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

UNE JETEE EN ANGLETERRE
By Félix Hilaire Buhot
Located in Portland, ME
Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...
Category

1870s Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching, Aquatint

Jacqueline Kennedy Onassis. Dec. 1965 Perennial Woman Calendar
By Betty Brader
Located in New York, NY
Original, unused 1965 calendar by Determined Productions Inc. in San Francisco. Determined Productions was founded in 1961 by Connie Boucher and was created to make licensed products...
Category

1960s Ifpda International Fine Print Dealers Association

Materials

Paper

Candle Light (a serene sacred shrine for decency and peace with Asian feel)
By Masahiro Arai
Located in New Orleans, LA
"Candle Light" is a lithograph signed, dated, titled and editioned in pencil. It is #2 from an edition of 65 and was an exclusive publication of Stone and Press. Shadow and light are...
Category

1990s Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

'Church with House and Tree' – Artist's Personal Letterhead, 1940s Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'. A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce. Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted. Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category

1930s Bauhaus Ifpda International Fine Print Dealers Association

Materials

Woodcut

Nude at Piano
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'Nude at Piano', 1933, etching, edition 100, (only 85 printed), Morse 265. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, lower right...
Category

1930s Ashcan School Ifpda International Fine Print Dealers Association

Materials

Etching

Constructivist Abstraction — Precisionism / Spatial Illusionism
By Paul Kelpe
Located in Myrtle Beach, SC
Paul Kelpe, Untitled (Abstract Composition), lithograph, 1937, edition unknown but small. Signed and dated in pencil. A fine, richly-inked impression, with all the nuanced texture an...
Category

1930s Abstract Geometric Ifpda International Fine Print Dealers Association

Materials

Lithograph

Long-Billed Curlew after John James Audubon, Amsterdam Edition
By John James Audubon
Located in New York, NY
Plate CCXXXI, Long-billed Curlew, posthumous reproduction after John James Audubon from The Birds of America, the Amsterdam Edition, printed in Amsterdam, 1971-73. Original multicolored photo-offset print. "G Schut and Zonen" watermark at lower edge of paper. A facsimile from the double-elephant folio...
Category

1970s Ifpda International Fine Print Dealers Association

Materials

Paper

16th c. woodcut map - Tabula Asiae Vlll
By Sebastian Münster
Located in Santa Monica, CA
SEBASTIAN MUNSTER (1488-1652) ASIAE TABVLA Vlll 1540 (45) Woodcut from Munster's edition of Geographia Universalis, Basel, Henri Petri. 1545 edit...
Category

16th Century Old Masters Ifpda International Fine Print Dealers Association

Materials

Woodcut

Olliver St. John Gogarty
By Gerald Leslie Brockhurst
Located in Storrs, CT
Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-wove paper. Signed in pencil. The etching was done as a commission for Cuala Press, Dublin, as a frontispiece for Gogarty's book, Elbow Room Before publication, the project was changed and the print was never used.

Oliver Joseph St. John Gogarty (17 August 1878 – 22 September 1957) was an Irish poet...

Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Pop Art Redefined
By Eduardo Paolozzi
Located in London, GB
Screenprint and collage Edition of 100
Category

1970s Pop Art Ifpda International Fine Print Dealers Association

Materials

Screen

Scopes
By Carol Wax
Located in New Orleans, LA
The marriage between the art of science and the art of seeing was cemented by the invention of the lens. It is FIROS #48 in the catalogue raisonne. Carol Wax originally trained to b...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

VILLAGE SCENE / TOWN FESTIVAL
By Herbert Gurschner
Located in Santa Monica, CA
HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut, Linocut

The Black Silk Dress (Anaïs).
By Gerald Leslie Brockhurst
Located in Storrs, CT
The Black Silk Dress. 1927. Etching. Fletcher catalog 58 state .ix (published state). 8 3/4 x 6 1/4 (sheet 14 1/2 x 9 1/8). Edition 76 in this state; total 111 proofs). Exhibited at...
Category

1920s Renaissance Ifpda International Fine Print Dealers Association

Materials

Etching

'Grand Central Station' — New York City Landmark
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Grand Central Station', etching and drypoint, 1927, edition c. 50, Kennedy 27. Signed and titled in pencil. A superb, richly-inked impression, in brown/black ink, with ...
Category

1920s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

CURIOUS GEORGE GOES TO THE HOSPITAL
Located in Portland, ME
Rey, Margaret and H.A. CURIOUS GEORGE GOES TO THE HOSPITAL. Houghton Mifflin, Boston, 1966. 1st Printing stated. INSCRIBED in ink on the front free endpaper "To Edith Bell from the R...
Category

1960s Ifpda International Fine Print Dealers Association

Materials

Lithograph

"And wasn't it good for a boy to be Out to old Aunt Mary's"
By Howard Chandler Christy
Located in Fairlawn, OH
"And wasn't it good for a boy to be Out to old Aunt Mary's" Charcoal and watercolor on artist illustration board, 1900 Initialed and dated lower right: H.C.C. 1900 by the artist (see...
Category

Early 1900s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Charcoal

Backlighting
By Paolo Ciampini
Located in New Orleans, LA
"Backlighting" was issued in an edition of 50. Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in 1962, he com...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Etching

'Abstract Boats' — American Modernism, WPA
By Leon Bibel
Located in Myrtle Beach, SC
Leon Bibel, 'Abstract Boats', color serigraph, 1938, edition 12. Signed, dated, and numbered ' /12' in pencil. A fine, painterly impression, with fresh colors, on buff wove paper; t...
Category

1930s American Modern Ifpda International Fine Print Dealers Association

Materials

Screen

CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL
By Gustave Doré
Located in Santa Monica, CA
GUSTAVE DORE (French 1832-1883) CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL (Tyrolian Hunters at the end of the Hunt) c. 1856-7 (Beraldi?) Lithograph,...
Category

1850s Romantic Ifpda International Fine Print Dealers Association

Materials

Lithograph

'Church with Star' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category

1930s Bauhaus Ifpda International Fine Print Dealers Association

Materials

Woodcut

Medea and Jason
By Georg Pencz
Located in Fairlawn, OH
Medea and Jason From the series: Greek Heroines Engraving, c. 1539 Initialed in the plate lower right Provenance: Grimes Collection R. E. Lewis References And E...
Category

16th Century Old Masters Ifpda International Fine Print Dealers Association

Materials

Engraving

Zinnias and Bachelor Buttons.
By Margaret Jordan Patterson
Located in New York, NY
Margaret Patterson created this color woodcut print circa 1920. It is signed in pencil at the paper edge, lower right. Printed in areas to the paper edge -sheet size 10 1/16 x 7 1/...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

Woman in a Red Dress
By Béla Czóbel
Located in Chicago, IL
In an article published in Le Figaro (Paris, March 19, 1964), Raymond Cogniat comments on Czóbel’s unique artistic style. He writes: “...Czóbel, who arrived Paris in the first years...
Category

1940s Expressionist Ifpda International Fine Print Dealers Association

Materials

Canvas, Oil

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