Sweden - Posters

With its laid back surfer silhouettes against a day-glo sunset, John Van Hamersveld''s poster art for Bruce Brown's seminal surf film 'The Endless Summer' has become a cultural pheno...

Original US advance style film poster for Quentin Tarantino Classic, 1994 cult thriller.   

An interesting Raymond Loewy poster from Circle Gallery, circa 1979. The famed industrial designer' exhibition of drawings, sketches, etc...

Original vintage advertising poster for a cabaret performance - Les Folies Parisiennes / The Parisian Follies - featuring artwork by O'Kley (Pierre Gilardea...

Vintage Swedish engineering instructional diagram chart or poster. Unframed. String hanger. Highly collectible ephemera from 1950's Sweden.

We love the extremely cool graphics that features on the rare and highly sought after late 50s French Re-release for 1954s Godzilla. This original vintage poster has been profession...

Poster by Gianni Versace for the opening of the exhibition "Theater der Mode" in 1992. The poster was made for the exhibition dedicated to his theater collection in Munich, Germany, in Villa Stuck...

Original vintage 1960's advertising poster, 'CAMPARI' by Piatti. Year 1966 Dimension: 90 x 128cm Condition Excellent Artist Piatti Format Linen-backed This poster is in excell...

Original US film poster for Bruce Weber's 1988 Jazz documentary about the life of the Jazz trumpeter Chat Baker. The image used on the poster was taken by the American photographer ...

Depicting a man wearing a robe and a swimming cap looking out over the scenery at a beachfront swimming pool, this gorgeous summer scene was created in 1984 to promote the area of Le...

The superior pop artwork on the 1964 re-release for The Hustler makes it one of the rare examples where a later re-release is more valuable than the original-year-of-release. A strik...

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié. During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others. In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog...