Antique Master Key
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Fine 1600's Dutch/ Flemish Old Master Oil Painting Head Portrait of Man
Located in Cirencester, Gloucestershire
Thomasz. Key (Dutch, 1544, Antwerp – after 1589)
oil on canvas, framed
framed: 20 x 16 inches
canvas: 17 x
Category
16th Century Old Masters Antique Master Key
Materials
Oil
Portrait of a bearded man - Adriaen Thomasz. Key (c. 1544-1589)
Located in Gent, BE
time and the Key workshop, founded by Adriaen Thomasz.’s master Willem Key (1516–1578), portrayed a
Category
16th Century Flemish School Antique Master Key
Materials
Panel, Oil
1920's Row of Eight Safety Deposit Boxes / Security Lockers from a Bank Safe
Located in Silvolde, Gelderland
seven deposit boxes all in original condition. Very decorative and stil perfect functional. One master
Category
1920s Swedish Industrial Antique Master Key
Materials
Metal, Brass, Steel
H 36.23 in W 12.6 in D 19.69 in
Lady Dormore - A 16th Century Portrait of a key member of Shakespeare's England
Located in London, GB
fluency in Italian, saying he "had become so complete a master of Italian as to have no need of travel
Category
16th Century Old Masters Antique Master Key
Materials
Oil
Landscape Crucifixion Christ Paint Oil on canvas Old master 17th Century
By Scipione Compagni, or Compagno (Naples, about 1624 - after 1680)
Located in Riva del Garda, IT
great formal elegance, where the painter re-elaborates the mannerist suggestions but in a theatrical key
Category
17th Century Old Masters Antique Master Key
Materials
Oil
H 24.81 in W 30.71 in
Christ Crucified Sagrestani Paint Oil on canvas Old master 17/18th Century Italy
Located in Riva del Garda, IT
compositional scheme, with the dying Jesus seated on the cross, while at his bedside are the three key figures
Category
17th Century Old Masters Antique Master Key
Materials
Oil
Landscape Nativity Religious Paint Oil on canvas Old master 17th Century Italian
By Scipione Compagni, or Compagno (Naples, about 1624 - after 1680)
Located in Riva del Garda, IT
suggestions but in a theatrical key and consequently reaches an extremely refined Baroque vision of the
Category
17th Century Old Masters Antique Master Key
Materials
Oil
Madonna Child Tiarini Paint Oil on canvas Old master 17th Century Italy Baroque
By Alessandro Tiarini (Bologna, 1577 - 1668)
Located in Riva del Garda, IT
particular by approaching the ways of Ludovico, renewing his style in a fully baroque key and with an
Category
17th Century Old Masters Antique Master Key
Materials
Oil
Venus Paolo Fiammingo Paint Oil on canvas Old master 16th Century Italian Art
Located in Riva del Garda, IT
of a non-negligible number of Dutch, Flemish and German masters.
An emblematic case in this regard
Category
16th Century Old Masters Antique Master Key
Materials
Oil
Dance Putti Van Cleve Paint Oil on table 16th Century Flemish Old master Belgium
Located in Riva del Garda, IT
soul and for this reason must be interpreted in an allegorical key: these little cherubs intent on
Category
16th Century Old Masters Antique Master Key
Materials
Oil
Van Bloemen Landscape Rome Paint 17/18th Century Oil on canvas Old master Italy
Located in Riva del Garda, IT
addition to the catalog of the works of the Flemish master, depicts horses and herds resting on the
Category
17th Century Old Masters Antique Master Key
Materials
Oil
Landscape Paint Oil on canvas Italy 17th Century Quality Old master Holy family
By Antonio Travi
Located in Riva del Garda, IT
of the master Strozzi, but also a clarity and precision typical of the Flemings active in Genoa, with
Category
17th Century Old Masters Antique Master Key
Materials
Oil
Christ St. Peter De Matteis Paint Oil on canvas 17/18 Century Old master Italy
Located in Riva del Garda, IT
Paolo De Matteis (Naples, 1662 - Naples, 1728) attributed to
Christ Delivering the Keys to St
Category
17th Century Old Masters Antique Master Key
Materials
Oil
Christ Giving The Keys Of Paradise To Saint Peter Giovanni Battista Tiepolo
By Giovanni Battista Tiepolo
Located in Blackwater, GB
)
Large 18th 19th Century Italian old Master of Christ handing St Peter the keys to Paradise, oil on
Category
19th Century Antique Master Key
Materials
Canvas, Oil
St.peter Oil on table Gold 15th Century Old master Germany Gothic Religious Art
By Stephan Lochner (Meersburg, around 1400 - Cologne 1451)
Located in Riva del Garda, IT
golden keys of Heaven (alluding to power in the kingdom of heaven) and the book of scripture.
An
Category
15th Century and Earlier Old Masters Antique Master Key
Materials
Oil
Gustavian Style 19th Century Painted Swedish Chests with Carved Greek Key Frieze
Located in Atlanta, GA
painted finish, carved Greek Key frieze, two drawers and tapered legs. Step into the epitome of 19th
Category
19th Century Swedish Gustavian Antique Master Key
Materials
Wood
H 33.8 in W 36.2 in D 18.8 in
Portrait of a Lady in an Elaborate Ruff & Lace Coif c.1610-20, Dutch Old Master
Located in London, GB
decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art
Category
17th Century Old Masters Antique Master Key
Materials
Oil, Wood Panel
H 44.89 in W 35.83 in D 2.37 in
Antique Master Specimen Chest, English, Satinwood, Document Archive, Victorian
Located in Hele, Devon, GB
This is an antique master specimen chest on stand. An English, satinwood document archive or
Category
Late 19th Century British Antique Master Key
Materials
Satinwood
H 33.08 in W 30.12 in D 20.48 in
A Master's Mark: F. Lingston's 1895 Hunting Scene Lithograph
Located in Langweer, NL
to 'A Master Shot' in English, suggests a moment of triumph or skill in the context of hunting
Category
Late 19th Century Antique Master Key
Materials
Paper
The Portraits of Masters - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
The Portraits of Masters is an original etching artwork realized by Thomas Holloway for Johann
Category
1810s Modern Antique Master Key
Materials
Etching
H 11.03 in W 8.67 in D 0.08 in
Portraits of Great Masters - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Portraits of Great Masters is an original etching artwork realized by Thomas Holloway for Johann
Category
1810s Modern Antique Master Key
Materials
Etching
H 11.03 in W 9.06 in D 0.08 in
Antique Master Craftsman's Chest, English, Pine, Mahogany, Tool Trunk, Victorian
Located in Hele, Devon, GB
This is a heavy antique master craftsman's chest. An English, ebonised pine and mahogany tool trunk
Category
Late 19th Century British Antique Master Key
Materials
Mahogany, Pine
H 28.35 in W 41.54 in D 28.75 in
The Portraits of Masters - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
The Portraits of Masters is an original etching artwork realized by Thomas Holloway for Johann
Category
1810s Modern Antique Master Key
Materials
Etching
H 13.39 in W 10.63 in D 0.08 in
Follower of Wouwerman Dutch School c1800 Oil Painting
Located in Holywell, GB
travellers on the road. Horses were a key element of his compositions and a white horse, such as the one
Category
Early 1800s Old Masters Antique Master Key
Materials
Oil
View of the Posillipo coastline near Naples by William Marlow (1740 - 1813)
By William Marlow
Located in PARIS, FR
these two sites, Naples became in the second half of the 18th century one of the key destinations during
Category
1760s Old Masters Antique Master Key
Materials
Ink
The Physiognomy - Skulls - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 4.34 in W 7.88 in D 0.04 in
The Profile - Original Etching by Thomas Holloway - 18th Century
By Thomas Holloway
Located in Roma, IT
portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely
Category
18th Century Old Masters Antique Master Key
Materials
Etching
No Reserve
H 3.55 in W 4.14 in D 0.04 in
Measuring a Profile - Original Etching by Thomas Holloway - 18th Century
By Thomas Holloway
Located in Roma, IT
outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely
Category
18th Century Old Masters Antique Master Key
Materials
Etching
H 6.3 in W 6.3 in D 0.04 in
Profiles - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 2.96 in W 6.3 in D 0.04 in
The Physiognomy - The Faces - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 7.88 in W 9.06 in D 0.04 in
Portrait of Heidegger - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 9.77 in W 8.19 in D 0.04 in
Portrait of Lavater - Original Etching by John Chapman - 1810
Located in Roma, IT
" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 8.86 in W 6.5 in D 0.04 in
Portrait of Knipperdolling - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 9.85 in W 8.39 in D 0.04 in
Animals Muzzles - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 4.93 in W 7.88 in D 0.04 in
The Portrait - Etching by Thomas Holloway - 1810
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 6.3 in W 5.91 in D 0.04 in
The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 5.91 in W 6.11 in D 0.04 in
The Physiognomy - The Anger - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 5.52 in W 5.12 in D 0.04 in
The Physiognomy - The Pray - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 6.3 in W 4.73 in D 0.04 in
Portrait of Women and Children - Original Etching by James Neagle - 1810
Located in Roma, IT
to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 3.47 in W 3.86 in D 0.04 in
Lips Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 5.12 in W 6.7 in D 0.04 in
Portrait of Man While Reading - Original Etching by John Hall - 1810
Located in Roma, IT
portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 4.14 in W 3.67 in D 0.04 in
A Boy Climbing a Tree - Original Etching by James Neagle - 1810
Located in Roma, IT
to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 3.67 in W 3.67 in D 0.04 in
Portrait of Gentleman - Original Etching by James Neagle - 1810
Located in Roma, IT
to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 3.94 in W 3.63 in D 0.04 in
Angel - Original Etching by James Neagle - 1810
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 3.55 in W 4.73 in D 0.04 in
Profiles of Men - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 3.35 in W 3.39 in D 0.04 in
Portrait of Man While Writing - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 4.34 in W 6.11 in D 0.04 in
Desperation - Original Etching by John Hall - 1810
Located in Roma, IT
to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the
Category
1810s Old Masters Antique Master Key
Materials
Etching
Angel - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 4.53 in W 5.83 in D 0.04 in
Portrait of a Man - Original Etching by John Hall - 1810
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 5.52 in W 5.04 in D 0.04 in
Portrait of a Man - Original Etching by John Thornthwaite - 1810
By John Thornthwaite
Located in Roma, IT
to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 8.47 in W 7.88 in D 0.04 in
Heads of John Locke - Original Etching by James Neagle - 1810
Located in Roma, IT
" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 11.23 in W 7.88 in D 0.04 in
Portrait of a man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 5.32 in W 5.12 in D 0.04 in
Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 3.47 in W 3.15 in D 0.04 in
Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 5.32 in W 4.26 in D 0.04 in
Heads of a Man - Original Etching by Anker Smith - 1810
By Anker Smith
Located in Roma, IT
to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the
Category
1810s Old Masters Antique Master Key
Materials
Etching
No Reserve
H 7.09 in W 10.44 in D 0.04 in
Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 3.94 in W 3.75 in D 0.04 in
Portrait of a Man - Original Etching by John Hall - 1810
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 4.34 in W 4.26 in D 0.04 in
Portrait of a Child - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 7.49 in W 7.09 in D 0.04 in
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 6.11 in W 5.32 in D 0.04 in
Portrait of a Man - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early
Category
1810s Old Masters Antique Master Key
Materials
Etching
H 3.35 in W 3.35 in D 0.04 in
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Antique Master Key For Sale on 1stDibs
You are likely to find exactly the antique master key you’re looking for on 1stDibs, as there is a broad range for sale. In our selection of items, you can find modern examples as well as an Old Masters version. Making the right choice when shopping for an antique master key may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 18th Century and a newer version made as recently as the 20th Century. When looking for the right antique master key for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of white, beige, gray and yellow. There have been many interesting antique master key examples over the years, but those made by Thomas Holloway, Ferdinand Hodler & R. Piper & Co. and William Bromley are often thought to be among the most thought-provoking. Artworks like these — often created in etching, paint and oil paint — can elevate any room of your home.
How Much is a Antique Master Key?
The price for an artwork of this kind can differ depending upon size, time period and other attributes — an antique master key in our inventory may begin at $65 and can go as high as $885,000, while the average can fetch as much as $130.
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