Barbados Danese

Italian architect, designer, teacher and urban planner Angelo Mangiarotti was a leading light in the international design community from the 1960s onward. While he was an adherent of the rationalist principles of purity of line and simplicity of construction, he sought to imbue his designs for coffee tables, dining chairs, sconces and other furnishings with a sense of character and lightness of spirit that was often lacking in late-20th-century modernist architecture and design. 

Born in Milan, Mangiarotti studied architecture at Milan Polytechnic, graduating in 1948. Five years later, he won a visiting professorship at the Illinois Institute of Technology — beginning a peripatetic academic career that would see him teaching in numerous Italian institutions as well as in schools as far afield as Hawaii and Australia. He worked with Bauhaus eminences Ludwig Mies van der Rohe and met such greats as Frank Lloyd Wright and Walter Gropius. He returned to Italy in 1955 and would go on to work on numerous industrial, residential, commercial and civic projects in his home country, most notably a group of six railway stations in Milan.

As a designer, Mangiarotti and the development of his career embodies the evolution of modernism in the latter decades of the 20th century. In the late 1950s and early ’60s, after early experiments in plywood furniture and one-piece foam-core seating — including the 1110 lounge chair for Cassina — Mangiarotti began to design using more classic materials, from delicate, curvaceous blown-glass table lamps for Artemide to chandeliers with crystal links for Vistosi.

In 1971, Mangiarotti introduced what became his signature designs: a series of tables in marble and other stones that featured “gravity joints,” their legs held in place by the weight of the tabletop. Tables in his Eros collection have muscular proportions that anticipate the robust, overscaled lines of postmodern works that would appear 10 years later: His Eccentrico table, for example, is a striking assemblage in marble featuring a top that is cantilevered dramatically on a canted columnar base. 

But simplicity and practicality were consistently the primary watchwords of Mangiarotti’s designs. The purity and elegance of the objects he created offer a graceful counterpoint to a traditional decor, yet they have a singular sculptural presence that allows them to stand out powerfully in a modern interior.

Find vintage Angelo Mangiarotti furniture on 1stDibs.

Once a near-universal tabletop accessory, many antique, new and vintage ashtrays have taken on an entirely new purpose in today’s homes.

Whereas these formerly ubiquitous objects were associated with smoking, drinking, gambling and other vices, a well-designed and interesting ashtray is a candy dish, coaster or cocktail garnish receptacle in today’s interiors. But don’t discount its initial function. Amid your carefully curated coastal chic California decor, for example, a stone ashtray can help you manage the ashes that accumulate while you’re burning your morning incense. Old glass ashtrays, which are quite popular and easily found in free-form, organic shapes, can be a purely decorative final touch when styling a coffee table, whether you’ve filled it with wrapped lemon-drop candies or not.

In the postwar years, the democratization of luxury led to an explosion in the number of well-designed ashtrays, and there are many mid-century modern ashtrays to choose from on 1stDibs. (It’s no coincidence that sculptor Isamu Noguchi devised his “Dymaxion” version, which he hoped would make him rich, in 1945. Alas, it turned out to be too difficult to mass-produce.) The design collection of the Museum of Modern Art includes ashtrays by Carlo Scarpa (Murano glass, 1950–59); Achille Castiglioni (stainless steel with spring-like inserts, 1970); Masayuki Kurokawa (rubber and steel, 1973) and more. Smoking declined in popularity in the 1970s and ’80s, after the surgeon general’s warning began appearing on cigarette packs, but designers were still crafting ashtrays through the end of the century (especially outside the United States).

On 1stDibs, browse a collection of antique, new and vintage ashtrays that includes everything from modern and minimalist cigar ashtrays to outwardly ornate Art Deco ashtrays that evoke the opulence and elegance of the 1920s.