Casalino 1

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

When you’re shopping for antique, new and vintage children’s furniture, you’ll want your choices to fit nicely within the decor scheme of the rest of your home. But you’ll also want to create an alluring and inspirational space for your children to feel relaxed and encouraged creatively. Indeed, a child’s room can be simultaneously stylish and playful — the ideal environment for children.

Understandably, beds were the first piece of furniture designed for young children. In Ancient Egypt, children’s beds were scaled-down versions of adult beds. They were intended to be a logical size for a child and low enough to the ground so that they could climb in by themselves.

Historians discovered early high chairs in Ancient Greece. In the 6th century B.C., a child’s training potty might have also been used as a high chair, while archaeologists on a dig discovered a terracotta high chair in a marketplace in Athens. By the Renaissance period, children’s bookshelves were popular with upper-class families who had disposable income and the desire to beautify all areas of the home. The original purpose was to organize school books, but shelves eventually became integral to children’s rooms of the era.

In the early 20th century, Italian physician Maria Montessori changed the way designers thought about children’s furniture. She wrote that it was important for children to have a safe environment of their own that they could easily navigate. Montessori believed that children’s furniture should be sized for them but that it should also be made of light, durable materials so that it’s easy for them to carry if needed.

Today’s widely known mid-century modern furniture designers took interest in the idea that young children should have well-crafted furniture of their own. You can find vintage mid-century modern children’s furniture created by the likes of Harry Bertoia, Charles and Ray Eames and Alvar Aalto. Contemporary industrial designer and architect Philippe Starck is also known for having introduced versions of his furniture that were geared toward children, especially his seating and storage solutions.

It’s never too early for good design. Decorating a child’s room offers the opportunity to combine elevated furnishings and a youthful spirit and can result in spaces that are at once elegant and whimsical. On 1stDibs, find design ideas for children’s rooms as well as a variety of new, antique and vintage children’s furniture today.