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Artist: Philip Evergood
Philip Evergood American Modernism WPA Social Realism Modern Still Life Interior
By Philip Evergood
Located in New York, NY
Interior with Man at Table American Modernism WPA Social Realism Modern Painting
Philip Evergood (1901 - 1973) Untitled (Interior with Man at ...
Category
1930s American Modern Philip Evergood Art
Materials
Oil, Panel
Lure of the Waters 1946 oil painting by Philip Evergood
By Philip Evergood
Located in Hudson, NY
Exhibited at the Pennsylvania Academy of Fine Arts (1947) and the University of Illinois Exhibition of Contemporary Painting (1948), this painting by Philip Evergood exemplifies the ...
Category
1940s Modern Philip Evergood Art
Materials
Canvas, Masonite, Oil
Railroad Men's Wives - American Scene Painting - Social Realism
By Philip Evergood
Located in Miami, FL
American Scene Painting - Social Realism. The present work is a Depression Era account of working-class men and women.
Philip Howard Francis Dixon Evergood (born Howard Blashki; 190...
Category
1930s Expressionist Philip Evergood Art
Materials
Oil
"Great Neck Landscape" American Scene Social Realism Mid 20th Century Modern WPA
By Philip Evergood
Located in New York, NY
"Great Neck Landscape" American Scene Social Realism Mid 20th Century Modern WPA
PHILIP HOWARD EVERGOOD (1901 - 1973)
Great Neck Landscape
12 x 16 inches
Oil on board, circa 1935.
S...
Category
1930s American Realist Philip Evergood Art
Materials
Oil, Board
untitled ( Civil Rights )
By Philip Evergood
Located in Miami, FL
Evergood is decades ahead of his time in shouting out against racial injustice. Painted in the late 1950's KKK is an important work. For Philip Evergood (born Philip Blashki), pain...
Category
1950s American Modern Philip Evergood Art
Materials
Oil
Civil Rights, Racial Justice Little Rock
By Philip Evergood
Located in Miami, FL
"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent who symbolizes evil - wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...
Category
1950s American Realist Philip Evergood Art
Materials
Oil
Philip Evergood, (The New York Times)
By Philip Evergood
Located in New York, NY
The ever-quirky Philip Evergood has composed a print that is at once a World War II image (The New York Times on the table has the headline 'Japs Bomb P...
Category
Mid-20th Century Ashcan School Philip Evergood Art
Materials
Lithograph
UNTITLED (ARTISTS AND MODEL)
By Philip Evergood
Located in Portland, ME
Evergood, Philip (American 1901-1973). UNTITLED (ARTISTS AND MODEL). Drawing, pencil on paper, not dated. Signed, lower right. 15 1/4 x 13 inches, 381...
Category
Mid-20th Century Philip Evergood Art
Materials
Graphite
original lithograph
By Philip Evergood
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...
Category
1950s Philip Evergood Art
Materials
Lithograph
Dusk in the Garden - Greenwich Village - Moody Monochromatic - Whitney Museum
By Philip Evergood
Located in Miami, FL
The setting reminds us of a Rear Window by Alfred Hickcock but Evergood did it 8 years before.
It's most likely Greenwich Village since Evergood lived there.
This is a very big and heavy to lift painting
Signed lower left
Framed 56 x 51 in a period very heavy rustic wood frame.
Exhibited Center Gallery, Bucknell University, PA, among others venus.
gallery label remnants on verso - The Walker Art Center, Minneapolis
The Whitney Museum of American Art Annual 1949 - Label
Provenance: Naomi and Walter Rosenblum
Best Viewed with a top gallery light...
Category
1940s Expressionist Philip Evergood Art
Materials
Canvas, Oil
NUDE IN ARMCHAIR
By Philip Evergood
Located in Portland, ME
Evergood, Philip (American 1901-1973). NUDE IN ARMCHAIR. Pencil on paper, 1950. Signed and dated, lower right, and inscribed, lower left "For David Rust July '52 P.E." 22 1/2 x 18 5...
Category
1950s Philip Evergood Art
Materials
Pencil
Philip Evergood, Little Rock, Oil on Canvas, 1955 - "Civil Rights."
By Philip Evergood
Located in Miami, FL
"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...
Category
1950s American Realist Philip Evergood Art
Materials
Oil
Untitled, Boy Eating Watermelon
By Philip Evergood
Located in Miami, FL
The work looks much better in person with snappy bright colors that form a complex abstract composition of interconnected shapes.
Hand-signed by artist, sticker label, The Work is Signed lower left - Provenance: Forum Gallery, New York - Label on verso
Swann Gallery...
Category
1960s Expressionist Philip Evergood Art
Materials
Oil
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Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation.
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Previously Available Items
Exultant Woodsmen
By Philip Evergood
Located in Fairlawn, OH
Exultant Woodsmen
Watercolor on paper, 1962
Signed lower right
Dated lower left "LXII"
Provenance: Kennedy Galleries (label), his long time dealer)
Condition: Very fresh colors and condition
Philip Evergood was born Philip Blashki in New York City on October 26, 1901. His father, an artist named Meyer Blashki, was an Australian Jew of Polish descent who had immigrated to the United States, but his mother was a member of a well-to-do Anglican family determined to have her son educated in her native England. When Philip failed to get past the Committee of Admirals for entrance into the Royal Naval Training College, his father fired off an angry letter to the First Lord of the Admiralty Winston Churchill, demanding to know whether the boy's last name had influenced the admirals. Convinced that it had, Meyer Blashki renamed himself and his son Evergood and the boy duly did time at both Eton and Cambridge. But Cambridge and Philip did not long agree, for he finally made up his mind that all he wanted to do was paint.
He studied art at the Slade School in London with Henry Tonks and Havard Thomas, Julian Academie in Paris, and the Art Students' League of New York. He was especially influenced by the Spanish artist El Greco. He met his wife Julia in Paris and they eventually settled in Manhattan. On canvas, Evergood's figures were apt to be as chunky as himself, his colors applied in solid, intrically designed blocks. But the mood could be as soft as a glow. Occasionally Evergood would vent his rage against the...
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Girl in a Swivel Chair
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Girl in a Swivel Chair
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Signed by the artist in pencil lower left (see photo)
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"Students of Nature", Oil Painting by Phillip Evergood
By Philip Evergood
Located in Long Island City, NY
Artist: Philip Evergood, American (1901 - 1973)
Title: Students of Nature
Year: circa 1940
Medium: Oil on Board, signed l.r.
Size: 22 x 29 in. (55.88 x 73.66 cm)
Frame Size: 29 x 35 ...
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1940s American Impressionist Philip Evergood Art
Materials
Oil, Board
WOMAN IN A CHEKHOV MOOD
By Philip Evergood
Located in Portland, ME
Evergood, Philip. WOMAN IN A CHEKHOV MOOD. Lippard 174. Lithograph in three colors, 1965. Edition o)f 50, signed in pencil and numbered "2/50." (Lippard states that this is an edition of 100 published for Sears, Roebuck, The Vincent Price Collection...
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1960s Philip Evergood Art
Materials
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Philip Evergood art for sale on 1stDibs.
Find a wide variety of authentic Philip Evergood art available for sale on 1stDibs. You can also browse by medium to find art by Philip Evergood in oil paint, paint, canvas and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Expressionist style. Not every interior allows for large Philip Evergood art, so small editions measuring 22 inches across are available. Customers who are interested in this artist might also find the work of Harold von Schmidt, Ernest Fiene, and McClelland Barclay. Philip Evergood art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $40,000 and tops out at $150,000, while the average work can sell for $108,000.