Framed Antique Fragment

The last photographs are to give an idea of how the fragments would look framed in a collection. Alternatively you could also use the fragments to make pillows.

The last two photographs are provided to give an idea of how elegant these fragments would look framed. Alternatively they could also be used to make several pillows.

18th Century tapestry pillow with a silver/gold trim framing the tapestry fragment. Pillow is made of silver/gray silk velvet.

Two framed chinese export wall paper fragment panels from the 18th C.

Framed fragment, a rectangular wooden panel, painted and showing natural wear, carved with bow and ribbon, flanked by festooned husking, in a later, foliate-carved, frame.

18th century framed fragment of French Aubusson tapestry with natural scenery.

19th century Italian painted and gilded frame fragment adorned baroque pearls and mounted on apophyllite, stilbite, and baroque pearls.

Peruvian Inca textile fragment mounted on burlap in a gilt frame. Fragment measures 13.5" x 20"; Condition: Good with some age appropriate wear to fabric.

the framed fragment depicting a male and female lion in a foliate ground, frame of a later date

A fantastic framed fragment of antique Dutch textile, circa 1830.

Framed fragment of painted and gilded leather. In early times this was used as wallpaper.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C., India Ready to go on a wall.

This unusual fragment has been framed.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C.

--18th century Aubusson tapestry fragments mounted within 19th century giltwood frame-- This stunning 18th century French Aubusson tapestry fragment depicts a mythological scene w...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

An archival framed "Forbidden Stitch" Chinese figural fragment, depicting auspicious symbolism.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C.

A 17th Century Brussels tapestry fragment, now mounted on a raised linen matte with blue velvet surround and with a contemporary design frame with gilt edge.

Framed Tapestry Fragment. France, circa 15th Century.

Iron framed 19th C. Architectural plaster fragments ready to hang.

Iron framed 19th century architectural plaster fragments ready to hang.

This framed tapestry fragment from France dates to the 1600s.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C.

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finished with a wooden frame.

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finished with a wooden frame.

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finished with a wooden frame.

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

Antique fragment gold gilded, large, which has been mounted on (new but weathered) painted boarding surrounded with new weathered gilded wood framing, accenting the fragment piece.

Antique architectural fragment, white paint with gold gilt accents. It has been mounted on (new but weathered) painted boarding and surrounded with new weathered gilded wood framing,...

Antique Turkish Oriental Framed Needlepoint Rug Fragment 18thC Measures- 47.75''H x 18''W x .75''D; 15.25'' x 45'' sight

It has been hand backed on linen and professionally framed . ready to go on any wall. silk Embroidered Suzani fragment , from Samarkand Region of Uzbekistan .

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 18th Century.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finish with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.

A pre-Columbian ceramic stirrup vessel in Cupisnique style circa 700-500BCE. This ancient vessel features a robust squatted body and a short thick stirrup sprout. Bold geometrical de...

Complete Nazca Unku in vibrant red with blue, green, yellow and white squares forming V design around the brown neck opening. The multicolor squares in stepped design make a diamond ...

Impressive Nazca Cushma of checker works design composed of a red and yellow cross over the green background. A true collector's piece. Provenance: From the Collection of Guill...

Two antique textile fragments and two painted textile tools spindle needle framed in a pair matching lucite shadow boxes. The textiles were likely from Chimu Culture located Northern...

A woven textile shirt of rectangular form having small rectangular panels on the front and back, all with fringed borders, and open head slit in center. Decorated with zigzag rows of...

Complete Pre-Columbian Textile panel woven in plain weave with interlocking and alternating squares in bright shades, with elongated stepped diamonds, looped fringe on the short ends...

It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. ...