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Franco Albini Ps16

Franco Albini “PS16” Rocking Chair for Poggi, 1959
By Poggi, Franco Albini
Located in Lonigo, Veneto
Franco Albini “PS16” rocking chair for Poggi, original fabric and walnut, Italy, 1959. The Albini
Category

Vintage 1950s Italian Mid-Century Modern Rocking Chairs

Materials

Walnut, Fabric

Franco Albini, Early Rocking "PS16" Chaise Lounge, Sycamore, 1960s, Poggi, Italy
By Poggi, Franco Albini
Located in High Point, NC
A rare and early "PS16", cotton, cord and sycamore rocking chaise lounge designed by Franco Albini
Category

Vintage 1960s Italian Mid-Century Modern Chaise Longues

Materials

Cotton, Cord, Sycamore

Franco Albini & Franca Helg for Poggi, Mid-century Rocking Chair Mod. PS16, 1956
By Franco Albini and Franca Helg, Poggi
Located in Milan, IT
Franco Albini & Franca Helg for Poggi, Italian Mid-century Wooden Rocking Lounge Chair Model PS16
Category

Vintage 1950s Italian Mid-Century Modern Rocking Chairs

Materials

Fabric, Wood

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Recent Sales

Franco Albini PS16 Chaise
By Franco Albini
Located in Wargrave, Berkshire
Franco Albini for Poggi , Italy , 1945 . Early and rare PS16 rocking chaise , this example is
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Vintage 1940s Italian Mid-Century Modern Chaise Longues

Franco Albini PS16 Chaise
Franco Albini PS16 Chaise
H 27.5 in W 70 in
Franco Albini Ps16 Rocking Chair Poggi, Italy, 1959
By Franco Albini, Poggi
Located in Roosendaal, Noord Brabant
Iconic designed rocking chair model PS16 designed by Franco Albini and manufactured by Poggi, Italy
Category

Vintage 1950s Italian Mid-Century Modern Rocking Chairs

Materials

Alpaca, Canvas, Teak

Franco Albini 1956 Rocking Chaise Lounge, Model No. PS16
By Franco Albini
Located in Los Angeles, CA
Franco Albini rocking chaise lounge, constructed of walnut, canvas and cord with original fabric
Category

Vintage 1950s Italian Mid-Century Modern Lounge Chairs

Materials

Mohair

Franco Albini Rocking Chaise Model PS16 with Kalgan Lamb and Leather Cushions
By Poggi, Franco Albini
Located in New York, NY
Franco Albini for Poggi rocking chair model PS16 with walnut frame and newly upholstered luxurious
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Vintage 1960s Italian Mid-Century Modern Rocking Chairs

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Franco Albini, Rocking Chaise, Model No. PS 16, 1956
By Franco Albini
Located in New York, NY
Franco Albini rocking chaise lounge, constructed of walnut, canvas and cord and manufactured by
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Vintage 1950s Italian Mid-Century Modern Chaise Longues

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Canvas, Walnut

Rocking Chaise Model n. PS16 by Franco Albini
By Franco Albini
Located in Milan, IT
A very elegant rare rocking chaise, designed by the well-know Italian designer Franco Albini in
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Vintage 1950s Italian Rocking Chairs

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Rocking Chaise Model n. PS16 by Franco Albini
Rocking Chaise Model n. PS16 by Franco Albini
H 29.53 in W 27.56 in D 64.97 in
Franco Albini Original Rocking Chaise Longue Model Ps 16.Poggi, Italy, 1959
By Franco Albini, Poggi
Located in Madrid, ES
An original classic and iconic design by Franco Albini (Robbiate 1905-Milano 1977).Rocking chaise
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Vintage 1950s Italian Mid-Century Modern Rocking Chairs

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Leather, Fabric, Canvas, Wood, Teak

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Franco Albini for sale on 1stDibs

While working under the polymath Gio Ponti — arguably the most important figure in 20th-century Italian modernism — furniture designer Franco Albini nurtured a love for modern forms combined with traditional craft techniques.

Albini is widely known for working with organic materials such as rattan and cane for his chairs and other seating, but he also played a pivotal role in the Italian rationalist movement of the early 20th century, which saw architects and furniture makers applying a strict emphasis on geometry in their work. Rationalists drew on Ancient Roman architecture but rejected ornament, much in the way that Le Corbusier and celebrated Bauhaus figures such as Ludwig Mies van der Rohe had in their modernist furniture.

Albini received his degree in architecture from the Polytechnic University of Milan in 1929, and, in 1931, he founded his practice in Milan, where he tackled workers’ housing and other reconstruction projects. A gifted urban planner, he also developed the Palazzo Bianco, Palazzo Rosso and Tesoro di San Lorenzo museums in Genoa. While Albini is revered for his Margherita chair — a Triennale Milano award winner created for Bonacina in 1951 — he also collaborated with manufacturers Poggi and Cassina in the 1940s on seating, tables and more that embodied his artistic vision. Of that mid-century work, the one piece that perhaps best captures this vision is the iconic Luisa chair.

With its cherry red upholstery and sinuous wooden legs that seem to float aboveground, the Luisa is a genuine masterpiece. It is also a testament to Albini’s perfectionism, as it endured several prototypes — including one made by Knoll in the late 1940s — and took approximately 15 years to design. Poggi launched the final version of the armchair in 1955, earning Albini the prestigious Compasso d’Oro from Italy’s Association for Industrial Design. It is produced today by Cassina. Albini named the chair for someone who likely saw the process firsthand: his personal secretary of two decades, Luisa Colombini.

Find vintage Franco Albini furniture on 1stDibs.

A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right Chaise-longues for You

Sit back, relax and get all of the ergonomic support you could ever need by introducing an alluring antique or vintage chaise longue in your living room or by your outdoor fire pit.

The chaise longue is an upholstered piece of furniture that was made popular in France in the early 16th century. This low reclining seat — a “long chair” in English — boasts an elongated form and low back that extends about half the length of the furnishing, affording the welcome opportunity for a sitter to put their feet up and relax. A comfortable common ground between sofas and daybeds, early iterations of chaise longues were discovered in Ancient Egypt and were later frequently used in both Greece and Rome.

In the late 1700s, the first chaise longues were imported to America, and English speakers have struggled with the name ever since. (In the United States, the term is frequently spelled “chaise lounge.”) So, how do you pronounce chaise longue? It sounds like “shayz lawng,” but limiting it to shayz is perfectly acceptable in the States.

Antique Victorian chaise longues and 19th-century chaise longues bring luxury and perhaps extravagance to your living space while mid-century modern chaise longues, designed by the likes of Adrian Pearsall, Vladimir Kagan or Milo Baughman, can alter an interior with dazzling geometric contours and richly varied textures.

On 1stDibs, find many kinds of chaise longues for your home — from sculptural works by Charlotte Perriand to plush and velvety Louis XVI pieces to minimalist contemporary versions to suit your understated decor.