Hoang Phuong Art

Framed Size: 70 x 88 cm Unframed Size: 60 x 77 cm Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before set...

Modern abstract painting of birds by the iconic Houston based artist David Adickes. The work features a grid of four different Cubist-inspired abstractions of birds set against a tea...

The canvas is thin, in order to avoid pushing through and damaging the large canvas. The canvas is stretched on a plank, which gives 100% protection. The weight of the picture is 6 k...

Work : Original Oil Painting, Unique Work. Handmade artwork. Ready to Hang. Medium : Oil and Acrylic painting on Canvas. Artist : Deniz Bayav Subject : Fin de décembre (Title / FR) ...

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and settin...

BEYOND THE HORIZON - Minimal and understated, this abstract painting captures the essence of a tranquil sky scape or landscape. In a quiet yet compelling composition, a stroke of san...

It is possible to purchase the entire diptych. Please see my other items and offers. Birches IV, Part 3, acrylic, modeling paste on canvas Please ask me about shipping costs becaus...

A new portrait from Kerry Louise Bennett's ongoing series which gently reflects those amusing and bittersweet moments (with which we are all familiar with), and celebrates a sense of...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

. Ruz. acrylic canvas painting Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to tal...

By Florida artist Manuel Roberto Originally from Cuba, living and working in Lake Worth Fl A Florida artist, born in Cuban and currently living and working in Lake Worth. Roberto be...