No Art Here Javier
Javier Calleja "No Art Here" Sculpture Pop Contemporary Art Street
By Javier Calleja
Located in Draper, UT
Javier Calleja is showcasing a fresh crop of paintings and sculptures in NANZUKA’s 2G gallery and
Category
2010s Pop Art Still-life Sculptures
Materials
Steel
$5,000
H 11.8 in W 10.6 in D 6 in
No Art Here
By Javier Calleja
Located in Bristol, GB
Resin, crystal, cotton and wood sculpture
Edition of 250
Not signed, numbered via ZHEN authentication
New, as issued. Minor imperfections may appear due to the nature of the material...
Category
21st Century and Contemporary Contemporary More Art
Materials
Cotton, Resin, Wood
Recent Sales
No Art Here Pop Art Toy Sculpture by Javier Calleja
By Javier Calleja
Located in Singapore, SG
Artist: Javier Calleja
Title: No Art Here
Size: 30cm high
Medium: Vinyl
Limited Edition: 1000
Category
2010s Pop Art Figurative Sculptures
Materials
Vinyl
H 11.82 in W 5.52 in D 5.12 in
No Art Here
By Javier Calleja
Located in Bristol, GB
Resin, steel, string and acrylic paint
Edition of 1000
Unsigned and unnumbered
Sold in original packaging with authentication card
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Steel
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Javier Calleja for sale on 1stDibs
Javier Calleja rose to art world prominence thanks to his instantly recognizable figurative works, which often feature squat, wide-eyed characters with exaggerated proportions. The Spanish artist’s practice spans painting, sculpture, and works on paper, as well as an array of editioned work and merchandise. Calleja has shown at galleries in Madrid, Barcelona, New York, Paris, and Hong Kong, among other major cities. A number of public collections throughout Spain have acquired his work. In March 2021, Calleja’s secondary-market record broke US$1 million for the first time, when his 2019 painting Waiting for a While sold for HK$8.8 million (US$1.1 million). Though he draws on personal experience and childhood memories to create his iconic characters, Calleja prefers not to explain his work, instead letting the observer “finish” the work with their own interpretations.