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Karel Zemek

Sommerso Glass Ashtray by František Zemek for Mstisov glass Union 1960s
By Mstisov
Located in Lucenec, SK
This elegant ashtray from Karel Zemek’s renowned Niagara collection showcases the designer’s
Category

Mid-20th Century Czech Mid-Century Modern Glass

Materials

Glass, Art Glass

Sommerso Glass Ashtray by František Zemek for Mstisov glass Union 1960s
By Mstisov
Located in Lucenec, SK
This elegant ashtray from Karel Zemek’s renowned Niagara collection showcases the designer’s
Category

Mid-20th Century Czech Mid-Century Modern Glass

Materials

Glass, Art Glass

Recent Sales

Bohemian Glass Vintage Niagara Vase by Karel Zemek for Mstisov, 1960s
By Mstisov
Located in Lucenec, SK
A glass, organic ’Niagara’ vase designed by Karel Zemek for Mstisov Moser Karlovarske Sklo
Category

Mid-20th Century Czech Mid-Century Modern Glass

Materials

Glass, Art Glass

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Jean Geoffroy, listed French artist. Oil on canvas. Beachside at sunset, 1923
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A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right Glass for You

Whether you’re seeking glass dinner plates, centerpieces, platters and serveware or other items to elevate the dining experience or brighten the corners of your living room, bedroom or other spaces by displaying decorative pieces, find an extraordinary range of antique, new and vintage glass on 1stDibs.

Glassmaking is more than 4,000 years old. It is believed to have originated in Northern Mesopotamia, where carved glass objects were the result of a series of experiments led by potters or metalworkers. From there, the production of glass vases, bottles and other objects proliferated in Egypt under the reign of Thutmose III. Later, new glassmaking techniques took shape during the Hellenistic era, and glassblowing was invented in contemporary Israel. Then, on the island of Murano in Venice, Italy, modern art glass as we know it came to be.

Over the years, collectors of glass decorative objects or serveware have sought out distinctive antique and vintage pieces of the mid-century modern, Art Deco and Art Nouveau eras, with artisans such as Archimede Seguso, René Lalique and Émile Gallé of particular interest for the pioneering contributions they made to the respective styles in which they worked. Today, long-standing glassworks such as Barovier&Toso carry on the Venetian glasswork tradition, while modern furniture designers and sculptors such as Christophe Côme and Jeff Zimmerman elsewhere test the limits of the radical art form that is glassmaking.

From chandeliers to Luminarc stemware, find a collection of antique, new and vintage glass on 1stDibs.