Levere Lamp

The Schneider Glassworks (Verreries Schneider), established by brothers Charles and Ernest Schneider in Epinay-sur-Seine, France, in 1917, was among the leading producers of fine-art glass between the two world wars, creating exuberantly colorful vessels and lighting fixtures in both the Art Nouveau and Art Deco styles. The factory’s highpoint was the 1920s, when it created iconic chandeliers and exquisitely decorated cameo glass vases that are still in high demand today.

Born in the last quarter of the 19th century in Château-Thierry, near Paris, Charles and Ernest Schneider moved with their family at a young age to Nancy, a major center of Art Nouveau design, particularly known for glass. Among the city’s master makers was the crystal studio Daum, where both brothers worked at the turn of the 20th century, Ernest in sales, and Charles receiving training in the engraving and decoration workshop, while concurrently learning drawing and modeling with Henri Bergé and attending the École des Beaux-Arts in Nancy. In 1904, he enrolled at the École Nationale Supérieure des Beaux-Arts, in Paris, where he studied painting and metal engraving and regularly showed in the engraving section of the Salon de la Société des Artistes Français, twice receiving a prize.

Around 1912 the brothers and their friend, architect Henri Wolf, bought a small glass factory specializing in lightbulbs, renaming it Schneider Frères et Wolff. The partners enticed a group of about 20 workers from the Daum workshop to join the company, which produced high-quality cameo vases and lamps until the outbreak of World War I, in 1914, when Charles, Ernest and most of the workers were called up to fight. The Schneiders were demobbed in 1917 and reopened the factory, initially making practical glassware for hospitals. After the war, to fund their reentry into the art-glass market, they sold shares in the company, now named the Société Anonyme des Verreries Schneider. The success of the elegant drinking glasses and Art Nouveau-style cameo vases they produced allowed the brothers to buy back the shares, at which point they renamed the factory Verreries Schneider.

When a fire destroyed the Gallé studios in 1918, the Schneiders offered space to a group of the company’s artists so they could continue production. In return, they taught Charles marqueterie de verre. Similar to wood marquetry, this process involves cutting sections out of a glass surface and filling them with pieces of a contrasting color. In 1921, Schneider trademarked his technique for making cameo glass lamps and vases — exemplified in this piece from the early 1920s — which he signed “Le Verre Français” or “Charder,” the latter perhaps a portmanteau combining his first and last names. These works were popular and sold well at France’s top department stores, including Galeries Lafayette and Le Bon Marché. More elaborate, one-of-a-kind pieces from the studio were signed “Schneider” and offered at Paris art galleries like Au Vase Etrusque and Delvaux.

The Schneiders participated in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Moderne in Paris, at which Charles was a member of the jury. The company was at its peak, expanding both its design repertoire and the number of workers, to 500. During this period, it began moving away from the organic shapes of Art Nouveau to the more geometric designs of Art Deco, with some pieces embodying a kind of transitional style, such as this chandelier. Charles also began experimenting with pigmented powders, fine crushed glass mixed with metal oxides, which yielded brilliant, iridescent colors when applied to a glass surface.

A large portion of the factory’s art glass production was sold in the United States. When the U.S. stock market crashed in 1929, demand was all but obliterated, and the company struggled to stay afloat throughout the 1930s. Ernest died in 1937, and during World War II, the factory was seized by German troops and used as a canteen. In 1950, Charles and his son set up a new factory called Cristalleries Schneider in Epinay-sur-Seine, which for several years produced free-blown glass vases, small sculptures and lighting fixtures to some acclaim. Charles Schneider died in 1952, and the factory eventually closed in 1981.

Whether it’s a Chinese Han dynasty glazed ceramic wine vessel, a work of Murano glass or a hand-painted Scandinavian modern stoneware piece, a fine vase brings a piece of history into your space as much as it adds a sophisticated dynamic. 

Like sculptures or paintings, antique and vintage vases are considered works of fine art. Once offered as tributes to ancient rulers, vases continue to be gifted to heads of state today. Over time, decorative porcelain vases have become family heirlooms to be displayed prominently in our homes — loved pieces treasured from generation to generation.

The functional value of vases is well known. They were traditionally utilized as vessels for carrying dry goods or liquids, so some have handles and feature an opening at the top (where they flare back out). While artists have explored wildly sculptural alternatives over time, the most conventional vase shape is characterized by a bulbous base and a body with shoulders where the form curves inward.

Owing to their intrinsic functionality, vases are quite possibly versatile in ways few other art forms can match. They’re typically taller than they are wide. Some have a neck that offers height and is ideal for the stems of cut flowers. To pair with your mid-century modern decor, the right vase will be an elegant receptacle for leafy snake plants on your teak dining table, or, in the case of welcoming guests on your doorstep, a large ceramic floor vase for long tree branches or sticks — perhaps one crafted in the Art Nouveau style — works wonders.

Interior designers include vases of every type, size and style in their projects — be the canvas indoors or outdoors — often introducing a splash of color and a range of textures to an entryway or merely calling attention to nature’s asymmetries by bringing more organically shaped decorative objects into a home.

On 1stDibs, you can browse our collection of vases by material, including ceramic, glass, porcelain and more. Sizes range from tiny bud vases to massive statement pieces and every size in between.