Michael Kalish

When Michael Kalish reimagines an abused license plate or a vintage fender of a sun-faded farm truck, he transforms these discarded materials into striking art. His works are masterful while endearingly mindful, with a wink to Pop art masters such as Andy Warhol and Roy Lichtenstein. He raises repurposing to a culturally and socially conscious new level.

Kalish was born in Atlanta, Georgia in 1973. He later attended the University of Rhode Island and Kennesaw State University in Georgia, majoring in psychology and minoring in art. After finishing school, he realized that if he wanted a career in art, he would have to do something to stand out. He decided to select a unique medium that would grab the attention of curators and the public. 

He stumbled upon an old license plate in a junkyard, which sparked his interest. The color, texture and reflective shine drew him in, and he began to search for more. The first piece he created with the license plates was an American flag, which was exhibited by a small gallery. In 1996, he made a series of license plate portraits of several U.S. presidents, which were displayed in the windows of the Barney’s department store in New York City. 

Kalish relocated to Los Angeles, where he continues to work with salvaged metal objects, fashioning them into beautiful roses, bowls of fruit, pop icon portraits and abstract pieces. His Raise the Caliber monumental public work — made of reclaimed guns — garnered high praise for its statement against violence. In 2017, his Art of Finding Love series of interactive abstract sculptures toured various outdoor locations in California.

On 1stDibs, find Michael Kalish’s sculptures, paintings, mixed media and more.

The history of sculpture as we know it is believed to have origins in Ancient Greece, while small sculptural carvings are among the most common examples of prehistoric art. In short, sculpture as a fine art has been with us forever. A powerful three-dimensional means of creative expression, sculpture has long been most frequently associated with religion — consider the limestone Great Sphinx in Giza, Egypt — while the tradition of collecting sculpture, which has also been traced back to Greece as well as to China, far precedes the emergence of museums.

Technique and materials in sculpture have changed over time. Stone sculpture, which essentially began as images carved into cave walls, is as old as human civilization itself. The majority of surviving sculpted works from ancient cultures are stone. Traditionally, this material and pottery as well as metal — bronze in particular — were among the most common materials associated with this field of visual art. Artists have long sought new ways and materials in order to make sculptures and express their ideas. Material, after all, is the vehicle through which artists express themselves, or at least work out the problems knocking around in their heads. It also allows them to push the boundaries of form, subverting our expectations and upending convention. As an influential sculptor as much as he was a revolutionary painter and printmaker, Pablo Picasso worked with everything from wire to wood to bicycle seats.

If you are a lover of art and antiques or are thinking of bringing a work of sculpture into your home for the first time, there are several details to keep in mind. As with all other works of art, think about what you like. What speaks to you? Visit local galleries and museums. Take in works of public art and art fairs when you can and find out what kind of sculpture you like. When you’ve come to a decision about a specific work, try to find out all you can about the piece, and if you’re not buying from a sculptor directly, work with an art expert to confirm the work’s authenticity.

And when you bring your sculpture home, remember: No matter how big or small your new addition is, it will make a statement in your space. Large- and even medium-sized sculptures can be heavy, so hire some professional art handlers as necessary and find a good place in your home for your piece. Whether you’re installing a towering new figurative sculpture — a colorful character by KAWS or hyperreal work by Carole A. Feuerman, perhaps — or an abstract work by Won Lee, you’ll want the sculpture to be safe from being knocked over. (You’ll find that most sculptures should be displayed at eye level, while some large busts look best from below.)

On 1stDibs, find a broad range of exceptional sculptures for sale. Browse works by your favorite creator, style, period or other attribute.