Sevres Porcelain Vases France 19th C Poitevin
Late 19th Century Figurative Paintings
Porcelain, Oil
People Also Browsed
Antique 1890s German Belle Époque Paintings
Porcelain, Giltwood
Antique 19th Century French Louis XV Paintings
Gesso, Canvas, Wood
Antique 19th Century German Decorative Art
Porcelain, Giltwood
Antique Late 19th Century Austrian Porcelain
Porcelain
19th Century Portrait Paintings
Porcelain
Early 20th Century German Romantic Paintings
Porcelain
Antique 19th Century French Napoleon III Cabinets
Marble, Ormolu
Antique Late 19th Century German Belle Époque Porcelain
Porcelain, Wood
Antique Late 19th Century Austrian Neoclassical Urns
Porcelain
Early 20th Century Figurative Sculptures
Bronze
Antique Late 19th Century German Vases
Ormolu
Antique Early 1900s German Baroque Paintings
Porcelain, Giltwood
Antique Late 19th Century French Napoleon III Paintings
Canvas
Vintage 1940s Austrian Vienna Secession Stools
Metal
Mid-20th Century American Realist Still-life Drawings and Watercolors
Paper, Watercolor
19th Century Pre-Raphaelite Portrait Paintings
Glaze, Porcelain
Manufacture Nationale de Sèvres for sale on 1stDibs
A maker of exemplary European ceramics for hundreds of years, Manufacture Nationale de Sèvres has produced porcelain of the highest quality since 1740.
The factory enjoyed royal patronage from its earliest days, and its most prominent patrons in the late 1700s — King Louis XV of France and his mistress, Madame de Pompadour — commissioned some of the period’s most elegant and striking pieces (only the truly wealthy could afford porcelain at this time). The company was originally established in Vincennes but was moved at the request of Madame de Pompadour, in 1756, to Sèvres, near Versailles, so that its operations would be closer to her château.
Sèvres became a mighty and much-revered factory working under a special grant from King Louis XV — the company’s owner as of 1759 and whose abundance of orders for special state gifts put financial strain on the company. Madame de Pompadour is said to have commissioned Sèvres to create an entire indoor garden of porcelain botanicals, for example.
While Sèvres gained a sterling reputation for its soft-paste porcelain wares, the company was late in entering into the production of hard-paste porcelain.
Hard-paste porcelain is the most common type of Chinese porcelain, then a widely exported and profitable product that was not made in Europe until the 18th century. The resources at Sèvres were largely relegated to meeting the demands of Louis XV, and secondly, it did not acquire the secret formula for hard-paste porcelain until 1761. Until it obtained the coveted secrets behind hard-paste porcelain from a chemist named Pierre-Antoine Hannong — and, years later, gained access to the elusive raw materials to make hard-paste porcelain — Sèvres produced soft-paste porcelain for decades that was widely celebrated but is comparatively a far weaker type as opposed to the hard-paste productions of the company’s rival, Meissen, in Saxony, the first to produce true porcelain outside of Asia.
The artisans at Sèvres applied the rarest and most difficult-to-produce colors to their decorative objects and dinner services. One such color, the bright bleu de roi, became the manufacturer’s signature shade and is found on many of their objects. Sèvres also experimented with rarely glazed or unglazed works that bore no decoration at all — bisque porcelain, French for “biscuit,” refers to unadorned white porcelain sculptures made at Sèvres that resemble white marble after being kiln-fired.
Sèvres marks were applied over the glaze or rendered with cuts by a sharp tool — authentic Sèvres porcelain is most commonly marked with two interlaced Ls that are painted in blue and enclose a third letter. Painters and potters were tasked with affixing marks to record their role in the creation of a particular piece, and as a lot of these artisans’ names are recorded in archival factory materials — and there is also much to be learned at the Sèvres museum — it’s likely that you can accurately identify your Sèvres piece.
Find antique and vintage Manufacture Nationale de Sèvres vases, urns, sculptures and more on 1stDibs.
Finding the Right figurative-paintings for You
Figurative art, as opposed to abstract art, retains features from the observable world in its representational depictions of subject matter. Most commonly, figurative paintings reference and explore the human body, but they can also include landscapes, architecture, plants and animals — all portrayed with realism.
While the oldest figurative art dates back tens of thousands of years to cave wall paintings, figurative works made from observation became especially prominent in the early Renaissance. Artists like Michelangelo, Leonardo da Vinci and other Renaissance masters created naturalistic representations of their subjects.
Pablo Picasso is lauded for laying the foundation for modern figurative art in the 1920s. Although abstracted, this work held a strong connection to representing people and other subjects. Other famous figurative artists include Francis Bacon and Lucian Freud. Figurative art in the 20th century would span such diverse genres as Expressionism, Pop art and Surrealism.
Today, a number of figural artists — such as Sedrick Huckaby, Daisy Patton and Eileen Cooper — are making art that uses the human body as its subject.
Because figurative art represents subjects from the real world, natural colors are common in these paintings. A piece of figurative art can be an exciting starting point for setting a tone and creating a color palette in a room.
Browse an extensive collection of figurative paintings on 1stDibs.