Architectural Jewelry

Collector's Edition 45" x 32" Unframed Limited Edition Giclée and Silkscreen of 75 Hand Signed by Sylvester Stallone "There are any number of ways to evaluate this image, the “oppon...

Roman Numeral Edition 22" x 25.5" Unframed Limited Edition Giclée and Silkscreen of CL Hand Signed by Sylvester Stallone Collector's Edition 40" x 34" Unframed Limited Edition Giclé...

Collector's Edition 34" x 44" Unframed Limited Edition Giclée and Silkscreen of 75 Hand Signed by Sylvester Stallone "Here we can see both the real life image of the fighter, as wel...

Roman Numeral Edition 27" x 23" Unframed Limited Edition Giclée and Silkscreen of CL Hand Signed by Sylvester Stallone Collector's Edition 40" x 34" Unframed Limited Edition Giclée ...

Le Cliche is an original lithograph by Michel Pellus 1977. A delightful fantasy image of two woman side by side, one walking and one on a bicycle. T...

"A simple twist on the white peace dove with olive branch, but hey, good guys don't always wear white! The "rise above" is a call to take the ...

This artwork was made entirely under digital conditions and inspired by the sensitivity that images can evoke in you. Lambda c-print on acryl glass; inclusive alu-hanging system. ...

One of America's most popular and successful artists with a take on the world's favorite city with "Cafe de la Paix." A prized serigraph of his, since not everyone loves sports art (...

MODULATED PATHS INTO SUNDAY'S DESIRING, is an original etching by Sharon E. Sutton printed on heavyweight buff color printmaking paper. An architecturally inspired composition compri...

Hand signed rf Lichtenstein and dated '81 in pencil lower right margin. Blindstamp lower left Washington University Printmaking Workshop chop. N...

Hand signed in pencil lower right. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. From an edition of unknown size. Catalogue Raisonné The Prints of Roy...

Le Corbusier (1887-1965) Two Spanish Women, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Robert Parkinson Exeter College Chapel from Broad Street (1964) Lithograph 33 x 46 cm A lithograph of Exeter's chapel, viewed from Broad Street, from a drawing by Robert Parkinson. Parkinson's depiction of the chapel centres around its architecture; markedly inspired by the Sainte-Chapelle in Paris and designed by Sir George Gilbert...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. G R T (Raymond Teane) Cowern (1913 - 1986) Wadham College...

Ossip Zadkine Mythology : Heracles and Hippolyte's Belt 1960 Original lithograph Hand signed in pencil Numbered /350 copies On vellum size 69 x 54 cm (c. 27 x 21 in) Excellent con...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

Brendan Neiland (b.1941) R.A. (Expelled) Hampton Court (1984) Screenprint 74 x 51 cm Signed, dated, titled, and numbered 152/250 in pencil. A print of one of Hampton Court's magnificent facades, reflected in its fountain. Reflected architecture is one of Neiland's most recurring themes. The Fountain Court was designed by Sir Christopher Wren; he began remodelled the palace in the baroque style for William III and Mary II...

Ossip Zadkine Mythology : Heracles and the Stymphalian Bird 1960 Original lithograph Hand signed in pencil Numbered /350 copies On vellum size 69 x 5...

Ossip Zadkine Mythology : Heracles accomplished Cerberus' capture 1960 Original lithograph Hand signed in pencil Numbered /350 copies On vellum size 69 x 54 cm (c. 27 x 21 in) Exc...

Cascina San Pietro, 1982, rif. 435 Etching inches 13.5 x 25.1 (mm 347 x 637). Contemporary Art Etcher. A prominent figure of the art of engraving in Italy, Federica Galli was born ...

The artwork will be sent unframed Linocut/monotype print „Harbinger” 2022 Linocut and monotype print technique Art print from 11 matrices Limited edition, print unique number 3/5 Pa...

The artwork will be sent unframed Linocut print „ Flight” 2022 Linocut and monotype print technique Art print from 4 matrices Limited edition, print unique number 1/7 Paper Fabriano...

Snowed river, 1982, rif. 425 Etching inches 15.5 x 19.2 (mm 395 x 490). Contemporary Art Etcher. A prominent figure of the art of engraving in Italy, Fede...

L'albero abbattuto, 1981, rif. 412 Etching inches 15.6 x 19.2 (mm 397 x 490). Contemporary Art Etcher. A prominent figure of the art of engraving in Italy, Federica Galli was born ...

Pierre DELMOTTE Woman in Fire, 1972 Original lithograph Handsigned in pencil On Rives vellum 37 x 28 cm (c. 15 x 11 inch) Excellent condition

’Waving the Flag’ By Kip Gresham Medium - Screen Print Edition - 21/24 Signed - Yes Size - 515mm x 645mm Date - 1986 Condition - Very good. 8 out of 10. Col...

Bernard BUFFET Science : The Microscope Stone lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 30 x 22" REFERENCE : Catalog raisonne of lit...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Baptist Malchair (1730 – 1812) View from the Master's Lodgings, New College, Oxford (1929) Lithograph 33 x 46 cm A 1929 lithograph from a 1767 watercolour of New College by John Malchair. The artist's composition highlights the pale stone of New College on a winter's day. The chapel's spires stretch upward into a cold, cloud-filled sky, as do the bare branches of the trees. Malchair's watercolour (which is held by the Ashmolean museum) was reproduced as a lithograph in 1929, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and John Piper. Malchair was a German-born watercolourist, violinist, drawing master, and collector of traditional European music. He is described as “one of the most distinctive figures of eighteenth century Oxford”, and is recognised as having been an influence on later landscape artists, including John Constable. Malchair was a talented artist, producing hundreds of paintings of English landscapes...

Spin, Spin Sugar (from In a Spin, the Action of the World on Things, Volume II) 2002 Color etching on 350 gsm Hahnemühle paper 112 × 91.5 cm (44.1 × 36 in) Signed, dated, titled on the front Edition of 68 In mind condition The piece is offered unframed. Edition numbers might vary from what is shown in the images. It all started in Hoxton, East London in 1993 when curator Joshua Compston staged a mock parish fair called “A Fête Worse than Death”. All Young British Artists were invited to perform, Gary Hume was disguised as a Mexican bandit selling tequilas, Tracey Emin did palm reading and Damien Hirst dressed in a clown costume together with Angus Fairhurst...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Oxford from the East Engraving 12 x 16 cm An eighteenth-century view of Oxford from the east, engraved by Pieter van de...

Alexander Calder Stabiles Lithograph poster Made for the exhibition of Alexander Calder at Maeght Gallery Printer: Arte Paris Editor: Maeght 77 x 55 cm (c. 30.3 x 21.6 in) Excellen...

Spin, Spin Sugar (from In a Spin, the Action of the World on Things, Volume II) 2002 Color etching on 350 gsm Hahnemühle paper 112 × 91.5 cm (44.1 × 36 in) Signed, dated, titled on the front Edition of 68 In mind condition The piece is offered unframed. Edition numbers might vary from what is shown in the images. It all started in Hoxton, East London in 1993 when curator Joshua Compston staged a mock parish fair called “A Fête Worse than Death”. All Young British Artists were invited to perform, Gary Hume was disguised as a Mexican bandit selling tequilas, Tracey Emin did palm reading...

Raoul DUFY Normandy Countryside , 1953 Original Lithograph with stencil watercolor On Arches vellum 28 x 38 cm (c. 11 x 15 inch) Excellent condi...

STANFORD, Edward Stanford's Portable Map of India. Shewing its Present Divisions and the Adjacent Parts of Beluchistan, Afghanistan, Turkestan, the Chines...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Pensioner of Trinity College, Cambridge, Masters of Arts, and Sizer (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a pensioner of Trinity College, Masters of Arts, and a sizer (that is, an undergraduate who received some form of assistance such as meals, lower fees or lodging during his period of study, in some cases in return for doing a defined job) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, possibly to a graduation ceremony. At Cambridge, a sizar was originally an undergraduate student who financed his studies by undertaking more or less menial tasks within his college but, as time went on, was increasingly likely to receive small grants from the college. Certain colleges, including St John's and Trinity, distinguished between two categories of sizar: there were specific endowments for specific numbers of sizars who were called "proper sizars"; those who were not so endowed, but who were maintained by fellow-commoners and fellows were called subsizars. Isaac Newton matriculated as subsizar at Trinity College. Richard S. Westfall noted that sizars were considerably more successful in gaining degrees than the gentlemen who entered Cambridge in the seventeenth century. Pensioners, on the other hand, paid a fixed annual fee in order to study. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. J Black after Frederick Mackenzie (1788 - 1854) East Side of St Erasmus' Chapel, Westminster Abbey (1812) Hand-coloured aquatint 28 x 19 cm Published by Rudolph Ackermann...

Heidler & Heeps Vinyl Collection Twenty Piece Multi-Color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautif...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Doctors in Divinity, Esquire Beadle, and Yeoman Beadle (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of two Doctors in Divinity and two beadles (administrative assistants to the Chancellor and Proctors of the University) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, likely to a graduation ceremony. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. J Black (early 19th century) after Frederick Mackenzie (1788 - 1854) East End of South Aisle, Westminster Abbey (1812) Hand-coloured aquatint 31 x 24 cm Published by Rudolph Ackermann...

Georges BRAQUE Bouquet of flowers, 1961 Original lithograph in six colors (Mourlot workshop) Printed signature in the plate On vellum 34 x 26 cm (c. 13 x 10 inch) REFERENCE : Catal...

Archival Giclée print Limited Edition of 100 Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constant...

Piero Dorazio Colored Ribbons Lithograph Printed signature in the plate On edition paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 Excellent condition

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The University Church of St Mary the Virgin, University of Oxford Engraving 12 x 16 cm An eighteenth-century view of the University Church, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. St Mary's was the first building of the University of Oxford and its parish consists almost exclusively of university and college buildings. Its eccentric Baroque porch, designed by Nicholas Stone, faces the High Street, and it boasts a spire which is claimed by some church historians to be one of the most beautiful in England. Radcliffe Square lies to the north and to the east is Catte Street. The 13th-century tower is open to the public and provides magnificent views across the heart of the historic university city, especially Radcliffe Square, the Radcliffe Camera...

Francis BACON (after) Lying Woman Original vintage lithograph poster On heavy paper 71 x 45 cm (c. 28 x 18 inch) This lithograph was created for the arti...

Salvador Dali (1904-1989) Hell 27 - The Logician Devil From the "Divine Comedy" Wood engraving from "Divine Comedy" with the printed signature 1960/63 Printed on paper Vélin BFK Ri...

Tom Wesselmann (1931, Cincinnati, Ohio – 2004, New York) Monica Legs Crossed, 1990 Signed in pencil and numbered PP 2/3 A printer's proof, aside from the edition of 26 Published by ...

Signed and numbered lithograph by Julio Le Parc. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Pigment print on archival paper 310gr. ...

Signed and numbered lithograph by Julio Le Parc. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Pigment print on archival paper 310gr. ...

Maurice De LAMBERT Art Deco : The Harvest, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier de la Gravure sur Bois...

Charles CAMOIN Mediterranean Landscape, 1946 Original lithograph Signed in pencil bottom right Numbered / XX On Lana vellum 26 x 36 cm (c. 10...

Charles CAMOIN Colorful Bouquet, 1946 Original lithograph Signed in pencil bottom right Numbered / XX On Lana Vellum 26 x 36 cm (c. 10.2 x 14 inch) Excellent condition

Louise Bourgeois (1911-2010) Landscape with a Mountain Lake Original etching with aquatint Unsigned On vellum 60.5 × 73.5 cm (c. 24 x 29 in) Authenticated with the blind stamp of Chalcographie du...

Charles CAMOIN Standing Nude, 1946 Original etching Printed signature in the plate Numbered / XX copies On Lana vellum 26 x 36 cm (c. 10.2 x 14 inch) Excellent condition

Salvador Dali (1904-1989) Hell 5 - Minos Wood engraving from "Divine Comedy" with the printed signature 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller". Fougasse (Cyril Kenneth Bird, 1887 - 1965) 'When we plan our new world, let's g...

Michel DELACROIX France : Traditional Village Lithograph Printed signature in the plate On wove paper 85 x 59 cm (c. 34 x 24 inch) Lithographic poster for the artist personal exhibi...

Miquel Barcelo Vanity with Three Skulls, 2005 Original etching with aquatint Unsigned On ivory vellum 50 x 65 cm (c. 20 x 26 in) Authenticated with the...