Chinoiserie Asian Antiques

36 STAR ANTIQUE AMERICAN PARADE FLAG, WITH STARS THAT ALTERNATE IN THEIR VERTICAL POSITION FROM COLUMN TO COLUMN AND ROW-TO-ROW, PRINTED ON AN ESPECIALLY INTERESTING LENGTH OF COARSE...

34 STARS IN A MEDALLION CONFIGURATION ON AN ANTIQUE AMERICAN PARADE FLAG WITH A LARGE, HALOED CENTER STAR; CIVIL WAR PERIOD, KANSAS STATEHOOD, 1861-1863 34 star American national pa...

44 STAR ANTIQUE AMERICAN FLAG WITH AN HOURGLASS FORMATION ON A BRILLIANT BLUE CANTON; REFLECTS THE ERA WHEN WYOMING WAS THE MOST RECENT STATE TO JOIN THE UNION, 1890-1896 44 star Am...

This unusual set of drawings in a double sided frame came out of an old New England Estate in a Beacon Hill, Boston home. From what we have gathered, they are hand-colored drawings o...

ABOUT A large wool American flag made with 48 hand sewn stars and stripes. It is in good condition and has brass grommets to hang. CREATOR Unknown. DATE OF MANUFACTURE c.19...

ABOUT A large Valley Forge American flag made with 48 hand sewn stars and stripes. It is in good condition and has brass grommets to hang. CREATOR Valley Forge. DATE OF MAN...

42 STARS ON AN ANTIQUE AMERICAN FLAG WITH SCATTERED STAR POSITIONING, REFLECTS THE ADDITION OF WASHINGTON STATE, MONTANA, AND THE DAKOTAS, NEVER AN OFFICIAL STAR COUNT, circa 1889-18...

EXTRAORDINARY 34 STAR ANTIQUE AMERICAN FLAG WITH AN ACCORDION OR HOURGLASS MEDALLION CONFIGURATION THAT SURROUNDS A PENTAGON OF STARS IN THE CENTER; MADE OF FINE SILK AND ENTIRELY HAND-SEWN; MADE DURING THE OPENING YEARS OF THE CIVIL WAR (1861-63), IN A TINY SIZE AMONG ITS COUNTERPARTS OF THE PERIOD; REFLECTS THE ADDITION OF KANSAS AS THE 34TH STATE 34 star flag of the Civil War period with an array of rare, beautiful, and otherwise desirable features. Extremely small among flags of this period with pieced and sewn construction, the flag displays a star pattern that is not only highly unusual, but unique to this particular example. This consists of a single star in the very center, surrounded by a pentagon of stars, flanked by angular bracket of three stars to either side. Above and below are rows of 5 stars, followed by rows of 6 that line the top and bottom of the canton. The resulting configuration is what I have termed an “accordion medallion,” though “hourglass medallion” or “standing bow tie” would be perfectly acceptable. When rotated 90 degrees, to view the harder-to-identify, bow tie formation, students of early star patterns may note the visual similarity between this and what I call “Starburst” or “Crosshatch” medallions. The pattern, however, conspicuously lacks the crosses of St. Andrew (a saltire) and St. George (roman cross), that would allow it to be more accurately categorized as such. Entirely hand-sewn, the canton and stripes of the flag are made of fine silk. The hemming of this was accomplished with great skill. The top and bottom edges are selvedge. These are so similar in nature as to have come from the same maker. There is a white, silk binding along the hoist, in the form of an open sleeve, through which a length of braided hemp rope was passed, expertly looped and re-braided into itself at the top and bottom for strength. The stars are made of white, polished cotton. These were stitched to both sides (double-appliqued). Note how the edges of the fabric were not turned under, providing evidence of the fact that the maker was not especially skilled in appliqueing. This was common, as applique work was far more difficult than producing French seams. In the 19th century, most flags with pieced and sewn construction were 8 feet long and larger. A six-footer was considered small. Even military battle flags, carried on foot, measured 6’ x 6.5’, which translates into approximately 7’ x 7.5’ after framing, about the size of an average quilt and larger than can comfortably fit on a wall in a house with 8-foot ceilings and average width baseboard. Flags smaller than this were produced both commercially and at home, but the smaller they are, the more unusual they are. At just 26.5 x 46.5 inches, this flag is extremely small for a Civil war period flag with sewn construction. Silk was both beautiful and lightweight, which made it elegant for military unit colors and preferable for flags meant to be carried on foot. Most outdoor use flags...

WEST POINT PENNANT WITH STRIKING COLOR & GRAPHICS, WWII ERA - 1950's Triangular pennant, made for the United States Military Academy at West Point, with exceptional colors and graph...

RARE SUFFRAGETTE ARMBAND IN GOLDEN YELLOW FELT, ONE OF ONLY TWO EXAMPLES THAT I HAVE ENCOUNTERED IN THIS COLOR & THE ONLY ONE IN THIS EXACT STYLE; MADE circa 1912-1919: Wide, felt ...

An important & rare antique American political printed silk broadside, an elegy on the death of President George Washington, dated 1800. A poem on the Death of President George Was...

RARE FELT PENNANT FROM THE MARCH ON WASHINGTON, AUGUST 28, 1963, WHEN MARTIN LUTHER KING DELIVERED HIS HISTORIC "I HAVE A DREAM" SPEECH Printed in white pigment on scarlet red felt,...

Turkey red bandanna, made for the 1912 presidential campaign of teddy Roosevelt, when he ran on the independent, progressive party (bull moose) ticket Printed cotton kerchief, made for the 1912 presidential campaign of Theodore Roosevelt when he ran on the Progressive Party ticket (a.k.a., the Bull Moose campaign). This graphic textile, in a classic, western style, typical of the iconic red bandanna, is indicative of both the Republican Party in the late 19th century, and T.R.’s love of the American West. In this example, a geometric design with diamonds, surrounded by multiple, linear borders, is accompanied by the following text along the top and bottom that reads: “The Roosevelt Bandanna” and “Progressive Party,” respectively. A maker’s mark in the lower right corner reads “Cochranes Mfg. Co.” Cochrane’s was known for their long-lasting, red dye process, called “Cochrane’s Turkey Red.”. It was really a process, as opposed to a dye itself, to which the name applied. The dye was actually a derived from a synthetic colorant called “alizarin,” imported by Alexander Cochrane’s family, who emigrated to the United States from 1847, and owned a chemical company in Massachusetts that produced the dye. The fabrics were produced by the family of John Cochrane, who emigrated from Renfrewshire, Scotland in 1844. Both families, who resided in Malden, Massachusetts initially, traced their ancestry to Barrhead, Scotland, in the heart of the textile-producing region, near Glasgow and Paisley. It was in Glascow that Turkey Red printed bandannas are said to have originated, in the shop of Henry Monteith & Company, in 1802.* TR's decision to enter the 1912 election was not exactly popular among many of his friends and former supporters. His participation manifested into a unique political incident, in which the independent, Roosevelt, beat out a major party ticket, garnering 27.4% of the vote. At the same time, however, he lost the White House, not only for himself, but for his former Republican friends as well, by dividing support between his own candidacy and that of incumbent President William Howard Taft...

Extraordinarily early (1806) printed linen kerchief glorifying George Washington, Germantown print works, Germantown, Pennsylvania Printed in sepia ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years. Stuart painted it in oil on canvas for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton. The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington through the fabled story of the cherry tree), were made ca 1806 by Germantown Print Works in Germantown, Pennsylvania. To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion...

Pair of cast iron George Washington Andirons: Measures: 9" x 20" x 16" Weighs: 30 LBS.

Folk art patriotic shield painting of John Adams, dating to around 1876 and of a large size measuring 41" x 34.5". It is an oil on canvas laid down to boards. There is writing on the back of the boards, but I cannot make out what it says. There is another similar piece to this that features another signer of the constitution in the Smithsonian collection. This piece came from a collection in Portsmouth...

LARGE CIVIL WAR RECRUITMENT BROADSIDE FOR THE 53RD NEW YORK VOLUNTEER INFANTRY, 5th REGIMENT, "EAGLE BRIGADE," WITH AN ATTRACTIVE AND COMPELLING ...

Unique carved Folk Art panel, dated 1768, depicting a double portrait of mythological kings, whimsically portrayed in miniature stature with protruding beards and chests, from an 18t...

English Royal Woolwork Picture, Titled E R/ Christening of the/Prince of Wales/Jan 25th 1842. A rare woolwork picture in bands of white, pink, red and green centered with a black and white picture...

Unique pen and ink Folk Art drawing with calligraphy boarder depicting Napoleon triumphant in Russia (a French fantasy) with a French flag flying over a Russian palace surrounded by ...

"ROOSEVELT & GARNER", AN EMBROIDERED ARMBAND SUPPORTING THE 1932 DEMOCRAT PRESIDENTIAL TICKET AND THE REPEAL OF PROHIBITION Made for the 1932 Democratic presidential Campaign ticke...

13 LARGE STARS WITH AN EVEN LARGER CENTER STAR, IN A CIRCULAR VERSION OF WHAT IS KNOWN AS THE 3RD MARYLAND PATTERN, ENTIRELY HAND-SEWN, MADE SOMETIME BETWEEN 1850 AND THE CIVIL WAR (...

A pair of fine engravings of two Swedish monarchs by Samuel Blessendorf for Puffendorf’s History of Sweden, in antique birch frames, 1663 and 1696. Engravings of Swedish King Karl X Gustav (b. 1622 - d. 1660) dated 1663 and his successor, King Karl XI (b. 1655 - d. 1697) from 1696 by Samuel Blessendorf, a Prussian enamel painter and engraver, born in Berlin in 1670. He designed and engraved these portraits for Puffendorf’s History of Sweden by Freiherr Samuel von Pufendorf (1632-1694), Historiographer to King Karl X of Sweden. Freiherr Samuel von Pufendorf (b 1632 – d 1694) was a German jurist, political philosopher, economist and historian. He was born Samuel Pufendorf and ennobled in 1684 when he was made a baron by Charles XI of Sweden a few months before his death at age 62. Among his achievements are his commentaries and revisions of the natural law theories of Thomas Hobbes...

Handmade and painted Uncle Sam in all original painted surface.

45 STAR ANTIQUE AMERICAN PARADE FLAG WITH ITS STARS ARRANGED IN A NOTCHED PATTERN, 1896-1908, UTAH STATEHOOD 45 star American national flag, printed on coarse, glazed cotton. Eviden...

The wood carving on this life-size Lincoln is amazing with a beautiful patina. It came out of a good Connecticut Folk Art collection. The body is primitive and was made to be covered...

English painted wood dummy board depicting a royal navy lieutenant. Inscribed 'Made in England' on the reverse. Measures: 41" high x 21" wide x 9" deep ...

Franco-American textile with the image of an eagle supporting knotted and draped american and French flags beneath four war planes; embroidered silk floss and metallic bullion thread...

"RALLY FREEMEN! …COME ONE! COME ALL! AND SHOW YOUR LOVE FOR THE BEST COUNTRY ON THE FACE OF THE EARTH." A CIVIL WAR RECRUITMENT BROADSIDE FOR THE...

AL Malaikah vintage Masonic Shriner iconic burgundy wool Fez hat with original box. Al Malaikah, legion of Honor vintage fez hat from the Los Angeles ...

AL Malaikah vintage Masonic Shriner iconic burgundy wool Fez hat. Al Malaikah, legion of Honor vintage fez hat from the Los Angeles Al Malaikah Shrine...

Rare and fabulous 19th century faux book with compass legs as legs. Mustard paint on the legs with Gilt on the pages of the leather bound book. Looks to be original tassle.. Possibly...

Very sturdy 19th century wooden Odd Fellows Lodge pedestals in all original condition. Quite rare to find the three rings attached separately, this pair is handmade with the three links in gilded wood. Great stands for Folk Art displays. Square tops measure 12 inches across, bases measure 13.50 inches. I. O. O. F. (International Order of Odd Fellows)

A framed group of two related English Royal items Including a King Charles II 'Charles R' signature in black ink on laid paper or vellum and a James...

Large size gold gilt wooden ceremonial fraternal Masonic Crook perched on a long painted wooden pole. Supported by a decorative three-footed metal base, the gilt wood crook itself me...

This fabulous 48 star Patriotic quilt has the embroidered title "Stars and Stripes Forever." The stripes of the flag are created in an unusual way. Rather than using horizontal stri...

Nothing could be more of the moment than this patriotic flag quilt depicting Old Glory. It was most likely made either for the admission of Arizona into st...

Hand-painted and carved neastled dolls of Alexandra and Nicholas II and their four daughters, the Grand Duchess Olga in 1895, the Grand Duchess Tati...

This large and well executed original watercolor painting on masonite board is signed by a Jim Barclay, presumably from the United States, dating to 1964 and done in a period folk art style. The painting depicts President and Mrs. Dwight Eisenhower...

This very large and substantial antique grandfather clock was made in 1805 by William Whitaker of England with hand-painted artistry by Alker of Wigen to commemorate the life and dea...

This framed antique and reverse printed panel was produced in England in the early 20th century by an unknown maker to commemorate the death of Admiral Lord Nelson...

The maker of this lecturn is unknown, but presumed to have originated from the United States and date to approximately 1965. The podium is composed of pine boards and playwood with h...

ABOUT An original Italian flag with brass grommets to hang it. CREATOR American Flag and Banner Company, San Francisco. DATE OF MANUFACTURE c.19...

13 STAR ANTIQUE AMERICAN FLAG WITH A 3-2-3-2-3 CONFIGURATION OF STARS ON AN INDIGO CANTON, SQUARISH PROPORTIONS, AND A BEAUTIFUL OVERALL PRESENTATION, MADE circa 1895-1926 This 13 s...

33 STARS IN A "GREAT STAR" PATTER ON A BRILLIANT, ROYAL BLUE CANTON, A RARE AND EXTRAORDINARY EXAMPLE, PRE-CIVIL WAR THROUGH THE WAR'S OPENING YEAR, 1859-1861, OREGON STATEHOOD 33 s...

"VOTES FOR WOMEN" PENNANT WITH AN IMAGE OF A 1911 STATUETTE CALLED "SUFFRAGIST" BY ELLA BUCHANNAN, MADE FOR CARRIE CHAPMAN CATT'S "WOMAN SUFFRAGE PARTY" OF NEW YORK CITY, CA 1912-20 ...

A rare French Military Academy Officer's hat or cap from the 1970s. These special and unique hats are part of the uniform of students studying to become officers in the French Milita...

A rare French Military Academy Officer's hat or cap from the 1970s. These special and unique hats are part of the uniform of students studying to become officers in the French Milita...

ENTIRELY HAND-SEWN ANTIQUE AMERICAN FLAG OF THE CIVIL WAR ERA, WITH 13 SINGLE-APPLIQUÉD STARS IN A 3-2-3-2-3 CONFIGURATION, IN A GREAT, SMALL SCALE AMONG ITS COUNTERPARTS, PROBABLY MADE IN NEW YORK CITY, SIGNED “GRÜNFILD” 13 star flags have been flown throughout our nation’s history for a variety of purposes. They were hoisted at patriotic events, including Lafayette’s final visit in 1824-25, the celebration of the centennial of American independence in 1876, and the sesquicentennial in 1926. They were displayed during the Civil War, to reference past struggles for American liberty and victory over oppression, and were used by 19th century politicians while campaigning for the same reason. As the number of stars grew with the addition of new states, it became more and more difficult to fit their full complement on a small flag. The stars would, by necessity, have to become smaller, which made it more and more difficult to view them from a distance as individual objects. The fear was that too many of them close together would become as one white mass and distort the ability to identify American ships on the open seas. Keeping the count low allowed for better visibility. For this reason the U.S. Navy flew 13 star flags on small boats. Some private ship owners mirrored this practice and flew 13 star flags during the same period as the Navy. Flag experts disagree about precisely when the Navy began to revert to 13 stars and other low counts. Some feel that the use of 13 star flags never stopped, which seems to be supported by depictions of ships in period artwork. This was, of course, the original number of stars on the first American national flag, by way of the First Flag Act of 1777, and equal to the number of original colonies that became states. Since there was no official star configuration until the 20th century (1912 specifically, beginning with the 48 star count), the stars on 13 star flags may appear in any one of a host of configurations. Made during the Civil War era, or shortly thereafter, the stars of this particular 13 star flag are arranged in a 3-2-3-2-3 pattern of lineal rows. This configuration appears to have been adopted by the Navy sometime toward war’s end, probably between 1864 and 1865. Afterwards it becomes the most common design across all known styles, for the balance of the 19th century through the first quarter of the 20th. Entirely hand-sewn, the stripes and canton of the flag are made of wool bunting. Note in particular the square profile of the canton, which makes it visually different from modern flags. The stars are made of cotton and are single-appliquéd. This means that they were applied to one side of the canton, then the blue fabric was cut from behind each star, folded over, and under-hemmed, so that one star could be viewed on both sides. I always find single-appliquéd stars more interesting, not only because they are evidence of a more difficult level of seam-work and stitching, but also because they are more visually intriguing. The two visible rows of hand-stitching emphasize their hand-sewn construction. This is one reason why single-appliquéd stars appeal to connoisseurs of early American textiles. While some flag enthusiasts have pointed to this as a means of conserving fabric, not having to cut and sew another star to the opposite side, others suggest that the real purpose was to make the flag lighter in weight. I believe it to have been a byproduct of both objectives. A length of faded, red, herringbone, twill cotton tape was stitched along the hoist end for reinforcement, in lieu of a more formal binding. To this, six lengths of cotton knit shoelace were added (one now absent) as a means of affixing the flag to a staff. This is generally the accepted method for a flag that is to be hand-carried. The cloth tape and ties both add substantially to the flag’s visual presentation. The name “Grünfild” was at some point hand-inscribed beneath the canton. It was common to mark flags in this fashion, during the 19th and early 20th centuries, to indicate ownership. An unusual name in America at this time, I believe that this likely belonged to the only man by this name that is recording as having served during the Civil War. Born around 1843, Morris Grünfild [a.k.a. Grünfield / Greenfield / Grünfildt] emigrated to the United States from Eastern Europe in 1854. A merchant tailor, who I believe may have been of Russian Jewish descent, he records himself as having been born in “Poland / Rus,” but may have moved to Austria in the interim, before traveling to the States. In May of 1861, Grünfild enlisted with the 31st New York Volunteer Infantry, at the rank of Private, in New York City, and was assigned to “C” Company. He served two years, mustering out in New York on June 4th, 1863. Around 1877, Grünfild joined Frank Head Post #16 of the New York State Grand Army of the Republic. The GAR was the primary veteran’s organization for the Union Army. He married a Russian woman from Philadelphia, had many children, and continued to work as a tailor into the 20th century, possibly selling both his services and clothes. Presuming that it was this Morris Grünfild who owned and marked the flag, it is hard to be sure just how he came into possession of it. The construction is actually typical of flags produced in New York, during this time frame and after, by the Annin Company. Known for single-appliqued stars, and for hand-sewing the stripes of smaller flags in particular, as well as for simply producing more, small, sewn flags than their competitors, the flag closely approximates signed, Annin-made examples that I have previously owned. It may, of course, be that Grünfild acquired the necessary bunting at the wharf and sewed the flag in the same fashion as Annin, but I don’t think so. I do, however, believe that it was he who added the herringbone tape and shoelace ties to a flag probably of Annin manufacture. It’s possible that the 31st NY Regiment used the flag as a flank marker or as camp colors. Though a little large in scale for either when compared to military regulations, the flag is small enough to have served effectively in either function. This unit appears not to have turned any colors in to the state at the war’s end, so likely they were taken home. The role that Grünfild played as a private in C Company is unknown. As a tailor, it’s conceivable that he may have played a role in the care or upkeep of flags, but no further information is available. The 31st NY was a very active unit. Recruited from Williamsburg (just over the Brooklyn Bridge) and Manhattan, it had several nicknames, including the “Montezuma Regiment,” “Baxter Light...

Presented is a very rare, 41-star flag waver celebrating Montana statehood. The flag is printed on linen and dates to 1889. The dark blue canton is printed with forty one stars in nine rows of alternating counts of five and four stars. Thirteen red and white stripes complete the flag’s design. The history of Montana statehood is a long one. Numerous Native American tribes originally inhabited the Montana Territory. Meriwether Lewis, William Clark, and the members of their expedition were the first explorers to document a journey through Montana and the lands of the Louisiana Purchase. Soon, forts were established to facilitate regular fur trading with Native American tribes. Missionaries and trailblazers followed. The discovery of gold in the early 1860s sped the creation of the Montana Territory. As settlers and gold prospectors entered Montana in the 1860s and 1870s, conflicts with the Native Americans arose. Perhaps the most famous clash between Native Americans and the United States military occurred in Montana on June 25, 1876. On that day, Sioux and Cheyenne defeated Lieutenant Colonel George Armstrong Custer‘s 7th United States Cavalry regiment at the Battle of the Little Bighorn. A year later, Nez Percé Chief Joseph surrendered in the Bear Paw Mountains of Montana. Lured by copper in the 1880s, mining brought even more settlers to Montana. Rich grazing lands for cattle and sheep attracted other pioneers. Each of the states in America, with the exception of the original thirteen, Texas, and California, was first organized as a territory before achieving admittance to the Union as a state. Originating with the Ordinances of 1785 and 1787, the territorial system provided the expanding U.S. with a method to govern frontier areas until they gained sufficient population and economic maturity to qualify for statehood. Not surprisingly, residents of frontier territories usually demanded quick admission to statehood so they could gain full control of their local governments. Montana was a territory for 25 years – from the creation of Montana Territory in 1864 until the territory was admitted to statehood in 1889. On November 2, 1889, North and South Dakota were added to the Union as the 39th and 40th states, the first time in history that two states were admitted on the same day. Montana became the 41st state on November 8, predating Washington, the 42nd state, by only three days. Flag makers were not in the business of making out-of-date flags. As a result of these rapid changes in the number of states, only a small number of 41-star flags or commemorative items were ever produced, thereby making any 41-star flag exceedingly rare. CONDITION: Good condition. This flag is printed, with a hemmed headband and fly end in a running stitch...

39 star silk statehood flag. 23 1/2" x 15". Was the unofficial North Dakota Flag. As South Dakota was also admitted as the 40th state on the same day this...

69th Battery Royal Field Artillery Framed Commemorative Embroidery A stunning piece, in fine detail applied and embroidered tapestry, showing the counties and campaigns from 1855 ...

Very rare west riding constabulary cast iron wall plaque This branch of the British police force was established in 1825, Yorkshire was divided into ...

A William IV policeman’s truncheon. A great piece of social history, the baton has a slightly shaped grip handle, the lower part is painted in Red and the upper part has a blue ba...

The Second World War by Winston Churchill from Houghton-Mifflin Company, Boston. A vintage edition of Winston Churchill's six-volume memoir, The Second World War, for which he was a...

ABOUT An original monumental Belgian flag. CREATOR Unknown. DATE OF MANUFACTURE c.1940-1950. MATERIALS AND TECHNIQUES Wool, Metal. CONDI...

Medallion in bronze Patrie. The relief portrait has beautiful slightly brown patina. France, circa 1905

An exquisite and mysterious portrait bust has come into our possession. Her name is Mathilda. The bust has been sculpted from earthenware clay and fired with a Bronze glaze. Given...