Chinoiserie Asian Antiques

This fun and folky 20thc original painted parade flag sign was used to hand in the windows during patriotic events. In stores and homes in the early 20thc.

Large, swallow tailed, suffragette pennant in a black & orange color combination unique to this example, with applied lettering that reads "Votes for Women” down a wide, central stri...

38 WHIMSICAL STARS, WITH 6-POINTED PROFILES, SIMILAR TO THE STAR OF DAVID, ON AN ANTIQUE AMERICAN FLAG OF THE CENTENNIAL ERA; A REMARKABLE SPECIMEN, ONE-OF-A-KIND AMONG KNOWN EXAMPLE...

This cast iron eagle is one of the earliest sculptural forms that one will encounter in the marketplace. It is also one of the most attractive and ico...

IRONSTONE PLATE WITH "VOTES FOR WOMEN" TEXT, MADE JOHN MADDOCK & SONS FOR SUFFRAGIST ALVA BELMONT FOR MARBLE HOUSE, HER FAMOUS ESTATE IN NEWPORT, RHODE ISLAND, CIRCA 1914: Porcelain objects related to the Suffrage movement are extremely scarce. The most celebrated of all American suffrage dinnerware consists of a service of white ironstone, commissioned by Alva Belmont,* prominent Newport, Rhode Island, socialite. Belmont was the founder of a pro-suffrage group called the Political Equality Association. According to Suffrage memorabilia expert Ken Folley, "There are at least eight different examples known in this design, including a cup and saucer, a lunch or dinner plate, a salad or bread plate, a berry bowl, a soup bowl, a celery dish...

“Visit To Camp,” an extraordinarily rare card game by mclaughlin brothers of new york, circa 1871. This extremely rare card game, designed with Civil War context, was made by McLoughlin Brothers in New York City. The set includes 12 (complete) chromolithographed, character playing cards, and 68 (out of 72) object cards, with various accoutrements. All of the above are housed in a wooden storage box with a slide lid and a chromolithographed, paper label. Played in an ad-lib, story-telling format, the characters include the Colonel, the Captain, the Zouave soldier with red pantaloons, the Rifleman, the Artilleryman, the Riding Master, the Musician, the Ferrier, the Surgeon, the Sapper (engineer), the Sutler (cook), and the Vi Vandeer (a woman who takes care of the troops). Each character was originally linked to 6 objects, which were to be produced by players on demand during a spoken reading of the game’s convoluted story-line. There are actually 69 cards included here, one of which is an object card for “the Chinaman.” Since the card matches the style exactly in printing, shape, and scale, and since there was no Chinaman in this game, I presume that the card must have once accompanied another McLaughlin ad-lib deck. The instructions (reproduced, in scale) list 13 possible players, with the 13th acting as narrator. I could locate only 3 other copies of this extremely rare game, all of which included 12 cards. McLoughlin Brothers is said to have pioneered the systematic use of color printing technologies in children’s books. The publishing firm opened in 1820 and was active until 1920, when it was sold to Milton Bradley. During the early years, the product line included toys in addition to books, among which were games, blocks, and paper dolls. Artwork from famous illustrators such as Thomas Nast, William Momberger, Ida Waugh” (Laura Wasowicz), Justin Howard, and Palmer Cox...

13 Star American parade flag in an extremely rare design, with “protection to home industries” slogan on a fanciful, scrolling streamer, made for the 1888 presidential campaign of Benjamin Harrison; formerly in the collection of Richard pierce. 1888 Benjamin Harrison campaign flag, printed on cotton, with 13 large stars in a 3-2-3-2-3 pattern, upon which a whimsical, scrolling streamer is superimposed that features the slogan: “Protection to Home Industries.” There are numerous styles of both documented and undocumented, red, white, and blue bandanas and handkerchiefs, made for Harrison’s campaign in this year, as well as from the subsequent one, in 1892. Most bear variations of text to support the “Protection for American Industries” platform of the Republican Party. America was in the midst of the industrial age and there was a great deal of public interest, both in protecting growth and discouraging both imported goods and immigration. The constant stream of immigrants posed great challenges for a working families, competing for scarce jobs, in work environments that were already often far from ideal. In post-Civil War America, many of the working men were Civil War veterans. Bandanas abound from Harrison’s Campaigns, but flags do not. This example, along with three others, were once part of an 1888 patriotic quilt that was disassembled by a dealer and sold piecemeal to collectors. I eventually acquired all four. Fifteen to twenty years ago, these were the only four known copies. A couple of others have since surfaced, but the total count known still stands closer to 5 than 10. The use of 13 stars is seen in the flags of various candidates in the 19th century. Among these are Abraham Lincoln (1860 campaign), Henry Clay (1844 campaign), John Fremont (1856), and Benjamin Harrison’s grandfather, William Henry Harrison...

8-Foot commission pennant with 13 stars, a unique example in my experience, likely produced for display on a private vessel, made circa 1892-1910. Commission pennants are the distinguishing mark of a commissioned U.S. Navy ship. Flown at the topmast, the typical American format is a long blue field, usually with a single row of white stars, although sometimes with their total divided into two rows, followed by two long stripes, red-over-white. A ship became commissioned when this pennant was hoisted. Flown during both times of peace and war, the only time the pennant is not flown is if a flag officer or civilian official was aboard and replaced it with their own flag. Sometimes the owners of private ships mimicked the use of Navy signals. Some seafaring men would have served in the Navy and become privy to various practices in that capacity. Others flew them purely for stylistic reasons, either on a regular basis or while the boat was dressed for special occasion. Hudson River steamers regularly flew pennants of this nature, as evidenced by period photography as well as the paintings of artists such as John and James Bard...

38 STAR ANTIQUE AMERICAN PARADE FLAG WITH JUSTIFIED ROWS OF 7-6-6-6-6-7 AND SCATTERED STAR ORIENTATION, MADE DURING THE PERIOD WHEN COLORADO WAS THE MOST RECENT STATE TO JOIN THE UNION, 1876-1889 38 star American national parade flag, printed on coarse cotton, possibly with flax content. One of the flag’s most interesting features is the wild sweep of the grain of the fabric, the warp and weft of which are anything but perpendicular. The stars are arranged in justified rows of 7-6-6-6-6-7. This results in a secondary pattern that I commonly call a “box-in-a-box-in-a-box”, because of the way in which the seemingly haphazard arrangement creates three consecutive squares. Note how the stars point in various directions on their vertical axis, which adds a nice element of folk quality to the overall design. Most parade flags in this star count have red stripes that lean heavily toward orange, with a vibrant, chromatic luster. This was common across printed flags produced between the 1850's and the 38 star period, phasing out in the last decade of the 19th century. Also note how the wear and patina contribute to an endearing presentation that displays its long-term use gracefully. Colorado became the 38th state on August 1st, 1876. This was the year of our nation’s 100-year anniversary of independence. Per the Third Flag Act of 1818, stars were not officially added until the 4th of July following a state's addition. For this reason, 37 was the official star count for the American flag in 1876. In the latter 19th century, it became common to add stars before the respective state(s) had even entered the Union. No one cared what was official, not even the military, where the matter of practicality with regard to flags always seems to have outweighed regulations. In the private sector, commercial flag-making was a competitive venture. Few flag-makers continued to produce 37 star flags when their competitors had jumped the star count to 38. It is for this reason that 38 and 13 stars (to represent the original 13 colonies) are more often seen at the Centennial International Exposition, the six-month long World’s Fair, held in Philadelphia, that served as the nucleus of the national celebration. Some makers of printed parade flags actually began to produce 39 star flags in 1876, in hopeful anticipation of the addition of two more Western Territories instead of one. The 39th state would not join the Union for another 13 years, however, when the Dakota Territory—thought to be coming as a single state—entered as two separate states on November 2nd, 1889. The 38 star flag generally fell out of production at that time, though it technically remained official until July 3rd, 1890. President Ulysses S. Grant was in office when the first 38 star flags would have appeared. The list of presidents that served during the period when the 38 star flag was official include Rutherford B. Hayes, James Garfield...

EXTRAORDINARILY EARLY (1806) PRINTED LINEN KERCHIEF GLORIFYING GEORGE WASHINGTON, PRINT WORKS, GERMANTOWN, PENNSYLVANIA Printed in blue ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait. Stuart painted three versions of it in oil on canvas, one of which was completed in 1796 for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton. The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington, through the fabled story of the cherry tree), were made circa 1806 by Germantown Print Works in Germantown, Pennsylvania. To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion on the right. It is reasonable to assume that the textile may have been produced in demonstration of the maker's desire, and/or that of others, to advance trade with England. Commercial printers were very influential in early America, as they possessed the means by which to disseminate information. This kerchief and its companion piece are documented in Threads of History, Americana Recorded on Cloth, 1775 - the Present, by Herbert Ridgeway Collins (1979, Smithsonian Press), p. 63, items 38 & 39.* The two pieces pictured are in the collection of Cornell University, but the Collins text also cites an uncut pair to be present in the collection of the Western Reserve Historical Society, Cleveland, OH. The name "Germantown Print Works" is printed on the Western Reserve examples. Another example of the textile in question is documented in "Running for President, The Candidates and Their Images, 1789-1896" by Schlesinger, Israel, and Frendt, (1994, Simon & Schuster), p. 15. I have seen three different color variations of this textile, including sepia, mulberry red, and blue. This particular example has a hand-sewn binding along the top, lower, and left edges. Mounting: The textile was mounted and framed within our own conservation department, which is led by expert staff. We take great care in the mounting and preservation of flags and have framed thousands of examples. The gilded molding has a rippled profile and dates to the period between 1825 and 1850.The background is 100% cotton twill, black in color. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Condition: There is an all-over golden oxidation of the white fabric and there is very minor staining. There are tiny tack holes in each corner and there are minor nicks around the perimeter. * Collins relates that Germantown Printworks was operated by the Hewsons. In doing so he cites one of Worthington Chauncey Ford's books on George Washington, but it isn't clear which one (there are many) and no page numbers are given. John Hewson was an Englishman who came to America and opened his printing business on the advice of Benjamin Franklin. He was one of the first “calico printers” and is the earliest documented to have advertised printed kerchiefs. His ads for bandanas appear as early as June 20th, 1774. He is suspected of having produced the very first American kerchief that pictured an American president, which is documented in Collins as item 1 on page 48. Linda Eaton, curator at Winterthur, in 2012, is currently doing in depth research on the three printers of fabrics that were operating in Germantown in early America. She discovered that the owner and/or operator of Germantown Print Works, while not currently known, was not John Hewson. This information is not yet published. She also noted that Winterthur possessed examples of the two George Washington textiles...

"EQUAL SUFFRAGE FOR MICHIGAN IN 1916," ADVERTISING FAN FOR THE BISSELL 'CYCO BALL BEARING CARPET SWEEPER,' COMMISSIONED BY ANNA BISSELL (1846-1934), AMERICA'S FIRST FEMALE CEO Oriental-made, twill-woven silk fan with gilt lettering that reads : "Bissell's 'Cyco Ball Bearing Carpet Sweeper' makes sweeping easy," set within an interesting, open, geometric design. A purposefully curved, paper label beneath was applied by the "Michigan Equal Suffrage Association, Kalamazoo, 405 So. Burdick St.," whose byline is along the bottom. On it, a terrific message reads: "OVER 100,000 WOMEN pay taxes in Michigan on property assessed at $177,596,938. In 1910 OVER 175,000 MICHIGAN WOMEN signed a petition sent to Congress asking for Equal Suffrage. 247,373 MICHIGAN MEN voted...

Pressed brass eagle, an early parade flag holder & bunting tie-back, an especially attractive example, circa 1880-1895 Pressed brass eagles decorated the interiors of Civil War ve...

1840 campaign kerchief featuring an image of William Henry Harrison on horseback in military garb, one of the first known campaign textiles in e...

ELONGATED PENNANT MADE FOR THE 1912 PRESIDENTIAL CAMPAIGN OF THEODORE ROOSEVELT & HIRAM JOHNSON, WHEN THEY RAN ON THE INDEPENDENT, BULL MOOSE / PROGRESSIVE PARTY TICKET: Elongated,...

EXCEPTIONAL PATRIOTIC SCHERENSCHNITTE (PAPER CUTTING), IN THE STYLE OFTEN ATTRIBUTED TO ISAAC STIEHLY, ENTITLED “LIBERTY,” WITH IMAGERY THAT INCLUDES AN AMERICAN EAGLE WITH A 14 STAR, 14 STRIPE FLAG IN ITS BEAK, A RATTLESNAKE, LOVE BIRDS, AND EAGLES ON URNS, CA 1830-1850 This exceptional patriotic scherenschnitte was executed in the style often attributed to Pennsylvania German minister Isaac Stiehly (1800-1869). Scholars now agree that one or more artists, working in New York, were producing their own work in a very similar style. Several examples are known that bear the names of New York and/or New Jersey residents, while two, in particular, include text that celebrates the 1844 New York mayoral election victory of publishing magnate James Harper [founder of what is now Harper Collins], who ran on a ticket sponsored by the American Republican Party, a nativist organization concerned with the loss of American jobs to Irish immigrants. Note the quality of the cutwork on this example, the centerpiece of which is a large American eagle, gripping a coiled rattlesnake and holding an American flag in its beak. Above, in a lozenge-shaped medallion, the word "Liberty" is executed in large script. To the left and right of this are elaborately decorated ovals, and anchoring each corner of the work are snowflake-like medallions. To each side of the eagle, and below, is a plethora of flora and fauna, the outermost pillars of which are supported by two urns, decorated with eagles. At the bottom center is a diamond within a heart, with two doves, one of which is offering the other a leaf. Above this there are appear to be crude representations of a gnome and a fairy flanking and urn decorated with another heart, from which grow the vines in the center window. Interlocking rings decorate the border, probably to represent marriage, and it can logically be presumed that the scherenschnitte was a wedding gift. It is of interest to note that the flag displays both 14 stars and 14 stripes. Although the reason for the use of this count is unknown, on the surface it does appear to be intentional. Other known patriotic scherenschnitte display flags with various star and stripe counts. Of those I have personally owned, the one bore 14 stars and 13 stripes, another 11 stars and 13 stripes, another displayed two flags, including a 12 star flag with 14 stripes and a 14 star jack (a blue naval flag with stars but no stripes), and another, also with 2 flags, displayed a 20 star flag...

ENGLISH PORCELAIN SUFFRAGETTE PLATE WITH "DEEDS, NOT WORDS" AND "VOTES FOR WOMEN" SLOGANS, ONE-OF-A-KIND AMONG KNOWN EXAMPLES, CA 1905-1918 English porcelain plate, made for the Wo...

Elaborate sailor’s souvenir embroidery from the orient with a beautiful hand-painted image of Washington crossing the Delaware, surrounded by a large eagle, federal shield, crossed flags, a cannon, cannonballs, and anchor, circa 1885-1910: Between roughly 1880 and 1915, American sailors visiting the orient could obtain beautiful needlework embroideries on shore, with patriotic American themes. These extraordinary works of art were acquired as mementos of a long voyage, often with the hope that they might be presented as gifts for loved ones and friends. Using silk floss, elaborately embellished with both silver and gold metallic bullion thread...

48 STARS ON ANTIQUE AMERICAN FLAG WITH HAND-WRITTEN INSCRIPTIONS AND AN EMBROIDERED DATE OF APRIL 12TH, 1945, MOURNING THE DEATH OF PRESIDENT FRANKLIN DELANO ROOSEVELT: American national parade flag with 48 stars, printed on cotton, embellished with hand-written inscriptions and an embroidered date to commemorate the death of FDR on April 12th, 1945. “On this day in 1945, President Franklin D. Roosevelt died of a massive cerebral hemorrhage at his Warm Springs, Georgia, retreat at the age of 63. Roosevelt’s death in the final months of World War II was met with shock and grief throughout the Western world. Many Americans had no inkling of his decline in health. [He] had been president for more than 12 years, longer than any other person. He led the country through some of its greatest domestic and foreign crises to the impending defeat of Nazi Germany and within sight of Japan’s surrender...

Rare & Beautiful American Parade Flag With Images Of Teddy Roosevelt And His Great White Fleet, 1907-1909, Ex-richard Pierce Collection: 46 star parade ...

American Suffrage movement pennant, with a standard, triangular taper. Made of yellow felt, with tapered letters that read simply: "Votes for Women," bo...

13 hand sewn stars in a circular version of what is known as the 3rd Maryland pattern, with an especially large center star, a flag with especially tiny scale among those with pieced-and-sewn construction, exceptionally rare, made circa 1890: 13 star flags have been flown throughout our nation’s history for a variety of purposes. They were hoisted at patriotic events, including Lafayette’s visit in 1824-25, the celebration of the centennial of American independence in 1876, and the sesquicentennial in 1926. They were displayed during the Civil War, to reference past struggles for American liberty and victory over oppression, and were used by 19th century politicians while campaigning for the same reason. As the number of stars grew with the addition of new states, it became more and more difficult to fit their full complement on a small flag. The stars would, by necessity, have to become smaller, which made it more and more difficult to view them from a distance as individual objects. The fear was that too many of them close together would become as one white mass and distort the ability to identify American ships on the open seas. Keeping the count low allowed for better visibility. For this reason the U.S. Navy flew 13 star flags on small boats. Some private ship owners mirrored this practice and flew 13 star flags during the same period as the Navy. Flag experts disagree about the precisely when the Navy began to revert to 13 stars and other low counts. Some feel that the use of 13 star flags never stopped, which seems to be supported by depictions of ships in period artwork. This was, of course, the original number of stars on the first American national flag, by way of the First Flag Act of 1777, and equal to the number of original colonies that became states. Any American flag that has previously been official remains so according to the flag acts, so it remains perfectly acceptable to fly 13 star flags today by way of congressional law. Since there was no official star configuration until the 20th century (1912 specifically, beginning with the 48 star count), the stars on 13 star flags may appear in any one of a host of configurations. Some of these are more rare and desirable than others. The stars of this particular flag are arranged in what has come to be known as the "3rd Maryland Pattern." This configuration, whether oval or circular, is appreciated both for its visual appeal and the scarcity of its use. a circular wreath of 12 with a single star in the center. The name comes from a flag that resides at the Maryland State Capitol in Annapolis, long thought to have been present with General Daniel Morgan at the Battle of Cowpens in 1781. According to legend, the flag was supposed to have been carried by Color Sergeant William Batchelor of the 3rd Maryland Light Infantry and was donated to the State of Maryland by Batchelor's descendants. The story was disproved in the 1970's, however, following an examination by the late flag expert Grace Rogers Cooper of the Smithsonian, who discovered that the Cowpens flag was, at the earliest, of Mexican War...

PATRIOTIC SILK KERCHIEF OF THE CIVIL WAR PERIOD, WITH AN ENGRAVED IMAGE OF GEORGE WASHINGTON, CROSSED 34 STAR FLAGS, AN EAGLE, AND "UNION FOREVER" SLOGAN: Patriotic kerchiefs that date prior to the 1876 Centennial of American Independence are rare among surviving 19th century textiles. Printed on silk and made during the opening years of the Civil War, this example consists of a white ground with red and blue borders. Inside is a prominent, copper engraved, device that consists of a large image of George Washington, crowned by a spread winged eagle that grasps a billowing streamer in its beak and talons. The ribbon boasts the Federal sentiment "Union Forever." The likeness of Washington is derived from Gilbert Stuart's Athenaeum portrait. Below this is a facsimile of Washington's signature, cradled by crossed American flags, each with 34 stars arranged in circular medallions. Although political textile historian Herbert Ridgway Collins associated this kerchief with the centennial of American independence,* there is overwhelming evidence that it was produced earlier. The large scale is much more indicative of kerchiefs produced in the 1860's and prior. Made of silk, the binding is hand-stitched, which is also common of those produced before 1876. When these facts are added to the pro-Union Civil War slogan and flags in the 34 star count, the combination of all these factors points firmly to Civil War period manufacture. Kansas was admitted into the Union as the 34th state on January 29th, 1861, about two-and-a-half months before the Confederate assault on Fort Sumter that marked the beginning of the Civil War. The 34th star was officially added on July 4th of that year and the star count remained official until July 4th, 1863. Further evidence can be found in an example of this kerchief that resides in the collection of the Adams County, Pennsylvania Historical Society, with firm provenance to a woman by the name of Emma Yount. The story goes like this: “With the Battle of Gettysburg looming and the countryside in turmoil, the Union cavalry rode into Gettysburg on the afternoon of June 30, 1863. The troopers dismounted and lounged in the town while awaiting further orders. During that time, the seven year old daughter of innkeeper Israel Yount, Emma, was playing outside their home when a cavalryman asked her to come and visit with him while he was resting. The cavalryman told her that he missed his young daughter at home and asked if little Emma would hug and kiss him on the cheek to remind him of his daughter, who he felt he might not ever see again. Emma asked her mother if she could do as the cavalryman suggested, and her mother considered the circumstances and allowed Emma to do so. Before leaving, the cavalryman gave young Emma a silk handkerchief he was carrying that featured George Washington's image and patriotic border and flags. Emma kept that handkerchief until her death in 1946 and it was then donated to the Adams County Historical Society.” The trio of brass rings, hand-sewn along the top edge, would have been added by a former owner so that it could be hung vertically. The textile itself is both beautiful in design and rare. Outside of an example pictured by Collins in his book “Threads of History” (Smithsonian Press, 1979), and the copy in the Adams County Historical Society, only three others like it are known to have surfaced, including this example. This condition is excellent for the period and it survives as an exceptional relic of the War Between the States. It is of interest to note that kerchief bears marked similarities to another, especially rare, pro-Union variety, that was produced in London for the American market. Notably larger in scale, but very much alike in terms of the fabric, the printing, the shades of red and blue, the verbiage, and the general overall graphic feel, it was produced by Foster & Porter, a known, English maker of printed kerchiefs. Instead of featuring George Washington, the imagery centers on a large cannon...

OHIO STATE FLAG WITH CIVIL WAR VETERANS' OVERPRINT FROM THE GRAND ARMY OF THE REPUBLIC POST IN COLUMBUS, MADE IN MOURNING OF THE 1925 PASSING OF NATIONAL G.A.R. COMMANDER IN CHIEF DANIEL M. HALL, WHO ALSO SERVED AS COMMANDER OF THE OHIO DEPARTMENT OF THE G.A.R., AS WELL AS THE LOCAL CHAPTER Flag of the State of Ohio, printed on oilcloth-like cotton, affixed to its original wooden staff. Made for Civil War veteran's use, the flag bears a stamped overprint in the striped field that consists of an open wreath of laurel branches, inside which is the following text: “GAR [Grand Army of the Republic] Post, Dan Hall, Columbus, OH”. Born on October 20th, 1842, Daniel M. Hall enlisted with the Union Army as a Private at the age of 18 on August 25th, 1861. On October 8th of that year he mustered into the Co. H of the 2nd Ohio Cavalry. Discharged for disability on June 28th, 1862, he reenlisted approximately 17 months later, on November 11th, 1863, and mustered into Co. F of the 12th Ohio Cavalry at Camp Cleveland. He was at some point promoted to the rank of Sergeant, and, on February 21st, 1864, to the rank of Corporal. He mustered out at Nashville on November 14th, 1865. Hall mustered into the Hamlin Post of the Ohio G.A.R. on May 23rd, 1883. He would go on to serve not only as Commander of the Dept. of Ohio for the organization, but as National Commander of the entire Grand Army of the Republic. The Grand Army of the Republic was the primary veterans association for Union Civil War soldiers. Founded in 1866, its members dressed up in Civil War uniforms, attended parades and reunions, and the organization was somewhat more fraternal in nature than today’s VFW or American Foreign Legion. Flags overprinted for the purpose of advertising are a specialized form in American flag collecting. A flag with a basic G.A.R. overprint is the most common type. This might be accompanied by a post number and a date. More elaborate the overprints are more highly desired, such as this one, which is the only variation I know of that honors a particular person who was not the namesake of the chapter itself. It is of interest to note that a sister variety of 48 star parade flag is known, printed on the same fabric, that bears the same overprint, accompanied by the words: “We Mourn Our Comrade." From the additional text on the 48 star variety, one can extrapolate that the flags were made to mourn the passing of this important leader of Civil War veterans on October 19th, 1925, just one day before his 83rd birthday. The State Flag of Ohio was designed in 1901 by Cleveland architect John Eisenmann, who designed the Ohio building for the state's exhibition at the Pan American Exposition World's Fair in Buffalo, New York. It was officially adopted by the Ohio legislature on May 19th, 1902. It's elements are centered on a red disc, set against a circular white ground that forms a letter "O." This simultaneously represents a buckeye, the fruit of the state tree and an iconic Ohio symbol. The flag's 5 stripes are said to represent the state's waterways and roads, while the triangular shape of the union is said to illustrate hills and valleys. The presentation of 13 stars along the hoist end, arranged in a semi-circular medallion with two off-set stars above and below, reflects the original 13 colonies. The diamond of stars, towards the fly end. bring the overall count to 17 to reflect Ohio's admission. When the design was adopted by the state legislature, the position of these stars was changed slightly, moving them further around the circle to form a wreath. Flag expert Whitney Smith, who coined the term Vexillology in the late 1950's (the accepted term for the study of flags), pointed out that the format of the flag itself was reminiscent of Civil War cavalry guidons, carried by Ohio regiments throughout the state. These were of swallowtail form, though with 13 stripes, all horizontal and 90 degrees to the hoist. Most often these had circular star patterns around an open center, which makes them even more similar to the Ohio flag...

Leather fireman's parade belt with the word "LIBERTY in white on a red ground, Bloomsburg, Pennsylvania, circa 1900 This fireman's parade belt is of the type produced during the latter part of the 19th century, between roughly 1870 and 1900. Made of leather, the body of the belt is black. In the center is a recessed window, with a fancifully scalloped edge, behind which a red leather panel, upon which the word "Liberty" appears in raised, white letters. There is a white binding, it's edge trimmed with pinking shears to create a decorative border. The metal buckle fits into an opposing leather strap, small in scale and riveted beneath the outer one. The words that appear on fireman's parade belts were customized, sometimes displaying the title of the wearer (i.e., "chief" or "clerk"), sometimes the name of the city or town, and sometimes the name of the station, as-is the case in this instance. Attributed to Bloomsburg, Pennsylvania (Columbia County), I acquired it about 25 miles southwest, in adjacent Union County. Bloomsburg's first fire house, Friendship Fire Company, was established in 1868, shortly following the Civil War. Like most volunteer departments of that time, it was staffed by returning Union soldiers who volunteered, enjoying the comradery. Three more would follow, including Rescue Hose & Ladder (1870), Winona (1881), and Liberty Fire Company (1900). In the early 1990's the process was begun to modernize and consolidate all four stations into one. Liberty's fire house still stands on the 100 block of Leonard Street. Probably made in the year the Liberty Fire Company was established, for related parades and festivities, the great thing about this belt is the combination of the wonderful, early, painted surface and the terrific verbiage. While words such as "Clerk," "Bloomsburg," or "Rescue" would have limited appeal, the word "Liberty" opens the playing field to a nation-wide audience. Fire memorabilia...

34 Upside-down, Hand-sewn Stars In A Notched Configuration, On An Antique American Flag Of The Civil War Period, With A Beautiful And Highly Unusual Jacquard Weave Binding, And In A Tiny Scale Among Its Counterparts, Reflects The Addition Of Kansas As The 34th State, 1861-1863 34 star American national flag with a number of interesting and desirable features. Chief among these is the scale of the flag among counterparts of the period. At just three by four feet, its size is absolutely tiny among those with pieced-and-sewn construction. During the 19th century, sewn flags (as opposed to those that were printed on cloth) were typically eight feet long and larger. This is because they were important in their function as signals, meaning that they needed to be seen and recognized from great distance. A flag that was six feet in length was considered small and production of flags smaller than this was extremely limited. Even infantry battle flags, carried on foot, were approximately six by six and-one-half feet, about the size of an average quilt of the same period. It wasn't until the 1890’s that manufacturers began to produce smaller sewn flags in great quantity. The stars of the flag are arranged in justified lineal rows, the first of which contains one fewer star. This results in what I call a “notched” design, leaving one space open for the addition of another star. The blank space leaves little doubt that the maker of the flag assumed that another Western Territory would soon acquire statehood, or that West Virginia might soon break free from Virginia, which occurred in June of 1863. Note how the stars are oriented so that they are upside-down on their vertical axis, with two points up instead of one. No one knows if this positioning bore any particular meaning. Both modern notions of the correct orientation of a star, and the present official design of the American flag, dictate that the stars are supposed to have one point up. Since there was no official design for the flag until 1912, however, it may simply be that the maker of the flag did not consider any particular position to be right-side-up or upside-down. In the mid-19th century, it was not uncommon to see stars pointing any which way, varied throughout whatever arrangement was chosen. Whatever the case may be, the feature present on this particular flag is unusual to the eye and notable in terms of its presentation. Made of cotton, the stars are hand-sewn and double-appliquéd (applied to both sides). The canton and stripes of the flag are made of wool bunting. Because blue wool bunting generally came in a width of 18", the canton was pieced from two lengths of fabric, joined by hand-stitching. The canton is joined to the striped field by hand-stitching. The stripes are pieced and hemmed by treadle stitching. Made of heavy, polished, jacquard weave linen, the binding of the flag is both exceptional from a textile connoisseur’s perspective and highly unusual. This is joined to the flag by treadle stitching. There are two brass grommets, one each at the top and bottom of the hoist, which are likewise especially unusual, in that they are both heavier than normal and intentionally hammered flat. I have seen this on only one other occasion in a Civil War flag...

A French folk-art figural mantel clock in carved wood and composite commemorating a fighting unit “Les Sections du Temple” in the French Revolution. The clock depicts a single figure “sans culots” with a walking stick flanked on one side by a drum and on the other by a black mortar...

Intact helmet from Auxiliary Police Force measurements are approximate- contact dealer for specifics

Wonderful patriotic piece of Folk Art. Red, white and blue wall shelf featuring hand-carved eagle and painted stars and stripes.

Three cultural revolution period embossed metal plaques, each with the image of Chairman Mao, one plaque also including images of the leaders of Russian communism. Priced and sold ...

Collection of three Daughters of the Revolution cast iron star markers. Marked GAR Thos Feushaw Post 75 Conn.

A set of three small striking Mao cultural revolution portraits on tin. Great historical pieces, China, circa 1960s. P394a.

This fabulous 48 star Patriotic quilt has the embroidered title "Stars and Stripes Forever." The stripes of the flag are created in an unusual way. Rather than using horizontal stri...

Nothing could be more of the moment than this patriotic flag quilt depicting Old Glory. It was most likely made either for the admission of Arizona into st...

Hand-painted and carved neastled dolls of Alexandra and Nicholas II and their four daughters, the Grand Duchess Olga in 1895, the Grand Duchess Tati...

In all original untouched condition including weathered paint, this wonderful Folk Art wall plaque speaks for itself. Substantial size. It looks to be made to be mounted on a ledge, ...

Presented is an original patriotic sash from the late 19th century, featuring 13 stars against a bright blue field. This sash features appliqued silver stars on a blue canton, red an...

34 STARS IN A WHIMSICAL RENDITION OF THE GREAT STAR PATTERN, ON A CIVIL WAR PERIOD FLAG WITH A CORNFLOWER BLUE CANTON, UPDATED TO 39 STARS IN 1876 34 star American national flag with additional stars added and one of the most stunning graphic designs I have ever seen in early flag-making. The original pattern was comprised of a circle of 5 large stars, and triangular arms made of smaller stars. These are noticeable pointy and bent like the arms of a starfish. Made of cotton, the stars are hand-sewn and double-appliquéd to a fantastic, cornflower blue canton, a color common to Civil War uniforms...

34 STARS IN AN OUTSTANDING OVAL MEDALLION CONFIGURATION, ON A NARROW CANTON THAT RESTS ON THE 6TH STRIPE, ON A HOMEMADE, ANTIQUE AMERICAN FLAG OF THE CIVIL WAR PERIOD, ENTIRELY HAND-...

13 STARS IN THE BETSY ROSS PATTERN, WITH 45 STARS ON THE REVERSE; ON AN ANTIQUE AMERICAN FLAG MADE AND SIGNED BY A PREVIOUSLY UNIDENTIFIED FLAG-MAKER, ANNIE MAC LACHLAN OF JERSEY CI...

“THE MAN WITH A HEART, THE PARTY WITH A SOUL”: FRANKLIN D. ROOSEVELT POSTER, MADE FOR HIS 1936 PRESIDENTIAL RUN, THE BEST OF ALL KNOWN EXAMPLES ACROS...

MASSIVE & COLORFUL CIVIL WAR RECRUITMENT BROADSIDE FOR THE "MANHATTAN RIFLES,” WHICH MUSTERED INTO 43RD AND THE 57TH NEW YORK INFANTRY DIVISIONS ...

41 STARS IN A LINEAL PATTERN WITH OFFSET STARS THAT CREATE A CROSSHATCH IN THE CORNERS AND CENTER, ONE OF THE RAREST STAR COUNTS AMONG SURVIVING FLAGS OF THE 19TH CENTURY, REFLECTS MONTANA STATEHOOD IN NOVEMBER, 1889, ACCURATE FOR JUST 3 DAYS: Numerous flags appeared with unofficial star counts in early America, produced by flag-makers in anticipation of the addition of more states. The 41 star flag...

38 star antique American parade flag with scattered star orientation, made of silk, with generous scale and vivid colors, Colorado Statehood, 1876-1889 38 star American national p...

Indiana State Flag With Square-like Proportions, An Offset Device, And Gold Fringe, Circa 1930-1955: Despite the fact that most of the United States joined the Union during the 18...

38 STAR ANTIQUE AMERICAN FLAG WITH A DOUBLE-WREATH CONFIGURATION THAT FEATURES AN ENORMOUS CENTER STAR, REFLECTS THE PERIOD OF COLORADO STATEHOOD, 1876-1889: 38 star American national flag, made entirely of plain weave cotton. The stars are arranged in a medallion configuration. This features an enormous center star, surrounded by two wreaths of much smaller stars, with a flanking star in each corner of the blue canton. The sort of disparity here, present in the scale of the large star, versus those around it, is both exceptionally unusual and graphically dynamic. Colorado became the 38th state on August 1st, 1876. This was the year of our nation’s centennial. Per the Third Flag Act of 1818, stars were not officially added until the 4th of July following a state's addition. For this reason, 37 remained the official star count for the American flag until part way through the following year. Flag-making was a competitive venture, however, and few flag-makers would have continued to produce 37 star flags when their competitors were making 38’s. Many flag-makers added a 38th star before Colorado entered the Union, in the early part of 1876, or possibly even prior. In fact, many makers of printed flags, called parade flags or hand-wavers, were actually producing flags in the 39 star count, in hopeful anticipation of the addition of two more Western Territories instead of one. It is for these reasons that 38, 39, and 13 stars, to representing the original 13 colonies, are most often seen on flags displayed at the Centennial International Exhibition. Hosted in Philadelphia, this enormous event was our nation’s first World’s Fair, lasted for a duration of six months, and served as the nucleus of celebrations held to honor America’s 100-year anniversary of independence. The 38 star flag became official on July 4th, 1877 and was generally used until the 39th state was added in November of 1889. This is probably a homemade flag, though sewn by a very skilled hand, or possibly, by two different individuals. The stripes are pieced and sewn entirely by hand, with remarkable care and precision. The canton is constructed of two lengths of blue fabric, that have been joined with treadle stitching. This was joined to the striped field by hand. The stars are double-appliquéd (applied to both sides) with treadle stitching. There is a treadle-sewn, cotton binding along the hoist, with five, hand-sewn grommets. It is extremely unusual to encounter this combination of sewing methods. Soon after the sewing machine was mass-marketed, in the mid-1850’s, flag-makers both public and private made good use of treadle machines, to join stripes, when constructing American flags. During the Civil War (1861-65), most stripes were treadle-sewn. Stars were another matter. Until the advent of electric machines...

36 STARS IN THE "GREAT STAR" OR "GREAT LUMINARY" PATTERN, ON A MERINO WOOL FLAG OF THE CIVIL WAR ERA WITH BEAUTIFUL SCARLET AND ROYAL BLUE COLOR AND WITH ITS CANTON RESTING ON THE "WAR STRIPE," REFLECTS NEVADA STATEHOOD, 1864-67 36 star antique American flag of the Civil War era, with some rare, desirable, and beautiful features. The most obvious of these is the configuration of the stars. These are arranged in what is known as the “Great Star” or "Great Luminary" pattern, a star made out of stars, which is one of the most graphic and desired geometric designs among flag enthusiasts. Nevada entered the Union as the 36th state on October 31st, Halloween, in 1864. Ushered in by Abraham Lincoln just eight days before the presidential election that resulted in his second term, the territory’s wealth in silver was attractive to a nation struggling with the debts of war and so increased support for the Republican ticket. The 36th star was officially added on July 4th, 1865, but since the flag makers generally cared very little about official star counts, the production of 36 star flags began much earlier. The makers of printed flags are known to have begun adding the 36th star as early as July of 1864, several months before the addition of Nevada actually occurred. This was a common practice during the late 19th century and is reflective of both the nation's desire for Westward Expansion and the hope of flag-makers to bring new star counts to market before their competitors. The 36 star flag was officially replaced by the 37 star flag in 1867, following the addition of Nebraska. Great Stars come in many forms. This particular example has a single center star, surrounded by a pentagon of 5 stars, set inside its star-shaped perimeter. Note how the Great Star is positioned with two points up instead of one and so is effectively upside-down with respect to modern convention. Unlike the current flag, versions of the Stars & Stripes made during the 19th century and prior often displayed stars that were varied or completely random in their rotation on a vertical axis. Note how the feature draws attention and is unusual to the eye, in addition to being visually appealing. Another interesting trait can be seen in the fact that the canton rests on a red stripe. When this scarce condition occurs, some flag historians have referred to it as the “blood stripe” or the “war stripe”, suggesting the flag was constructed in this manner when the nation was at war. In actuality, the placement probably occurred more often by accident. Not everyone knew where the canton was traditionally positioned, and because there was no official specification until 1912, there was no official placement. Whatever the case may be with regarding the reason, the war stripe feature is highly coveted by collectors. The stars of the flag are hand-sewn, made of cotton, and are double-appliquéd (applied to both sides). The canton and stripes of the flag are made of fine merino wool. These are beautiful, luxurious fabrics with strong royal blue and scarlet color. Every seam was joined with a row of hand-stitching, then finished with a row of treadle stitching. Instead of employing the selvage edge of the red fabric, the top and bottom edges of the flag were turned under and seamed by hand and the fly end was seamed in the same fashion. There is a narrow binding along the hoist, treadle-sewn and made of cotton. Along this five cotton tabs were affixed, each with a tiny brass ring, which suggests that the flag was probably affixed to a wooden staff with twine or ribbon and hand-carried. The name of "Stow" is inscribed along the hoist. This would be the name of a former owner. In the field of early American flags...

HAND-PAINTED PATRIOTIC BANNER WITH THE SEAL OF THE STATE OF ILLINOIS AND GREAT FOLK QUALITIES PROBABLY MADE FOR THE 1868 DEMOCRAT NATIONAL CONVENTION...

36 STAR ANTIQUE AMERICAN PARADE FLAG WITH CANTED STARS IN DANCING ROWS, ON A BEAUTIFUL, CORNFLOWER BLUE CANTON; CIVIL WAR ERA, NEVADA STATEHOOD, 1864-1867 36 star antique American f...

Antique American Flag with 10-pointed stars that spell “1776 – 1876”, Made for the 100-Year Anniversary Of American Independence,one of the most graphic of all early examples. Man...

13 HAND-SEWN STARS, IN AN OVAL VERSION OF THE 3RD MARYLAND PATTERN, ON AN ANTIQUE AMERICAN FLAG MADE IN THE PERIOD BETWEEN THE CIVIL WAR (1861-65) AND THE 1876 CENTENNIAL OF AMERICAN...

Unique, hand-painted banner with the seal of the state of mississippi, likely having represented delegates from that state at the 1872 republican or dem...

46 star antique American flag in an exceptionally small scale among its pieced-and-sewn counterparts, reflects oklahoma statehood, circa 1907-1912: 46 star American national flag in a tiny and very rare scale among its counterparts of the period with pieced-and-sewn construction. The 46th state, Oklahoma, joined the Union on November 16th, 1907, during Teddy Roosevelt’s presidency. Roosevelt had many friends in the Oklahoma Territory...

48 STARFISH-LIKE, NEEDLEWORK EXECUTED STARS ON A HAND-CROCHETED ANTIQUE AMERICAN FLAG FROM THE EARLIEST PART OF THE 48 STAR ERA, 1912-WWI (U.S. INVOLVEMENT 1917-18) OR EVEN PRIOR TO ...

38 STAR ANTIQUE AMERICAN FLAG WITH HAND-SEWN STARS IN AN 8-7-8-7-8 PATTERN OF JUSTIFIED ROWS, MADE IN THE PERIOD WHEN COLORADO WAS THE MOST RECENT STATE TO JOIN THE UNION, 1876-1889 ...

Rare violet & yellow Suffragette parade banner, the plate example illustrated in the text reference on the subject, made ca 1910-1920. Hand-painted banners...

Antique American flag with 13 hand-sewn stars in an extremely rare lineal configuration of 5-3-5, probably made with the intent of use by local militia or private outfitting of a vol...

48 star, crocheted, antique american flag of the wwii era (1941-1945), a beautiful, homemade example, with a red, white, & blue hoist and flower-like stars: Crocheted American fla...

EXTRAORDINARILY RARE, YELLOW & WHITE, SUFFRAGE PARASOL / UMBRELLA, WITH “VOTES FOR WOMEN” TEXT, DISTRIBUTED BY THE NATIONAL AMERICAN WOMEN’S SUFFRAGE ASSOCIATION UNDER ANNA HOWARD SHAW’S LEADERSHIP [HEADQUARTERED IN NEW YORK], CIRCA 1913-1915: In the world of Suffrage memorabilia, parasols and umbrellas are known to have been produced, but hardly any exist. Made in both Britain and America, most of the organizations known to have commissioned them did so with white or purple, green, and white, utilizing the traditional British colors. In America, some of these can be identified to the Women’s Political Union of New York, New Jersey, and Connecticut. As for those in the traditional American colors of golden yellow and white, typically with black text, examples are known to have been produced and sold by the National American Women’s Suffrage Association (NAWSA), beginning in the summer of 1913. According to author and expert Ken Florey, the organization peddled them for “one dollar each or ten dollars a dozen…[promoting] them as good for advertising the cause at street meetings, summer resorts, and county fairs. The design consisted of yellow and white in alternate sections, with “Votes for Women” in the white sections.” Florey goes on to explain how some umbrellas in this style are known with names of states hand-painted in the yellow panels. I am aware of Oregon and Idaho. Florey also indicates that one is known for Alaska. His discussion of the subject, and an illustration of the Idaho example, appear in his book, "Women's Suffrage Memorabilia" (2013, McFarland & Co., North Carolina), on pp. 192 and A8, respectively. The Oregon example, which have seen and held first-hand, is illustrated in "The Keynoter: Journal of the American Political Items Conservators," Summer/Fall/Winter 2008 (Women's Suffrage Special Triple Issue), Vol. 2008, No. 2-4, p. 110. In “Woman Suffrage Memorabilia,” Florey describes a heavy demand for parade accoutrements in the 19-teens. Despite the supposed numbers in which these yellow and white umbrellas were likely to have been produced, this is the only example that I am aware has actually surfaced with the “Votes for Women” text only and no state names. This makes it far more universally desirable. A period image survives in the Albert R. Stone Negative Collection, Rochester Museum & Science Center (Rochester, New York,) of a women carrying parasols in this style on Main Street West in that city on August 15, 1914. The marchers, masked, were described as wearing yellow dominoes (nun-style dresses) and carrying yellow parasols. According to museum catalogers, “The outside parasols are plain; those on the inside have the inscription, "Votes for women". The first group, in yellow and blue dominoes, advertised the speech and visit of Dr. Anna Howard Shaw [this would be members of the Empire Campaign Committee]. The second group carried placards with the names of equal suffrage states and the dates when they adopted votes for women. The Club Theatre, whose sign advertising "Burlesque" is clearly visible behind the marchers, occupies the premises at 75 Main Street West formerly occupied by the Shubert Theatre.” The National American Women’s Suffrage Association was formed in 1890. It represented a merging of the two largest Suffrage groups in America before that time. These were the National Woman Suffrage Association (NWSA), formed in 1869 by Susan B. Anthony and Elizabeth Cady Stanton, and the American Woman Suffrage Association (AWSA), also formed in 1869 by Lucy Stone and her Husband, Henry Brown Blackwell, Henry Ward Beecher, and others. Stone’s daughter, Alice Stone...