Delectable Art

This fresh sanguine sheet presents various studies placed next to each other in no apparent order. Two of the feet studies are preparatory to the first major commission received by the young Baldassare Franceschini, shortly after his installation in Florence, the frescoes for the Medici Fastes. This cycle was executed between 1636 and 1646 for the Villa La Petraia, a Medici villa on the outskirts of Florence, which allows us to date this sheet to the artist's youth. 1. The Medici Fastes, the first major commission for a young artist Born in Volterra in 1611, the town from which he took his nickname, Baldassare Franceschini apprenticed with his father, a sculptor of alabaster, one of his home town's specialities, and studied with Cosimo Daddi (1540-1630), a local artist. The Marquis Inghirami, who spotted his talent, sent him to the workshop of Matteo Rosselli (1578 - 1650) in Florence, which was also attended by Francesco Furini (1603 - 1646). In 1636, Lorenzo de' Medici, the youngest son of Ferdinand Ier and Christine of Lorraine, chose the 25-year-old artist, again on the advice of the Marquis Inghirami, to decorate with frescoes the loggias of the inner courtyard of the Villa La Petraia, which he had just inherited on the death of his mother. The project lasted about ten years and included ten scenes placed symmetrically in two loggias on either side of the courtyard: four main scenes and six placed above the doors, each to the glory of a member of the Medici family. This decoration was his major secular project, but Volterrano also executed several religious frescoes and a few easel paintings, often with less success. Among the religious commissions, we can cite the dome of the Colloredo chapel dedicated to Saint Lucy...

The society is requiring more and more` the goverments,religions,minorities the preservers.All pushing to their sides. Inspired by the art works of Francisco Goya :: Painting :: Sur...

This painting is heavy in mood but playful, it shows some "imperfections' ' deliberately left behind. The painting considers femininity and power, and the pressure of being put toget...

Oil on canvas measures 31" x 22". The painting is of a woman about to experience an intimate encounter with someone, putting on lipstick in the bathroom. It is an oil on canvas paint...

Painting oil on canvas depicting the myth of Diana and Actaeon measuring 110 x 130 without frame and 120 x 140 with frame by the painter Francesco Solimena. According to the myth, d...

This is a superb oil-on-canvas copy by noted modern French artist George Vuillard of a famous painting by (also French) painter Jean-Louis Forain calle...

One of two framed companion paintings we have listed on 1stDibs (the other is called "Le Nouveau Chapeau") - a charming turn-of-the-century painting of lovers ("Amants") by French artist L. B. Carayon, rendered in either gouache or oil wash and graphite on paper. The companion piece is dated 1906, so almost surely the same date for this one. Definitely some Toulouse Lautrec and fin de siecle poster art going on...

A gorgeous nude by French artist Constantin Font (1890 - 1954), in wonderful condition and nicely framed. I missed one of his nudes at auction recently in England because the price went too high, so I was thrilled when this one came along from a British dealer...

In 'The Queen,' Frida Willis presents a sister piece to her 'Madame,' delving once again into the realm of contemporary figurative abstraction. This capti...

This unique original painting is a study of 42nd Street at Manhattan Henge in New York City, by English Urban Artist, Angela Wakefield. Art ...

Contemporary figurative painting

Unsigned

The painting, of which the subject is Saint Catherine from Alexandria with the breaking wheel used for her martyrdom, can be attributed to the mannerist artist of Emilia Romagna region Luca Longhi...

Acrylic painting

In his turbulent compositions, lines and colors overlap and condense into figuratively looking scenes. As a figurative informal painter or informal figure painter, he proves in a way...

Jose Luis Fuentetaja - Maternity - mixed media (print and oil on canvas). Canvas size 54x65 cm. Frameless. Is born in Madrid on the 21st july 1951. After attending primary school, h...

Fantastic and rare motive Oil on canvas, Old relined.

Oil on panel 17 century

Peruvian 18 century Spanish colonial

Oil on panel. Flemish 17 century. Louis de Caullery

Oil on panel. Flemish 17 century. Louis de Caullery, auction house provenance, sold like Louis de Caullery.

19 century, pairs, oil on canvas, probably the most important pairs painted by Paredes.

Oil on canvas 17 century

Oil on canvas fixed to a panel. Signed. Very beautiful subject and very typical the colors in that Campeche age.

Life of Jesus

Very important copper of the XVII century. Great conservation and super quality, very probably painted by Guido Reni.

Venetian oil on panel end of 15 century

Oil on panel of 16 century . Master of the Luna’s. Certificated by Isabel de Mateo who is the most important expert in the Spanish artist of 16 century.

Incredible triptych from the end of 15 century.

Big oil on painting by Francisco Pradilla Ortiz. Certificated by Wilfredo Rincón . 227 and 118 cm without frame.

Mexican 18 century virgin of Guadalupe . Oil on canvas.

Abraham Teniers

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER’ (lower left)

Paritosh Sen - Untitled - 12 x 18 inches (unframed size) Mixed Media on Paper , 2002 An illustrator and a painter, Paritosh Sen is one of the most celebrated painters of the Indian...

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER.’ (lower right)

Looking at her works of art, at first sight one is amazed, because still unfamiliar, in front of her fantastic creativity. Her characters seem to come from "different" worlds, sometimes distant, other times hidden within us. They walk through the woods and meadows, they peer over the shores where the waves break in a continuous and unstoppable dialogue. Often very small, hiding among the blades of grass, but also huge figures, like the characters from the fairy tales of when we were children, naive and still "pure". Here, this purity of childhood is slowly and inexorably awakened in us by looking at the works of Carin Grudda...

"Retablo Exvotos (Replica Family with Cow's Vision)" is an original oil painting on tin by Monica Flores Martinez. The artist signed the piece. This artwork features a family kneelin...

This artwork titled "November Landscape" c.1960 is an acrylic polymer painting on hardboard by Vallejo artist Marsh Nelson, 20th Century. It is hand signed at the lower right corner by the artist. The artwork size is 17.5 x 23.5 inches, framed size is 25.5 x 31.5 inches. It is framed in original wooden...

This artwork "Le Jeune Violoniste (The Young Violinist)" 1962 is an oil painting on canvas by noted french impressionist artist Jacques Lalande, 1921-2003. It is signed at the upper ...

This artwork "Le nid ( The Nest)" 1962 is an oil painting on canvas by renown French artist Jean Pierre Serrier, 1834-1989. It is signed, Titled, dated and insc...

This artwork "Landscape with Tree" c.1950 is an oil painting on hardboard by British/American artist Julius Maximilian Delbos, 1879-1970. It is signed at the lower left corner. The hardboard size is 12 x 10 inches, framed size is 22.25 x 20.25 inches. Custom framed in a wooden gold frame, with fabric liner. It is in excellent condition. About the artist: Julius M. Delbos, born in 1879 in London, England, was a landscape painter, teacher, and lecturer. He was elected an Associate of the National Academy of Design, New York City, in 1945, an Academician in 1948. He was also a member of the American Watercolor Society; the New York Watercolor Club; the Society of Graphic Art; Old Dudley Art Society, London; American Artists Professional League; National Arts Club; and the Century Club...

This artwork "Still Life" c.1960 is an oil painting on canvas by American artist Michael Ritter Cannon, b.1913. It is signed at the lower middle ...

This artwork "Le Toreador" 1962 is an oil painting on canvas by noted french impressionist artist Jacques Lalande, 1921-2003. It is signed at the Middle left side by the artist. The ...

This artwork "Two Nuns Facing the Ocean" c.1950 is an oil painting on hardboard by Australian artist Joan Wilkie, 1903-? It is signed at the lower right co...

This artwork titled "Three Priests" 1964 is an oil painting on hardboard by Italian artist Leonardo (Leo) De Magistris, 1933-2010. It is signed and dated at the lower right corner by...

Oil and acrylic on panel Signed, titled, and dated, verso This artwork is offered by ClampArt, located in New York City. Since childhood Scott Daniel Ellison has had a fascination ...

Acrylic on board Signed, titled, and dated in ink, verso This artwork is offered by ClampArt, located in New York City. Since childhood Scott Daniel Ellison has had a fascination w...

Acrylic on canvas. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

Listed price includes $150 additional cost of framing. This work is offered by ClampArt in New York City.

"Watching the Whitecaps on the South Atlantic Shore, Ghana, Africa" is an original acrylic painting on paper by Samuel B. Kpetenkple. It depicts six women in colorful dresses carrying watching the ocean. The artist signed the piece on the bottom of the painting. 2 3/4" x 4 1/2" art 10 3/4' x 12 3/8" frame Artist Statement: "As often said there are some few "indigenous and naturals" who seem to have been born with brushes and pallet knifes in their hands. Nii Kpetenkple Samuel is one of such gifted and talented Artist; Painting to me, is one of the eloquent media for expressing myself about all the corners of the world and all that it holds; Of course it is not by accident, that i went into Painting. Nii Kpetenkple was born and bred in a coastal town, a suburb of Accra called NUNGUA, it's only 10 miles away from Accra. I am now in my late twenties. Nii Kpetenkple, had his training as an Artist at one of the secondary schools in Accra - Ghana. Later I had my tertiary training at Ultimate school of Art, (u.s.a) Ghana. I enjoy sketching, swimming, reading and music that keeps me working always. My childhood experiences with fishermen in their fishing expedition, fish mongers, market women, local houses or structures and meaningful Ghanaian symbols with abstract figures made me one of the expert in that area. As an Artist, art enables me to see nature as eternal, grasp a fragment of the Almighty's plan, even a bit of land scape, few pieces of fruits or a human form. Throughout my period of contemplation and years of uninterrupted close contact with nature, vast truths flashed upon my mental horizon, to which i gave expression in my paintings. I had no doubt that, i had discovored a new realm in the world of painting and would carry on to a fuller completion with what many gurus of the Art industry like Picasso, Leonardo Da Vinci, Michelangelo, Rembrandt, Cezanne, Van gogh, Gauguin, Ablade Grover, Amon Kotei...

"Women Labour" is an original acrylic painting on paper by Samuel B. Kpetenkple. It depicts two women in colorful dresses carrying children in sashes and baskets on their head. The artist signed the piece on the bottom of the painting. 16" x 8 1/8" art 23" x 15 1/4" frame Artist Statement: "As often said there are some few "indigenous and naturals" who seem to have been born with brushes and pallet knifes in their hands. Nii Kpetenkple Samuel is one of such gifted and talented Artist; Painting to me, is one of the eloquent media for expressing myself about all the corners of the world and all that it holds; Of course it is not by accident, that i went into Painting. Nii Kpetenkple was born and bred in a coastal town, a suburb of Accra called NUNGUA, it's only 10 miles away from Accra. I am now in my late twenties. Nii Kpetenkple, had his training as an Artist at one of the secondary schools in Accra - Ghana. Later I had my tertiary training at Ultimate school of Art, (u.s.a) Ghana. I enjoy sketching, swimming, reading and music that keeps me working always. My childhood experiences with fishermen in their fishing expedition, fish mongers, market women, local houses or structures and meaningful Ghanaian symbols with abstract figures made me one of the expert in that area. As an Artist, art enables me to see nature as eternal, grasp a fragment of the Almighty's plan, even a bit of land scape, few pieces of fruits or a human form. Throughout my period of contemplation and years of uninterrupted close contact with nature, vast truths flashed upon my mental horizon, to which i gave expression in my paintings. I had no doubt that, i had discovored a new realm in the world of painting and would carry on to a fuller completion with what many gurus of the Art industry like Picasso, Leonardo Da Vinci, Michelangelo, Rembrandt, Cezanne, Van gogh, Gauguin, Ablade Grover, Amon Kotei...

Mixed media. Unique piece, 1 of 1. Sylvain Tremblay was born in 1966 in Quebec City, Quebec, Canada. After earning a degree in graphic design, he worked as an illustrator for a number of years, then in 2002, he made a major career change, deciding to devote himself to painting full time. His work has been shown in Canada and the United States, Europe, Asia and the Middle East. He is represented by a number of galleries on three continents, including Opera Gallery, Galerie d’art Iris, and Thompson Landry Gallery. In addition to creating works for gallery presentation, Tremblay takes part in live painting events and projects that bring art outside the walls. Examples are his participation at the 10th anniversary of the Thompson Landry Gallery in 2016 and in Arab Fashion Week in Dubai in 2015. He participated in “Personal Structure”, an exhibition conceived in the framework of the prestigious Venice Biennale of Art 2017. In the same year, he presented the world premiere of his Leonardo da Vinci documentary at le Château du Clos Lucé (grand master last home) and launched his second book: SYLVAIN TREMBLAY. In 2014, he created a grand fresco in the Dubai desert by going up in a hot-air balloon and throwing sand of three different colours down onto a canvas placed on the ground, creating a portrait of Sheikh...

Russian watercolour of the coronation of a Tsar Russian, late 19th Century Frame: Height 39cm, width 30cm, depth 0.5cm Sheet: Height 36cm, width 2...

"Un Apres Midi au Champs de Course" is original color lithograph signed by Francois Batet. A woman in a floral dress sits looking wistfully at the viewer. An autumn landscape is depicted behind her with a path line with trees and two figures on horseback. The woman is sitting at a tiny table with a cup of tea and a pot. Image: 18.25 x 23.75 in Francois Batet was born in 1921 in Barcelona, Spain. He studied painting at the School of San Jordi (Beaux Arts) and also at Tarrega Academy. When he lived in Madrid he studied the masters like Goya and Valasquez. He then moved to Paris and studied famous French impressionistic painters. He has lived and worked in France since 1950. Batet's classic School of Paris style recalls the spirit of Paris in the 1920's and 1930's. In addition to being a master print maker, he has illustrated over 100 books...

This artwork titled "Panorama" c.1990 is an oil painting on canvas by noted American artist Jean Steward Toti Maio, 1924-1987. It is signed at the lower right corner by the artist. The canvas size is 18 x 48 inches. It is in excellent condition. About the artist: Jean Maio...

This artwork titled "Texas Landscape with Cactus" c.1960 is an oil painting on canvas board by American artist Arnold Vail 1922-1995. It is signed at the l...

This artwork "Excavator" c.1990 is an oil painting on canvas attributed to American artist Ben Abril, 1923-1995. It is signed at the lower left corner. The c...

This artwork "Landscape with Trees" c.1970 is an oil painting on canvas by American artist Don Langford. It is signed at the lower right corner b...