Inspired by Dali

Artist: Hans Bellmer, German (1902 - 1975) Title: Les Milles en Feu Year: 1970 Medium: Etching, signed in pencil Image Size: 12 x 15 inches Paper Size: 20 x 26 inches

Image dimensions: 38 x 28 cm. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Velin d'Arches. Includes passepartout. Hans Be...

Image dimensions: 38.2 x 28.4 cm. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Incl...

Artist: Hans Bellmer, German Title: Petit traite de Morale Year: 1968 Medium: Color Etching, signed in pencil Image Size: 10.5 x 8.5 inches Frame Size: 20 x 16 inches

Artist: Hans Bellmer, German (1902 - 1975) Title: Les Crimes de l'Amour Year: 1968 Medium: Color Etching, signed in pencil Image Size: 10.5 x 8.5 inches Frame Size: 21.5 x 17.5 inches

Artist: Hans Bellmer, German (1902 - 1975) Title: The Body and Eye Year: circa 1965 Medium: Etching, signed and numbered in pencil Edition: 46/70 Image Size: 10.5 x 8 inches Frame...

Etching and aquatint Edition : 148/200 50.00 cm. x 37.00 cm. 19.69 in. x 14.57 in. (paper) 30.00 cm. x 27.00 cm. 11.81 in. x 10.63 in. (image) Handsigned by the artist in pencil Re...

Engraving 66.00 cm. x 51.00 cm. 25.98 in. x 20.08 in. (paper) 39.50 cm. x 29.50 cm. 15.55 in. x 11.61 in. (image) Annoted "HC" Handsigned by the artist in pencil Ref : LCD1973

Paper Size: 19.75 x 25.75 inches ( 50.165 x 65.405 cm ) Image Size: 11.75 x 15.5 inches ( 29.845 x 39.37 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Artist: Hans Bellmer, German (1902 - 1975) Title: untitled 3 Year: circa 1972 Medium: Etching, signed and numbered in pencil Edition: EA 12/20 Image Size: 12 x 10.5 inches Size: 26 i...

Artist: Hans Bellmer, German (1902 - 1975) Title: Paysage 1800 Year: 1968 Medium: Etching on Arches, signed in pencil l.r. Image Size: 15.5 x 12 inches Size: 26 x 19.75 in. (66.04 x ...

Les Mariés is an important colored etching made by the artist Hans Bellmer, after a tempera of 1941. This is an artist proof. The state of preservation is excellent. Signed on the l...

Hans BELLMER Woman Original Etching Hand-Signed Edition: 108 / 150 Dimensions: 51 x 38 cm Circa 1970 Hans Bellmer was born in Kattowitz in 1902. At his father's insistence, he worked in a steel factory and a coal mine after finishing the examinations qualifying for university admittance. Nevertheless, Bellmer managed to do some art work and exhibit it in Poland in 1922/23. The work led to his arrest. While studying engineering at Berlin Polytechnic, Hans Bellmer met John Heartfield, Rudolf Schlichter and George Grosz. In 1924 Bellmer dropped out of engineering, worked as a book printer and then as an illustrator for Malik Verlag. That winter Bellmer took his first trip to Paris. After his marriage in 1927, Hans Bellmer worked as a commercial artist, attended lectures at the Bauhaus in the early 1930s and travelled to Italy and Tunisia. He refused to continue working as a sign of resistance to Fascism in 1933. To show his repudiation of Fascism and the aesthetic it propagated, Hans Bellmer began to construct girlish three-dimensional dolls, which he photographed in erotic poses. Some of these works were published by Bellmer at his own expense in 1934, others appeared in the Surrealist journal "Le Minotaure", ensuring Bellmer important ranking among Paris Surrealists...

Hans BELLMER (1902-1975) Fantastic Creature Original etching, 1973 Handsigned in pencil by the artist On Auvergne paper, 57 x 38 cm (22,4 x 14,9 inches) From the Portfolio "Les Mys...

Hans BELLMER Abstract Erotism Original etching, 1973 Handsigned in pencil by the artist Numbered / 20 (Roman numerals) On Auvergne paper, 57 x 38 cm (22,4 x 14,9 inches) From the P...

Engraving, 1968 Catalog : Catalogue [Denoël 91] 56.00 cm. x 38.00 cm. 22.05 in. x 14.96 in. (paper) 31.00 cm. x 24.00 cm. 12.2 in. x 9.45 in. (image) Engraving on Japan paper, 1968...

Engraving Catalog : Catalogue [Denoël 96] 66.00 cm. x 51.00 cm. 25.98 in. x 20.08 in. (paper) 39.00 cm. x 29.00 cm. 15.35 in. x 11.42 in. (image) Annoted "HC" Handsigned by the art...

Artist: Hans Bellmer, German (1902 - 1975) Title: VIII from Les Marionnettes Year: 1969 Medium: Hand-colored Drypoint Etching on Rice Paper, signed in pencil Image Size: 12 x 11 inch...

Hans BELLMER Unicorn Woman Original etching Handsigned in pencil Numbered on 150 copies On Arches vellum 65 x 50 cm (c. 26 c 20in) Excellent condition

Hans BELLMER Dreamy Nude Original etching Handsigned in pencil Numbered by Artist, limited to 70 copies On Japanese paper 67.5 x 51.5 cm (26.5 x 20") Excellent condition

Original ’Traccia’ table in very good condition. Designed by Meret Oppenheim Produced by Studio Simon’s Collezione Ultramobili, Milan, 1972 The tabletop is covered in gold leaf and has bird tracks embossed in the surface. The top rests on two brass feet in the form of bird legs. The original table was exhibited by the Surrealist artist Meret Oppenheim in 1939 for the Parisian gallery René Drouin...

Monogram of the artist on plate. Edition of 150 copies. One of the 50 H.C.copies in Roman Numerals. This print is one of the illustrations realized by Odilon Redon for an important e...

"Et is avait en sa main droite sept étoiles" is an original black and white lithograph realized by Odilon Redon in 1899. The artwork is the no.1 Illustration of the “Apocalypse de S...

Monogram of the artist on plate. Edition of 150 copies. One of the 50 H.C.copies in Roman Numerals. This print is one of the illustrations realized by Odilon Redon for an important e...

Passage d'une Ame is an original artwork realized by Odilon Redon realized in 1891. Original Etching on paper. Proof on vélin, belonging to a separate edition, with Full margins. Goo...

Chimera with Green Eyes is an original lithograph on Chine collé, realized by Odilon Redon in 1888, plate 7 from “Les tentations de St.Antoine” (1ère série), unique state, first e...

This rare 1890 edition of Les Fleurs du mal is a suite of original engravings by Odilon Redon. Complete and homogeneous series of 8 héliogravures (Ev...

Odilon Redon (1840-1916), Le jour enfin paraît, lithograph, 1896, signed in pencil upper left, plate 24 from the portfolio The Temptation of Saint Anthony...

Passage of a Spirit is an original etching, realized by Odilon Redon in 1891, frontispiece for “La Passante”, edition of 420 copies, titled: " Passage d’une âme ". Image dimensio...

Vol. In-Folio 45,2x34,2 cm., 205 pp. Edition of 220 copies including a xylographic vignette, 14 xylographic illustrations (on heads and footers of chapters) and 22 original lithograp...

La Tentation de Saint-Antoine is a complete set of 24 original lithographs realized by Odilon Redon and published by Ambrose Vollard in 1896, This is the...

Everywhere Eyeballs Are Ablaze is an original lithograph on Chine collé, realized by Odilon Redon in 1888, plate 7 “Les tentations de St.Antoine”(1ère série), unique state, 1st edition printed...

At Eye Level Paramyths is an original modern rare book illustrated by Max Ernst (1891 - 1976) and written by Various Authors in 1949. Original Edition, designed by Max Ernst as cat...

La Femme 100 Têtes is an original modern rare book illustrated by Max Ernst (1891 - 1976) in 1929, and extraordinary first example of conceptual art Original first edition. Publish...

Hand signed and numbered. Edition of 220 prints. Published by Guilde de la Gravure, Geneva and Paris. Ref. Cat. Brusberg n. 76. Very good conditions.

From the "Dente Prompte" portfolio Gallery labels to reverse: Gluria Luria Gallery, Bay Harbor Islands, Florida

Max Ernst - Elektra Lithograph 1939 Dimensions: 32 x 24 cm Signed in the plate From XXe siècle Unsigned and unumbered as issued

Max ERNST Composition with Blue Vase, 1958 Lithograph and stencil (Jacomet workshop) after a painting On wove paper 31 x 24 cm (c. 12 x 10 in) Edited by San Lazarro, 1958 Excellent...

From the "Dente Prompte" portfolio Gallery labels to reverse: Gluria Luria Gallery, Bay Harbor Islands, Florida

Paper Size: 28.5 x 18.75 inches ( 72.39 x 47.625 cm ) Image Size: 18.5 x 15.25 inches ( 46.99 x 38.735 cm ) Framed: No Condition: D: Heavy signs of wear, Torn, Damaged. SOLD AS IS...

Poster. 1969 New York Graphic Society Ltd. Printed in Austria. Measures 27.25 x 32.75 inches and is Unframed. Good Condition.

Le Rêve d’une Petite Fille qui voulut entrer au Carmel is an original modern rare book illustrated by Max Ernst (1891 - 1976) in 1930. Original first edition. Editions du Carrefour...

ERNST, Max. Rêve d'une Petite Fille qui voulut entrer au Carmel. 176 pp. Illustrated with reproductions of 79 collages by Max Ernst. 8vo., 265 x 200 mm, bound in original illustrated wrappers, slightly faded in a new light blue cloth folding box, gilt black leather spine label. Paris: Éditions du Carrefour, 1930. Ernst's rare second collage novel about an adolescent girl who loses her virginity on the day of her first communion and so commits herself to a religious vocation as a Carmelite nun. Ernst includes a line of ironically pretentious text with each image. This is number 232 of the edition of 1000 copies on Velin, inscribed by Paul...

Max ERNST Birds Original lithograph, 1963 on vellum 33 x 25 cm REFERENCES : Catalogue raisonné Leppien/Spies # 88 Excellent condition

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Edition of 15 Signed and dated. Toned gelatin silver print Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochromatic, s...

Edition 2/7 Signed on print margin. Printed 2011 Frame included. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochroma...

Edition of 15 Signed, dated and numbered in pencil on print verso. Paper size: 20 x 16 in., Image size: 15 1/2 x 15 in. Chema Madoz is one of the most important contemporary Spanish...

Edition of 15 Signed, dated and numbered in pencil on print verso. Paper size: 24 x 19 3/4 in., Image size: 19 1/4 x 19in. Chema Madoz is one of the most important contemporary Span...

Edition of 15 Signed, titled and dated. Toned gelatin silver print Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochro...

Edition of 15 Signed, dated and numbered. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochromatic, surreal still-life...

Edition of 15 Signed, dated and numbered. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochromatic, surreal still-life...

Edition of 15 Signed, dated and numbered. Paper size: 30 x 26 in., Image size: 28 x 23 in. Frame NOT included. Chema Madoz is one of the most important contemporary Spanish photogra...

Edition of 15 Signed, dated and numbered. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochromatic, surreal still-life...

Edition of 25 Signed, dated and numbered in pencil on print verso. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochro...

Edition of 15 Signed. Toned gelatin silver print. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochromatic, surreal st...

Edition of 25 Signed, dated and numbered. Paper size: 16 x 12 in., Images size 9/ 1/4 x 7 1/4 in. Chema Madoz is one of the most important contemporary Spanish photographers, who is...

Edition of 15 Signed, dated and numbered. Toned gelatin silver print Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monoch...

Edition of 15 Toned gelatin silver print Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochromatic, surreal still-lifes...