Inspired by Dali

GIORGIO DE CHIRICO 1888-1978 Vólos, Greece 1888 - 1978 Rome (Italian) Title: The Invincible Chariot La biga invincibile, 1969 Technique: Original Hand Signed and Numbered Lithogr...

"Les valeurs personnelles (Personal Values)" is a color lithograph after the original 1952 painting by Rene Magritte. This interior scene has objects of various sizes. A comb, match, brush, and glass are bigger than typically larger objects like a queen bed and chest of drawers. The walls are a bright cloudy sky. Art: 19.63 x 4.75 in Frame: 34.13 x 38.88 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...

Paper Size: 14 x 20 inches ( 35.56 x 50.8 cm ) Image Size: 11.75 x 17.75 inches ( 29.845 x 45.085 cm ) Framed: Yes Condition: A: Mint Additional Details: Signed by Fernand Mour...

Satyricon is original colored lithography, realized in 1970 by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with the Surrealist movement. In very good condition. From series "Satiricon de Petron". The artwork represents a portrait of figures with their feeling expressed perfectly through confident strokes by bright and harmonic colors. The artwork here is resembling of the Roman wall painting...

Gerome Kamroski, Untitled 'Surrealist Abstraction', drypoint, 1946, edition 28 (editioned in 1996). Signed, dated '1946, ed 1996", and numbered '7/28' in pencil. A fine impression, ...

Signed in pencil, from the edition of 85. Printed on Lana wove paper and published by Georges Visat, Paris. Plate: 42 x 32.7 cm. (Sabatier 194).

Artist: Roberto Matta Title: L'ergofrage (Naufrage du Titanic) from Hom'mere III - L'Ergonaute Date: 1976-77 Medium: Aquatint etching on Japon, signed and numbered in pencil Edition...

The work comes directly from the artist, is numbered out of limited edition of 20, signed and made on sealed paper. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Ar...

Artist: Man Ray (American, 1890-1976) Title: Due Figure Year: 1968 Medium: Color lithograph Edition: Inscribed E.A (Epreuve d'Artiste) in pencil Paper: Arches Image size: 18.5 x...

"Electro Magie Electro Image" is an original etching and aquatint by Man Ray. This piece depicts a pink magnet with the title written in cursive undernea...

This artwork titled "Ram's Head, Full Face" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vi...

This artwork titled "Toad I" from the suite "Bestiary and some Correspondences" 1967 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherland...

This artwork titled "Chauve-Souris in a Looking-Glass against a Window" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by ren...

Paper Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Image Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Roger Vieillard - Surrealist Horse - Original Etching Paris, Le Gerbier, 1946 Edition of 340 Roger Vieillard was born in Mans, France on February 9, 1907 and was classically educate...

Signed in pencil, numbered from the edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern. Plate: 55 x 41.6 cm. ...

Signed in pencil, from the edition of 85. Printed on Arches wove paper and published by Georges Visat, Paris. Plate: 23.8 x 17.7 cm. (Sabatier 266).

Velasquez Les Menines is one of six graphics from the series Changes in Great Masterpieces published by Sidney Lucas, 1974. Master Dali has given us a...

Signed in pencil, an artist's proof aside from the numbered edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern...

From 'Droites Libérées', a series which illustrated a poem by Henri Michaux. Signed in pencil, numbered in Roman numerals from XXV. From the suite on Japon nacré paper (the total e...

Artist: Roberto Matta (Chilean, 1911 - 2002) Title: Untitled 5 Portfolio: Hom'mere V - N'ous Date: 1985 Medium: Etching and aquatint, signed and numbered in pencil Edition: 29/100 Im...

Signed in pencil, from the edition of 100. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern. Plate: 23.5 x 31 cm. (Sabati...

This lithograph was created by Chilean artist Roberto Matta. Matta creates new dimensions in a blend of organic and cosmic lifeforms in a biomorphic style. He was one of the first ar...

Artist: Roberto Matta (Chilean, 1911 - 2002) Title: Untitled 6 Portfolio: Hom'mere V - N'ous Date: 1985 Medium: Etching and aquatint, signed and numbered in pencil Edition: 29/100 Im...

Artist: Roberto Matta (Chilean, 1911 - 2002) Title: Untitled 3 Portfolio: Hom'mere V - N'ous Date: 1985 Medium: Etching and aquatint, signed and numbered in pencil Edition: 29/100 Im...

Artist: Roberto Matta (Chilean, 1911 - 2002) Title: Untitled 9 Portfolio: Hom'mere V - N'ous Date: 1985 Medium: Etching and aquatint, signed and numbered in pencil Edition: 29/100 Im...

Plate 1 from 'Judgements'. Signed in pencil, from the edition of 100. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Blue Moon Gallery, New York. Plat...

Paper Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Image Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Signed in pencil, from the edition of 99. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern in 1970. Plate: 41.1 x 54.6 cm....

Plate 1 from 'Scènes familières'. Signed in pencil, from the edition of 50. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions Galerie Le Point Ca...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Les naufrageants from Hom'mere II - L'Eautre Year: 1974-75 Medium: Aquatint Etching on Japon, Signed and numbered in pencil Editio...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 5PM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 125, XXXIII Image Siz...

Hand signed and numbered by the artist. Artwork is in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Edition of 175. All...

Artist: Roberto Matta Title: L'eau est Mana Year: 1974 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 200 Size: 21.5 x 30 inches (54.61 x 76.2 cm) Frame...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: La Danse de la Mort - Planche 1-8 Year: 1972 Medium: Suite of 8 Aquatint Etchings, Each Signed and numbered in pencil Edition: 41/...

Artist: Matta, Roberto Title: Untitled Series: The Obscure Arc of the Hours Date: 1975 Medium: Engraving Framed Dimensions: 33" x 40" Signature: Signed Edition: 33/33 ...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 10 PM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 125, XXXIII Image S...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Epaisser de haut-mer from Hom'mere II - L'Eautre Year: 1974-75 Medium: Aquatint Etching on Japon, Signed and numbered in pencil Ed...

Artist: Roberto Matta, Chilean (1911 - 2002) Portfolio: Centre Neouds Year: 1974 Medium: Suite of 10 Aquatint Etchings on Japon paper, each signed and numbered in pencil Edition: 12...

Artist: Roberto Matta Portfolio: L'ame du Tarot de Theleme Year: 1994 Medium: Portfolio of Five Aquatint Etchings, each signed and numbered in pencil Edition: 100, XX Image Size: 19....

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Porol-Vua Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 97/100 Image Size: 20 x 28.5 inches Size: 22...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 12 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 51/125, XXXIII ...

Satyricon is original colored lithography, realized in 1970 by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with the Surrealist movement. In very good condition. From series "Satiricon de Petron". The artwork represents a portrait of a figure with his concerns expressed perfectly through confident strokes by bright and harmonic colors. The artwork here is resembling of the Roman wall painting...

Artist: Leonor Fini Title: La Grande Parade des Chats (The Great Parade of the Cats) Year: 1973 Medium: Color lithograph Edition: Numbered 1...

Artist: Leonor Fini Title: Femmes en Costumes Year: c.1970 Medium: Original color engraving Edition: Inscribed E.A (Epreuve d'Artiste, Artist Proof) in pencil Paper: Arches paper Ima...

Leonor Fini - Pregnant - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Leonor Fini - Untitled - Original Handsigned Etching Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Allegorical Figures is original hand-colored etching on paper, realized by Leonor Fini. Signed on the lower right. In very good condition. Included a Passepartout: 50 x 35 cm. The artwork represents allegorical figures in an erotic scenery through confident and quick strokes, in an expressionistic style of creation, by harmonious and congruous colors. Leonor Fini (1907-1966) was an emblematic painter, illustrator, writer, scene painter and draftswoman; one of her favorite subjects were human bodies painted with hybrid shapes, as animals, plants or minerals. Her subjects are neither naked nor dressed, their body is crossed by nervous tissues, veins and blood vessels.

Satiricon is original colored lithography, realized in 1970 by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with the Surrealist movement. In very good condition. From series "Satiricon de Petron". The artwork represents a portrait of figures with their feeling expressed perfectly through confident strokes by bright and harmonic colors. The artwork here is resembling of the Roman wall painting...

Artist: Leonor Fini Title: La Grande Parade des Chats (The Great Parade of the Cats) Year: 1973 Medium: Color lithograph Edition: Numbered 1...

Leonor Fini - Walking Dead - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle ...

Leonor Fini - Walking on Death - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris...

Leonor Fini - Red-Hair - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsigne...

Soft ground etching and aquatint in colours on wove paper Signed and numbered Published by Alberto Caprini, Rome

Original lithograph, hand signed by the artist Giorgio De Chirico on the lower right. This print is from the Suite "Apocalisse". Very good conditions. Includes Passepartout : 69 x 49...

Apocalypse of John the Evangelist is an original black and white etching realized by Giorgio De Chirico in 1941. Hand signed on the lower right margin. Numbered on the lower left. ...

GIORGIO DE CHIRICO 1888-1978 Vólos, Greece 1888 - 1978 Rome (Italian) Title: The Triumph of Medicine Il trionfo della medicina, 1953 Technique: Original Hand Signed and Numbered Li...

"Le Retour du Fils Prodigue I" is an original hand-signed and numbered lithograph realized by Giorgio de Chirico in 1929 on vélin filigrané Arches. The artwork is an edition of 100 ...