Inspired by Dali

Joan MIRO Ubu : The Gold Prospectors Original stone lithograph (Printed in Atelier Mourlot) Handsigned in pencil On Arches vellum 50 x 66 cm From a limited edition of 120 copies R...

Joan MIRO Surrealist Portrait (Espriu) Original aquatint, engraving and etching printed in colors with carborundum Signed in pencil Justified HC (aside the edition of 50 numbered pr...

Lithograph. From the 'Barcelona Series'. Signed and dated in pencil, numbered from the edition of 5. Printed in 1944 on Torras Juvinya paper. Publ...

Artist: Joan Miro (Spanish, 1893-1983) Title: Maravillas Con Variations Acrosticas en el Jardin de Miro Year: 1975 Medium: Color lithograph Edition: Unu...

Creating a lithograph requires quick drawing without hesitations or alteration, a solid and bare composition, free shapes in a fluid space. Pursuing this, Miro uses black ink with a ...

Joan MIRO Seduction Original woodcut print Unsigned On heavy Arches vellum 38 x 56 cm (c. 15 x 22 inch) REFERENCE : Catalog raisonne Miro engraver, Dupin / Cramer #255 Woodcut crea...

From Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes. Unknown publication size Plate I, from Joan Miro by Jacques Prévert and Georges Ribemont...

Joan Miro - Trio - Original Lithograph From the literary review "XXe Siècle" 1968 Dimensions: 31.1 x 69.5 cm Publisher: G. di San Lazzaro. Reference : M515

Artist: Joan Miro, Spanish (1893 - 1983) Title: San Lazzaro Year: 1975 Medium: Lithograph Edition: 400/575 Paper Size: 14 x 10 inches (35.6 x 25.4 cm) Fram...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe Year: 1972 Edition: 5000 Image Size: 10" x 13" S...

Joan Miro - Bird From the literary review "XXe Siècle" 1952 Edition : 3000 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Reference : M117

Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1964 From the journal "XXe Siecle" Unsigned edition of unknown size Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Refere...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Les Essencies de la Terra Exhibition (M. 625) Year: 1969 Medium: Lithograph on Gua...

Joan Miro - 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) reserved for collaborators, there was also a larger edition of 2000 From "Prints from the Mo...

Joan Miro (after) - Moon and Sun - Pochoir From the literary review "XXe Siècle" 1957 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

"Les Révolutions Scéniques du XX siècle" is an original lithograph realized by Joan Miró in 1975. This is a limited edition. Bibliography: Joan Miró. Catalogue raisonné des livres i...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 22) Year: 1975 Medium: Lithograph, signed ...

Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1967 Deluxe fold-out from the journal XXe Siecle Unsigned, as issued Dimensions: 32 x 70 cm Publisher...

Joan Miro - Moon Bird, Sun Bird printed in a copy of the magazine called "XXeme Siecle" 1961 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Reference:...

Joan Miro - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Reference : Mourlot 1106 Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Unsi...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...

"Lithographie Originale IV" is an original color lithograph by Joan Miro, published in "Miro Lithographs IV, Maeght Publisher" in 1981. It depicts Miro's signature biomorphic abstrac...

"Lithographie Originale I" is an original color lithograph by Joan Miro, published in "Miro Lithographs IV, Maeght Publisher" in 1981. It depicts Miro's signature biomorphic abstract...

"Original Lithograph VI" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts Miro's signature biomorphic abstract s...

"Original Lithograph III" is an original color lithograph by Joan Miro, published in "Miro Lithographs III, Maeght Publisher" in 1977. It depicts M...

"Original Lithograph XI" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts Miro's signature biomorphic abstract s...

Joan Miro - a plate from L'Issue Dérobée Etching, aquatint and drypoint in colors 1974 Dimensions: 36 x 54 cm Edition: 220 Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 19...

Joan Miro - L'Issue Dérobée - Original Aquatint 1974 Dimensions: 36 x 54 cm Edition: 220 Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 (C. books 187) Biography Joa...

One plate from the illustrated book Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 Original prints by Joan Miro (C. books 187) Edition: 220 Individual images are unsigne...

Joan Miro - L'Issue Dérobée - Original Aquatint One plate from Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 (D. 687-706; C. books 187) 1974 Dimensions: 36 x 54 cm Ed...

"Original Lithograph V" is an original color lithograph by Joan Miro, published in "Miro Lithographs III, Maeght Publisher" in 1977. It depicts Mir...

"Lithographie Originale V" is an original color lithograph by Joan Miro, published in "Miro Lithographs IV, Maeght Publisher" in 1981. It depicts Miro's signature biomorphic abstract...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe IV Year: 1981 Edition: 5000 Image Size: 10" x 13...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe III Year: 1976 Edit...

Maravillas con Variaciones Acrosticas (one plate) 1975 50 x 36cm On Guarro paper Printed signature From the edition of 1500 Edited and printed by Poligrafa, Barcelona (Spain) Catalog...

"Original Lithograph VIII" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts M...

"Original Lithograph X" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts Miro's signature biomorphic abstract st...

1970s Joan Miró Lithograph Portfolio: Derriere Le Miroir, 1973. Off-set lithograph in colors. 15x22 inches. Center fold-line as issued; very good overall vintage condition. Unsign...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Tapis de Tarragona (M. 875) Year: 1972 Medium: Lithograph with embossed signature Edition: 1000 Size: 12 in. x 17 in. (30.48 cm x 43....

Artist: Joan Miro, Spanish (1893 - 1983) Title: Tapis de Tarragona (M. 880) Year: 1972 Medium: Lithograph with embossed signature Edition: 1000 Size: 12 in. x 17 in. (30.48 cm x 43....

Cramer 887; Maeght 887. Number 11 in an edition of 75. Signed in pencil lower right: Miro; numbered in pencil lower left: 11/75. A fine impression in fine condition.

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 16: Oiseau dans un Paysage Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 12.5 in. x 8.75 in. ...

Artist: Joan Miro (Spanish, 1893-1983) Title: Maravillas Con Variations Acrosticas en el Jardin de Miro Year: 1975 Medium: Color lithograph Edition: Unu...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 18: Personnage et Oiseau Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 8.75 in. x 12 in. (22.2...

Color Lithograph Ed. 15/100 Signed and Numbered

JOAN MIRÓ 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: The Return Journey II, from: Series for King Ubu Le Voyage de Retour II, from: Suites pour Ubu Roi, 1966 Technique: Original Hand Numbered Lithograph in Colours on Arches Wove Paper Paper size: 54 x 75 cm. / 21.3 x 29.5 in. Image size: 41 x 63 cm. / 16.1 x 24.8 in. Additional Information: This original lithograph in colours is hand numbered in pencil from the edition of 75, at the lower left corner. There were also 25 hors commerce [out of trade] impressions. This composition was published unsigned and exists only in this form. The work was part of a portfolio entitled "Roi Ubu" [King Ubu] realised by the artist in 1966. It was printed by Atelier Mourlot, Paris and published by Tériade Éditeur, Paris. The paper bears the Arches watermark along the lower margin. Note: Ubu Roi (Ubu the King) is a play by Alfred Jarry...

JOAN MIRÓ 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Bougrelas and his Mother III, from: Series for King Ubu Bougrelas et sa Mère III, from: Suites pour Ubu Roi, 1966 ...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 19: Femmes en priere devant le soleil Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 8.75 in. ...

Hand signed and numbered by the artist. Edition of 75. Lithograph in colors, on Arches. (M. 1129; see C. books 241). Artwork in excellent condition. Certificate of Authenticity is ...

Original etching, aquatint and carborundum printed in colors on Mandeure rag paper.  Hand-signed in pencil lower right center Miró. A superb impression of the definitive state...

Lithgraph V - Volume III This original color lithograph printed in 1969 measures 12.50" x 9.75" Joan Miró one of the leading artists of the 20th century,...

Original etching, aquatint, drypoint and carborundum printed in colors on wove paper bearing the “ARCHES / FRANCE” watermark Hand-signed in pencil lower right Miró. A superb, richl...

This original color lithograph by Joan Miró was printed 1969 and measures 12.63" by 9.5". From the unsigned edition of approximately 5,000. Joan Miró one of the leading artists of ...

A fine impression of the definitive state, from the standard book edition (apart from the deluxe book edition of 150, and the pencil-signed and numbered edition of 80). One of 5 lit...

Abstract Composition, Coffee Grinder Hand signed in Hebrew Lower right. limited edition. Dimensions: H 18.5" x 24.9" Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings and the depictions of Australian Aborigines through the children of safed, the wall paintings, the masks, the angels and kings, the still lifes, the "Surrealistic" paintings, the toys and flowers, the paintings inspired by the Bird-head Haggadah, the Kafka paintings, the Pioneers, the Kimberley fantasy (about his father's excursion in 1933 to northern Australia, in search of a "territory for the Jews"), Brighton Beach and the seascapes inspired by Eugene Boudin, through the chairs in the "Kings of Nissim Aloni" episode to the "Zionists" and the recent "Tahies". "During the six years that Bergner has lived in Israel," wrote Eugene KoIb, Direct. or of the Tel Aviv Museum, in the catalog of the Bergner exhibit in 1957, "he has established himself among Israeli artists." Bergner was indeed one of the artists who represented Israel in the Venice Biennial (1956; 1958) and in the Sao Paulo Biennial in 1957; this, in spite of the fact that Yosl Bergner did not harness his art to serve the Zionist ethos, that being, at the time, the order of the day (his paintings were in fact rejected at first as being those of a "Diaspora Jew"); he didn't "naturalize" himself by alliance to the country's landscape or its special light, nor did he turn to abstract painting. Painter of "the Jewish condition". the painter involved in Nissim Aloni's theater and the popular illustrator of poetry books and literary texts, he stuck to the narrative which drew its images from his childhood world, from Yiddish and from the Jewish culture of Poland in whose bosom he grew, with its literature, theater and fantasy. From this point of view his position as an "outsider", first in Australia and later in Israel, like that of the European Jew on the periphery of the dominant culture, afforded him a special dialectic vantage point from which to view his human and cultural surroundings. He was and remains a figurative painter even when he verges on the abstract. Israeli painter of Austrian birth, active in Australia. He grew up in Warsaw. His father, the pseudonymous Jewish writer Melech Ravitch, owned books on German Expressionism, which were an early influence. Conscious of rising anti-Semitism in Poland, Ravitch visited Australia in 1934 and later arranged for his family to settle there. Bergner arrived in Melbourne in 1937. Poor, and with little English, his struggle to paint went hand-in-hand with a struggle to survive. In 1939 he attended the National Gallery of Victoria’s art school and came into contact with a group of young artists including Victor O’Connor (b 1918) and Noel Counihan...

Hand signed in Hebrew Lower right. Dimensions: H 19.5" x 13.5" Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings...

Abstract Composition, 1959 Silkscreen Lithograph "Phoenix". This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Jacob Wexler, Moshe Tamir and Michael Gross. Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings and the depictions of Australian Aborigines through the children of safed, the wall paintings, the masks, the angels and kings, the still lifes, the "Surrealistic" paintings, the toys and flowers, the paintings inspired by the Bird-head Haggada, the Kafka paintings, the Pioneers, the Kimberley fantasy (about his father's excursion in 1933 to northern Australia, in search of a "territory for the Jews"), Brighton Beach and the seascapes inspired by Eugene Boudin, through the chairs in the "Kings of Nissim Aloni" episode to the "Zionists" and the recent "Tahies". "During the six years that Bergner has lived in Israel," wrote Eugene KoIb, Direct. or of the Tel Aviv Museum, in the catalog of the Bergner exhibit in 1957, "he has established himself among Israeli artists." Bergner was indeed one of the artists who represented Israel in the Venice Biennial (1956; 1958) and in the Sao Paulo Biennial in 1957; this, in spite of the fact that Yosl Bergner did not harness his art to serve the Zionist ethos, that being, at the time, the order of the day (his paintings were in fact rejected at first as being those of a "Diaspora Jew"); he didn't "naturalize" himself by alliance to the country's landscape or its special light, nor did he turn to abstract painting. Painter of "the Jewish condition". the painter involved in Nissim Aloni's theater and the popular illustrator of poetry books and literary texts, he stuck to the narrative which drew its images from his childhood world, from Yiddish and from the Jewish culture of Poland in whose bosom he grew, with its literature, theater and fantasy. From this point of view his position as an "outsider", first in Australia and later in Israel, like that of the European Jew on the periphery of the dominant culture, afforded him a special dialectic vantage point from which to view his human and cultural surroundings. He was and remains a figurative painter even when he verges on the abstract. Israeli painter of Austrian birth, active in Australia. He grew up in Warsaw. His father, the pseudonymous Jewish writer Melech Ravitch, owned books on German Expressionism, which were an early influence. Conscious of rising anti-Semitism in Poland, Ravitch visited Australia in 1934 and later arranged for his family to settle there. Bergner arrived in Melbourne in 1937. Poor, and with little English, his struggle to paint went hand-in-hand with a struggle to survive. In 1939 he attended the National Gallery of Victoria’s art school and came into contact with a group of young artists including Victor O’Connor (b 1918) and Noel Counihan...