Latin American Artists

Coquette Pochoir (silk screen) printed in colors, c. 1923-1925 Signed by the artist in pencil lower right; numbered in ink on the image, (see photo) Edition: 250 (100/250) in pencil in image (see photo) Image size: 10-1/2 x 12-3/4" The artist won a gold medal in Paris in 1925 for his porchoirs Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

Agustin Bejarano (Cuba, 1964) 'Los ritos del silencio', 2005 etching on paper 17.4 x 24.9 in. (44 x 63 cm.) Edition of 40 ID: BEJ-109 Unframed

Ermine Brocade is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 27 x 25 inches. From the edition of 580, the art is numbered 24/300 a...

Daydream is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 11.5 x 25.5 inches. From the edition of 418, the art is numbered 83/300 and signe...

Lingering Snow Mount Yoshino (Shidzuka-gozen toiling through snow after her last farewell to Yoshitsune) Signed: Ichiyusai Kuniyoshi ga Censor seal: Tanaka Series: Kenjo hakkei ...

Bathing at Long Branch-“Oh, Ain’t it Cold” Wood engraving, 1871 Signed in the block with the artist's initials "WH", see photo Published in: Every Saturday, Aug. 16, 1871 Condition: ...

Robert Rauschenberg Photos In+Out City Limits: Boston (hand signed by Robert Rauschenberg), 1981 Monograph held in slipcase (Hand signed in graphite pencil) Hand signed by Robert Rau...

Sketches of Franz Liszt is a serigraph on canvas printed by the award-winning Kolibri Art Studio, 48 x 22 inches, signed 'Felix Mas' lower right and numbered 163/295 lower left. Fram...

Lyre is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 28.5 x 23.5 inches. From the edition of 650, the art is numbered 161/300 and es...

Original fashion illustration for Tres Parisien, December, 1921 Moroccan Crepe Dress by Germaine-Paule Joumard, Fashion Art Deco Pochoir on Chinese Paper. Artwork size is 7.5 by 5 i...

Plumas Azules is a digital pigment print on canvas printed by the award-winning Kolibri Art Studio, 35.25 x 39.75 inches, signed 'Felix Mas' lower right and numbered 270/295 lower le...

El Mar is a serigraph on canvas printed by the award-winning Kolibri Art Studio, 25 x 32 inches, signed 'Felix Mas' lower right and numbered 229/295 lower left. Framed in a gold-tone, acanthus leaf frame. Felix Mas is in many ways an alchemist, transforming each canvas into treasure. These once void foundations are developed into dreamlike visions – some elements recognizable to us as grounded in reality but blended with areas of surreal fantasy. It is the gentle genius of Felix Mas that lays claim to these lyrical beauties. Each limited edition print by Mas is an expertly crafted reproduction of the original painting, with every detail approved by the artist. Martin Lawrence Galleries is an affiliate of the publisher Chalk & Vermilion Fine Arts. This print therefore has no prior ownership, coming straight from the publisher. Sea, siren, Great Wave off Kanagawa Hokusai

Sirena is a serigraph on canvas printed by the award-winning Kolibri Art Studio, 26 x 32 inches, signed 'Felix Mas' lower right and numbered 73/295 lower left. Framed in a gold-tone,...

Intimidad is a serigraph on canvas printed by the award-winning Kolibri Art Studio, 24 x 20 inches, signed 'Felix Mas' lower right and numbered 158/295 lower left. Framed in a gold-t...

Rose Gown is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 30 x 23 inches. From the edition of 690, the art is numbered 294/300 and signed ...

Jonathan Borofsky 2779494: The Olympic Runner Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982 Offset Lithograph on Parson'...

Philip Glass Words Without Music (hand signed by Philip Glass), 2015 Hardback monograph with dust jacket (hand signed by Philip Glass) Hand signed by Philip Glass on the half title page 9 1/2 × 6 1/2 × 1 1/4 inches Hand signed by Philip Glass on the half title page. Makes an excellent gift! Book information: Publisher: Liveright Publishing Company, 2015 English; Hardcover; 432 pages; 32 pages of photographs Publisher's blurb: The long-awaited memoir by “the most prolific and popular of all contemporary composers” (New York Times). A world-renowned composer of symphonies, operas, and film scores, Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet here in Words Without Music, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. "If you go to New York City to study music, you'll end up like your uncle Henry," Glass's mother warned her incautious and curious nineteen-year-old son. It was the early summer of 1956, and Ida Glass was concerned that her precocious Philip, already a graduate of the University of Chicago, would end up an itinerant musician, playing in vaudeville houses and dance halls all over the country, just like his cigar-smoking, bantamweight uncle. One could hardly blame Mrs. Glass for worrying that her teenage son would end up as a musical vagabond after initially failing to get into Juilliard. Yet, the transformation of a young man from budding musical prodigy to world-renowned composer is the story of this commanding memoir. From his childhood in post–World War II Baltimore to his student days in Chicago, at Juilliard, and his first journey to Paris, where he studied under the formidable Nadia Boulanger, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his artistic consciousness. From a life-changing trip to India, where he met with gurus and first learned of Gandhi’s Salt March, to the gritty streets of New York in the 1970s, where the composer returned, working day jobs as a furniture mover, cabbie, and an unlicensed plumber, Glass leads the life of a Parisian bohemian artist, only now transported to late-twentieth-century America. Yet even after Glass’s talent was first widely recognized with the sensational premiere of Einstein on the Beach...

Keith Haring 1988 Man, from the Estate of Dorothy Berenson Blau (with unique inscription), 1988 Silkscreen. Signed and inscribed to pioneering Miami dealer...

Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Gaga. Enclosed in an Injection-Molded fitted Purple Acrylic Box (Purple). Hand Signed by Mario Testino and stamp numbered. Boldly signed by Testino on the title page and numbered 57 of a worldwide edition of 1500. 18 × 13 1/2 inches Held in Purple Acrylic Gift Box This gorgeous, oversized lavishly illustrated hardback monograph - hand signed by Mario Testino and numbered from the limited edition of 1500 - with a dynamic lenticular cover featuring an iconic portrait of Lady Gaga, housed in custom fitted multi-lingual injection-molded purple acrylic display case with English and Chinese lettering, makes the perfect gift for any global fashion photography lover! The text of this book is by Graydon Carter, Karl Lagerfeld, Jennifer Allen, and Patrick Kinmonth. This volume contains 300 pages with numerous color photographs - all in excellent condition. There is some minor scuffing/scratching on the lenticular cover and, on the title page with signature, there's a one inch ink mark that was either part of the printing process or done by the artist himself when he signed the book in his inimitable hand, but it's otherwise in very good condition. The interior pages are bright and crisp and the photographs are absolutely dazzling. This book is from the international collector's edition of 1500 that were hand signed by Testino. Comes in the original publisher's box. Measurements: Injection-Molded Plastic Box: 22 3/4 x 18 1/4 inches Book: 18 x 13 1/2 inches Publisher's Box: 23 x 19 inches The mere mention of Mario Testino’s name evokes a rush of adrenalin in anyone that cares, even a bit, about the worlds of fashion and celebrity. So omnipresent is he at major magazine shoots and A-list events—an insider if ever there was one—that he has become a celebrity himself. The launch of Testino’s latest book, to celebrate his inaugural exhibition in China, brings together an exciting selection of his best studio work with glamorous examples of his candid shots. A beaming Gwyneth Paltrow clutching her freshly-won Oscar, a fur-cloaked Jennifer Lopez atop a commode, and the unforgettable portraits of royalty...

From: “Kabuki Jahachi-Ban” (Eighteen Kabuki Plays) by the Ichikawa Family Publisher: Gekiga Kanko Kai Carver: Okura Hanbei Printer: Shinmi Yohei Signed: with the artist’s signatu...

Feast of Lights (Poster) Signed in the stone 17 color lithograph Published by Kennedy Galleries Edition: Unknown edition, signed in the stone There was also a pencil signed edition o...

A la Corrida Color aquatint, c. 1900 Signed "Osterlind" lower right in red pencil Annotated: "No. 96" in pencil lower left Edition: about 100 Published by Sagot, Paris: their blindst...

Will Barnet: A Timeless World (hand signed, dated and warmly inscribed), 2000 Softback monograph with stiff wraps (hand signed, dated and warmly inscribed) Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page 12 × 9 × 1/2 inches We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet. The full inscription reads: Sep 21 2000 To my colleague -Margo- with appreciation and affection Will Barnet Book information: Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations Publisher's blurb: Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation. Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations. More about Will Barnet: Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...

Audrey Flack Audrey Flack On Painting (hand signed, dated and inscribed by Audrey Flack), 1981 Hardback monograph with dust jacket (hand signed, dated and inscribed by Audrey Flack) ...

Artist: Eduardo Paolozzi, British (1924 - 2005) Title: Mr Peanut Year: 1970 Medium: Screenprint, signed and dated in pencil Image: 27 x 19 inches Frame Size: 35 x 25 inches

Artist proof for "Serena with Yellow Cap" archival mixed media print. Hand signed Carole A. Feuerman, dated 2012 and numbered AP 3/10. Printed on tex...

lithograph 20" high x 15" wide unframed signed and numbered...

She Loves Luna and Sombra monotype by Melanie Yazzie, Navajo, dog, girl

In The Mist, woodcut print, Navajo female figure yellow white Melanie Yazzie hand pulled woodcut print signed and titled on front MELANIE YAZZIE, who has been represented by our gallery since 1994, is talented as a sculptor, painter and printmaker. She is a university professor who teaches two-dimensional art...

Images From My Past lithograph by Dan Namingha, Hopi, Kachina, katsina

Mystic Images, Dan Namingha lithograph Hopi contemporary abstract Kachina images

Evening Singers, limited edition color lithograph, kachinas, katsina, Hopi, red signed, titled, and numbered by the artist at the bottom limited edition of 50 unframed The Galle...

Mask, limited edition lithograph, Hopi, kachina, color, tan, peach, unframed

Sombrero Rojo, Eduardo Oropeza Day of the Dead, skeleton, gold tooth, red hat Hand pulled serigraph edition at Self Help Graphics in Los Angeles, Californi...

Apache Hunter, limited edition lithograph by Allan Houser, horseback hunter hand-pulled black and white lithograph printed in Santa Fe, New Mexico unframed edition of 75 Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

etching edition 30 signed, titled and numbered by the artist under the image COHOE, Grey 1944-1991 PERSONAL: Born 1944, in Tocito, NM; died November 2, 1991. Education: Attended Institute of American Indian Arts, 1966-67, College of Santa Fe, 1967, Fort Lewis College, 1968, and Haystack Mountain...

Uncle of the Corn Dancers, Hopi, kachina, lithography Dan Namingha hand pulled limited edition lithograph signed and numbered by the artists

Mana (Girl), Hopi Kachina lithograph by Dan Namingha black and white hand pulled color lithograph signed and numbered by the artist unframed

Apache Mountain Spirit Dancers, lithograph, black & white, Allan Houser hand pulled black and white lithograph edition printed in Santa Fe, New Mexico L...

Mask Assemblage by Dan Namingha black white lithograph Hopi Kachinas Namingha Hand pulled limited edition lithograph unframed unframed hand pulled lithograph signed and numbered by...

Hand pulled serigraph edition at Self Help Graphics Workshop in Los Angeles, California signed and numbered by the artist Day of the Dead Dia De Los Muertos...

black and white etching on paper unframed #14/30 image size 12 x 14.5 signed, titled & numbered by the artist under the image on the front. COHOE, Grey 1944-1991 PERSONAL: Born 1944, in Tocito, NM; died November 2, 1991. Education: Attended Institute of American Indian Arts, 1966-67, College of Santa Fe, 1967, Fort Lewis College, 1968, and Haystack Mountain...

etching edition of 35 20" x 15" paper size 13" x 10" image size signed, titled and numbered by the artist under the image. COHOE, Grey 1944-1991 PERSONAL: Born 1944, in Tocito, NM...

unframed black and white lithograph by Dan Namingha Kachina Katsina Katsinam faces

Represented by George Billis Gallery, NYC & LA --David Salle (born 1952) is an American painter, printmaker, and stage designer who helped define postmodern sensibility. Lithograph ...

This piece titled "Jake Yeager Untitled 12" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. Founded in 1997 at 1...

This piece titled "The Mother" is an original print by Annalise Gratovich and is made from woodcut with hand dyed paper. This piece measures 71"h x 39.5"w unframed. Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her identity as the second generation daughter of a Ukrainian war...

This piece titled "Mariposa II (Hand-Embellished "Cristina" Print)" is a hand-embellished* print by Sean Lugo printed on archival paper. The print depicts a portrait of South Philly Barbacoa Owner Cristina Martinez...

"Ship Panel I" is a unique woodcut print wheatpaste collage on wood by Dennis McNett (aka Wolfbat) measuring 19.75”h x 19.75”w x 2”d. This is a panel from the Wolfbat Viking Ship used in art parades and celebrations for over 10 years. Bio // Austin-based artist Dennis McNett (1972) received his MFA from Pratt institute in 2004, where he taught until 2012. He has shown internationally at The Victoria and Albert Museum in London, Me Collection Museum in Berlin, MOHS exhibit in Copenhagen, Galleria Patricia Armocida, Milano, Italy, and nationally including The Ft. Wayne Museum of Art, Museum of Print History, Houston, TX, Museum of Contemporary Art, Jacksonville, FL, and Jonathan LeVine Gallery, NYC, Known Gallery, LA. A visiting artist/lecturer at RISD, Philadelphia Academy of Fine Art, Mexi-Arte Museum, Universidad De Monterrey Monterrey, Mexico, the John Michelle Kohler...

This piece titled "Pool Party 2023" is an original print by Dylan Goldberger and is made from screenprinting. This piece measures 20.25"h x 26"w framed, and is shipped in the pictured black frame. Dylan Goldberger is a talented printmaker and illustrator known for his ability to blend traditional relief printmaking, screen printing, and digital drawing. He runs his full-time art practice from his Brooklyn studio, where he carves blocks, burns screens, and editions his own prints. His work often revolves around the captivating world of animals, cleverly infusing humorous social commentary into his anthropomorphized characters. Beyond his studio practice, Dylan is a versatile illustrator and has lent his creative talents to various projects, including product design, branding, and editorial illustration. Dylan has earned a distinguished reputation in the skateboard industry for his intricate board graphics and apparel design. Dylan graduated from Pratt Institute with a BFA in Communication Design. During his time there, he was introduced to the world of printmaking by Dennis McNett. After graduating, Dylan worked as a studio assistant for McNett for several years, gaining valuable experience and insight into the world of printing and sustaining a career as an artist. In 2017, Dylan decided to pursue freelance illustrating full-time, and in 2020, he launched his own brand called Dog Gone Studios. Dylan’s prints...

This piece titled "Jake Yeager Untitled 5" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. About Space 1026...

This piece titled "Emancipation" is an original print by Reinaldo Gil Zambrano and is made from relief printing. This piece measures 26"h x 40"w unframed. Reinaldo Gil Zambrano is a...

This piece titled "A Cowboy Needs A Horse" is an original artwork made from digital collage art by Lexicon Love. This piece is shipped in the pictured wood frame and measures 23”h x ...

This piece titled "MWI" is an original print by Raj Bunnag and is made from linocut. This piece measures 24.5"h x 19"w without a frame. Raj Bunnag is a Thai American artist living ...

This piece titled " "Visible Spirit" Series 1" " is an original print by James Rose and is made from drawing/ monoprint. This piece measures 27"h x 21"w framed, and is shipped in the...

This photograph titled "Oluchi Oneya - Li Ka We Nan Rayi Ou" is an original artwork by Shawn Theodore measuring 36"h x 28"w (edition of 10, 2 APs). It is an archival pigment print o...

intaglio on Somerset paper, 18”h x 14”w unframed Bio // Katie VanVliet is a sculptor and printmaker based in Philadelphia, PA. Found and collected objects are the main component of ...

This piece titled "Weed Wreath (edition 5/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fifth in an edition of...