Latin American Artists
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Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Unsigned edition of over 5,000
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Jean Cocteau - Fire Portrait - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Signed in the plate
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Jean Cocteau
W...
Category
1960s Modern Latin American Artists
Materials
Lithograph
Zao Wou-ki - Original Lithograph - Abstract Composition
By Zao Wou-Ki
Located in Collonge Bellerive, Geneve, CH
Zao Wou-ki - Original Lithograph
1962
From La tentation de l’Occident
Dimensions: 39 x 28.5 cm
Publisher: Les Bibliophiles Comtois
Edition of 170
Reference: Jørgen Ågerup 137 - 146...
Category
1960s Abstract Expressionist Latin American Artists
Materials
Lithograph
After Pablo Picasso - Peace Circle - Lithograph
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
After PABLO PICASSO (1881-1973)
Peace Circle
Dimensions: 65 x 50 cm
Signed and dated in the plate
Edition Succession Picasso, Paris.
Editions de la Paix
Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focused, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art.
Early life
Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms.
Updates in style
During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time.
Russian ballet
In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa...
Category
1950s Surrealist Latin American Artists
Materials
Lithograph
Jean Cocteau - Woman Portrait - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Woman Portrait
Signed in the plate
Dimensions: 32 x 25.5 cm
Edition: 200
1959
Publisher: Bibliophiles Du Palais
Unnumbered as issued
Category
1950s Modern Latin American Artists
Materials
Lithograph
As I Opened Fire Poster - complete triptych
By (after) Roy Lichtenstein
Located in Collonge Bellerive, Geneve, CH
after Roy Lichtenstein
Title: As I opened Fire Poster
Dimensions: 64 x 52 cm
This work was conceived in 1966 and published by the Stedelijk Museum, Amsterd...
Category
1960s Pop Art Latin American Artists
Materials
Offset
Zao Wou-ki - Original Lithograph from XXe Siecle magazine
By Zao Wou-Ki
Located in Collonge Bellerive, Geneve, CH
Zao Wou-ki - Original Lithograph from XXe Siecle magazine
1958
Dimensions: 32 x 25 cm
Edition: G. di San Lazzaro.
Zao Wou Ki (1921 - 2013)
At the tender age of fourteen Zao Wou-Ki...
Category
1950s Abstract Expressionist Latin American Artists
Materials
Lithograph
Kees van Dongen - Montmartre 1900 - Original Lithograph
By Kees van Dongen
Located in Collonge Bellerive, Geneve, CH
Kees van Dongen
Title: Montmartre 1900
Original Lithograph
Edition of 180
Dimensions: 39 x 30 cm
References: Juffermans JL 34
Information :
This lithograph was created for the portf...
Category
1950s Impressionist Latin American Artists
Materials
Lithograph
Jean Cocteau - Portrait - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Signed in the plate
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Jean Cocteau
W...
Category
1960s Modern Latin American Artists
Materials
Lithograph
(after) Alberto Magnelli - Composition - Pochoir
By Alberto Magnelli
Located in Collonge Bellerive, Geneve, CH
(after) Alberto Magnelli
Untitled (Cubist Composition) after the collage
Pochoir on paper
Conditions: excellent
32 x 24 cm
1956
Printed by Daniel Jacomet for XXe Siecle (issue number...
Category
1950s Abstract Geometric Latin American Artists
Materials
Stencil
André Minaux - Abandoned Boat - Original Lithograph
By Andre Minaux
Located in Collonge Bellerive, Geneve, CH
André Minaux - Abandoned Boat - Original Lithograph
1964
Dimensions: 30 x 20 cm
Edition of 200 (one of the 200 on Vélin de Rives)
Mourlot Press, 1964
And...
Category
1960s Modern Latin American Artists
Materials
Lithograph
Marc Chagall - Green River - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
Double-page spread from the 1974 book "Chagall" by André Pieyre de Mandiargues.
Unsigned, edition of approximately 10,000
Published by Maeght
1974
D...
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Jean Miotte - Abstract Composition - Original Signed Etching
By Jean Miotte
Located in Collonge Bellerive, Geneve, CH
Jean Miotte - Original Signed Etching
1994
Dimensions: 41 x 33 cm
Signed and numbered in pencil
Edition: /60
From Près du mur
Category
1990s Abstract Expressionist Latin American Artists
Materials
Etching
Jean Cocteau - Vision - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Signed in the plate
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Category
1960s Modern Latin American Artists
Materials
Lithograph
Jean Cocteau - Blue Eagle - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Blue Eagle - Original Lithograph
1956
Stampsigned lower left
Signed and dated in the plate
Numbered in pencil
Edition : /XXV
Dimensions: 50 x...
Category
1950s Modern Latin American Artists
Materials
Lithograph
Alberto Magnelli (after) - Composition
By Alberto Magnelli
Located in Collonge Bellerive, Geneve, CH
Alberto Magnelli (after)
Untitled (Composition)
Linoleum cut (after the original) on yellow wove paper
32 x 24 cm
1959
From XXe siècle (No. 13)
Published in Paris by San Lazzaro, th...
Category
1950s Abstract Geometric Latin American Artists
Materials
Linocut
Joan Miro - I Work Like a Gardener - Original Handsigned Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro - I Work Like a Gardener - Original Handsigned Lithograph
Year: 1964
Handsigned and numbered in pencil
Edition: 2 / 30
Printer : Mourlot, Paris
Dimensions: 22.5 x 23 cm
Ref...
Category
1960s Abstract Latin American Artists
Materials
Lithograph
Jean Dubuffet - La Mouche - Original Screenprint
By Jean Dubuffet
Located in Collonge Bellerive, Geneve, CH
Jean Dubuffet
Banque de L'Hourloupe
Original Card with a title card
Original edition of 350 numbered sets with 30 hors commerce
Dimensions: 25 x 16 cm
Screen printed by Kelpra Studios, London Editions Alecto, London 1967
Jean Dubuffet (1901 - 1985)
Jean Dubuffet was born on July 31, 1901, in Le Havre, France. He attended art classes in his youth and in 1918 moved to Paris to study at the Académie Julian, which he left after six months. During this time, Dubuffet met Raoul Dufy, Max Jacob, Fernand Léger, and Suzanne Valadon and became fascinated with Hans Prinzhorn's book on psychopathic art. He traveled to Italy in 1923 and South America in 1924. Then Dubuffet gave up painting for about ten years, working as an industrial draftsman and later in the family wine business. He committed himself to becoming an artist in 1942.
Dubuffet's first solo exhibition was held at the Galerie René Drouin, Paris, in 1944; the Pierre Matisse Gallery gave him his first solo show in New York in 1947. During the 1940s, the artist associated with André Breton, Georges Limbour, Jean Paulhan, and Charles Ratton...
Category
1960s Abstract Latin American Artists
Materials
Screen
Marc Chagall - Hommage à Julien Cain - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall - Original Lithograph
Frontispiece for André Dunoyer de Segonzac, and Julien Cain. "Humanisme Actif: Mélanges d'Art et de Littérature Offerts à Julien Cain." Paris: H...
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Marc Chagall - The Tables of the Law - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall - The Tables of the Law - Original Lithograph
1962
Printed by Mourlot
Dimensions: 32.5 x 24.5 cm
Publisher: André Sauret, Monte-Carlo
Reference: Mourlot n° 365
Unsigned...
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Alberto Magnelli - Composition - Original Lithograph
By Alberto Magnelli
Located in Collonge Bellerive, Geneve, CH
Alberto Magnelli
Composition
Lithograph
Conditions: excellent
32 x 24 cm
1951
Executed for XXe siècle
Published by San Lazzaro, Paris
Unsigned and unnumbered as issued
Category
1950s Abstract Geometric Latin American Artists
Materials
Lithograph
Marc Chagall - Flowered Clown - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
From Chagall Lithograph II
Reference: Mourlot 399
Condition : Excellent
Unsigned and unumbered as issued
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Jean Cocteau - Portrait - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Signed in the plate
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Jean Cocteau
W...
Category
1960s Modern Latin American Artists
Materials
Lithograph
Alexander Calder - Composition - Original Lithograph
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Composition
1972
From the art review XXe Siecle
Dimensions: 32 x 24
Edition: G. di San Lazzaro.
Unsigned and unnumbered as issued
Category
1960s Modern Latin American Artists
Materials
Lithograph
Joan Miro - Abstract Composition - Original Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro - Abstract Composition - Original Lithograph
1964
Dimensions: 30 x 20 cm
Edition of 200 (one of the 200 on Vélin de Rives)
Mourlot Press, 1964
Biography
Joan Miró i Fer...
Category
1960s Modern Latin American Artists
Materials
Lithograph
Pablo Palazuelo - Original Lithograph
By Pablo Palazuelo
Located in Collonge Bellerive, Geneve, CH
Pablo Palazuelo - Original Lithograph
1976
Dimensions: 32 x 25 cm
Revue XXe Siècle
Edition: Cahiers d'art published under the direction of G. di San Lazzaro.
Pablo Palazuelo
B. 19...
Category
1970s Abstract Geometric Latin American Artists
Materials
Lithograph
Marc Chagall - The Ballet, Frontispiece
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
The Ballet, Frontispiece for the book “Daphnis and Chloe” Lithograph in colors, 1969. Unsigned and unnumbered, as issued from an edition of 10,000.
Printed ...
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Unsigned, as published in "Chagall Lithographe 1957-1962. VOLUME II"
Edition of several thousand
Condition : Excellent
M...
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Jean Cocteau - For Paul Valery - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Paul Valery Poems
Signed in the plate
Dimensions: 32 x 25.5 cm
Edition: 200
1959
Publisher: Bibliophiles Du Pala...
Category
1950s Modern Latin American Artists
Materials
Lithograph
Jean Cocteau - Strength - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Signed in the plate
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
From the last po...
Category
1960s Modern Latin American Artists
Materials
Lithograph
André Beaudin - Composition - Lithograph
By Andre Beaudin
Located in Collonge Bellerive, Geneve, CH
André Beaudin - Composition - Original Lithograph
1964
Dimensions: 30 x 20 cm
Edition of 200 (one of the 200 on Vélin de Rives)
Mourlot Press, 1964
Unsigned and unumbered as issued
Category
1960s Modern Latin American Artists
Materials
Lithograph
Geneviève Claisse - Kinetic Composition - Original Signed Lithograph
By Geneviève Claisse
Located in Collonge Bellerive, Geneve, CH
Geneviève Claisse - Kinetic Composition -
Original Signed Lithograph
Publisher Stamp
Edition: EA
Geneviève CLAISSE, born in 1935 in France, a relative to Auguste Herbin. She is recognized today as one of the most important geometrical abstract French artist of the 1970s. Her approach to painting was influenced by reading Art d’Aujourd’hui, Tribune of Geometrical Abstraction.
1958 First solo exhibits in the Galerie Caille in Cambrai and Galerie Hybler in Paris.
1961 First exhibit in the Galerie Denise René in Paris where she regularly exhibited in the following years.
1965 + Focused work on color (Cercles, ADN)
1967 Museum of Fine Arts of La Chaux-de-Fonds. Biennale of Paris.
1968 “Art...
Category
2010s Abstract Geometric Latin American Artists
Materials
Lithograph
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Zao Wou-ki - Original Lithograph - Abstract Composition
By Zao Wou-Ki
Located in Collonge Bellerive, Geneve, CH
Zao Wou-ki - Original Lithograph
1962
From La tentation de l’Occident
Dimensions: 39 x 28.5 cm
Publisher: Les Bibliophiles Comtois
Edition of 170
Reference: Jørgen Ågerup 137 - 146...
Category
1960s Abstract Expressionist Latin American Artists
Materials
Lithograph
Jean Cocteau - Portrait - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Signed in the plate
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Jean Cocteau
W...
Category
1960s Modern Latin American Artists
Materials
Lithograph
Jean-Michel Atlan - Kafka - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Original lithograph by Jean-Michel Atlan
For Description of a Struggle by Franz Kafka
Paris, Maeght Publisher, 1946.
Dimensions: 30.5 x 24.5
Edition: 300 on vellum
Mourlot
JEAN-MI...
Category
1940s Abstract Expressionist Latin American Artists
Materials
Lithograph
Marc Chagall - Daphnis and Chloé - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall - Daphnis and Chloé - Original Lithograph
From the literary review "XXe Siècle"
1960
Mourlot N°227
Dimensions: 32 x 24 cm
Publisher: G....
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Maurice Utrillo (After) - Rue Cortot in Montmartre, Signed Lithographic Poster
By Maurice Utrillo
Located in Collonge Bellerive, Geneve, CH
Maurice UTRILLO (After)
Rue Cortot in Montmartre
Lithographic poster in colour
Signed and titled on the bottom of the plate
Editor: Mourlot
Dimensions: 62 x 47 cm (24.4 x 18.5 inches)
Category
Mid-20th Century Modern Latin American Artists
Materials
Lithograph
Zao Wou-ki - Original Lithograph - Abstract Composition
By Zao Wou-Ki
Located in Collonge Bellerive, Geneve, CH
Zao Wou-ki - Original Lithograph
1962
From La tentation de l’Occident
Dimensions: 39 x 28.5 cm
Publisher: Les Bibliophiles Comtois
Edition of 170
Reference: Jørgen Ågerup 137 - 146...
Category
1960s Abstract Expressionist Latin American Artists
Materials
Lithograph
Jean-Michel Atlan - Kafka - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Original lithograph by Jean-Michel Atlan
For Description of a Struggle by Franz Kafka
Paris, Maeght Publisher, 1946.
Dimensions: 30.5 x 24.5
Edition: 300 on vellum
Mourlot
JEAN-MI...
Category
1940s Abstract Expressionist Latin American Artists
Materials
Lithograph
Jean Cocteau - The Arena - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: The Arena
1961
Dimensions: 38 x 28 cm
printed signature
Lithograph made for the portfolio "Gitans et Corridas" published by Socié...
Category
1960s Modern Latin American Artists
Materials
Lithograph
Paul Jenkins - Composition - Original Lithograph
By Paul Jenkins
Located in Collonge Bellerive, Geneve, CH
Paul Jenkins - Composition - Original Lithograph
1964
Dimensions: 30 x 20 cm
Edition of 200 (one of the 200 on Vélin de Rives)
Mourlot Press, 1964
Paul Jenkins, American (1923 - 2012)
Paul Jenkins, an artist originally associated with abstract expressionism, exhibits in his mature works a redefining of color, light and space on the canvas surface.
Born in Kansas City, Missouri in 1923, Jenkins worked as a teenager in a ceramics factory, where he was first exposed to color intensity and the creation of form. From age 14 to 18, he studied drawing and painting at the city's Art Institute.
Initially interested in drama, Jenkins received a fellowship to the Cleveland Playhouse, then continued his dramatic studies in Pittsburgh at the Drama School of the Carnegie Institute of Technology.
Deciding to become an artist, Jenkins moved to New York City in 1948 and studied at the Art Students League. During Jenkins's three years at the League, Yasuo Kuniyoshi and Morris Kantor were his influential instructors.
While Jenkins continued to live and paint in New York City, his personal explorations took a metaphysical turn, which would ultimately become dominant in his work.
P.D. Ouspensky's The Search of the Miracu/ous changed the artist's thoughts on human growth and limitations, while the Chinese I Ching, through its thematic emphasis on constant change, heightened his interest in flowing paint on canvas. Painting for Jenkins became an intuitive, almost mystical process. He commented, "I paint what God is to me."
In 1953, Jenkins traveled to Paris, where, a year later, he had his first one-man show. While working at the American Artists Center, he continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white thin spills as linear overlays.
Jenkins's intent was to deny stasis and create a literal and metaphysical sense of dynamism, while maintaining a sense of unity. Beginning in 1958, Jenkins titled each canvas Phenomena, with additional identifying words. He believed the work to be descriptive of the discovery process inherent in each painting.
Paralleling his beliefs, the artist's paintings have undergone subtle but definite changes. Beginning in the early 1 960s, a shift of color saturation and exposure of the white areas gave Jenkins's canvases an enhanced feeling of illumination.
If Jenkins's technique is unorthodox, he is in many other ways a traditional artist. He works in an acrylic medium on traditional linen canvas or fine rag paper. Often he uses an ivory knife...
Category
1960s Modern Latin American Artists
Materials
Lithograph
Pierre Lamby - Original Handsigned Lithograph - Ecole de Paris
By Pierre Lamby
Located in Collonge Bellerive, Geneve, CH
Pierre Lamby
Original Handsigned Lithograph
Dimensions: 76 x 54 cm
Edition: HC XXI/XXX
HandSigned and Numbered
Ecole de Paris au seuil de la mutation ...
Category
1970s Abstract Expressionist Latin American Artists
Materials
Lithograph
Serge Poliakoff - Abstract Beach - Original Lithograph
By Serge Poliakoff
Located in Collonge Bellerive, Geneve, CH
Serge Poliakoff - Abstract Beach - Original Lithograph
Published in the deluxe art review, XXe Siecle
1968
Dimensions: 32 x 24 cm
Publisher: G. di San ...
Category
1960s Abstract Expressionist Latin American Artists
Materials
Lithograph
Jean Cocteau - Colorful Portrait - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Jean Cocteau
Writer, artist and fi...
Category
1960s Modern Latin American Artists
Materials
Lithograph
Domergue - Almost Dressed - Original Lithograph
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean-Gabriel Domergue
Title: Almost Dressed
Signed in the plate
Dimensions: 40 x 31 cm
1956
Edition of 197
This artwork is part of the famous portfolio "La Par...
Category
1950s Impressionist Latin American Artists
Materials
Lithograph
Jean Cocteau - Man with Hat - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Signed in the plate
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Jean Cocteau
W...
Category
1960s Modern Latin American Artists
Materials
Lithograph
Marc Chagall - A Midsummer Night's dream - Original Handsigned Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall - A Midsummer Night's dream - Original Handsigned Lithograph
1975
Dimensions: Sheet : 97.5 x 71.5 cm Image : 80 x 60 cm
Handsigned and numbered
Edition: 50
Reference: ...
Category
1960s Surrealist Latin American Artists
Materials
Lithograph
Thomas Ranft (1945) - Hinter dem Zwölften Berg - Abstract Etching
By Thomas Ranft
Located in Meinisberg, CH
Thomas Ranft
(1945)
Hinter dem Zwölften Berg
• Aquatint Etching
• Sheet ca. 55 x 42 cm
• Titled & signed in pencil
• EA (Artist proof)
Worldwide shipping for this object is compli...
Category
1980s Abstract Latin American Artists
Materials
Paper, Ink, Etching
Praise, Limited Edition, Dalton natural bond paper gold stamp signature
By Agnes Martin
Located in New York, NY
AGNES MARTIN
Praise, 1976
Lithograph on Dalton Natural Bond paper. Gold stamped signature on the front
An unnumbered proof, aside from the regular edition of 1000
Accompanied by the ...
Category
1970s Minimalist Latin American Artists
Materials
Lithograph, Ink, Mixed Media, Paper
Original Vintage Winter Sport Poster Ski In Canada Canadian National Railways
Located in London, GB
Original vintage skiing and winter sport train travel poster - Ski in Canada Canadian National Railways Powder snow Rolling hills Fast trails - featuring a colourful Art Deco design ...
Category
1930s Art Deco Latin American Artists
Materials
Paper
Original Vintage Poster Empire Marketing Board Burma Timber Stacking EMB Ba Nyan
Located in London, GB
Original vintage poster - Timber Stacking - issued by the Empire Marketing Board (EMB 1926-1933) featuring artwork by the notable Burmese artist Ba Nyan (1897-1945) depicting a man r...
Category
1930s Latin American Artists
Materials
Paper
The Beatles BookScape Colorful Photograph / Max Steven Grossman
By Max Steven Grossman
Located in Greenwich, CT
Beatles Ed. 1/5 - 37 x 75 in. BookScape by Max Steven Grossman
Individually photographed books and bookshelves. LED lights and standard plug in; no hardware needed. Illuminated boo...
Category
21st Century and Contemporary Contemporary Latin American Artists
Materials
Photographic Paper
Tiger Lily (Autumn)
Located in Columbia, MO
Erté
Tiger Lily (Autumn)
c. 1970s
Serigraph on silk scarf
Plate-signed. Dry-mounted with hand-rolled hem visible
Category
20th Century Contemporary Latin American Artists
Materials
Screen, Silk
Leaf House
By Julie Blackmon
Located in Sante Fe, NM
Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.”
Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.”
In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times.
“Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.”
“It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora Ephron...
Category
2010s Contemporary Latin American Artists
Materials
Archival Pigment
Riverside, limited edition photograph, archival ink, signed and numbered
By Julie Blackmon
Located in Sante Fe, NM
Riverside, limited edition photograph, archival ink, signed and numbered
Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.”
Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.”
In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times.
“Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.”
“It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora...
Category
2010s Contemporary Latin American Artists
Materials
Archival Pigment
Botanical series - monoprints
Located in Greenport, NY
Botanical monoprint created by printing actual plants, working with Maria Ancona at 10 Grand Press.
Susan Rowland was born in 1940 in Boston, she atte...
Category
Early 2000s Contemporary Latin American Artists
Materials
Monoprint
Things are not Right!
By Edward Landon
Located in Fairlawn, OH
Things are not Right!
Silk screen, c. 1970
Signed, editioned, and inscribed "To V.V." in pencil by the artist
Image size: 2 x 2 inches
Sheet size: 5 x 4 1/8 inches
One of an unnumbe...
Category
1970s Post-Modern Latin American Artists
Materials
Screen