Moorish And Moroccan

Julian Cardinal is from the tip of Cape Cod in Truro, Massachusetts and has showcased his vast, colorful array of feminine figures, still lifes and landscapes at prominent galleries ...

Signed on reverse, artwork framed Jean-Marc Teillon is a French artist born in 1856 who lives & works in Arcueil, France. He was formerly director of Galerie Municipale Julio Gonzal...

Spectacle of Fancy was inspired by the allure of the awakening of spring. This original oil painting was created using only the highest quality professional grade oil paint and na...

The paintings that I create are meant to inspire and uplift, as well as enhance your interiors. I believe that our homes should be sanctuaries that surrounds us with comfort, color, ...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...

Julian Cardinal is from the tip of Cape Cod in Truro, Massachusetts and has showcased his vast, colorful array of feminine figures, still lifes and landscapes at prominent galleries ...

'Porto Ercole' Italy 1973 Slim Aarons Limited Estate Edition A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Produced fro...

Claude Gaveau Still Life with Violin and Piano Original oil on canvas Signed in the lower left corner Signed again on the back On canvas 73 x...

DESCRIPTION: Receiving has to do with a state of acceptance and allowance. Multi layered artwork, with atmospheric transparences. Rough textures and obvious brushstrokes in some area...

Spring is probably the most beautiful season in the mountainous Northwest of Vietnam because this is the time when spring flowers are blooming all over the mountains and forests. The...

Oil on canvas

Vera Barnett is best known for creating elements of her composition—by sewing and painting plastic, building objects with cardboard and tape, and assembling found objects—then settin...

Cornelis Zitman Divertimiento, 1973 Bronze, AP 72 x 34 x 45 cm 28.3 x 13.3 x 17.7 in. Cornelis Zitman (1926-2016) Born in Leiden in a family of builders, he enters the Fine Arts ...

The work is a double layered, photographic print on museum paper. On the lower layer, there is a photograph by the artist of the ancient sculpture, from one of the archeology museums...

Oil on canvas Harry James Moody is a German artist born in 1952 who lives and works in Los Angeles, United States. He received his training as artist at the Frankfurt Stadel Fine Ar...

Edition of 50 Signed and numbered.

Robert Cardinal, originally from Montreal, has been living on Cape Cod for most of the past fifty years. In the late 1950s, he left Canada and moved to Greenwich Village. From there,...

Lagoon Nebula series is a combination of my ongoing collections Hydroexperiences and Skyexperiences. It is inspired by textures and color sensations of the universe and creatures in ...

Sherry Owens Waterhole, 2017 Crepe myrtle, dye, paint, wax 24 x 36 x 36 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Acrylic, enamel, lacquer & solar print on canvas

Oil & peeling paper on canvas

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. His work also bears the influence of Sam Francis. The American moon landing in 1969 inspired Paul Kontny...

Frank Sinatra Boardwalk In Miami 1968 by Terry O'Neill (1938 – 2019) Lifetime Hand Signed Framed Silver Print TITLE: Frank Sinatra in Miami 1968 PHOTO: Terry O’Neill SIGNED LIMITED...

Artwork unframed 24 x 19 x 0,1 cm - 9,4 x 7,4 x 0,04 in = $400

This beautiful diptych by Margulis is a contemporary kinetic wall sculpture that can be hung horizontally or vertically. Please take a look...

“American abstract expressionism” The American artist gesture.

The paintings that I create are meant to inspire and uplift, as well as enhance your interiors. I believe that our homes should be sanctuaries that surrounds us with comfort, color, ...

Etching and aquatint on Fabriano paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the...

We Are What We Dream was inspired by the hope that sunrises and skyscapes symbolize. This original oil painting was created using only the highest quality professional grade oil p...

I created Return To Your Dreams after IΓÇÖd been recovering from a health problem that made it difficult to work in my studio. As I was working, I became inspired by the hope that su...

Fun Loving Criminals II by BATIK signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print ...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper 3:10 TO YUMA Texas, USA 2020 This Work was sourced directly from the artist. Railway tracks can be visu...

Oil on canvas

This abstract figurative sculpture by Gal Melnick is from here latest body of works. It is a laser cut metal sculpture which is painted with automotive pai...

"Black Tie" is a perfect example of Hunter's highly fluid, calligraphic style -- which so often results in arresting images with a sense of depth and sculptural form. Black and whit...

Born in New Orleans, Horton Humble is a self-taught American painter. His debut show in 2007, entitled Debris, featured a series of paintings using wood from the Hurricane Katrina wreckage centered on themes of a lost city and water as a powerful force. In 2008, he embarked on a one-year journey through Africa for his next series Transit Urban, which included twelve paintings using local traditional fabrics depicting the energy of the people, land and culture. Each piece was drafted on site and later accompanied him on his other travels from Europe to US. Enchanted by the old and mestizo city, he returned to Lisbon in 2012 where he lived for almost three years and created The Lisbon Series influenced by the discovery of a new medium; ceramics and its modeling techniques. After this productive period in Portugal, Humble again returned home and established his studio with a group of fellow artists in New Orleans and co-founded the Level Artist Collective in 2015. At this time, his paintings on wood panels captured his impressions of a post- Katrina city represented inside of human head figures transitioning his previous subject matter into a new territory (US) and its social problematic. In 2017, Horton Humble was a resident artist at the Joan Mitchell Center in New Orleans and named “one of the most talented young painters producing in the South today” by Bradley Sumrall, curator of the Ogden Museum of Southern Art (Curator's Choice, Country Roads Magazine). Through the summer he created his first public sculpture in steel, The Guardian, commissioned by the Helis Foundation for the Pyodras Corridor project- Sculpture for New Orleans. Currently, Humble is creating his most ambitious work, large-scale canvases in which he is releasing the formality of his detail obsession into a more dynamic and expressive work. Horton Humble is a founding member of LEVEL Collective and was a 2015/2017 nominee for the United States Artists Fellowship. His works are included in public and private collections, showcased at the Poydras Corridor, LA; Prizm Art Fair, FL; Atlanta Contemporary Biennial, GA; Ohr-O`Keefe Museum of Art, MS; Luciano´s...

Glass & nickel bronze

This quadriptych (4 individual works of art presented together to create one work) are sold together. Each is 42X30 cm (not framed) and if framed and hung together will be 100X76 cm ...

Introducing the striking and unique Pop Top Pink Eyes Ceramic White Planter by the renowned artist, Javier Calleja. This limited edition planter features pink...

Mountain landscape with a village, painted by oil on canvas. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Rea...

Crown Tart, 2015 Direct gravure printed in brown 21 x 20 in. (53.3 x 50.8 cm) Edition of 35 Signed, dated and numbered in pencil, lower margin

color and form in an explosion of abstraction. Part of a series entitled Higher Consciousness. :: Painting :: Abstract :: This piece comes with an official certificate of authentici...

This artwork is offered in 3 sizes. The price of the artwork increases with the edition. Please contact us to inquire about the current edition number, availability, and price. Size ...

Acrylic on canvas

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

This painting won ΓÇ£Best of ShowΓÇ¥ in a group exhibition in 2009. The family looking at a den of alligators made a nice composition. :: Painting :: Impressionist :: This piece come...

Born in New Orleans, Horton Humble is a self-taught American painter. His debut show in 2007, entitled Debris, featured a series of paintings using wood from the Hurricane Katrina wreckage centered on themes of a lost city and water as a powerful force. In 2008, he embarked on a one-year journey through Africa for his next series Transit Urban, which included twelve paintings using local traditional fabrics depicting the energy of the people, land and culture. Each piece was drafted on site and later accompanied him on his other travels from Europe to US. Enchanted by the old and mestizo city, he returned to Lisbon in 2012 where he lived for almost three years and created The Lisbon Series influenced by the discovery of a new medium; ceramics and its modeling techniques. After this productive period in Portugal, Humble again returned home and established his studio with a group of fellow artists in New Orleans and co-founded the Level Artist Collective in 2015. At this time, his paintings on wood panels captured his impressions of a post- Katrina city represented inside of human head figures transitioning his previous subject matter into a new territory (US) and its social problematic. In 2017, Horton Humble was a resident artist at the Joan Mitchell Center in New Orleans and named “one of the most talented young painters producing in the South today” by Bradley Sumrall, curator of the Ogden Museum of Southern Art (Curator's Choice, Country Roads Magazine). Through the summer he created his first public sculpture in steel, The Guardian, commissioned by the Helis Foundation for the Pyodras Corridor project- Sculpture for New Orleans. Currently, Humble is creating his most ambitious work, large-scale canvases in which he is releasing the formality of his detail obsession into a more dynamic and expressive work. Horton Humble is a founding member of LEVEL Collective and was a 2015/2017 nominee for the United States Artists Fellowship. His works are included in public and private collections, showcased at the Poydras Corridor, LA; Prizm Art Fair, FL; Atlanta Contemporary Biennial, GA; Ohr-O`Keefe Museum of Art, MS; Luciano´s...

This artwork is a one-of-a-kind original painting, derived from my own observation, imagination, or intuition. All Copyrights and Reproduction Rights are retained by the artist, Sele...

Acrylic & dry pastel

Mahogany roots with gold leaf The Ingravidesa Sculpture Alliance is formed by an international group of sculptors and designers who collaborate to create abstract sculpture inspired by nature. They often work together for months on monumental projects. The pieces are the result of collaborations where each artist and craftsman are invited to assist in the creation of these sculptures. Their mahogany and teak root sculptures...