Nautical 2
13,255
to
36,305
238,558
156,358
77,491
87,637
179,082
155,823
55,930
131,533
79,033
70,267
56,535
81,270
Overall Height
to
Overall Width
to
119,880
69,587
49,876
22,534
15,195
8,175
4,949
4,763
4,007
2,816
2,612
2,602
2,412
594
151,308
79,334
50,220
42,132
35,486
34,577
28,992
25,965
25,794
24,027
19,565
19,536
16,375
15,020
12,985
12,663
10,174
9,766
9,753
8,605
7,651
19,112
147,955
245,430
1,815
2,231
4,594
6,400
5,662
14,219
18,432
22,555
16,053
13,394
5,262
6,898
3,229
2,514
1,217
1,159
178,655
92,382
80,273
77,119
69,207
Dancers 15
By Barbara Wagner
Located in Brecon, Powys
Barbara Wagner is a printmaker who delights in the human form. This silkscreen of Dancers has its inspiration in Degas but is uniquely her own interpretation. This print is a "one of...
Category
2010s Contemporary Nautical 2
Materials
Paper
Arabian Nights
By Erté
Located in Greenwich, CT
In 1919, Erté began work with the greatest French music-hall star of her day, Gaby Deslys. It was for Ms. Deslys’ appearance in the production of Les Rois des Legendes that Erté crea...
Category
20th Century Art Deco Nautical 2
Materials
Bronze
French Expressionist Abstract Original Painting Artists Studio Provenance
Located in Cirencester, Gloucestershire
Abstract Expressionist Composition
by Jacques COULAIS (1955-2011)
oil painting on unstretched canvas
unframed: 14 x 21 inches
condition: very good and impressive
provenance: all the ...
Category
20th Century Abstract Expressionist Nautical 2
Materials
Oil
Manon (Deuxième Tableau, #7), 1920
By Erté
Located in Greenwich, CT
Erté first met the legendary beauty Ganna Walska in 1920 when she contacted him about creating designs for her nascent opera career. He created many desig...
Category
1920s Art Deco Nautical 2
Materials
Gouache, Paper
Cubist French Abstract Oil Painting
By Yvette Dubois Habasque
Located in Cirencester, Gloucestershire
Burst of Color
by Yvette Dubois-Habasque (1929-2016)
dated verso and signed with initials in lower right
oil painting on artists board, unframed
painting measures: 18 x 13 inches
S...
Category
21st Century and Contemporary Abstract Expressionist Nautical 2
Materials
Oil
Blue Bather, 2021
By Douglas Hofmann
Located in Greenwich, CT
Blue Bather is a watercolor on paper painting, 9 x 6.26" image size, signed ‘HOFMANN’ lower left, and framed in a contemporary, white frame.
Hofmann has remarked that Vermeer was th...
Category
21st Century and Contemporary Contemporary Nautical 2
Materials
Mixed Media, Paper
The Jack Ass (Playing Cards)
By Robert Deyber
Located in Greenwich, CT
The Jack Ass (Playing Cards) is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 40/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs ...
Category
2010s Contemporary Nautical 2
Materials
Lithograph, Paper
Straw Hat, 2020
By Douglas Hofmann
Located in Greenwich, CT
Straw Hat is a watercolor on paper painting, 12 x 9" image size, signed ‘HOFMANN’ lower left, and framed in a contemporary, white frame.
Hofmann has remarked that Vermeer was the pi...
Category
21st Century and Contemporary Contemporary Nautical 2
Materials
Watercolor, Paper
Starfish
By Erté
Located in Greenwich, CT
Erté originally created this image as a costume design for the "Fonds de la Mer," a presentation of the Folies Bergere in 1919.
Catalogue - Erté: The Last Works (Dutton, pgs. 108, 2...
Category
20th Century Art Deco Nautical 2
Materials
Bronze
Memories of Ecstasy
By Mark Kostabi
Located in Greenwich, CT
Memories of Ecstasy is an oil on canvas painting, 24.75 x 18.5" canvas size, signed on the front ‘KOSTABI 2022’ lower right, and signed, titled and dated verso. Framed in a contempor...
Category
21st Century and Contemporary Contemporary Nautical 2
Materials
Oil, Canvas
Man In Sarong. Contemporary Mixed Media on paper
By Angela Lyle
Located in Brecon, Powys
Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...
Category
21st Century and Contemporary Contemporary Nautical 2
Materials
Oil Crayon, Paper, Mixed Media, Oil
Monument
Located in Wilton Manors, FL
Antony Zega (1962-2019). Monument, ca. 1985. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.
Category
1980s Nautical 2
Materials
Photographic Paper
Forrest Walk
By Dianne Baker
Located in Buffalo, NY
A contemporary conceptual sculpture by Dianne Baker titled "Forest Walk" created in 2013 with wood, metal and leather.
Category
21st Century and Contemporary Contemporary Nautical 2
Materials
Metal
Russian Landscape (abstract painting)
Located in Wilton Manors, FL
Yuri Larin (1936-2014). Landscape, 1982. Watercolor on paper, 16.5 x 18.5 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease.
Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt.
Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow.
Exhibitions:
1981
The sixth All-Union watercolor exhibition. Moscow
1982
Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow.
1985
The eighth All-Union watercolor exhibition. Moscow
1987
The ninth All-Union watercolor exhibition. Moscow.
1989
Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA
Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow.
13 Biennale of the countries of the Baltic Region in Rostock, Germany.
1992
Personal exhibition of Russian and German landscapes. Duren, Germany.
The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany.
1993
Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow
1994
Personal watercolor exhibition. Gallery “The Art of the XX century”.
Bonn, Germany
1996
Personal exhibition of portraits and landscapes. World Bank Moscow Office
1997
Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow
Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow.
1998
Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur.
Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
2000
Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow
Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany.
2001
Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
Exhibition devoted to nudes. Gallery on Peschanaya. Moscow.
2002
Personal exhibition “Yuriy Larin. The works of different years”.
Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow.
2004
Personal exhibition “YURIY LARIN. Harmony and plasticity”.
Radischev Saratov State Art Museum.
2006
Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow.
2011
Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow.
2013
Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013
Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23
2015
Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11.
Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13
2016
Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016
2016
Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016
Museum Collections:
The State Russian Museum
Saint Petersburg
The State Tretyakov Gallery
Moscow
The State Museum of Oriental Art
Moscow
Radischev Art Museum in Saratov
Saratov
Historical-Architectural and Art Museum “New Jerusalem”
Istra (Moscow Region)
Branch of the State Museum
of People’s Art in Armenia
Dilijan
The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya
Ijevsk
Volgograd Museum of Fine Arts
Volgograd
Tomsk Regional Art Museum
Tomsk
Eastern-Kazakhstan Art Museum
Semey
Moscow State Museum of Vadim Sidur
Moscow
Andrey Sakharov Museum
Moscow
State Literature Museum
Moscow
The collection of the magazine “Nashe Nasledie”
Moscow
The collection of the Heinrich Boell Foundation
Berlin
Chronology:
May, 8, 1936
Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina;
1938–1946 years
After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman
1946
After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd);
Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur).
1949
Sent to the camp.
1956
At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin;
1958
Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman.
1958-60
Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations; Underwent tuberculosis
1960
With his mother A.M.Larina got permission to come back to Moscow;
Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov)
1970
Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965;
Starts his career of a professional artist;
from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov.
Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist.
1970-1974
Worked from life on landscapes (watercolor and oil).
Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions)
1972
Welcomes his son Nikolay
from 1972
Takes part in Moscow, Russian and All-Union exhibitions;
the second half of the 1970s
Works on portraits, still-lifes, nude, continuing working on landscapes
1974
Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”;
Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada)
1975
First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle.
1976
The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life.
Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes.
1977
Became part of Moscow Union of Artists in USSR.
“Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
“Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
1977
Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature.
1980
In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state.
The end of the 1970s - the beginning of the 1980s
Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin.
Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century.
Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor);
Fall, 1981–1982
Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist.
1980
The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum;
V.Volkov indicated in the works “a new approach to the light”
Fall, 1981–1982
Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist.
1982
First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin.
He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time.
1979-1985
Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles.
Fall, 1983
Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle.
1985
In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya.
December, 1985
Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand.
1987
Death of his wife Inga Ballod
First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions.
1988
N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich”
1989
Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko.
Personal exhibition in Central House of Artists in Krymskiy Val.
Displayed over two hundred of watercolor and oil paintings...
Category
1980s Abstract Nautical 2
Materials
Paper, Watercolor
"A Boat Called Hope." Contemporary Naive School Painting
By Therese James
Located in Brecon, Powys
Chirpy, bobbing boats are a large part of the Welsh coastline narrative. These little boats set out daily to catch a crop of shellfish and fish. Each craft is cheerfully painted and ...
Category
2010s Outsider Art Nautical 2
Materials
Acrylic, Canvas
Perfect Service (La Bonne Table illustration)
By Ludwig Bemelmans, 1898-1962
Located in Wilton Manors, FL
Ludwig Bemelmans (1898-1962). Perfect Service, ca. 1950. Brushed ink on paper, 19 x 24 inches. Annotated and authenticated by wife, Madeleine Bemelmans, in pencil en verso, 1979. Identified as illustration appearing on page 414 in La Bonne Table, (Simon and Schuster), 1964. Unframed.
Conservation work includes removal of tapes from verso corners, surface dry clean, removal of mat line and light exposure stains, deacidification and flattening.
"Writing is always a dreadful, tiresome business and the worst of all tortures for me, because I am convinced that I am not a writer but a graphic workman, a painter who hangs pictures in a row, who collects imagery, and my problem is always to find one for a beginning and one for an end and then, something to hang in the middle so that it resembles a book," said Ludwig Bemelmans (1898 - 1962).
Graphic workman, painter—whatever he called himself, Bemelmans belongs in the Pantheon of illustrators. A relentless connoisseur of life, he drew with a child's eye and wrote with the shrewd wit of an adult. He knew everyone worth knowing, went everywhere worth visiting, all the while recording what he saw on the backs of menus, envelopes, or on the inside covers of matchbooks. His resume was a checkerboard: hotelier, restaurateur, cartoonist, ad man, theatrical designer, novelist, screenwriter, interior decorator, journalist, and children's book author. What made Bemelmans such a creative powerhouse He confessed, "My greatest inspiration is a low bank balance."
His best-remembered work, of course, is the series of picture books starring that beguiling schoolgirl, Madeline. "I like to write for children because I suffer from a sort of arrested development. I am about six years old really," Bemelmans said, "and I am constantly surprised by everything." He knew that the Madeline books were his lasting legacy, yet it surely would have surprised him to find that they have sold upwards of ten million copies, and that the thriving Madeline merchandise empire now encompasses DVDs, dolls, board games, backpacks, tea sets, and stickers.
Bemelmans' world ranged from yachts and limousines to garrets and subways, and was peopled with moppets, jewel thieves, Ecuadorian Generals, and feather boa-clad vamps. His drawing style, humorous and reductive, captures all this in a flash. "I sketch with facility and speed," he wrote. "The drawing has to sit on the paper as if you smacked a spoon of whipped cream on a plate."
Born in Meran, Austria, and bred in Tyrolean hotels, Bemelmans came to the States at 16 and landed at the Ritz-Carlton. There he learned "to press a duck, open a bottle, and push a chair under a lady." While working his way from busboy to banquet manager, he drew, often using William Randolph Hearst's empty suite as his studio. The Ritz staff and clientele provided him with a rich menu of subjects, and he returned again and again to hotel life for inspiration.
He first set his heart on becoming a cartoonist. His earliest effort, The Thrilling Adventures of Count Bric A Brac (1926), ran for six months, but his big break happened when May Massee of Viking Press came to dinner. Admiring the scenes Bemelmans had painted on the blinds, Massee announced: "You must write children's books!" Hansi (1934), a reminiscence of his childhood, was quickly followed by three more: The Golden Basket (1936), The Castle Number 9 (1937), and Quito Express (1938).
Bemelmans met and married Madeleine (Mimi) Freund in 1934. The two honeymooned in Belgium, which provided the setting for The Golden Basket, his Newbery-Honor winner. Not many realize that Madeline makes her debut in this book. Madeleine, spelled like his wife's name here, is one of 12 little girls shepherded by a tall nun through the streets of Bruges.
In 1938, Bemelmans, Mimi, and their two-year-old Barbara traveled to France. On the recommendation of Georges, his underworld friend, Bemelmans visited the Ile d'Yeu off the coast of France. Here came more inspiration for Madeline when he was knocked off his bike by a truck. He had to walk to the hospital, where, in the next room, he wrote, "was a little girl who had had her appendix out, and on the ceiling over my bed was a crack that, in the varying light of morning, night and noon, and evening, looked like a rabbit."
He went on: "I remembered the stories my mother had told me of life in the convent school at Altotting, and the little girl, the hospital, the room, the crank on the bed, the nurse, the doctor, all fell into place. I made the first sketches on a sidewalk table...
Category
Mid-20th Century Nautical 2
Materials
Ink, Paper
Broken Grid: Mixed Media Contemporary Painting by Peter Rossiter
By Peter Rossiter
Located in Brecon, Powys
Broken Grid. The artist continues to explore art with varying techniques. Framed. Excellent condition
Mixed Media
19" x 14.5" Image 16" x 12"
Category
21st Century and Contemporary Abstract Nautical 2
Materials
Oil
Bed
Located in Wilton Manors, FL
Antony Zega (1962-2019). Bed, ca. 1985. Photographic print, 12 5/8 x 8.5 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.
Category
1980s Nautical 2
Materials
Photographic Paper
Untitled (East Side Series)
By Milton Rogovin
Located in Buffalo, NY
An original gelatin silver print by American social documentary photographer Milton Rogovin depicting a resident of Buffalo's East Side in the early 1960's.
Mr. Rogovin chronicled t...
Category
1960s Realist Nautical 2
Materials
Silver Gelatin
Mid Century Abstract
Located in Buffalo, NY
Modernist abstract oil painting. Oil on canvas, circa 1940. Unsigned. Image size, 37"L x 25"H.
Category
1940s Modern Nautical 2
Materials
Canvas, Oil
Cadiz, California
Located in Wilton Manors, FL
Antony Zega (1962-2019). Cadiz, 1987. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.
Category
1980s Nautical 2
Materials
Photographic Paper
Untitled (ER51) Abstract Expressionist painting
Located in Wilton Manors, FL
Edward Pechmann Renouf (1906-1999). Oil on panel measures 16 x 24 inches. Signed lower margin. Excellent condition.
Provenance: Allan Stone Pr...
Category
1970s Abstract Expressionist Nautical 2
Materials
Masonite, Oil
Russian Landscape (abstract painting)
Located in Wilton Manors, FL
Yuri Larin (1936-2014). Landscape, 1984. Watercolor on paper, 17 x 18 inches. Unframed and unmounted. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture.
Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt.
Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow.
Exhibitions:
1981
The sixth All-Union watercolor exhibition. Moscow
1982
Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow.
1985
The eighth All-Union watercolor exhibition. Moscow
1987
The ninth All-Union watercolor exhibition. Moscow.
1989
Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA
Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow.
13 Biennale of the countries of the Baltic Region in Rostock, Germany.
1992
Personal exhibition of Russian and German landscapes. Duren, Germany.
The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany.
1993
Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow
1994
Personal watercolor exhibition. Gallery “The Art of the XX century”.
Bonn, Germany
1996
Personal exhibition of portraits and landscapes. World Bank Moscow Office
1997
Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow
Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow.
1998
Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur...
Category
1980s Abstract Nautical 2
Materials
Paper, Watercolor
"Arising". Contemporary Unique Cast Bronze Sculpture
By Tim Rawlins
Located in Brecon, Powys
From the Naiad Series
Tim was born in Derbyshire, England & from an early age was attuned to the natural world. He came to art later in life and forges his sculptures using mainly ...
Category
2010s Contemporary Nautical 2
Materials
Bronze
Untitled (ER 53) Abstract Expressionist Painting
Located in Wilton Manors, FL
Edward Pechmann Renouf (1906-1999). Oil on masonite panel, measures 16 x 24 inches. Excellent condition. Signed lower right.
Provenance: Allan Stone Projects, New York, NY.
Biography:
Birth place: Hsiku, China
Addresses: East St. Washington, CT
Profession: Painter, sculptor
Studied: Phillips Andover Acad., 1924; Harvard Univ., 1928; Columbia Univ., 1936-46; drawing & painting with Carlos Merida...
Category
1970s Abstract Expressionist Nautical 2
Materials
Masonite, Oil
Sand Grid: Mixed Media Contemporary Painting by Peter Rossiter
By Peter Rossiter
Located in Brecon, Powys
Delicate work by this hugely talented and rising welsh artist.
Small but gets the attention of the eye.
Mixed media on board
Framed 18" x 22" Image 16" x 20"
Category
21st Century and Contemporary Abstract Nautical 2
Materials
Mixed Media
Island Oratory. Contemporary Abstract Expressionist Oil Painting
By Phillip Alder
Located in Brecon, Powys
Welsh Abstract art Phillip Alder gives a poetic response to a ruined oratory chapel on an island in Lake Killarney, Ireland.
Oil on canvas, wood frame Image 10" x 12"
Category
2010s Abstract Nautical 2
Materials
Canvas, Oil
Little Blue Head (Abstract Female Portrait)
Located in Wilton Manors, FL
Elliot Barowitz (b.1937). Little Blue Head, 1965. Oil on canvas, 1965, signed 'E.O. Barowitz', titled and dated on the stretcher. 16 x 16 in., 16 3/4 x 16 3/...
Category
1960s Pop Art Nautical 2
Materials
Oil
G_XI - Contemporary, Abstract Drawing, Conceptual Art, Black, White, Minimalist
By Alina Aldea
Located in Berlin, DE
G_XI, 2019
White ink on black cardboard (signed)
39 3/8 H x 27 9/6 W in.
100 H x 70 W cm
Alina Aldea's drawings, project all the possible forms which appear to rapidly disappear, w...
Category
2010s Conceptual Nautical 2
Materials
Ink, Cardboard
The Hunting
By Erté
Located in Greenwich, CT
The Hunting is a sculptural interpretation of Autumn, a lithograph from Erté’s The Four Seasons. It represents a beautiful creature – half woman, half animal – wounded by a cruel hun...
Category
20th Century Art Deco Nautical 2
Materials
Bronze
The Water - Collage, Paper, 21st Century, Red, Black
By Raluca Arnăutu
Located in Berlin, DE
The Water, 2023
collage on paper
46 H x 37.5 W cm
Signed on the right side down
This artwork has also a text wrote by the artist.
"Beyond the smooth surface of the water, silence ...
Category
2010s Contemporary Nautical 2
Materials
Paper
The Cartographer - Black, Yellow, Collage, Surrealism
By Raluca Arnăutu
Located in Berlin, DE
The Cartographer, 2021
collage on paper
50 H x 35 W cm
Raluca Arnăutu dreams the world through collages. A collage, dreamlike and surreal, populated by thousands of pieces of paper,...
Category
2010s Surrealist Nautical 2
Materials
Paper
Paper Mill - Black, Yellow, Blue, Orange, Collage
By Raluca Arnăutu
Located in Berlin, DE
Paper Mill, 2022
collage on paper
50 H x 35 W cm
Raluca Arnăutu dreams the world through collages. A collage, dreamlike and surreal, populated by thousands of pieces of paper, textiles, pieces of plastic, found or made objects, which intertwine on the paper support and as in a well-controlled and thought puzzle give birth to a new universe.
The new series of collages...
Category
2010s Contemporary Nautical 2
Materials
Paper
Allegory of Defense Industry (figurative male illustration)
By Frank Godwin
Located in Wilton Manors, FL
Frank Godwin (1889-1959). Allegory of Defense Industry, 1919. Oil on canvas. Signed lower right. Image measures 20.75 x 26.25 inches. The canvas measures 24 x 36 inches in total. Ann...
Category
Early 20th Century American Realist Nautical 2
Materials
Oil, Canvas
Fishermen, Bahamas (North Carolina artist)
By Frank Stanley Herring
Located in Wilton Manors, FL
Beautiful ca. 1935 painting by American artist, Frank Stanley Herring (1894-1966). Watercolor on heavy rag handmade paper measures 14.5 x 19 inches, 23 x 28 inches in original vintag...
Category
1930s American Realist Nautical 2
Materials
Handmade Paper, Watercolor
Untitled 01 - 21st Century, Abstract Painting, Black, Monochrome, Organic
By Zsolt Berszán
Located in Berlin, DE
Untitled 01, 2015-16
Oil on canvas (signed on reverse)
13.77 H x 9.84 W in.
35 H x 25 W cm
The notion of “abjection”, which at the beginnings referred to the idea of spirit degradat...
Category
2010s Abstract Nautical 2
Materials
Canvas, Oil
Plant-like
By James Brooks
Located in Wilton Manors, FL
James Brooks (1906-1992). Plantlike, c.1945. Oil on canvas measures 18 x 24 inches; 24 x 30 inches in a painted wood frame of the period. Signed "J. David Brooks" lower right, Signed...
Category
1940s Abstract Expressionist Nautical 2
Materials
Cotton Canvas, Oil
Darkness (portrait of a young woman)
By Fletcher Martin
Located in Wilton Manors, FL
Fletcher Martin (1904-1979). Darkness, 1940. Oil on canvas, 18 x 22 inches; 28.5 x 32.5 inches framed. Signed and dated lower left. Presented in a carved chestnut Heydenryk custom frame of the period. Excellent condition with no damage or conservation.
Biography:
Birth place: Palisade, CO
Death place: Guanajuato, Mexico
Addresses: NYC; Woodstock, NY, 1947 and after; Guanajuato, Mexico in 1976
Profession: Painter, lithographer, block printer, muralist, illustrator, teacher
Studied: Stickney Mem. Sch. Art
Exhibited: Hatfield Gal., Los Angeles, 1932 (solo); LACMA, 1935 ( Van Rensselaer Wilbur Prize), 1939 (prize), 1944; FAP, 1937 (prize); PAFA Ann., 1939-54 frequently (prize 1947); 48 States Comp., 1939 (prize); WMAA, 1940-57; AIC, 1940-45; VMFA, 1941; CI, 1942-44; MoMA, 1942; NAD, 1943, 1949 (Altman Prize); Corcoran Gal. biennials, 1943-53 (6 times); Roberson Mem. Center, Binghamton, NY, 1968 (retrospective); Eve Loring Gal., Cedarhurst, NY & Rudolph Gals., Woodstock, NY, 1970s
Member: A.N.A., 1969; Woodstock AA (chmn., 1953-55); Calif. WC Soc.; Am. Artists Cong.; Fnd. of Western Art; AEA (nat. committee,1949-55).
Work: MMA; WMAA; MoMA; LOC; Cranbrook Acad. Art; William Rockhill Nelson Gal., Kansas City, KS; LACMA; Denver Art Mus.; Mus. FA, Houston; SFMA; PAFA. Commissions: true fresco, WPA, Hollywood H.S., 1935; oil on canvas, U.S. Secretary Fine Art, Fed. Bldg., San Pedro, CA, 1937; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Lamesa, TX, 1938; bas relief sculpture, U.S. Secretary Fine Art, County Court House, Bonner's Ferry, ID, 1939; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Kellogg, ID, 1940.
Comments: Preferred media: oils, watercolors, print media. Specialty: Western subjects. Illustrator: Tales of the Gold Rush, 1944; Mutiny on the Bounty, 1947; The Sea Wolf, 1961; The Jungle, 1965; Of Mice and Men...
Category
Mid-20th Century American Realist Nautical 2
Materials
Oil, Canvas
Romanticism Italian painter - 19th century figure painting - Girl portrait
Located in Varmo, IT
Romantic painter (early 19th century) - Girl with earrings.
49.5 x 40.5 cm.
Antique oil painting on canvas, without frame.
Condition report: Lined...
Category
Early 19th Century Romantic Nautical 2
Materials
Canvas, Oil
Late 15th-century Old Master Burgundian Netherlands carved walnut figure
Located in Wilton Manors, FL
Beautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...
Category
15th Century and Earlier Old Masters Nautical 2
Materials
Walnut
Chimu Inca c.1500 Peruvian terra-cotta anthropomorphic face vase vessel Peru
Located in Wilton Manors, FL
Beautiful antique Peruvian face vessel. Chimu Inca, c.1500 Terracotta, measures h. 8 in., w. 4 7/8 inches. No repair or conservation.
Category
15th Century and Earlier Nautical 2
Materials
Terracotta
French Impressionist Signed Oil Painting Elegant Lady Pretty Flower Garden
Located in Cirencester, Gloucestershire
The Garden Terrace
by Paul Flaubert (French, 1928-1994)
signed oil on canvas, unframed
canvas: 18 x 21.5 inches
provenance: private collection, France
condition: very good and sound ...
Category
Mid-20th Century Impressionist Nautical 2
Materials
Canvas, Oil
Antique Scottish Highland Landscape Loch Scene Signed Oil Painting on Canvas
Located in Cirencester, Gloucestershire
The Highland Loch
signed by F. E. Jamieson (British 1895-1950)
indistinctly titled verso, most likely a loch in the Trossochs region of Argyll.
oil painting on canvas, unframed
canv...
Category
Early 20th Century Victorian Nautical 2
Materials
Oil, Canvas
Modern British Cubist Oil Painting Still Life Composition Large Original Signed
Located in Cirencester, Gloucestershire
Artist/ School: Kathleen Crow, British contemporary
Title: Cubist composition
Medium: oil on board, unframed
Board: 20 x 24 inches
Provenance: private collection, England
Condi...
Category
20th Century Cubist Nautical 2
Materials
Oil
Antique British Dog Oil Painting Portrait of Dalmatian Dog Signed & dated 1896
Located in Cirencester, Gloucestershire
The Dalmatian Dog
by Adrienne Lester, British 1870-1955
signed & dated 1896
oil on canvas, framed
framed: 27 x 32.5 inches
canvas: 25 x 30 inches
provenance: private collection
condi...
Category
Late 19th Century Victorian Nautical 2
Materials
Oil
English School Oil Painting Napoleonic Wars Naval Engagement Battle at Sea
Located in Cirencester, Gloucestershire
Contemporay English School
signed oil painting on copper panel in impressive gilt frame
framed: 13 x 14.5 inches
panel: 8 x 10 inches
provenance: private collection, England
conditi...
Category
20th Century Modern Nautical 2
Materials
Oil
Huge Contemporary Oil Painting Nude Lady against Red Background signed
Located in Cirencester, Gloucestershire
The Nude Model
European School, contemporary
signed oil on canvas, unframed
canvas: 39 x 39 inches
provenance: private collection, France
condition: very good and sound condition
Category
21st Century and Contemporary Modern Nautical 2
Materials
Canvas, Oil
Huge British Oil Painting Golden River Landscape with Rising Hills, framed
By David Mead
Located in Cirencester, Gloucestershire
David Mead (British 1906-1986)
'An Extensive River View'
oil on canvas
framed: 28 x 40 inches
canvas: 24 x 36 inches
private collection, England
gallery label verso
the painting is in overall very good and sound condition
David Mead (1906 - 1986)
David Mead was born in London in 1906. A self-taught painter, he started painting landscapes at the age of 9, greatly influenced by F W Hayes...
Category
Late 20th Century Impressionist Nautical 2
Materials
Oil
The Japanese Girl by Orovida Pissarro - Watercolour on paper
By Orovida Pissarro
Located in London, GB
The Japanese Girl by Orovida Pissarro (1893-1968)
Watercolour on paper
17.78 x 12.7 cm (7 x 5 inches)
Signed lower right, Orovida
Circa 1920
This highly original piece has the origi...
Category
1920s Art Deco Nautical 2
Materials
Watercolor, Paper
The Calf by Orovida Pissarro - Watercolour and etching
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
The Calf by Orovida Pissarro (1893-1968)
Watercolour, hand-coloured over an etching
17.5 x 23.2 cm (6 ⅞ x 9 ⅛ inc...
Category
1940s Post-Impressionist Nautical 2
Materials
Etching, Watercolor
Mexico
By Catherine Koenig
Located in Buffalo, NY
An original realist egg tempera painting by American artist Catherine Koenig created during her travels to Mexico. This work will be featured in the gallery's upcoming exhibition "Dr...
Category
21st Century and Contemporary Realist Nautical 2
Materials
Egg Tempera, Board
Female #5 2014
By Ant Pearce
Located in Brecon, Powys
An older work from the studio of London based artist Ant Pearce
Ink on paper.
Framed behind glass.
Image 16.5" x 11" Framed 26" x 20.5"
Category
21st Century and Contemporary Contemporary Nautical 2
Materials
Ink
Antique European School Modernist Village Landscape Original Framed Oil Painting
Located in Buffalo, NY
Antique European modernist landscape painting. Oil on board, circa 1930. Unsigned. Image size, 20.5L x 17.5H. Housed in a period giltwood frame.
Category
1930s Modern Nautical 2
Materials
Canvas, Oil
Gun from Clue
By A.J. Fries
Located in Buffalo, NY
An original mixed media drawing by American artist A.J. Fries.
Category
21st Century and Contemporary Realist Nautical 2
Materials
Graphite, Paper, Gouache
Antique American School Modernist Winter Landscape Signed Framed Oil Painting
By Rosario Urbino Gerbino
Located in Buffalo, NY
Antique American modernist landscape abstraction. Oil on board, circa 1940. Signed. Image size 30L x 25H. Housed in a period modern frame.
Category
1930s Modern Nautical 2
Materials
Canvas, Oil
Pointillist Oil Painting Fall Landscape 19th Century, Unique Frame 1900
Located in Buffalo, NY
A beautiful pointillist oil painting dated 1900 and signed Ford.
Housed in a very unique and oddly complementary frame this work stands out in a crowd.
Category
Early 1900s Pointillist Nautical 2
Materials
Board, Oil
Still Life Cabbage
By Elizabeth Osborne
Located in Wilton Manors, FL
Elizabeth Osborne (b.1936). Still Life Cabbage, 1983. Watercolor on paper, sheet measures 22.5 x 30 inches; 29.5 x 37 inches in custom frame. Original Fischbach Gallery label affixed...
Category
1980s Realist Nautical 2
Materials
Archival Paper, Watercolor
Scherzo (Nude female dancer c.1920s photograph)
By Richard Dooner
Located in Wilton Manors, FL
Beautiful abstract female nude photo by American artist, Richard T. Dooner. Archival print measures 3 x 3.75 inches. Small cream in lower left corne...
Category
1920s Abstract Nautical 2
Materials
Photographic Paper