Sports Photography

Description Xu Ming (B.1983) Moon Rabbit Version Van Gogh No.1 Resin, electroplating 165 x 80 x 80 cm Dated 2021 The artwork comes with an COA About Xu Ming Emerging artist Xu Ming was born in 1983 in Changchun, China. He earned his M.A at Jilin University of Arts. Xu once worked for famous established Chinese contemporary artist Fang Lijun...

This decorative panel consists of a plaster base adorned with bucranium decoration, framed by painted wood. Bucranium, originating from the Greek term meaning 'ox skull,' represents ...

Plaster panel with acanthus decoration framed with painted wood. The vase is modelled after a Robert Adam (1728–1792 London) design. Dimensions: 94 x 179 x 8 cm Weight: 35kg

Plaster panel with bucranium decoration framed with painted wood. Bucranium, translated from Greek origins literally means 'ox skull' and was a form of carved decoration commonly use...

This roundel is a reproduction based on the classical stone plinth end panel found at Goodwood House in Chichester. Originally, it was designed as an end panel for a large sphinx...

design by Gio Schiano (LIMITED EDITIONS OF 99) è firmata e numerata con certificato, made in Italy Gio Schiano cresce nella zona industriale della Napoli...

design by Gio Schiano (LIMITED EDITIONS OF 99) è firmata e numerata con certificato, made in Italy Gio Schiano cresce nella zona industriale della Napoli degli anni ’80, avvicinand...

Yayoi Kusama Pumpkin (Yellow & Black and Red & White), 2016 Two cast resin sculptures 10.2 x 7.6 x 7.6cm 4 x 3.15 inches each

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. The frame is included. Package: protected cardboard box. Dispatching terms: 2-3 work...

Roland Paris Bronze Statue Glider 1933. This glider was originally based on the Schneider Grunau Baby Glider from 1931. It held the world record fo...

Yayoi Kusama Naoshima Red Pumpkin, 2019 Resin 3 3/10 × 5 × 5 in 8.26 × 12.7 × 12.7 cm

Life can be scary, fast, and discordant. Adulthood, the compilation of myriad experiences, can bury youthful dreams. Alejandra España resists this dark potential, using a common, joy...

Ai Weiwei Pequi Tree Miniature, 2021 Tin 12 3/5 × 3 1/10 in 32 × 8 cm Edition of 250 The "Pequi Tree" is a notable installation by the renowned Chinese artist Ai Weiwei. This artwo...

Life can be scary, fast, and discordant. Adulthood, the compilation of myriad experiences, can bury youthful dreams. Alejandra España resists this dark potential, using a common, joy...

This carved abstract expressionist blue vase is made of stoneware and glazed outside. It can add a super abstract vide to your decoration. It is NOT glazed inside.

Elio Raffaelli (Italian, b. 1936) Large Murano Glass Aquarium Blown glass Signed to base 14 x 16 x 7 inches Born in Venice on October 14th 1936...

ALTERTATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huich...

ALTERTATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huich...

Contemporary acrylic sculpture

This beautiful sculpture was made by French artist Francios Bel. The artist captures found and recycled objects in resin and acrylic in a moment of disintegration to draw attention to the instability of consumerism. In this case, the object is a bright pink phone...

mixed media acrylic sculpture with five dollar bills

Original Sculpture Beautiful Pop Art sculpture based upon our love of brand and consumerism. Hand crafted and painted in France. The artist, Erik Salin works tirelessly to recrea...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Unique (one of a kind) three-dimensional wall sculpture made with resin, ink and ash.

As one of the world’s most collected, significant pop artists today, Nelson De La Nuez is a born iconoclast. Using his unique juxtaposition of pop culture and surrealism, blended wit...

Hand forged salvage steel fish made by St. Augustine artist. The Eisenhauer Gallery has experience shipping artwork around the world.

This beautiful sculpture can be installed indoor and outdoor. Edition of 8 plus 4 AP La Nena is part of the Bigfoot Family, creation of Idan. -- Bigfoot, the walk for awareness: Idan Zareski...

American, b. 1966 Sculptor Peter Kirkiles stresses that the inspiration for his metal sculptures comes from the satisfaction of the process of fabricating a piece in a skilled manne...

American, b. 1966 Sculptor Peter Kirkiles stresses that the inspiration for his metal sculptures comes from the satisfaction of the process of fabricating a piece in a skilled manne...

Austria Landscape and wood Carved Frame Oil on Linen 1905 Historically significant wood work and wonderful landscape celebrating the Austrian landscape and forests in a hand carved ...

The pictures you see here are not, as you might think, photographs of wildflowers. They are images of the remarkably lifelike, painstakingly detailed art of Trailer McQuilkin, whose wildflower sculptures are a blend of several artistic techniques. The product of this art form is unique; each sculpture is one of a kind, with its own individuality and its own beauty. A native of New Orleans, McQuilkin has lived and worked in Ocean Springs, Mississippi, for the past 35 years. In 1969 the artist began experimenting with methods of creating metal wildflower sculpture. He soon found that imitating nature − which many have held is the chief function of art − is a difficult process. He steadily gained mastery of this new complex form and continues today to hone his skills, refine his materials and techniques while expanding his vision of the next sculpture. McQuilkin uses sheet copper, copper wire, metal primer, oil paints, and natural materials in his work. His techniques include cutting, soldering, incising, and painting. Each step is performed with uncompromising attention to detail. Each sculpture has special challenges. It takes from two to five months to complete each piece. A careful examination of the finished sculpture reveals the tiniest fibers, the slightest discoloration and even an occasional insect-bitten leaf. His work is a completely original documentation of nature, trompe l’oeil art in the best sense. McQuilkin, who is largely self-taught, has achieved the highest level of skill and artistry. Therefore he produces complex and beautiful microhabitats. His work has taken him from the North Pole Basin at Crested...

Cv upon request Karla Walter is an American artist who explores similarities between the social interactions among crows and that of individuals in our society. Karla Walter went to ...

Cv upon request Karla Walter is an American artist who explores similarities between the social interactions among crows and that of individuals in our society. Karla Walter went to ...

Cv upon request Karla Walter is an American artist who explores similarities between the social interactions among crows and that of individuals in our society. Karla Walter went to ...

Birthworks” Deconstruction/Reconstruction” This steel fabrication and limestone carving is part of my “Birthworks” series. Each work in the series celebrates rebirth or regeneration...

A lovely bronze sculpture of a Boar, or Pig, nose up. The artist, who died at age 98, worked with some of most notable sculptors of her time. She sculpted along side Elizabeth Frin...

Title: "History Lessons: 5th Stone – A Tactile Exploration of Timeless Narratives" "History Lessons: 4th Stone" stands as a unique contemporary sculpture, a harmonious fusion of hand...

"AVIRONS, Claire de Lune" is a wall sculpture made of bronze and copper. Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Paley, Lee Bontecou. Atlanta-b...

"AVIRONS, Lune dans L'Arbre" is a wall sculpture made of bronze and copper with patina. Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Paley, Lee Bonte...

"AVIRONS, Lunar Cycles" is a wall sculpture made of copper & brass with patina, steel. Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Paley, Lee Bontec...

"AVIRONS, Phase Lunaire II" is a wall sculpture made of copper, bronze and steel. Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Paley, Lee Bontecou. ...

Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper The essence of Michele Brody’s work thrives on the interaction with n...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Michele Brody, Drawing Roots: Fairy Ring, Handmade Paper, Flax Sprouts, Wax, 11" x 14" x 2"d, 2016 The essence of Michele Brody’s work thrives on the inter...

Michele Brody, Nature Preserve: Installation, Wetlands plants floating on water, 2011 The essence of Michele Brody’s work thrives on the interaction with new communities and place-m...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...

Michele Brody, America The Beautiful:For Amber Waves of Green, Handmade paper installation with Glass Tubes, 7'h x 5'w x 6'd, 2016 The essence of Michele Brody’s work thrives on th...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Michele Brody, Prarie Preserve: Recreation of Rolling Prairie in Medicine Bottles, 1997 The essence of Michele Brody’s work thrives on the interaction...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...