The Most Beautiful Things

A set of two photographs by Andy Warhol. "Committee 2000 Champagne Glasses" is a set of two Polaroids on board by American pop artist Andy Warhol. The ...

This is a wonderful Guardi's Triptyc, composed by three oval oil painted panels attributed by some of most reputable scholars to the Venetian old master Francesco Guardi (1712-1793)....

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

"L'Oiseau" is a sculpture by Surrealist Joan Miró. The bronze sculpture is signed verso, "Miro" and inscribed 'N.3', and with foundry stamp 'Clementi cire perdue (Paris). André Bret...

A sculpture by Dale Chihuly. "White Seaform with Black Lip Wraps" is a contemporary blown glass piece in a black and white palette by American artist Dale C...

Lucien Pissarro French, 1863-1944 Girl Reading a Book Oil on canvas 18 ¼ by 15 in. W/frame 24 ¼ by 21 in. Signed lower right and dated 1907 Born in Pa...

A set of four photographs by Andy Warhol. "Lee Radziwill" is four Polaroids, Polacolor by pop artist Andy Warhol. It is signed FA04.10715, FA04.10719, FA...

Le Soleil Rouge, color Lithograph on Arches paper 1950 by Zao Wou-ki Printed by E. and J. Desjobert Paris signed and numbered image 48 x 34 cm; sheet 56 x 38 cm image 18 ⁵⁷/₆₄ x 13 ²...

Original conte crayon on paper. Dated "12.13.84" central quadrant. Provenance: Barbara Gladstone Gallery, New York. Artwork size 12.5 x 9.5 inches....

An outstanding and monumental 19th century Quatre corps cabinet from Venice. Beautifully constructed from painted wood with cante...

Tête de faune, Picasso, Tile,Ceramic,Sculpture, Design, Postwar, Mythological Tête de faune Unique work circa 1968 Painted and partially glazed ceramic, square tile 15.2 x 15.2 cm C...

Tiffany Studios A 'Curtain Border' leaded glass and bronze chandelier, circa 1910 Measures: 24 in. (61 cm.) diameter stamped Tiffany Studios Proven...

A fine quality partners desk in exceptional figured mahogany veneers, original dark green leather, bramah locks, ratchetted writing slope and mahogany lined drawers Provenance: from...

Original conte crayon on paper. Dated "12.84" lower margin. Provenance: Barbara Gladstone Gallery, New York. Artwork size 12.5 x 9.5 inches. Fram...

Joaquim Tenreiro Two seats bench Manufactured by Tenreiro Moveis e Decoraçaos Brasil, 1958 Jacaranda wood, cane From the archives of Side Gallery, Barcelona Measurements 1...

A fabulous Louis XVI style 19th century French ormolu-mounted mahogany two-tier tea table, attributed to Paul Sormani. The ovoid upper tier with origi...

Extremely fine Italian Baroque ebonized wood, faux ivory, and hardstone cabinet, Florence, 20th century. Decorated overall with Berainesque (light arabesques and playful grotesques) motifs including rinceaux, putti and mythical birds, and inlaid with various semi-precious stones including lapus lazuli, porphyry, various agates and marbles, the superstructure with domed pediment, the sides decorated with geometric stringing. Very grand cabinet and one of a kind. Please note: We have another cabinet to make a pair. Provenance: Private Castle in Dallas Texas, USA. Purchased in New York in the late 1970s. Measures: 91" high x 68" wide x 20" deep. Comes with keys. Good condition. Normal wear, cracks consistent with age use. Presents well and looks amazing in real life! The present cabinet, featuring an abundance of semi-precious stones amongst stylized faux ivory-inlaid foliage, is inspired by the luxurious inlaid furniture of the Italian High Renaissance. Promoted amongst craftsmen such as Pietro Bertinetti, who often reinterpreted or combined the forms and motifs of both Classical and Renaissance art, the fashion for certosa-style inlay flourished from the mid-nineteenth century. Whilst the quality of construction and execution of the inlay suggests a Florentine origin, the decorative language of the cabinet, with its Cinquecento rinceaux scrolls, amorini and cameos, is modelled on the North Italian workshops. Featuring an eclectic combination of various decorative elements in keeping with the Renaissance Revival, the cabinet’s inlay is quite comparable with the work of subsequent exponents of this technique, such as Giovanni Battista Gatti...

The square central section is glazed, mirrored and rotates, with additional inner frames, all above a frieze with a disguised drawer, surmounted by a pagoda roof with upswept eaves, pendant bronze bells, aoi mon and serpentine dragons, the finial comprising a ho-ho with open wings; the base comprises four deeply carved cabriole legs with ho-hoshoulders and feathered claw feet resting on minogame whose tails support a circular spinach-marble shelf, with a similar marble set into the solid stretcher, decorated throughout with cloud scrolls, tendrils, inro and many auspicious symbols, the creatures’ eyes rendered in mother-of-pearl, inscribed ‘Behold fire’, Yokohama, Japan, circa 1900. Provenance: Fletcher’s Auction House, Houston, Texas. October 9-11 1981 Catalogue. Lot number 583 and envelope illustration. Footnote: This is an intriguing cabinet in many ways. The inscription “hino yojin” indicates a place for candlesticks or other light sources in a grand interior, however the inner drilled frames within the glass doors, and the fact that the whole display section rotates, would suggest something of great value and artistic merit was displayed inside. The carvings are related to the mythological Palace of the Dragon God of the Sea, (Ryugu-jo). Depending on various versions of the legend this underwater palace was made from pure crystal, each of the four sides had a different season and one day in the palace was equal to a century in our world. The most famous legend refers to Urashima Taro who was carried down to this magical place on the back of a minogame or giant turtle...

We have the distinct pleasure to present to you a selection of monumental midcentury Art Deco style ballroom c...

A joined enclosed American walnut, white oak, pine, beech, maple, krappa (crabwood), and letterwood Boston chest of drawers with lidded top Ipswich/Bosto...

A Museum Quality piece, this is an exquisite example of a late 17th/ early 18th Century Brussels Baroque Mythological Tapestry. It is a complete piece with its original border, measu...

Margaret Thatcher and state of Qatar, Garrard & Co. Silver gilt presentation set, London, 1983. MARK OF GARRARD LTD, LONDON, 1983 A Three piece Elizabeth II, silver and silver ...

The Mastaba (Project for United Arab Emirates) by Christo Yavachev (1935 - 2020) Pencil and wax crayon Measures: 80 cm x 59 cm (31 x 23 1/4 inches) Signed and dated Christo 1979 E...

Bureau-cabinet with fold-down writing desk Lombardy, third quarter of the 18th century Walnut with carved decoration and walnut-burl veneer; applied ebonized wood trim and cornice ...

A museum quality French white marble roundel relief of Emperor Napoleon III, circa 1860. The quality of this marble sculpture of Napoleon III is trul...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...

This is an exquisite antique oversize Persian Floral Kirman Lavar rug, circa 1910-1920s, measuring 19.3 x 30 ft in pristine condition. Provenance: Sotheby's Auction House, New Y...

Set of 4 Curva dining chairs by Joaquim Tenreiro manufactured by Tenreiro Movèis & Decorações (circa 1960). The set can be split and ...

An outstanding Louis XV-style mahogany bureau plat after a model by Jacques B. Dubois, from the estate of Phyllis McGuire, the shaped leather-inset top above an elaborate frieze with...

An Important Italian Neoclassical Painted & Parcel Gilt Canapé First Quarter 19th Century Lombardy, Italy The back rest with paneled top rail decorated with swans flanking a founta...

This exceptionally rare and large 'Kono' table, which works excellent as either a dining table or a desk, by Lella Vignelli and Massimo Vignelli was designed in 1984 and this example...

2 Art Deco monumental bronze 8 sided lanterns with tiered etched & beaded glass panels with an extension (Provenance: Philadelphia Municipal Aud...

A chestnut and brass side chair designed and produced by Carlo Mollino for Casa Del Sol, a Ski Resort in Cervinia, Italy, 1953. Sold with a certificate of authenticity from The Museo Casa Mollino. PROVENANCE: Christie's, New York, JF Chen...

The designs of Georges Chevalier (1894-1987), who was artistic director of Baccarat from the 1920s to the 1970s, were largely responsible for propelling Baccarat into the modern era. With his purity of line and geometric style cues, his signature is clearly legible, marking the stylistic power of the first artist to work for the Manufacture. Among Georges Chevalier’s flagship designs, was the Sun...

A Truly Magnificent 19th century Secre´taire a` Abattant by Maison Rogie´ of Paris After the original in the Wallace Collection, London, made in 1777 by Pierre-Antoine Foullet Con...

A good quality Regency ‘Egyptian style’ mahogany longcase clock by John Grant, the case surmounted by Egyptian columns with heads and feet of ca...

Custom-designed and studio-made by American artist Judy Kensley McKie (B. 1944), there is no other words to described this "Reindeer Table" other than that is one of the most beautif...

An Italian porphyry veneered model of a torso, after the antique by Anthony Redmile on marble-veneered pedestal. 20th century. Sitting on a marb...

Monumental pair of French 19th century figural gilt and patinated bronze Rosso Granite marble Flambeaux Urns Torcheres, each depicting a pair of allegorical Putti (Children) holding ...

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

Very important necklace-brooch designed by Arnaldo Pomodoro (1926-). A three-dimensional wearable sculptural piece, created in 1963-65 by the famous Italian architect and sculptor Arnaldo Pomodoro. It was crafted, with architectural patterns and geometrics elements in solid 18 karats of textured yellow gold, with white gold accents. This piece is composed by two parts; the articulated collar necklace and the intricate pendant-brooch. The collar has 6 free forms elements, attached together with several pins connectors and is suited with a curved boxed push lock. The pendant can be used alone in a chain and can be also wear as a brooch, since is suited with a vertical hinged bar and a trombone lock for extra security. The main element is embellished with 16 natural and not treated gemstones, described as follow; thirteen French squared cuts of red Burma rubies, with a weight of 1.95 carats and three straight baguettes cuts of vivid green Colombian emeralds, with a combined weight of 1 carat. The total weight of this piece is 70.45 grams and the necklace have an inside diameter of 17.25 inches. The main element has a measures of 97 mm (3.82 inches) height, by 55 mm (2.17 inches) width, by 8 mm (0.31 inch) thickness. It is sign at the verso in full by the artist and dated, "Arnaldo Pomodoro 1963-65". Arnaldo Pomodoro, born in Morciano, Italy in 1926, is a sculptor, stage designer and architect. Between the 1950 and 1954 he worked primarily as a jeweler and stage designer with his brother Gio Pomodoro in Pesaro, Italy and began his first work in relief, which are characterized by a rough surface quality with detailed vegetal organic forms. the fine detailing of his jewelry later appeared in his bronze monumental sculptures. He have 94 years and live in Milan, Italy. In 1953 Arnaldo and Giò, together with their fellow artist and close friend, Giorgio Perfetti (1932- 1961), formed the “3p” group and produced original jewels and small reliefs, which were first exhibited that year in Pesaro. The following year they moved to Milan and opened a small studio in a basement in Via Visconti Di Modrone. Here they met artists such as Enrico Baj, Sergio Dangelo, Lucio Fontana, as well as influential collectors and critics including Peggy Guggenheim and Guido Ballo who greatly appreciated their art. (take from Didier ltd...

This Christian Dior gown is composed of a nude silk. Features and elastic neckline and sleeves with a pleated waist, which may be style on or off the shoulders. Comes with a slip skirt and waist belt. In vintage condition, (sold AS-IS) there is some discoloration and spotting due to age, see photos. Provenance: Betsy Bloomingdale...

This Givenchy Haute Couture Gown is composed of a white wool and features an asymmetrical design with side button detail. In excellent vintage condition with some slight discoloration due to age. Provenance: Betsy Bloomingdale...

This tiered bombe form Victorian Brooch with Provenance Circa 1850 features an AGL graded emerald and diamonds. This true heirloom comes with provenance paperwork linking it to the I...

Circa 1915 - 1925 France for cutting Asia Manila for the textile Fuchsia pink embroidered satin evening cape attributed to Liberty of London, a famous British House Circa 1915/1925....

An authentic Mario Buccellati bangle bracelet of unmatched classic elegance, Mario Buccellati was the pioneer to introduce the technique of texture engraving, his pieces are rich in...

Couture James Galanos black silk chiffon and rhinestone slip style gown. Provenance from a well known 1960's celebrity singer. Very gently worn with only minimal, hard to detect bead loss. Chiffon in excellent condition. The label is Galanos for Amelia Gray of Beverly Hills, the ladies high-end dress shop that helped Galanos launch his legendary west coast career with his first collection of seven pieces. He designed for the "toast of the town" from Rosalind Russell...

Centering a roughly 15 Carat Unheated Burma Sapphire (per AGL– American Gem Laboratory), framed by Old-European Cut Diamonds weighing 11.02 Carats, and set in Platinum and Silver, th...

This is a long royal blue silk taffeta gown by Christian Dior Haute Couture, from 1988-89. The gown has long sleeves, a wrapped front and back bodice, a large bow on the side hip, a...

Centering a 5.52 Carat Unheated Burma Ruby (per AGL– American Gem Laboratory), framed by Round-Brilliant Cut Diamonds weighing roughly 3.00 carats, and set in 18k white gold and plat...

This is a cream blouse and skirt set by Christian Dior Haute Couture, from 1988. The blouse and skirt are attached at the waist line by tiny couture snaps...

Faye Toogood Roly Poly side table Manufactured by Faye Toogood London, 2019 Engineered wood, soft touch lacquer Measurements 40 cm x 35 cm...

Limited edition of 5 rugs, personally signed by designer Faye Toogood. Faye Toogood’s “Reclining Figure” is the second rug in a new upcoming collection of 6 designs called “Doodles”...

The distinctive, reassuringly chunky lines of Faye Toogood’s Roly-Poly furniture collection become even more inviting in her new collaboration with Driade. The latest line for the It...

Vivienne Westwood blue denim pant suit with bleached abstract floral print. Fitted cropped denim jacket and high waisted slim fit jeans. ...

▪ Rare Vivienne Westwood evening maxi dress ▪ Lycra printed with a detail from Jean-Honore Fragonard's "The Swarm of Cupids", c. 1767 ▪ Short sleeves ▪ Figure hugging ▪ Size: "3" ...

Vivienne Westwood black velvet corseted ensemble, as seen in the Fall/Winter 1995 Vive La Cocotte collection - one of the most iconic shows of her care...

Hand knotted in the cc-tapis atelier in Kathmandu, Nepal. The rug is made with a cotton weave a Himalayan wool pile, and cotton stitching coming from the areas surrounding the atelie...

The distinctive, reassuringly chunky lines of Faye Toogood’s Roly-Poly furniture collection become even more inviting in her new collaboration with Driade. The latest line for the It...

The distinctive, reassuringly chunky lines of Faye Toogood’s Roly-Poly furniture collection become even more inviting in her new collaboration with Driade. The latest line for the It...