Al Satterwhite

Surfboards in the Sand by Al Satterwhite is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features a group of teenagers with their surfboards ...

Hunter S. Thompson by Al Satterwhite presents a portrait of Hunter S. Thompson sitting on a beach with a cigarette in his hand and a drink off to his side. This photograph is liste...

Muhammad Ali (Situps on Bench) by Al Satterwhite depicts Muhammad Ali amidst a sit-up, with his arms and legs lifted. He is seated on a bench in a gym, with a man in sunglasses watch...

Catching a Ride by Al Satterwhite is a 11 x 14 inch archival pigment print, available in an edition of 25. This photograph features a man surfing in the ocean while being pulled by a...

Surf Skimmers by Al Satterwhite captures the carefree and joyous spirit of teenagers playing on the beach, One boy jumps over another, almost diving headfirst into the sand, while a...

#14 Shelby Cobra Daytona Coupe/Bob Holbert, Daytona 2000 Kilometer race by Al Satterwhite is an 11 x 14 inch archival pigment print. This photograph features a racecar with the numbe...

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features a group of teenagers sitting on top of a car filled with surfboards. The image size is 12 x 17 3/4 inches, the paper size is 16 x 20 inches. This photograph is signed, titled, dated, print date, and numbered by Al Satterwhite. This photograph is available in multiple sizes: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of 25 36 x 54 in., Edition of 25 Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida's personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine (Automobile, Car & Driver, Fortune, Geo, Life, Look, Money, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few). He was a consultant to Kodak for digital imaging for a number of years. He has lectured at Boston University, Brooks Institute of Photography, Hallmark Institute of Photography, ASMP, NYU/Tisch School of the Arts, PhotoExpos in Los Angeles & New York. He has given workshops at Dawson College (Montreal), ICP (NYC), Kauai Photographic (Hawaii), the Maine Workshops, the Missouri Workshops, Palm Beach Photographic Workshops, Santa Fe Workshops & his own studio in New York City. He lectures and holds workshops at various facilities around the U.S. His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art...

Edition of 25 Signed, titled, dated and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 "The discovery of fast cars and auto racing rocked my world as a high school student in the early 1960s. After graduating I did everything I could to wrangle assignments to cover two of the biggest international endurance races held annually in Florida. The Daytona 24-Hour and Sebring 12-Hour races were the highlight of my early years as a photographer. Covering racing events in the Sixties was a lot different from what it is today. Access to the racers and the cars was much easier and there were far fewer photographers covering any event. As a fan and a photojournalist in search of a great story, I usually hung around Carroll Shelby’s pit. Shelby and his Cobras were always race winning contenders. “Shel” was easy to work with and to be around. He let me do what I wanted and go where I pleased to capture a story. At the 1964 Sebring race, Shel was recovering from surgery, alternating between crutches and a wheelchair. As his good friend and motor racing artist Bill Neale...