Albert W. Wein Sculptures

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

An official artist of the Nazi regime, trained in Montparnasse in the 1930s, Arno Breker continued to sculpt after the fall of the Third Reich, producing large-scale public commissions in Germany and portraits of prominent figures. The two small bronzes presented here, dated around 1978, are part of a long tradition of prancing horses dating back to antiquity. The asymmetrical treatment of the two front legs and the inclination of the head make these two copies of the same artwork a highly decorative pair. 1. Arno Breker, a prolific sculptor, from the Bohemia of Montparnasse to the commissions from the Third Reich ... and from the Federal Republic of Germany The son of a stone carver, Arno Breker studied fine art and anatomy in his native Elberfeld. At the age of 20, he entered the Düsseldorf Academy of Art. He moved to Paris in 1926, where he continued his training in the studio of Maillol, who dubbed him "the German Michelangelo of the twentieth century". He shared a studio with Alexandre Calder and frequented Jean Cocteau, Foujita, Brancusi, Pablo Picasso and other artists of the bohemian Paris of the time. It was also in Paris in 1933 that he met Demetra Messala, the daughter of a Greek diplomat who posed for Maillol and Picasso, whom he married in 1937. Having won the Prussian Prix de Rome in 1932, he left Paris to stay at the Villa Massimo, the German Academy in Rome. Returning to Germany in 1934, his style evolved towards a more marked imitation of ancient sculpture. He created two monumental statues for Berlin's Olympic Stadium, before being appointed professor at the Berlin College of Fine Arts in 1937. He came to the attention of the Reich Propaganda Ministry, which awarded him several commissions and provided him with three large studios in which Breker produced many monumental sculptures to the glory of the regime. On June 23, 1940, Breker accompanied Adolf Hitler during a visit to Paris. During the Occupation, his political connections enabled him to intervene on behalf of many artists pursued by the Nazis: for example, he protected Pablo Picasso (then a Communist) from Kommandantur officers. Most of Arno Breker's work was destroyed in Berlin at the end of the war in 1945 by bombing and intentional destruction perpetrated by soldiers of the victorious powers. After the fall of the Nazi regime, however, Arno Breker was never prosecuted. He opened a new studio in Düsseldorf, where he sculpted until his death in 1991. He then carried out several public commissions in Germany (Bayreuth, Wuppertal), as well as portraits of numerous personalities, including King Mohammed V of Morocco, Léopold Sedar Senghor (commissioned by the Académie Française in 1978) and the two chancellors of the Federal Republic of Germany, Konrad Adenauer and Ludwig Erhard. The Arno Breker Museum in Nörvenich is now exhibiting some of his artworks. 2. Related artworks: from the Wild Horses of the Quirinal to the Horses of Marly The prancing horse is a major iconographic theme, found in a series of sculptures from Antiquity, the Renaissance and the Classical Age. Various photos from Arno Breker's studio in Berlin confirm the predominant place of equine representations in his work (alongside male nude statues), and confirm that this reduced version created in 1978 is part of the artist's preferred repertoire. Prancing horses are generally associated with a male figure in a group that, through a reference drawn from Antiquity, symbolizes man's domination over nature. In this respect, it is very interesting to compare our small bronzes with the horse forming part of a large sculpture by Arno Breker (made in 1936 and probably destroyed in 1945) depicting Alexander taming Bucephalus. This statue is itself directly inspired by one of the best-known works of 18th-century French sculpture...

Bronze signed 58x 56 cm Thomas François Cartier, born February 21, 1879 in Marseille and died April 26, 1936 in Saint-Vallier, is an animal sculptor and French illustration. biogr...

Antique bronze nude gladiator/ swordsman - Signed "Rudolf Marcuse" + "Gladenbeck Berlin" Dimensions: Sculpture: 16.5 cm high Base: 6.5 cm high To...

Wonderful Italian sculpture representing a seated maiden. The artwork rests on a square marble base Signed on the base “Gaetano Martinez Roma” According a written opinion by Prof. Al...

Philip Paval was a sculptor and silversmith who worked primarily in Los Angeles. He was known as a Hollywood Artist, as he affiliated with many of the Hol...

Bronze on a marble base It bears Mayo's signature. Trademark Fondart - Lagana Napoli. “Of the first sculpture, a group of highly vigorous original artistry, all that remains is Ada...

This is an outstanding bronze statue of Eutrope Bouret, signed on the base, by the very well-known French artist Eutrope Bouret (1833-1906). French antique bronze sculpture by Eutro...

Seifert, Victor Heinrich. 1870 Vienna - 1953 Berlin "Young Athlete with Slingshot" "David" Large bronze, dark patinated, signed: Prof. V.H. Seifert Height: 71.5 cm, approx. 85 cm h...

This sale is for one of them of the Cast Iron Roundels. However, we have 3 Cast Iron Roundels from the Old West Side Highway in Manhattan if you want to buy all three... reach out to us. . Each retains its original industrial paint. If the paint is removed, the clear shape of the iron cast will be removed. Each roundel has a different image and story. They were designed in 1928 by Rene Paul Chambellan...

"Mercury" NYC 1931 Bronze 5th Ave Traffic Light Sculpture American Art Deco WPA In the late 1920s, Joseph Freedlander was asked by the City of New York ...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 ART NOUVEAU BRONZE GROUP OF CHILDREN signed "Juan Clara" (lower right on the bench) bronze sculpter group 4-3/4 x 6 x 3-1/2 inches (12 X 15 X 9 cm.) PROVENANCE Private Spanish Collector Juan Clará's Art Nouveau bronze sculptural group representing two boys and a girl sitting on a bench in a funny and surprise attitude to something they are seeing. Juan Clará's Art Nouveau bronze sculptural group representing two boys and a girl sitting on a bench in a funny and surprise attitude to something they are seeing. Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...