BONNARDEL François Art

Françoise Juvin - Hilly landscape in the South of France Reference number FJ88 Framed with a natural oak floated frame. 29 x 37 cm frame included (24 x 32 cm without frame) This work...

Paul LUNAUD (Brantôme 1900 – 1949) The ironer Oil on wood H. 80 cm; W. 64 cm Signed and dated on the right in the center, formerly signed lower right. 1942 Provenance : Artist's stu...

Françoise Juvin - Seaside Landscape in Cannes, France Reference number FJ55 Framed with a natural oak floated frame. 24,5 x 29 cm frame included (19 x 23 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Françoise Juvin (1927-2010) is a French artist born in Nancy. She entered the Ecole des Beaux-Arts in Lyon in 1941 where she met several artists such as Jacques Truphémus...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. An original work, rich in texture. This handmade oil painting reflects the raw beauty...

Jean Marie Constantin Joseph (Jan) VAN BEERS Oil on Panel Panel Size: 32 x 24" (81 x 62cm) Outside frame Size: 38 x 33" (97 x 83cm) Van Beers (1852 ...

French school circa 1880 Young woman reading Oil on canvas H. 86 cm; W. 64 cm

‘Young Beauty holding a Red Rose’ by Étienne Adolphe Piot (1831-1910). The painting is signed by the artist and hangs in a fine quality gold metal leaf frame. Academy Fine Paintings...

Françoise Juvin - Hilly landscape over the Rhône river near Lyon, France Reference number FJ170 Framed with a natural oak floated frame. 24 x 32 cm frame included (19 x 27 cm without...

Jules VALADON (Paris 1826 - Paris 1900) Noli me tangere (?) Oil on mahogany panel H. 19 cm; L. 35 cm Signed lower left Provenance: Private collection, Paris Student of Michel Martin Drolling, Lehmann or even Cogniet in 1846, the young son of a Parisian architect will begin his exhibitions at the Salon des Artistes Français in 1857. Jules Valadon will obtain there several medals and will see his reputation embellished by his portraits and expression heads. We see in this mystical-looking landscape, a representation of a passage from the Gospel of saint John, during the resurrection of Christ, himself addressing Mary Magdalene. The saint is on her knees beside Christ and addresses him not believing in his presence among the living. After some exchanges, at 20.17: Dicit ei Jesus: "Noli me tangere, nondum enim ascendi ad Patrem meum: vade autem ad fratres meos, and dic eis: Ascendo ad Patrem meum, and Patrem vestrum, Deum meum, and Deum vestrum . "Christ said to Mary Magdalene" Do not touch me, I have not yet ascended to the father ". In the history of art, this passage from the Gospel is known by the famous paintings of Boticelli, Giotto, Fra Angelico, il Corregio, Poussin, Véronèse and more recently by Maurice Denis and some painters replacing the subject at the end. from the 19th century. These late representations are not always perfectly readable by compositions inked in landscapes that are sometimes more important than the subject. This is also what we assume for our panel, with the desert mountains that can represent the location of the Holy Sepulcher...

A fine antique French oil painting on canvas by Isidore Alexandre Augustin Pils (1815–1875), the painting depicting Claude Joseph Rouget de Lisle (1760-1836) singing "La Marseillaise", circa 1849. Isidore Pils was an academic painter, very often painting military subjects. Claude Rouget de Lisle was a French army officer from the French Revolutionary Wars and famously wrote the words to "La Marseillaise" and first performed it to the Mayor of Strasbourg; Baron Philippe-Frederic de Dietrich. This painting dates to the middle of the 19th century and could be by the hand of Pils or possibly a talented copyist who was also a classically trained artist. The painting is in excellent condition and is housed in a gilded frame. Isidore Pils produced a number of paintings with this famous scene and one such painting is housed in the collection of The Louvre in Paris. At sight without frame 26.50" x 22" Pils was born in Paris as the son of a soldier François Pils. At the age of twelve, he studied with Guillaume Guillon-Lethière for four years. In 1831 he became a student at the École des Beaux-Arts and studied under François-Édouard Picot. He competed for the Prix de Rome, which he won in 1838 for a history painting, St. Peter Healing a Lame Man at the Door of the Temple. Although in poor health, Pils then spent the customary three years at the French Academy in Rome at the Villa Medici, which then had Jean Auguste Dominique Ingres as its director. While in Italy he visited Naples, Venice, and Florence. Pils's earlier paintings have religious themes. In 1849 he completed his most famous work, Rouget de L'Isle Singing La Marseillaise, which now resides at the Musée historique de Strasbourg. After experiences travelling with French troops through the Crimea, his themes took on military and nationalistic subjects. He later produced many military scenes during the siege of Paris during the Franco-Prussian War of 1870. Pils was appointed professor of painting at the École des Beaux-Arts in 1863 but left the same year for two years in Algeria. In 1868 he was elected to seat #14 of the Académie des Beaux-Arts. Among his students were Adrien Moreau, Paul Adolphe Rajon, Julien Dupré, Luc-Olivier Merson, Ludovic Piette...

Joseph BEAUME (Marseille, 1796 – Paris, 1885) Souvenir from Italy: pifferaro playing the zampogna with the family Oil on canvas Signed lower left 73.5 x 60 cm Provenance: probably...

Joseph-Désiré COURT (Rouen, 1797 – Paris, 1865) Woman nestled in an armchair Oil on canvas Signed and dated lower left 81 x 65 cm 1834 Exhibition: in all likelihood, number 50 of ...