Alexej Jawlensky Art

Maurycy Trębacz (1861 – 1941) was one of the most popular Jewish painters in Poland in the late 19th and early 20th century. Many of his paintings were lost in the Holocaust, but a representative selection of his artwork survived.Trębacz died of starvation in the Litzmannstadt Ghetto during the Nazi German occupation of Poland. Maurycy Trębacz, along with Samuel Hirszenberg, Jakub Weinles, and Leopold Pilichowski, belonged to the first generation of Jewish artists in Poland who broke away from the religious prohibition on portraying a human figure (see below). The studies show his mastery of painting, his own unique style and great imagination. Trębacz was noted within the European art-world as a master portrait and landscape painter,[1] but above all he was also a rare chronicler of the contemporary Jewish life, depicting a world that is now lost. His popular subjects included praying Rabbis, old men, street and Jewish domestic scenes, and genre painting depicting the everyday side of life. His psychological portraits of Jews earned him the greatest popularity and critical acclaim, and influenced the work of other Jewish painters in Poland. Notably, Trębacz's oil painting "The Good Samaritan", reportedly stolen in 1904 at the World's Fair, was recently sold at auction at Sotheby's. Born in 1861 in Warsaw, the son of David Trębacz, a house painter, Maurycy (Mojżesz) at the age of 16 years was admitted to the school of drawing by professor Wojciech Gerson and Aleksander Kamiński. Three years later, with the support of Leopold Horowitz, he received a scholarship sponsored by lawyer Stanisław Rotwand, and moved to Kraków where he enrolled in the Academy of Fine Arts in the studios of Jan Matejko, Leopold Loeffler and Władysław Łuszczkiewicz. From 1882, he studied at the Academy of Fine Arts in Munich with Sandor Wagner (until 1884) and received the grand silver medal there at the completion of his studies for the work "Martyrdom". Between 1889 and 1890, he studied in Paris at the Académie Colarossi. He lived and worked in Munich for 4 years before returning to Warsaw. Over time, Trębacz worked in Lviv and Drohobych, and eventually moved permanently to Łódź, where he founded and ran a private art school until September 1939. He is often criticized for giving in to popular demand later on in his career. Pressured by financial sponsors, he began to produce sentimental theme portraits pertaining to the bucolic life of country folk. Trębacz made his successful artistic début twice, first at the Munich Kunstverein, and then at the Krywult Salon in Warsaw as a 23-year-old painter. His another big success was the participation of painting "Good Samaritan" (1886, pictured) in a Kunstverein exhibition in Munich as well as at the I National Art Exhibition in Kraków and in Warsaw at the Zachęta Society for the Promotion of Fine Arts. The painting was also awarded a gold medal at the Universal World Exposition in Chicago. Subsequently, Trębacz also received a bronze medal at the Paris Universal World Exposition of 1889. "Good Samaritan" (1886), book engraving from painting by Maurycy Trębacz, Warsaw Maurycy Trębacz died of hunger in the Łódź Ghetto...

Pastel, Pencil, petal flowers, Color and Ink on Paper. The base of this drawing is Fabriano paper of 120g /m2. I use natural dyes of flowers, herbs, leaves, bark of trees as the fir...

Carl Hofer (German, 1875 – 1955) Abstract figures Pencil on paper 8.1/4 x 9 in. (21 x 23 cm.) With studio stamp (on the reverse) and signature of the artist’s wife Elizabeth Hofer Provenance: These works come from the artist’s second wife Elizabeth and from then by descent. Carl Hofer was a German expressionist painter and the director of the Berlin Academy of Fine Arts. One of the most important painters of the Expressionist movement, his work was among those that was considered degenerate art by the Nazis. He studied in Karlsruhe under Hans Thoma. He first visited Paris in 1899 making acquaintance with Julius Meier-Graefe. In 1902 he studied in Stuttgardt and became friends with the sculptor Hermann Haller...

Carl Hofer (German, 1875 – 1955) Figures from a dream Pencil and charcoal on paper Signed with initial ‘CH’ (lower right) 17 x 13 in. (43.2 x 33 cm.) Provenance: These works come fr...

'The Port of Le Havre', pencil on art paper, by French artist Fred Pailhès (circa 1950s). Le Havre was only a fishing village until 1517, when Francis I h...

Like Swimming In A Quarry - 120 feet and dark in the middle. One of Wadsworth's celebrated & innovative Black Cloth series. His sitters pose with a large black cloth & talk about wha...

Horse II, 2014 Colored Pencil on Paper 28.74 H x 40.15 W in. 73 H x 102 W cm Dinu Rădulescu's drawings illustrate, in their majority, the Horse, like a...

GERHARD MARCKS (1889 1981) (SEATED WOMAN WITH TOGA) 1933. Graphite on wove paper, signed, dated, 14 ¼” x 7”. Sheet 15” x 10”. S...

Horse, 1982 Colored pencil on paper (Signed, front lower left) 27.55 H x 39.37 W in. 70 H x 100 W cm Dinu Rădulescu's drawings illustrate, in their maj...

The Secret Ladder is an original modern artwork realized in the Second half of the XIX Century by a French Artist. Original pencil drawing and colore pastels on ivory paper. Passep...

Original pencil and crayon drawing on paper. Hand signed and dated on front by the artist. Visible image size 25.6 x 19.7 in. Frame size approx 32.25 x 27 in. Artwork is in excellen...

Body in the Field #1, 2022 coloured pencils on canvas 25 H x 16 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body through the prism of t...