Antoine Babuty Desgodetz Art

Fritz Scholder (American, 1937-2005) 'Mask of the artist', 1982 Engraving, aquatint and resin 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-005 Unframed

Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and t...

Fritz Scholder (United States, 1937-2005) 'Mask of a mystery woman', 1982 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-002-000 Unframed

Fritz Scholder (United States, 1937-2005) 'Untitled 1', engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-007-000 Unframed

"Roberto Fabelo (Cuba, 1950) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: FAB-301"

Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Mother II ', 2004 dry point on paper Guarro Super Alpha 250g. 19.3 x 15.4 in. (49 x 39 cm.) Edition of 20 Unframed ID: CHO-112_1 Hand-sign...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

Alexis Kcho Leiva (Cuba, 1970) "Embarcadero" (Pier), 2003 engraving on paper Guarro Super Alpha 250g. 28.8 x 21.3 in. (73 x 54 cm.) Edition of 50 Ref: KCH-110

Bold antique copper engraving of the floor plan of a French cathedral from Recueil d'Architecture, 1780. Original artwork on paper displayed on a whi...

Sergio Hernández (Mexico, 1957) 'Blue Butterflies', 2014 Engraving, etching, aquatint, sugarlift on paper 22.5 x 42 in. Series number: BAT (Bon a Tirer) Unframed ...

Eduardo Chillida (Spain, 1924-2002) 'Bidegin', 1972 etching, chine colle on paper Velin Arches 250 g. Image size: 12.75 x 9.25 in. (32.5 x 23.5 cm.) Sheet size: 29.8 x 21.9 in. (75.5 x 55.5 cm.) Edition: 67. 50 numbered, 7 P/A (Artist Proofs), and 7 H.C. Unframed ID: CHI1038-011 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P.I 1959-1972. Chorus – Verlag. pp 314 – 315. Nr 72015. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew...

Sergio Hernández (Mexico, 1957) 'Untitled', 2015 engraving on paper Velin Arches 300 g. 29 x 33.9 in. (73.5 x 86 cm.) Edition of 30 Unframed