Arman Art

Petite poubelle rouge. 1990. Unique artwork Artwork size: 44×26x10 cm. Frame size: 62x44x11,5 cm. Acquired directly from the artist. Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts into works of art. Everyday objects become poetry for the eye. Forks, women’s shoes, credit cards, bottle caps and revolvers. Cast, welded together or enclosed in plexiglass “vitrines”, these things are metamorphosed into a form of art that he calls “accumulations”. Starting in the late 1950s, Arman immersed himself whole-heartedly in these inventories of reality until he passed away in 2005. He collected and amalgamated piles of junk, pens, paint tubes, rubber stamps and much else. These accumulations became his hallmark, just as much as the sliced, burnt and sawn objects of his “tantrums”, ranging from violins and Roman gods to veteran motorbikes and telephones. Arman’s sculptures lent new dimensions to objects that already were perfect as they were. Armand Pierre Fernandez was born in Nice in November 1928. He developed his passion for artefacts in his father’s antique shop. At the age of 18, he studied at the Nice Academy of Art, but left three years later in protest against the conservative leadership. Now he set out on his own path, began to paint in earnest and, under the influence of Pollock, Schwitters and Duchamp, evolved his own idiosyncratic language of form and ideas. Initially, in the late 1950s, he painted abstract motifs. Then he turned his talents to sculpture, which in turn led to his breakthrough. After a catalogue entry at the legendary Galerie Iris Clert accidentally omitted the final ‘d’ from the artist’s name, he resolved that from that time on, he would sign his works simply ‘Arman’. When Yves Klein met Arman at a judo course in the autumn of 1949, there immediately arose a close affinity between the two men, who subsequently divided the world between them. Yves assumed responsibility for the spiritual world, Arman for the material. In 1960 they joined with César, Pierre Restany, Niki de Saint Phalle, Jean Tinguely and Rotella, among others, to form the Nouveaux Réalistes. This was also the year when Arman put together his much noticed show titled Plein (“Full up”), a neo•realist exhibition at Galerie Iris Clert. The installation consisted of a monumental heap of junk – trash piled from floor to ceiling in a manner reminiscent of Raymond Hains...

Unique artwork Object on canvas. Artwork size: 46×33 cm. Frame size: 66x53x9 cm. Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts i...

Bocquel fondeur. Edition 73/100. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM Siwert Be...

Unique artwork Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts into works of art. Everyday objects become poetry for the eye. Forks...

Bocquel fondeur. Edition 73/100. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM Siwert Be...

Acquired directly from the artist. Bocquel fondeur. Edition 3/100. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio ...

Acquired directly from the artist. Unique artwork Collages-Assemblages Provenance: Exposed at Ny Carlsberg Glyptotek 1996 Copenhagen/Denmark Artwork size: 57 x 33 x 5 cm. Frame siz...

Bocquel fondeur. Edition 1/100. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM S...