August Gaul

Mid-19th century pair of French painted and glazed terracotta lions grasping oval Fleur De Lis shields while resting on shaped plinths. Circa 1840. Sculptures of lions were often ...

Delightful late 19th Century French Animaliers bronze study of a turning whippet looking around in an attitude to play, with rich brown colour and fine hand chased surface detail. Si...

Jean Jansem (1920-2013) Ballerine sur fond vert, 1995 Lithographie sur papier Arches, justifiée et numérotée 48/100 Signée en bas à droite 22 x 17 cm / 32 x 26 cm Bibliographie: ...

The pair of recumbent lions facing towards each other.

Clay figure of a seated lion with a sweet countenance.

A Set of European 19th century terracotta lions. One seated stood on a shaped plinth, expressive face, detailed mane and muscular form. The other recumbent, shield bearing with detai...

Jean Jansem (1920-2013) Sophie aux bas rouges, 1993 Lithographie sur papier Arches, justifiée E/A Signée en bas à droite 66 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°...

"Cheval Arabe No.3" by Pierre Jules Mene An attractive late 19th Century Animalier bronze study of an arab stallion. The bronze exhibiting excellent hand chased surface detail and g...

A nice little bronze Grand Tour souvenir bronze of the Dying Gaul a famous sculpture of antiquity preserved in Rome. This bronze has nice detail. The patina is worn in some places and it is in estate found condition. We haven’t tried to clean or polish it. Some patina loss minor nicks and surfaces scratches, please see the detailed photos. For this interested this from Wikipedia about the original sculpture: The Dying Gaul, also called The Dying Galatian[2] (Italian: Galata Morente) or The Dying Gladiator, is an ancient Roman marble semi-recumbent statue now in the Capitoline Museums in Rome. It is a copy of a now lost Greek sculpture from the Hellenistic period (323–31 BC) thought to have been made in bronze.[3] The original may have been commissioned at some time between 230 and 220 BC by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia. The original sculptor is believed to have been Epigonus, a court sculptor of the Attalid dynasty of Pergamon. Until the 20th century, the marble statue was usually known as The Dying Gladiator, on the assumption that it depicted a wounded gladiator in a Roman amphitheatre.[4] However, in the mid-19th century it was re-identified as a Gaul or Galatian and the present name "Dying Gaul" gradually achieved popular acceptance. The identification as a "barbarian" was evidenced for the figure's neck torc, thick hair and moustache, weapons and shield carved on the floor, and a type of Gallic carnyx between his legs.[5] Description The white marble statue, which may originally have been painted, depicts a wounded, slumped Gaulish or Galatian Celt, shown with remarkable realism and pathos, particularly as regards the face. A bleeding sword puncture is visible in his lower right chest. The warrior is represented with characteristic Celtic hairstyle and moustache with a Celtic torc...

Jean Jansem (1920-2013) Lydia au coussin indien, 1993 Lithographie sur papier Arches Signée et justifiée 49 x 64,5 cm / 56 x 76 cm Imprimeur: Arts-Litho, Paris Editeur: Jansem, Pari...

Beautiful porcelain realized by the Atetier of J.J. Kaendler for Meissen Porcelains in the early 20th century (before 1924). Porcelain, enriched in colores and gold. Meissen stamp ...

Jean Jansem (1920-2013) Joelle de dos au coussin vert, 1995 Lithographie sur papier Arches Signée et justifiée 56 x 76 cm Album: La danse, 1999 Imprimeur: Arts-Litho, Paris Editeur ...