Bernard Villemot Landscape Prints

One of a series of 18 lithographs drawn by the artist fo¬r the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from ...

This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mez...

“THE SHADOW OF THE BROOKLYN BRIDGE” Emilio Sanchez (1921-1999) created this color lithograph entitled “Shadow of the Brooklyn Bridge” in 1988. The image size is 21.38 x 30.50 inche...

ALEXANDER CALDER (1898-1976) Credited with the invention of the mobile, Alexander Calder revolutionized twentieth-century art with his innovative use of subtle air currents to animate sculpture. Calder was prolific and worked throughout his career in many art forms. An accomplished painter of gouaches and sculptor in a variety of media, Calder is best known for poetic arrangements of boldly colored, irregularly shaped geometric forms that convey a sense of harmony and balance. He also designed jewelry, tapestry, theater settings and architectural interiors. From the 1940s on, Calder's works, many of them large-scale outdoor sculptures, have been placed in virtually every major city of the Western world. Original Limited Edition Lithograph on Arches paper, 1974. Edition: 3,000. Paper Size: 20" x 26." Monogrammed & dated on the stone plate ‘CA 74’. A superb impression of the definitive state, from the edition commissioned by Braniff International Airlines. One of six plates comprising the Flying Colors Collection, bearing its blindstamp in the sheet lower right. Printed at Atelier Fernand Mourlot, Paris. Excellent Condition; never framed or matted. ABOUT THE FLYING COLORS COLLECTION: In 1972, Dallas based Braniff International Airways commissioned Alexander Calder to paint a full-size Douglas DC-8-62 airliner as a “flying canvas.” Models of the aircraft were sent to Calder at his studio in France in November of 1972, and work commenced. Braniff announced the Calder collaboration to the public on June 4, 1973. This was to be the first time that an artist had ever painted a jetliner used in regular airline service...

April Gornik (American, b. 1953) Cascading Waterfall, 1998, Soft ground etching and spit bite aquatint, hand signed, titled and dated '98 in pencil. Sheet dimensions: 22 x 30 in. Cascading Waterfall, is an etching and aquatint on copper plate, printed on Arches paper. Its image dimensions are 14 3/4 by 23 1/2 inches. It is included in the collection of the Museum of Art, MoMA NYC. Commissioned by the print club of Cleveland, Ohio. April Gornik (born 1953, Cleveland, Ohio) is an American artist who paints American landscapes. Her realist yet dreamlike paintings and drawings embody oppositions and speak to America's historically conflicted relationship with nature. While she doesn't categorize herself as an environmental artist, she is a passionate supporter of environmental causes and has said, "I have no problem with people reading an ecological message into my work." Biography Gornik received in 1976 her B.F.A. from the Nova Scotia College of Art and Design (now called NSCAD University), and while attending the school she met her future husband, painter Eric Fischl. Art dealer Ed Thorp hosted her first solo exhibition in 1981, after having caught sight of her paintings while viewing Fischl's work. She is influenced by the feminist consciousness-raising of the late 20th century and, in speaking about female artists who have worked in the shadows of better known male artists, including Elaine de Kooning and Lee Krasner, she has said, "It's a problem. Women artists still receive lower prices for their art and remain less shown than their male counterparts." In 2014, FigureGround Press published the monograph April Gornik: Drawings, an extensive look at charcoal drawings done since the mid 1980s. The book includes essays by Steve Martin and Archie Rand, an interview with Lawrence Weschler, and a digital download of a piano and cello composition by composer Bruce Wolosoff, played by Wolosoff and Sara Sant'Ambrogio of the Eroica Trio. Gornik has remained committed to helping her community and making a difference, Gornik and her husband invested in 26 acres of land in which they donated in 2017 to the town of North Haven to preserve land. She also adds her funds to the Southampton Animal Shelter as well as being involved with the Eastville Historical Society. Collections Various permanent art collections include Gornik's work, including: Smithsonian American Art Museum, Metropolitan Museum of Art (the Met), the Museum of Modern Art (MoMA), Hood Museum of Art, Whitney Museum of American Art, Nasher Museum of Art, The Museum of Fine Arts, and many others. Two of her paintings, Virga (1992) and Storm and Fires (1990) are held in the Smithsonian American Art Museum collection. In 2007, the Smithsonian Art Collectors Program commissioned Gornik to produce a print to benefit the educational and cultural programs of the Smithsonian Associates. The lithograph, entitled Blue Moonlight hangs in the ongoing exhibition Graphic Eloquence in the S. Dillon Ripley Center in the National Mall, Washington, D.C. Awards Gornik has received several awards: the Neuberger Museum of Art Annual Honoree (2004), the 18th annual Lifetime Achievement in the Arts Honoree (2003) by the Guild Hall of East Hampton, and the Award of Excellence for Artistic Contributions to the Fight Against AIDS from the American Foundation for AIDS Research (amfAR) Recent Group Exhibitions 2022 “Boil, Toil & Trouble” (curated by Zoe Lukov), Art in Common, Miami, FL (with Ana Mendieta, Bruce Nauman, Maya Lin, Marina Abramović, Nicole Eisenman, Niki De Saint Phalle etc.) “COMPETERE: An Exhibition of Artist Couples,” The Bo Bartlett Center, Columbus State University, GA 2019 “That 80s Show,” Nassau County Museum of Art, Roslyn Harbor, NY (The East Village scene; Keith Haring, Jean-Michel Basquiat, Julian Schnabel, Cindy Sherman, April Gornik, Kenny Scharf, Robert Mapplethorpe, and Robert Longo“ LandEscape,” Katonah Museum of Art, Katonah, NY 2017 “Black & White,” Tripoli Gallery, Southampton, NY “Photography of Place,” Palm Beach Photographic Center Museum, West Palm Beach, FL 2015 “Seeing Nature: Landscape Masterworks from the Paul Allen...

This beautiful original lithograph depicting a Greek landscape by Charles Lapicque was printed in Paris at the Atelier Mourlot in 1964. The artist produced some of his first landscap...

Road To Horizon by Chinese/American artist Chase Chen depicts a hillside with a road that leads up to some trees on the top of the hill silhouetted against a blue sky and scattered clouds perhaps at sunset. Original limited edition [ 346/350 ] serigraph signed in pencil and in very good condition with two small creases in the outer margins on the lower left. Paper size 29.50 x 35.25 image 24 x 30.50. Born into a family of doctors and growing up during the cultural revolution Chinese...

This darkly-shaded portrait of two figures is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from a...

Overlooking Wadi, Asir Province, Kingdom Of Saudi Arabia by His Majesty King Charles III, (created when he was HRH The Prince of Wales) - ...

“LA CASA VIVENDA” Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casa Vivenda” circa 1991. Image size 18.38 x 25 inches and the paper size 21.75 x 29.38 inches. Printed in an edition of 100 this impression is inscribed “70/100” - the 70th impression of 100. This impression is pencil signed in the lower right and inscribed in the lower left. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Lithographic poster produced for an exhibition of Picasso's paintings at Galerie Louise Leiris in 1962. Designed by Henri Deschamps using Picasso's oil...

Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...