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Betsy Weis Art

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Artist: Betsy Weis
Summer Lilies (Realist Black & White Landscape Photograph of Botanicals)
Summer Lilies (Realist Black & White Landscape Photograph of Botanicals)

Summer Lilies (Realist Black & White Landscape Photograph of Botanicals)

By Betsy Weis

Located in Hudson, NY

Minimalist landscape photograph of black and white waterlilies "Summer Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Category

Early 2000s Contemporary Betsy Weis Art

Materials

Archival Pigment, Archival Paper

Summer Lilies: Black and White Archival Pigment Print on Watercolor Paper
Summer Lilies: Black and White Archival Pigment Print on Watercolor Paper

Summer Lilies: Black and White Archival Pigment Print on Watercolor Paper

By Betsy Weis

Located in Hudson, NY

Betsy Weis (Photography) Summer Lilies, 2006 20" X 30" $1,700.00 archival inkjet print on watercolor paper (Also available with 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,000) Image: 20 x 30 inches Paper: 24 x 36 inches Photographed in Wellfleet in Cape Cod, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Category

Early 2000s Contemporary Betsy Weis Art

Materials

Archival Pigment

Dusk Lilies (Black & White Landscape Still Life Photograph of Water Lilies)
Dusk Lilies (Black & White Landscape Still Life Photograph of Water Lilies)

Dusk Lilies (Black & White Landscape Still Life Photograph of Water Lilies)

By Betsy Weis

Located in Hudson, NY

Minimalist landscape photograph of black and white lilies on water "Dusk Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Category

Early 2000s Contemporary Betsy Weis Art

Materials

Archival Pigment

Lily Pond (Realist Black & White Landscape Photo of Floating Botanicals)
Lily Pond (Realist Black & White Landscape Photo of Floating Botanicals)

Lily Pond (Realist Black & White Landscape Photo of Floating Botanicals)

By Betsy Weis

Located in Hudson, NY

Minimalist landscape photograph of black and white lilies on water "Lily Pond", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Category

Early 2000s Contemporary Betsy Weis Art

Materials

Archival Pigment, Archival Paper

End of Summer (Realist Black & White Still Life Landscape of Lily Pads on Water)
End of Summer (Realist Black & White Still Life Landscape of Lily Pads on Water)

End of Summer (Realist Black & White Still Life Landscape of Lily Pads on Water)

By Betsy Weis

Located in Hudson, NY

Minimalist landscape photograph of black and white lily pads on water "End of Summer", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Category

Early 2000s Contemporary Betsy Weis Art

Materials

Archival Pigment, Archival Paper

Trees in the Distance (Black and White Archival Inkjet Print of a Meadow)

Trees in the Distance (Black and White Archival Inkjet Print of a Meadow)

By Betsy Weis

Located in Hudson, NY

archival inkjet print on watercolor paper 10 x 13 inches unframed 2016 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance. This photograph is available unframed. The image measures 10 x 13 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Category

2010s Contemporary Betsy Weis Art

Materials

Archival Pigment

Trees and Moonlit Sky (Archival Inkjet Print on Watercolor Paper)

Trees and Moonlit Sky (Archival Inkjet Print on Watercolor Paper)

By Betsy Weis

Located in Hudson, NY

archival inkjet print on watercolor paper 16 x 16 inches unframed 2018 Photographed in Maine, this color archival pigment print by Betsy Weis captures a grouping of trees at dusk. The serenity of the moon's gentle light against a deep blue evening sky illuminates the dark forest below. This photograph is available unframed. The image measures 16 x 16 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Category

2010s Contemporary Betsy Weis Art

Materials

Archival Pigment

Lily Pond: Black and White Archival Pigment Print on Watercolor Paper
Lily Pond: Black and White Archival Pigment Print on Watercolor Paper

Lily Pond: Black and White Archival Pigment Print on Watercolor Paper

By Betsy Weis

Located in Hudson, NY

Betsy Weis (Photography) Lily Pond, 2006 20" X 30" archival pigment print on watercolor paper (Also available 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,...

Category

Early 2000s Contemporary Betsy Weis Art

Materials

Archival Pigment

Dusk Lilies: Framed Black and White Archival Pigment Print on Watercolor Paper
Dusk Lilies: Framed Black and White Archival Pigment Print on Watercolor Paper

Dusk Lilies: Framed Black and White Archival Pigment Print on Watercolor Paper

By Betsy Weis

Located in Hudson, NY

Betsy Weis (Photography) Dusk Lilies, 2006 20" X 30" archival inkjet print on watercolor paper 27 x 37 inches in white frame with white mat & AR non-glare glass Image: 20 x 30 inche...

Category

Early 2000s Contemporary Betsy Weis Art

Materials

Archival Pigment

Trees in Rows (Black and White Archival Inkjet Print of a Birch Tree Forest)
Trees in Rows (Black and White Archival Inkjet Print of a Birch Tree Forest)

Trees in Rows (Black and White Archival Inkjet Print of a Birch Tree Forest)

By Betsy Weis

Located in Hudson, NY

2015 black and white archival inkjet print on watercolor paper 10 x 15 inches unframed 16.5 x 21.5 inches framed $1250 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures white birch trees in rows. The ordered arrangement evolves into an organic complexity as the trunks spread out into branches. This photograph is available unframed. The image measures 10 x 15 inches. 16.5 x 21.5 inches framed $1250 Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Category

2010s Contemporary Betsy Weis Art

Materials

Archival Pigment

Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland)
Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland)

Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland)

By Betsy Weis

Located in Hudson, NY

Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland) by Betsy Weis black and white archival inkjet print on watercolor paper 10 x 15 inches unframed 16.5 x 21.5 inches framed $1250 Photographed in Finland, this black and white archival pigment print by Betsy Weis captures trees in the mist during winter. The forest is softened by the snow and mist that envelopes them and there is a serenity despite the cold conditions of this landscape. This photograph is also available unframed for $950. The image measures 10 x 15 inches. 16.5 x 21.5 inches framed $1250 Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Category

2010s Contemporary Betsy Weis Art

Materials

Archival Pigment

End of Summer: Black and White Archival Pigment Print on Watercolor Paper
End of Summer: Black and White Archival Pigment Print on Watercolor Paper

End of Summer: Black and White Archival Pigment Print on Watercolor Paper

By Betsy Weis

Located in Hudson, NY

Betsy Weis (Photography) Dusk Lilies, 2006 20" X 30" archival inkjet print on watercolor paper (Available in 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,00...

Category

Early 2000s Contemporary Betsy Weis Art

Materials

Archival Pigment

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Previously Available Items
Hers

Betsy WeisHers, 1999

Sold

H 32 in W 24 in

Hers

By Betsy Weis

Located in Hudson, NY

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Acrylic, Canvas

Betsy Weis art for sale on 1stDibs.

Find a wide variety of authentic Betsy Weis art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Betsy Weis in archival pigment print, pigment print, archival paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Betsy Weis art, so small editions measuring 13 inches across are available. Customers who are interested in this artist might also find the work of Evžen Sobek, Brian Kosoff, and Isa Leshko. Betsy Weis art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $950 and tops out at $2,100, while the average work can sell for $1,600.