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Artist: Betsy Weis
Dusk Lilies: Framed Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography)
Dusk Lilies, 2006
20" X 30" archival inkjet print on watercolor paper
27 x 37 inches in white frame with white mat & AR non-glare glass
Image: 20 x 30 inche...
Category
Early 2000s Contemporary Betsy Weis Art
Materials
Archival Pigment
Lily Pond (Realist Black & White Landscape Photo of Floating Botanicals)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lilies on water
"Lily Pond", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Betsy Weis Art
Materials
Archival Pigment, Archival Paper
Lily Pond: Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography)
Lily Pond, 2006
20" X 30" archival pigment print on watercolor paper
(Also available 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,...
Category
Early 2000s Contemporary Betsy Weis Art
Materials
Archival Pigment
Summer Lilies (Realist Black & White Landscape Photograph of Botanicals)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white waterlilies
"Summer Lilies", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Betsy Weis Art
Materials
Archival Pigment, Archival Paper
Dusk Lilies (Black & White Landscape Still Life Photograph of Water Lilies)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lilies on water
"Dusk Lilies", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Betsy Weis Art
Materials
Archival Pigment
Trees in the Distance (Black and White Archival Inkjet Print of a Meadow)
By Betsy Weis
Located in Hudson, NY
archival inkjet print on watercolor paper
10 x 13 inches unframed
2016
Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance.
This photograph is available unframed. The image measures 10 x 13 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Betsy Weis Art
Materials
Archival Pigment
Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland)
By Betsy Weis
Located in Hudson, NY
Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland) by Betsy Weis
black and white archival inkjet print on watercolor paper
10 x 15 inches unframed
16.5 x 21.5 inches framed $1250
Photographed in Finland, this black and white archival pigment print by Betsy Weis captures trees in the mist during winter. The forest is softened by the snow and mist that envelopes them and there is a serenity despite the cold conditions of this landscape.
This photograph is also available unframed for $950. The image measures 10 x 15 inches.
16.5 x 21.5 inches framed $1250
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Betsy Weis Art
Materials
Archival Pigment
End of Summer (Realist Black & White Still Life Landscape of Lily Pads on Water)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lily pads on water
"End of Summer", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Betsy Weis Art
Materials
Archival Pigment, Archival Paper
Trees in Rows (Black and White Archival Inkjet Print of a Birch Tree Forest)
By Betsy Weis
Located in Hudson, NY
2015 black and white archival inkjet print on watercolor paper
10 x 15 inches unframed
16.5 x 21.5 inches framed $1250
Photographed in Maine, this black and white archival pigment print by Betsy Weis captures white birch trees in rows. The ordered arrangement evolves into an organic complexity as the trunks spread out into branches.
This photograph is available unframed. The image measures 10 x 15 inches.
16.5 x 21.5 inches framed $1250
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Betsy Weis Art
Materials
Archival Pigment
Trees and Moonlit Sky (Archival Inkjet Print on Watercolor Paper)
By Betsy Weis
Located in Hudson, NY
archival inkjet print on watercolor paper
16 x 16 inches unframed
2018
Photographed in Maine, this color archival pigment print by Betsy Weis captures a grouping of trees at dusk. The serenity of the moon's gentle light against a deep blue evening sky illuminates the dark forest below.
This photograph is available unframed. The image measures 16 x 16 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Betsy Weis Art
Materials
Archival Pigment
Summer Lilies: Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography)
Summer Lilies, 2006
20" X 30"
$1,700.00
archival inkjet print on watercolor paper
(Also available with 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,000)
Image: 20 x 30 inches
Paper: 24 x 36 inches
Photographed in Wellfleet in Cape Cod, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Betsy Weis Art
Materials
Archival Pigment
End of Summer: Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography)
Dusk Lilies, 2006
20" X 30" archival inkjet print on watercolor paper
(Available in 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,00...
Category
Early 2000s Contemporary Betsy Weis Art
Materials
Archival Pigment
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Betsy Weis art for sale on 1stDibs.
Find a wide variety of authentic Betsy Weis art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Betsy Weis in archival pigment print, pigment print, archival paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Betsy Weis art, so small editions measuring 13 inches across are available. Customers who are interested in this artist might also find the work of Evžen Sobek, Brian Kosoff, and Isa Leshko. Betsy Weis art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $950 and tops out at $2,100, while the average work can sell for $1,600.