Birger Sandzen Art

Kate Heiss Snettisham Sweet Chestnut Limited Edition Linocut Print Edition of 30 Image Size: H 30cm x W 30cm Mounted Size: H 40cm x W 40cm x D 0.5cm Made in 2017 Signed and numbered on the front. Edition numbers may vary from the photo. Please note that in situ images are purely an indication of how a piece may look. Snettisham Sweet Chestnut is a limited edition linocut print by Kate Heiss. The work depicts two Silver Washed Fritillary butterflies feeding on the blossom of the sweet chestnut tree. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

Eleanor Woolley Poppies Near Naunton 2 Original Painting Oil Paint on Canvas Canvas Size: H 61cm x W 61cm x D 3.7cm Signed Sold Unframed Ready to Hang (Please note that in situ image...

In "Bananas" by Vita Kobylkina, the artist skillfully captures the vibrant essence of everyday objects, elevating the mundane into a captivating work of...

This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...

"Graceful interweaving of plants cucumber and tomatoes on the peach colors background. inspired by designs of William Morris - Limited edition giclee Print - with archival inks ...

Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...

​ JOHN ROBERTSON REID RBA, ROI, RI ​ British 1851 – 1926 “Harvest of the Sea” Oil on canvas, Signed and Framed. John Robertson Reid was born in Edinburgh and studied at the Royal Scottish Academy schools before moving to Cornwall and later London. He became interested in the social-realist movement; probably influenced by Bastien-Lepage and in 1879 his “Toil and Pleasure” was hung in the Royal Academy and bought by the Chantrey Bequest. He continued to exhibit at the Royal Academy and at the Royal Society of British Artists and also the Royal Institute, he was a member of all three Institutes. Reid’s subjects – field workers, humble people – were similar to those of Bastien-Lepage, but his handling of the paint was more dynamic and reflected his training at the Scottish Academy under Chalmers and McTaggart. He was also a good colourist, and some of his coastal scenes with fishermen and women in the foreground, have rich blues and greens, of which ours is a typical example. Reid was also a fine watercolourist in a breezy style similar to that of David Cox. Not all his work was about hard work he also painted rural people at rest or playing cricket and was always capable of brilliant work; his Venetian...

Waterway by Rob Barnes [2021] Last one available. The inspiration for this was seeing clouds and ripples on the river. I was trying to create movement in the design and include some...

"Close Enough for Jazz" by Jonathan Stewardson is a mesmerizing original cityscape painting that captures the vibrant energy of London at night. With his signature contemporary impre...

Sunny meadow 1985, cardboard, oil, 21.5x33 cm

Limited Edition , 5 of 15, etching from this very collected Scottish artist. Signed. Excellent condition Image 9" x 7.5" Ian Laurie was born in 1933 and is a self taught artist who...

Vic Ellis RSMA Thames Barges and other Shipping. Oil on Board, Signed and Framed. Ellis lived in Essex and latterly spent his time painting shipping on the Thames and the Medway. He...