Bruno Héroux Art

Carriere, Eugene. Le Fondeur, Paris 1900 [Steel Worker], Color lithograph. Ref: Das Fruhe Plakat 134. 51 x 34 3/4 inches. Eugène Anatole Ca...

Francis JOURDAIN Night Dream : the Swanns, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithogra...

'Die Nacht' (The Night) German wood-engraving, 1903. 310mm by 230mm (image) 410mm by 280mm (sheet)

'Die Nixen' (Mermaids) German wood-engraving, 1903. 230mm by 320mm (image) 280mm by 410mm (sheet)

William Strang (1859-1921), Mother Earth, 1897, etching, drypoint, aquatint ); signed in pencil lower right, and signed by the printer David Strang and...

Henri DeGroux (1866-1930) was a Belgian Symbolist painter, sculptor and lithographer. He was known for his allegorical, religious and historical subject matter. He became an inspired...

James Ensor (1860-1949), Exterminating Angel (L'Ange Exterminateur), etching with drypoint, 1889, signed and dated in pencil lower right, also titled and countersigned verso. Referen...

ROLAND HOLST, R.N. (Richard) (1868-1938). “Eere Tentoonstelling Bosboom/ 1817 1917/ Pulchri-Studio ‘s Gravenhage/ 21 Apr[il] 31 Mei”. Color lithograph (pa...

Edouard Goerg, 'Le Paradis Terrestre' (Paradise on Earth), etching, 1931, edition 40. Signed, titled, and numbered '3/40' in pencil. A fine richly-inked impression, on heavy, cream w...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Portrait de Jeune Fille is a haunting portrait of a young girl also known as .. Justine… she could be either fading into the distance or just materializing out of a dream state. Her hair and the air around her is in shades of pale blue and the background is the white of the paper. This is a limited edition ( 170/300) aquatint , signed in the plate. In good condition with a 1" repaired tear midway on the right border which will not show when framed. Argentinian-born artist Leonor Fini (1907-1996) is considered one of the great female artists of the twentieth century. She moved to Paris in the early 1930’s where she spent most of her life and almost immediately formed friendships with Salvador Dali, Cartier- Bresson, Max Ernst and other intellectuals of the time. At twenty five she had her first one person show in Paris and was included in the 1936 pivotal exhibition at MOMA…Fantastic Art, Dada and Surrealism…..and that same year had an exhibition at a famous avant garde gallery in New York. Although Fini never considered herself a Surrealist she maintained close personal relationships with several members of the group. One can see how their ideology influenced her work but she remained firmly rooted in the tradition of Symbolism, Metaphysics and Italian and German Romanticism Her works can be found in most important collections of modern art around the world. Fini was renowned as a portraitist and as a painter of erotic sexual tensions with a mysterious atmosphere. She was adamant about being independent and not belonging to any one group. She lived life on her own terms and is sometimes referred to as …..the female Dali. She was also involved with designing for fashion and creating elaborate sets for opera and theatre. As a feminist she was definitely ahead of the times. She produced the first erotic male nude...

Bridges. From the series “My Riga”. 1967. Paper, linocut, 69x103 cm.