Cesare Peverelli Prints and Multiples

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Mourlot and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imagina...

Image dimensions: 23.5 x 17.5 cm Tripartite composition is an original black and white aquatint, chalcography and etching on paper, realized by the Italian artist Cesare Peverelli (...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Cesare PEVERELLI Surrealist Landscape with Blue Moon, 1972 Original lithograph Handsigned in pencil On Rives vellum 37 x 28 cm (c. 15 x 11 inch) Excellent condition

Image dimensions: 23.7 x 17.7 cm Untitled is an amazing original black and white etching and aquatint on paper, realized by the Italian artist Cesare Peverelli ( Milan, 1922-Paris, 2000). Hand-signed and numbered in pencil and in Arabic numerals on lower margin. From an edition of 100 prints. This is a really beautiful synthetic and geometrical composition, in which the artist exercises his hatching and his mix with the dots with excellent results. In excellent conditions. This is a perfect artwork for your home decor, could adapt to your sophisticated furniture ! Cesare Peverelli (Milan, 1922 - Paris, 2000) Cesare Peverelli began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948). In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery, where in 1949 he held a solo show accompanied by a poem by Aimé Césaire...

Image dimensions: 23.7 x 17.7 cm Senza Titolo is an original black and white etching on paper, realized by the Italian artist Cesare Peverelli (Milan, 1922-Paris, 2000) and printed in 1973 by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner. Hand-signed and numbered in pencil and in Arabic numerals on lower margin. From an edition of 100 prints. This is an instinctive composition showing a very rapid line and remembering the Surrealist lesson of the automatic written. Cesare Peverelli (Milan, 1922 - Paris, 2000) Cesare Peverelli began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948). In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery, where in 1949 he held a solo show accompanied by a poem by Aimé Césaire...

Image dimensions: 23.7 x 17.7 cm Untitled composition is an amazing original black and white etching on paper, realized by the Italian artist Cesare Peverelli (Milan, 1922-Paris, 2000) and printed in 1973 by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner. Hand-signed and numbered in pencil and in Arabic numerals on lower margin. From an edition of 100 prints. This is really beautiful artwork, on halfway between Surrealism and the Informal, two types of research practiced by the artist, obtaining excellent and charming results. in excellent conditions. Cesare Peverelli (Milan, 1922 - Paris, 2000) Cesare Peverelli began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948). In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery, where in 1949 he held a solo show accompanied by a poem by Aimé Césaire...

Cesare PEVERELLI Pink Sunset on Field of Stones Original lithograph Handsigned in pencil Numbered / 50 copies On Japan paper 76 x 56 cm (c. 30 x 22 in) Excellent condition

Composition is a black and white etching on paper, realized by the Italian artist Cesare Peverelli (Milan, 1922 - Paris, 2000) and printed in 1973 by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner. Hand-signed and numbered in pencil and in Arabic numerals on the lower margin. From an edition of 100 prints . This is an instinctive composition showing a very rapid line and recalling the Surrealist concept of automatic writing...

Composition is a black and white etching on paper, realized by the Italian artist Cesare Peverelli (Milan, 1922 - Paris, 2000) and printed in 1973 by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner. Hand-signed and numbered in pencil and in Arabic numerals on the lower margin. From an edition of 100 prints . This is an instinctive composition showing a very rapid line and recalling the Surrealist concept of automatic writing...