Head of a Laughing Peasant
By Cornelis Bega
Located in Middletown, NY
Etching on white laid paper, 1 5/8 x 1 1/2 inches (41 x 38 mm), thread margins. In excellent condition with a light pencil inscription on the verso. [Hollstein 6]
Handmade Paper, Laid Paper, Etching
The Mother Seated in an Inn
By Cornelis Bega
Located in Middletown, NY
Etching on cream laid paper with an indiscernible horizontal watermark, 6 1/8 x 4 11/16 inches (154 x 120 mm). Thread margins. The first state (of two), before the additional work on...
Handmade Paper, Laid Paper, Etching
17th century etching black and white mother and child figures scene
By Cornelis Bega
Located in Milwaukee, WI
"Mother & Child" is an original etching by Cornelis-Pietersz Bega. It depicts a mother and her child. Publisher: Pearce #51. 3" x 3" art 13 3/4" x 11 3/4" frame Cornelis Pietersz B...
Etching
17th century etching black and white dramatic window figure scene
By Cornelis Bega
Located in Milwaukee, WI
"Man Looking Through a Window" is an original etching by Cornelis-Pietersz Bega. It depicts a figure leaning through a window. Publisher: Pearce #37. 3 1/8" x 3" art 14 3/4" x 13 1/...
Etching
The Young Hostess
By Cornelis Bega
Located in New York, NY
Cornelis Bega (active 1631/32-64), The Young Hostess, c. 1660-64, etching. Reference: Hollstein, Bartsch 33, third state (of 5). With the address of J. Covens and C Mortier bottom left - before the address was removed (in the fourth state) and the artist’s signature was added (in the fifth state). In excellent condition, printed in black/grey ink on an old laid paper, with a 3/16 inch margin outside the plate mark all around, archival matting. Provenance: Ex collection Graff (with stamp verso, Lugt 1092a), LRV (with stamp verso, Lugt 1761), an unidentified collector’s stamp verso, and Dr. Karl Herveg (his stamp verso, Lugt 3974). A very good impression, with the guidelines of the address strongly visible. Dr. Karl Herweg was a noted collector of 17th Century Dutch prints...
Etching
17th century etching black and white figures scene
By Cornelis Bega
Located in Milwaukee, WI
"The Singer" is an original etching by Cornelis-Pietersz Bega. It depicts a performer and onlookers. Publisher: Pearce #50. 4" x 3" art 16 1/2" x 13 1/2" frame Cornelis Pietersz Be...
Etching
17th century etching black and white indoors table figures scene
By Cornelis Bega
Located in Milwaukee, WI
"The Conversation" is an original etching by Cornelis-Pietersz Bega. It depicts three men conversing in a dark interior. Publisher: Pearce #43. 3" x 2 1/4" art 12 3/4" x 11 5/8" fra...
Etching
17th century etching black and white figure table tobacco pipe scene
By Cornelis Bega
Located in Milwaukee, WI
"The Pipe Smoker" is an original etching by Cornelis-Pietersz Bega. It depicts a man sitting at a table with his pipe. Publisher: Pearce #38. 3 1/2" x 3 1/4" art 13 5/8" x 11 3/4" f...
Etching
17th century etching black and white indoor dramatic figures scene
By Cornelis Bega
Located in Milwaukee, WI
"The Meeting" is an original etching by Cornelis-Pietersz Bega. It depicts a confrontation between two groups of figures. Publisher: Pearce #48. 2 3/4" x 2 3/4" art 10 1/4" x 10 3/8...
Etching
The Mother Seated in an Inn
By Cornelis Bega
Located in New York, NY
Cornelis Bega (1631/2-1664), The Mother Seated in an Inn, etching, circa 1660-64. Reference: Hollstein 31, a later impression, second state (of 2). In good condition, trimmed outside...
Etching
'The Smoker (Le Fumeur)' original etching by Cornelis-Pietersz Bega
By Cornelis Bega
Located in Milwaukee, WI
'The Smoker (Le Fumeur)' is an original etching by the celebrated Dutch painter and printmaker Cornelis-Pietersz Bega. It presents a genre scene of the type Bega was best known for: Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, gamblers and fools such as quack doctors and alchemists. In this case, he shows a man seated on a chair with his foot on a flat stool and holding a smoking pipe. For Bega, this representation was more of a caricature than it was an image of a specific person, and such genre scenes would have held allegorical and symbolic meaning for the seventeenth-century viewer. During the seventeenth century, the Dutch of all levels of society consumed tobacco and alcohol, and these were an important part of the Dutch economy and a major source of wealth. At the same time, however, moralists and ministers sought to curb intoxication: they openly described drinking and smoking as sinful, immoral, and a general threat to one’s reputation. This paradox is reflected in prints such as this, which inherently carry the national pride of the Dutch economy alongside a moral warning in a print that could be just as easily consumed and collected. 2.5 x 2.25 inches, print 12.38 x 10.38 inches, frame Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials. Housed in a gold finish Spanish-style wood moulding. Overall good and stable condition; margins cut to plate; some wrinkling in the corners from previous mounting; housed in a new custom frame. Cornelis Bega was born into prosperous circumstances. His mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz van Haarlem, a renowned Mannerist artist. Bega's father was Pieter Jansz Begijn (d 1648), a gold and silversmith. Like other family members, Bega was probably Catholic. Houbraken's claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke; he was already a competent draughtsman, as indicated by his first extant dated work, Interior with a Nursing Mother (1652; Frankfurt am Main, Städel. Kstinst.), and by a remarkable double portrait (Amsterdam, Rijksmuseum) drawn by him and Leendert van der Cooghen in 1654. Bega painted, drew, etched and made counterproofs in a wide variety of materials on different types of small-scale supports. He may have been the first Dutch artist to make monotypes, but this remains controversial. Approximately 160 paintings, 80 drawings and six monotypes by Bega have been catalogued, as well as around 34 etchings. Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, smokers, gamblers and fools such as quack doctors and alchemists. Less common subjects include the ridiculed or pestered woman, as in Two Figures and Mother with a Spirits Bottle (c. 1662; Gouda, Stedel, Museum Catharina Gasthuis) and The Inn (etching), as well as witty satires on traditional scenes of middle-class music-makers, such as the Music Lesson (1663; Paris, Petit Palace). Bega's early paintings, such as the Weaver's Family (c. 1652; St Petersburg, Hermitage), are freely executed, dark and coarse, recalling the many-figured peasant subjects of van Ostade. Between c. 1660 and 1664 he began to paint genre scenes with fewer figures, which are finely articulated, colourful and psychologically expressive, for example Two Men Singing (1662; Dublin, N.G.). His exquisite, late fijnschilderen ('fine painting') manner, evident in The Alchemist (1663; Malibu, Getty Museum), compares well with that of Gerrit Dou. As a draughtsman Bega is noted for his single-figure studies, executed mainly in black and white chalk on blue paper or red chalk on white paper. None of the studies, which were drawn naer het leven (from life), seem to relate to a painting or etching. Bega traded drawings or shared models with other artists of the Haarlem school, including van der Cooghen, Gerrit Berckheyde, Dirck Helmbreker and Cornelis Visscher. These artists drew chalk figure studies in a very similar style, characterised by regular and precise parallel shading and well-defined forms; their drawings, especially those of Bega and Berckheyde, have been frequently confused. Unlike the realistic figure studies, Bega's etchings depict interiors with figures or single figures in the manner of van Ostade; the compositions, often with masterful chiaroscuro effects, reflect most closely the paintings of the 1650s. Bega is likely to have remained in Haarlem, where he paid dues to the Guild in 1661. He probably died from the plague; fees for his expensive funeral at St. Bavo's were paid on 30 August 1664. Among the artists he influenced were Thomas Wijck, Jan Steen, Richard Brakenburg (1650-1702) and Cornelis Dusart. Painters such as R. Oostrzaen ( fl ?1656) and Jacob Toorenvliet...
Paper, Etching
$900
H 22.5 in W 16.63 in
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Reference: Le Blanc No. 255, 38; Nagler No. 23 Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Laid Paper, Engraving, Etching
$900
H 22.57 in W 16.38 in
Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Reference: Le Blanc No. 255, 38; Nagler No. 23 Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Laid Paper, Engraving, Etching
$900
H 22.5 in W 16.32 in
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Meridies; Der Mittag (Noon; The Midday)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Sheet size: 22.5" x 16.32" Image size: 18.13" x 14.32" Reference: Le Blanc No. 255, 38; Nagler No. 23 Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Laid Paper, Engraving, Etching
$816
H 19.3 in W 13.39 in D 0.04 in
Ancient Roman Statue - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th century. Signed on plate on the lower le...
Etching
$816
H 19.3 in W 13.39 in D 0.04 in
Palmo Napolitano - Original Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Palmo Napolitano, from the series "Antiquities of Herculaneum", is an original etching on paper realized by G. Morghen. Signed on plate on the lower right. Good conditions. The et...
Etching
$3,100Sale Price|20% Off
H 24.38 in W 31.75 in D 0.75 in
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Etching, Engraving, Drypoint
$2,380Sale Price|20% Off
H 23.13 in W 33 in D 0.5 in
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...
Etching
$4,700Sale Price|20% Off
H 28.88 in W 37.25 in D 1.25 in
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Etching
"A Harlot's Progress" Plate 3 Etching
By William Hogarth
Located in Houston, TX
Etching from the series titled "A Harlots Progress" by William Hogarth. The series consists of six paintings and engravings. The story is about a woman named M. Hackabout who arrived in London and started working as a prostitute. The third plate is of her getting arrest for her choice in profession. The series is a satirical story that emphasizes the dangers of being a prostitute and the health risks that come from it. In 18th century engraving, the detail of the black mole on women and men's face is a symbol of the deadly venereal disease, syphilis. In this plate, Hackabout has already contracted the disease and that is why the black dot is visible on her forehead as well as her madam's. In 1828, William Innell Clement published Harlot's Progress in columns on a single page of his newspaper Bell's Life in London #330. The detail with the cross seen in earlier reproductions of the engraving. Dimensions without Frame: H 14.5 in x W 16.5 in. Artist Biography: William Hogarth ( 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", perhaps best known to be his moral series A Harlot's Progress, A Rake's Progress and Marriage A...
Etching
$3,020Sale Price|20% Off
H 27 in W 32 in D 1.5 in
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Etching
$2,400
H 15.875 in W 19.75 in
17th century etching black and white landscape forest trees satyr goats
By Giovanni Benedetto Castiglione
Located in Milwaukee, WI
"Mythological Scene--Satyr & Goat Herder" is an etching by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching goat herder on th...
Etching
$3,180Sale Price|20% Off
H 42.25 in W 26.5 in D 1.5 in
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
Etching