David Rathman Art

This artwork "Fisherman's village" is a compelling tableau that arrests the viewer's attention with its dynamic and almost abstract portrayal of a tranquil lakeside scene. The pain...

Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W. Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...

Mickey Mouse Walt Disney Manga Cartoon Pop Art by Young British Urban Graffiti Artist, Chris Pegg, entitled 'All That Glitters'. Chris Pegg is a self-t...

The Old Town, Nice France Tony Minartz (French 1873 - 1994) watercolor on artist paper, unframed painting : 17 x 12.75 inches Provenance: private collection in the South of France Co...

Colorful and dynamic abstract composition by Ross H. Pollette, who also paints under the pseudonyms 'Max West' (American, b. 1948). Pollette has used oil, in...

This piece titled "Finger Wave" is an original piece by Branche Coverdale and is made from acrylic gouache on Stonehenge rag paper. This piece measur...

Ferry view to Fetlar by Natalie Bird [2022] original Watercolour and pastel on paper Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:35 c...

Furstemberg 2 is a unique painting by French contemporary artist Guillaume Chansarel. The painting is made with Ink and acrylic on old book pages mounted on canvas, dimensions are 50...

The Hunting Party Attributed to Dirk Maes (1659-1717) Dutch. Figures in a Classical Landscape, Watercolour and wash on paper, Mounted, unframed image 6.75" x 9.75" (17.1 x 24.7cm)...

Artist : Ryan Wilks Title: Quarantine Medium: India ink, chalk pastel, graphite on canvas. Year: 2020 Size: 60W" x 72H" Description : This response to Covid...

A female figure in red sits beside a pink and black butterfly, surrounded by brightly colored flowers in red and bright pink and a black urn next to a tree with green leaves in the c...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...