Decorative Crafts Cabinets

Lovely antique 19th century Neoclassical wall cabinet / small cabinet Germany 1880. This German Grunderzeit cabinet is made from hand carved oak & is richly decorated. A true display of craftsmanship & quality. This cabinet has 2 doors and comes with a working lock & key. Its interior has 2 oak shelves. The cabinet has a very nice old restoration to the right side dating from the 1940s. A piece of furniture history with the right antique charm...

A gorgeous mid-century modern Hollywood Regency Chinoiserie bar cabinet By Henredon USA, Circa 1970s Walnut in faux tortoise shell finish, with original brass hardware. Measures:...

Elegant Neoclassical Style Inlaid Demilune Cabinet, Late 20th Century A beautifully crafted demilune side cabinet in the refined neoclassical taste, veneered with a harmonious pale...

Striking pair of vintage cabinets crafted with hardwoods in a sleek asian style with brass hardware and featuring a chic stylized faux tortoise finish. Signed Henredon in a drawer.

Stunning and rare Renaissance Revival cabinet. Striking Dutch design from the 18th Century and manufactured in the 1900s. Solid oak base with three original hand-carved lion heads ...

Mid-Century Modern Henredon Asian contemporary style faux tortoise painted two door cabinet with brass hardware, circa late 20th century. Each piece is hand painted and no two are ex...

Fine craftsmanship and lavish carvings abound in this handsome Renaissance Revival Hunt cabinet, which was created in France in the late-19th century from European oak. The cabinet i...

Rectangular faux marble top over a case with a single drawer over a pair of cabinet doors opening to a fitted interior with drawers, over a drawer and a door, sides with similar deco...

French neoclassical style tall mirrored cabinet/armoire Beautiful reproduction, originally with legs, legs were cut off. Selling as is. Parcel-...

19th century French walnut neoclassical petit file cabinet is truly an unusual find! Appearing to be, at first glance, a large nightstand, it is in fact much larger at typical buffet...

French Aesthetic Movement neoclassical style ebonized oak two-door cabinet depicting painted neoclassical figures.    

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...