Delilah Montoya Art
b. 1955
Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations.
Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision.
Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. "
The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona, La Conquistador, and activist Velia Silva. This effort to reimagine a forgotten and ignored history integrates several elements to affirm the importance of both historical and contemporary mestizaje to Chicana survival.
Another project, "El Sagrado Corazon/The Sacred Heart," involved the Albuquerque Chicano community in an exploration of the syncretism, or mixing, of Catholicism and Aztec philosophy. These collotype portraits depict members of the community as well as cultural personages, such as "La Genizara" (a Hispanicized Native American) and "La Loca y Sweetie," barrio "home girls."to
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Artist: Delilah Montoya
“God’s Gift” Contemporary Photograph on Collotype
By Delilah Montoya
Located in Houston, TX
Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman with long, dark hair with both arms stretched to the sides while surrounded by lit candles. Her back faces the camera as she faces a wall with graffiti. The scene is reminiscent of Jesus on the cross.
Titled, signed, and dated by artist. Framed and matted in a red and gold wooden frame.
Dimensions Without Frame: H 17.25 in. x W 16.13
Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations.
Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision.
Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. "
The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...
Category
1990s Contemporary Delilah Montoya Art
Materials
Photographic Paper
“Treyolia” Black and White Conceptual Contemporary Photograph
By Delilah Montoya
Located in Houston, TX
Black and white contemporary photograph by Houston, TX artist Delilah Montoya. This conceptual photograph captures a young child with long, dark, curly hair, resembling that of Christ's, also wearing a white dress with a thick, patterned lining. The young subject also holds what appears to be a heart figure, also replicated as a graffiti on the wall. Signed and labeled at the back. Framed and matted in a black wooden frame.
Dimensions Without Frame: H 23 in. x W 18 in.
Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations.
Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision.
Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. "
The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...
Category
1990s Contemporary Delilah Montoya Art
Materials
Silver Gelatin
El Grito De La Gitana, from Corazon Sagrado series by Delilah Montoya, 1993
By Delilah Montoya
Located in Denton, TX
This image is a collotype print from Delilah Montoya's series, Corazon Sagrado, and is edition 1/1. It is signed, titled, dated and numbered in pencil on print margin by Delilah Montoya.
This collotype print features a woman in a dress dancing in front of a backdrop on a checkered floor...
Category
1990s Conceptual Delilah Montoya Art
Materials
Other Medium
God's Gift by Delilah Montoya, 1993, Collotype Print
By Delilah Montoya
Located in Denton, TX
God's Gift by Delilah Montoya depicts a woman facing a graffitied wall, with her arms stretched out. Lit candles surround her on the floor. The woman's pose is reminiscent of Jesus o...
Category
1990s Conceptual Delilah Montoya Art
Materials
Other Medium
Corazon Sagrado
By Delilah Montoya
Located in Denton, TX
Edition 1/1
Signed, titled, dated and numbered in pencil on print margin by Delilah Montoya
Collotype print, 10 x 8 in.
Delilah Montoya was born in Texas to a Latina mother and an Anglo father. Her mother raised her in Nebraska until she relocated to New Mexico...
Category
1990s Conceptual Delilah Montoya Art
Materials
Other Medium
Jackie Chavez
By Delilah Montoya
Located in Denton, TX
Signed, titled, and dated.
Gelatin silver print
20 x 16 in.
Category
Early 2000s Conceptual Delilah Montoya Art
Materials
Silver Gelatin
“Madonna and Child” Contemporary Photography on Collotype Edition 1/1
By Delilah Montoya
Located in Houston, TX
Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman wearing a dress and a shawl over her head. The photographed subject holds an infant, a visual reminiscent of the Madonna and Child. The same subject, while surrounded by lit candles, sits against a graffiti backdrop with the word "time" in the bottom left standing out. She looks directly at the camera, confronting the viewer's inquisitive gaze.
Titled, signed, and dated by artist. Framed and matted in a red and gold wooden frame.
Dimensions Without Frame: H 17.25 in. x W 16.125 in.
Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations.
Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision.
Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. "
The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...
Category
1990s Contemporary Delilah Montoya Art
Materials
Photographic Paper
Pink - Limited Edition Vintage Black and White Photograph, Woman Artist, Boxer
By Delilah Montoya
Located in Denton, TX
Pink is a limited edition vintage black and white portrait of a woman boxer with her hands held in fists, posing in a hotel room.
Vi...
Category
Early 2000s Contemporary Delilah Montoya Art
Materials
Silver Gelatin
Without innocence how can there be wisdom, from Corazon Sagrado series
By Delilah Montoya
Located in Denton, TX
Edition 1/1
Signed, titled, dated and numbered in pencil on print margin.
Collotype print
Category
1990s Conceptual Delilah Montoya Art
Materials
Other Medium
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Mona Kuhn: New Works, Part II, Galerie Catherine Hug, Paris, France
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Mercer Street, 1992
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Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 10
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph
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Previously Available Items
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Signed, titled, dated and numbered in pencil on print margin by Delilah Montoya
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A/P
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Delilah Montoya art for sale on 1stDibs.
Find a wide variety of authentic Delilah Montoya art available for sale on 1stDibs. You can also browse by medium to find art by Delilah Montoya in paper, photographic paper, silver gelatin print and more. Much of the original work by this artist or collective was created during the 1990s and is mostly associated with the contemporary style. Not every interior allows for large Delilah Montoya art, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Emily Cheng, Brenda Zlamany, and Shimon Attie. Delilah Montoya art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,500 and tops out at $4,000, while the average work can sell for $2,900.