Edgar Degas Sculptures
French, 1834-1917
Edgar Degas, born Hilaire-Germain-Edgar De Gas in Paris in 1834, was the oldest of five children of Célestine Musson De Gas, a Creole from New Orleans, and Augustin De Gas, a banker. Degas began his schooling at age eleven, enrolling in the Lycée Louis-le-Grand, but after his mother died when he was thirteen, his father and grandfather became the main influences on him for the remainder of his youth.
Upon graduating the Lycée in 1853, at age 18, he registered as a copyist in the Louvre Museum, but his father expected him to go to law school. Degas duly enrolled at the faculty of law of the University of Paris, in November 1853, but applied little effort to his studies. In 1855, Degas met Jean-Auguste-Dominique Ingres, whose advice he never forgot: “Draw lines, young man, and still more lines, both from life and from memory, and you will become a good artist.” In April of that year, Degas was admitted to the École des Beaux-Arts.
Evidence of Degas’ classical education can be seen in his early painting, Young Spartans Exercising (ca. 1860; National Gallery, London), done while he was still in his twenties. After 1865, when the Salon accepted his history painting The Misfortunes of the City of Orléans (Musée d'Orsay, Paris), Degas did not paint Academic subjects again, focusing his attention on scenes of modern life. He began to paint scenes of such urban leisure activities as horse racing and, after about 1870, of café-concert singers and ballet dancers. Degas' interest in ballet dancers intensified in the 1870s, and eventually he produced approximately 1,500 works on the subject. These are not traditional portraits, but studies that address the movement of the human body, exploring the physicality and discipline of the dancers through the use of contorted postures and unexpected vantage points.
Following the opening of trade with Japan in 1854, many French artists, including Degas, were increasingly influenced by Japanese prints. Degas abstracted from these prints their inventive compositions and points of view, particularly in his use of cropping and asymmetry [Dancers Practicing at the Bar (1877); Dancers, Pink and Green (ca. 1890)]. He also observed how sixteenth-century Italian Mannerists similarly framed their subjects, sometimes cutting off part of a figure.
Degas had an interest in a wide range of media, including engraving, monotype, and photography. Before 1880, he generally used oils for his completed works, but after 1875, he began using pastels more frequently, even in finished works such as Portraits at the Stock Exchange (1876). He submitted a suite of nudes, all rendered in pastel, to the final Impressionist exhibition in 1886; among these was Woman Bathing in a Shallow Tub (1885). The figures in these pastels were criticized for their ungainly poses.
By the late 1880s, Degas’s eyesight had begun to fail, perhaps as a result of an injury suffered during his service in defending Paris during the Franco-Prussian War of 1870–71. After that time he focused almost exclusively on dancers and nudes, increasingly turning to sculpture. Degas continued working as late as 1912, when he was forced to leave the studio in Montmartre in which he had labored for more than twenty years. He died five years later in 1917, at the age of eighty-three.
Find original Edgar Degas drawings, prints, paintings and other art on 1stDibs.
(Biography provided by Stern Pissarro Gallery)
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Artist: Edgar Degas
Certified Edgard Degas Bronze of a horse : (Horse walking at a high pace)
By Edgar Degas
Located in Gent, VOV
Cheval marchant au pas relevé is one of the artist’s most elegant and exacting models of a horse. It underscores Degas’s deep understanding of equine anatomy and his ability to render it with lightness and charm. Known for his focus on contemporary subjects, Degas first began depicting horses in the 1860s. As a member of the prestigious Jockey Club in Paris, Degas was a habitué of the racecourses at Deauville and Longchamps, where he could study the beauty of thoroughbred horses at close quarters. Although the artist was not an active participant himself, equestrian sports fascinated Degas throughout his life, as it allowed him to capture the full range of the horse’s movement in a wealth of poses.
Bronze with dark brown patina bearing the stamp of the signature "Degas", numbered IV/IX and dated 1998. Posthumous lost wax casting as of 1998. Stamp of Valsuani.
The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed than the current bronze.
This example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes...
Category
1880s Impressionist Edgar Degas Sculptures
Materials
Bronze
Edgard Degas: Horse Clearing an Obstacle (work 48 /certified by Comité Degas)
By Edgar Degas
Located in Gent, VOV
Horse Clearing an Obstacle (work number 48)
Bronze with dark brown green patina bearing the stamp of the signature "Degas",
Numbered IV/IX and dated 1998
Posthumous lost wax casting as of 1998.
Stamp of Valsuani.
Signed Degas
The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these Hebrard bronzes...
Category
1880s Impressionist Edgar Degas Sculptures
Materials
Bronze
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Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books.
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Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary western art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent and which constitutes something special and basic to fine art expression.
Harvey was a soft-spoken and unassuming man who cared deeply about what he painted without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas.
Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986
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Previously Available Items
Fourth Position Front, on the Left Leg
By Edgar Degas
Located in New Orleans, LA
Signed, numbered, dated, and stamped with foundry mark “Degas / 6G / 1998 / CIRE C.VALSUANI PERDUE”
Bronze
This extraordinary bronze sculpture of a dancer in motion was conceived by the great Impressionist Edgar Degas. Entitled Fourth Position Front, on the Left Leg, the bronze exhibits an exceptional level of balance and poise. Her graceful carriage and seemingly effortless control over her body is enhanced by the expressivity of her execution - the most minute details and textures of Degas' original wax are beautifully translated in the superb bronze cast.
Degas pursued the art of sculpture during the latter years of his career, crafting in wax all of his favorite subjects, from horses to women to dancers of the ballet. It was his dancers that most intrigued him in sculptural form, and of the seventy-four wax sculptures he is known to have created, over half of them depicted dancers. These creations emerged as a stunning three-dimensional representation of his highly expressive late painting style, and the present figure is no exception. Caught mid-movement in a common ballet pose, she appears arrested in time, a picture of grace and elegant movement captured in bronze.
The work is a sought-after rarity in terms of Degas’ sculptures. Not only are his dancers the most desirable of his work, but this bronze is also distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s pose as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed that the current bronze.
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Edgar Degas sculptures for sale on 1stDibs.
Find a wide variety of authentic Edgar Degas sculptures available for sale on 1stDibs. You can also browse by medium to find art by Edgar Degas in bronze, metal and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Impressionist style. Not every interior allows for large Edgar Degas sculptures, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of and Jane DeDecker. Edgar Degas sculptures prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $62,102 and tops out at $85,158, while the average work can sell for $73,630.