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Elaine Kaufman Feiner Drawings and Watercolor Paintings

1921-2019

Elaine Kaufman Feiner was born in 1922 in New York City and studied at the New York University’s Institute of Fine Arts and Washington University's School of Fine Arts. After her move to Connecticut with her husband and two children, she became active in the Silvermine Guild of Artists in New Canaan and a regular contributor to the local and regional art scene. Feiner became known for her use of color and the renowned Hungarian-American painter Gabor Peterdi was a mentor. He wrote that "one can learn to paint well, but colorists are born. To be a real colorist is an elusive gift that defies rational analysis. Elaine Kaufman Feiner has this gift. She is a real painter in the best sense of the word." Feiner was quite prolific in the 60s. Morton May, of the May Department stores family, collected her work and donated a painting (Pale Scintillate, 1968) to the Weatherspoon Art Museum at the University of North Carolina at Greensboro. Feiner participated in numerous other group exhibits throughout the second half of the last century, including those at the George Walter Vincent Smith Museum, New Britain Museum of American Art, Lever House in New York, New England Pavilion at the World's Fair of 1965, the Museum of Art, Science and Industry in Bridgeport, and numerous galleries in New York, Washington and Florida. She had one-woman shows at the Silvermine Guild, as well as galleries in Connecticut, St. Louis and Pittsburgh. Beginning in the 70s, she began spending half of the year in the Florida Keys, where the sea became a major source of inspiration for her work. In 1995, she returned year-round to her home on the banks of the Saugatuck River. Nature was always a source of inspiration for Feiner. She wrote in her artist's statement that "nature is my theme and I am concerned mainly with color and light. The luminous quality of light falling on Sea, Land, Sky, Rock and Flower. It's an aesthetic experience and also an adventure that may sometimes result in Joy." Gabor Peterdi also noted the role of nature in her work. "She has a deep religious affinity with nature that she expresses in her silent glowing canvases. Her involvement with the landscape goes beyond the recording of specific vistas... She can make the color sing, shimmer, pulsate, and thus, with a minimal reference to the objective world, she can invest her paintings with the heightened reality of poetry,” said Gabor.

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Artist: Elaine Kaufman Feiner
1999 "February" Abstract Landscape Drawing
By Elaine Kaufman Feiner
Located in Arp, TX
Elaine Kaufman Feiner (1922-2018) "February" 1999 Oil pastel on paper 40"x30" unframed Signed and dated in pencil lower right, signed, titled and dated on reverse
Category

1990s Abstract Elaine Kaufman Feiner Drawings and Watercolor Paintings

Materials

Paper, Oil Pastel

1988 "Hawaii II" Abstract Landscape Drawing
By Elaine Kaufman Feiner
Located in Arp, TX
Elaine Kaufman Feiner (1922-2018) "Hawaii II" 1993 Oil pastel, paint on paper 30"x40" unframed Signed and dated in pencil lower right, signed, titled and dated on reverse
Category

1980s Abstract Elaine Kaufman Feiner Drawings and Watercolor Paintings

Materials

Paint, Paper, Oil Pastel

1988 "Night Glow I" Abstract Drawing
By Elaine Kaufman Feiner
Located in Arp, TX
Elaine Kaufman Feiner (1922-2018) "Night Glow I" 1988 Watercolor and pastel on paper 30"x30" unframed Signed and dated in pencil lower right, titled reverse
Category

1980s Abstract Elaine Kaufman Feiner Drawings and Watercolor Paintings

Materials

Watercolor, Paper, Oil Pastel

1988 "Sacred Night" Abstract Landscape Drawing
By Elaine Kaufman Feiner
Located in Arp, TX
Elaine Kaufman Feiner (1922-2018) "Sacred Night" 1993 Oil pastel on paper 30"x40" unframed Signed and dated in pencil lower right, signed, titled and dated on reverse
Category

1980s Abstract Elaine Kaufman Feiner Drawings and Watercolor Paintings

Materials

Paper, Oil Pastel

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Llangorse Lake, Brecon Beacons, Wales, circa 1964. Welsh Landscape. Abstract.
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Roger Cecil. Welsh ( b.1942 - d.2015 ). Llangorse, Brecon Beacons Watercolor and pastel on paper. Signed. Image size 19.5 inches x 29.5 inches ( 49.5cm x 75cm ). Frame size 24.6 inches x 34.6 inches ( 62.5cm x 88cm ). Available for sale; this original painting is by the Welsh artist Roger Cecil and dates from around 1964. The watercolor and pastel work is presented and supplied in a sympathetic contemporary frame (our stock frame, which is shown in these photographs), mounted using conservation materials and behind glass. The original backboard has been reused but the artwork has been isolated from it using conservation barrier materials. This vintage artwork is in good condition, commensurate with its age. Previous cockling (rippling) of the paper has been eliminated by stretching and the use of a new mounting. Previous foxing and age marks have been mechanically removed and the coarse fiber of the paper has been made good in these areas. The painting is now ready to hang and display. The watercolor is signed lower left. Provenance: Previously with the Howard Roberts Gallery, Imperial Buildings, 69/74 St Mary Street, Cardiff. Roger Cecil was a reclusive painter, draughtsman and teacher who was born in Abertillery, Monmouthshire in 1942. He lived and worked in Wales for the last four decades of his life, much of it in the house where he was born and brought up. Cecil produced abstract work rich in imagery, poetry and color, which were drawn from his environment, the industrial valley towns and mountains. Prolific and obsessive, he was always a solitary artist, with no affiliations to any group or artistic movement. He worked for more than forty years, with an ever evolving and prolific creative output. His pictures capture the geology and the history of the places he knew so intimately, and the impact of man of that environment. Cecil studied Fine Art at Newport College of Art from 1959 to 1963, where his teachers included John Wright and Thomas Rathmell; in 1963 he gained the College’s highest award in the national diploma in design and a place at the Royal College London. In 1964 he won the David Murray Landscape Award from the RA. He took up his place at the Royal College of Art, but after just a few weeks he was unsatisfied and instead took up manual work in opencast mines and building sites. Cecil later spent some time teaching at Ebbw Vale. From 1995 to 1998 he did his MA, which he gained with distinction in communication design at St. Martin’s College of Art. The BBC made a television documentary on Cecil's work called The Gentle Rebel. For a long time Cecil did not exhibit, through choice, and it was friends who helped to promote him. He then had a series of exhibitions at Business Art Galleries from 1987, and in 1995 the Hill Court Gallery, Abergavenny, held a retrospective of his work. In 1998 Gordon Hepworth and Y Tabernacl both showed Cecil's pictures. Cecil’s works were also shown at the Oriel Myrddin Gallery in 2006 and 20011. The small book which takes the name of the earlier exhibition ”Cariad”; has an introduction by gallery manager Meg Anthony which states; “The magic of Roger Cecil’s work is in part down to the man, for he is enigmatic and surprising, diffident and proud. He has deliberately avoided the art establishment, remaining shy of its protocol and systems of exposure and recognition. He has consciously created the space to pursue his art, away from the pressures of publicity and celebrity...... paint is Roger’s passion.” Cecil’s methods were complex; he worked with a mixture of materials, including oil pastels, sandpaper, primer and plaster. He built up layers and then he rubbed and scratched them away. His work is textured and nuanced, and the color reverberates as if it has a life of its own. The paintings are abstract, but there are echoes of monumental shapes and undulations of the female form, the Valleys - the dark hills embracing the bowls of space and the rich, gritty textures of the industrial and post-industrial landscape, highlighted by intricate, personal marks. Sarah Bradford states: “Scale is an important feature of Roger Cecil’s work; he constantly shifts from near and the far off. He also moves his viewpoint from looking at, to looking down on to. This looking down, as though a bird, onto the world of the painting, comes from exploration of his surroundings and from the ordinance survey maps he takes with him when he walks. He has often said how he is inspired by the language of symbols and lines that are used in maps to delineate the landscape. It is easy to see the connection when looking at the networks of invented footpaths, waterways, and other pinpoint features that can be found in his work.” … Mary Lloyd...
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Elaine Kaufman Feiner drawings and watercolor paintings for sale on 1stDibs.

Find a wide variety of authentic Elaine Kaufman Feiner drawings and watercolor paintings available for sale on 1stDibs. If you’re browsing the collection of drawings and watercolor paintings to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, purple and other colors. You can also browse by medium to find art by Elaine Kaufman Feiner in crayon, oil pastel, paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Elaine Kaufman Feiner drawings and watercolor paintings, so small editions measuring 30 inches across are available. Customers who are interested in this artist might also find the work of Vincent Vella, Richard Royce, and Ben Hancocks. Elaine Kaufman Feiner drawings and watercolor paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $950 and tops out at $950, while the average work can sell for $950.

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